To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Various & Gould.
Something you want the world to know about you:
Gould: “I can dance like no one else wants to.”
Various: “I can touch my nose with the tip of my tongue.”
We’re honored to see this brand new piece by Dan Wiz come in for the show in LA. Damn, Dan!
BSA
Street Art Saved My Life : 39 New York Stories heralds the new highly individual character of stories being told on the streets of New York by brand new and established Street Artists from all over the world. Steven P. Harrington and Jaime Rojo, founders of BrooklynStreetArt.com focus on this flashpoint in modern Street Art evolution by curating a strongly eclectic story-driven gallery show with 39 of the best storytellers hitting the streets of New York.
Street Art Saved My Life : 39 New York Stories, the gallery show, accompanied by an LA street wall series by selected artists and a public panel lecture and discussion, intends to stake out the New Guard in street art while recognizing some powerful near-legendary forerunners.
The mainly New York lineup exhibits talent from other parts of the US and internationally (Australia, France, UK, Canada, Israel, Germany) and it is as steely, idiosyncratic and storied as the New York scene itself, including Anthony Lister, Adam Void, Broken Crow, C215, Cake, Chris Stain, Clown Soldier, Creepy, Dan Witz, El Sol 25, Ema, Faile, Futura, Gaia, Gilf!, Hargo, Hellbent, How & Nosm, Imminent Disaster, Indigo, Judith Supine, Kid Acne, Know Hope, Ludo, Mark Carvalho, Miss Bugs, Nick Walker, NohJColey, Over Under, Radical!, Rene Gagnon, Skewville, Specter, Sweet Toof, Swoon, Tip Toe, Troy Lovegates AKA Other, Various & Gould, and White Cocoa.
The staunch individualists in Street Art Saved My Life : 39 New York Stories give voice to the evolution of the Graffiti, Mash-Up, and D.I.Y. movements that birthed them; creating an eccentric, highly individual, and raucous visual experience on the street. With widely varied backgrounds, techniques, and materials at play, “The Story” is the story. With truths as diverse and difficult as the city itself, each one of these artists is a part of a fierce, raw, new storytelling tradition that is evolving daily before our eyes.
Show Name: Street Art Saved My Life : 39 New York Stories
Location: C.A.V.E. Gallery, 1108 Abbot Kinney Blvd, Venice, California 90291
Date: Opening reception Friday August 12, 2011
Duration: August 12 – September 4, 2011.
Presented by Brooklyn Street Art in collaboration with ThinkSpace and C.A.V.E
Curated by Steven P. Harrington and Jaime Rojo of BrooklynStreetArt.com
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Chris Stain.
Something you want the world to know about you: “Baltimore born. Mixed breed. House broken. Got two kids I love. Get along with punks and skins, b-boys and b-girls. Like to cut stencils. Spray paint. Write my name on sh*t. Member of justseeds.org, Out to Live, and In the Dream. Been vegetarian for 22 years goin’ on 23. Wish I could still skateboard like it was ’87.”
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Nick Walker.
A few words that sum up your philosophy on life: “Treat people how you would like to be treated – what goes around comes around.”
Read “Back Talk: A conversation with Nick Walker on Juxtapoz:
http://www.juxtapoz.com/Current/back-talk-a-conversation-with-nick-walker
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Dan Witz.
Something you want the world to know about you: “Originally, back in the late 70’s, when I first started painting on the street, even though I was dead serious about it, I thought of street art as a sort of hobby, as something enjoyable I did for myself on the weekends. This is the real reason why I kept at it for all those years before street art became fashionable: not because I thought of myself as some kind of pioneer or anything, but because I was having so much fun.”
Fun Friday stories this week:
1. Multicolored Disappearing Horizon on Williamsburg Bridge
2. CAKE on Juxtapoz : New “Back Talk” Conversation
3. Street Artist TES One Gets Down with Ice Cube for a Print
It’s summer and people are taking to the streets with their art. If you have taken a stroll or skateboard ride across the Williamsburg Bridge recently, you’ve seen a public art installation entitled “Baji Lives!”.
(VIDEO STILLS)
In this short film by Danielle Barbiari, five friends show how a collaborative project can also come alive with very modest resources and some elbow grease.
“During the wee hours of a warm summer night, several friends conspired to bring color to the Williamsburg Bridge. Inspired by the unique vantage point offered by this public space, Baji Lives! responded with a site-specific composition that accentuates the spatial dynamics of the pedestrian pathway. This piece is an offering to those who use the bridge”
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from CAKE.
Artists you admire:
“Tomma Abts, Jenny Saville, Olga Romashuk, Kathe Kollwitz, Herakut, Polina Soloveichik, Alice Neel, and Edvard Munch are my tops.”
Tes One has done a new print with Ice Cube to raise awareness and funds for The Minority AIDS Project.The proceeds from the limited edition artwork will benefit the project.
Ice Cube (photo © RareInk)
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from C215.
A few words that sum up your philosophy on life: “Trying to turn ugly sh*t into art when possible.”
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from How & Nosm.
One reason you make art: “When we started out as Graffiti writers in 1988 it kept us busy and productive instead of just getting into trouble and being street kids. Then eventually we did it for the fame and to become one of the best in our little city in Düsseldorf, Germany. Over the years this has changed and now it is an everyday thing that is part of our lives. We make art because it gives us an inner calmness and relaxes us when we paint and see the outcome of each created piece of art, yet another reason might be the urge to have to do it. At the same time it is the habit after so many years that gives us the constant drive to evolve our art work.”
To introduce readers to some of the Street Artists in the upcoming show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Anthony Lister.
Artists you admire: “The ones that do it for love and discovery.”
Read “Back Talk: A conversation with Anthony Lister” on Juxtapoz: http://www.juxtapoz.com/Features/back-talk-a-conversation-with-anthony-lister
Our weekly interview the streets, this week including Clown Soldier, Connie, Enomeks, Enzo e Nio, Eve Ensler, Klaus Nomi, Lover, Obey, Over Under, PYR, The Dude Company, and Victor of the Sea
Shepard Fairey shares a wall with Brooklyn’s Clown Soldier (photo © Jaime Rojo)
“There were a few things that went into creating this photo and I will try to sum up my meanings and reasoning behind it.
I first off wanted to capture the sort of sideshow spectacle that goes along with a rat being stenciled on a building. Blek Le Rat probably would have been a lot more famous had the full boom of internet media been around during his stencil height.
Most people these days know of a stenciled rat as being a Banksy thing, that too could be blamed on the media in general. I too am a fan of Banksy’s work, back before you had to either stand in a line to get a print or pray you win the lottery that goes into acquiring one these days. The reason for all the people taking pictures is the hype that surrounds his pieces, most of these “photographers” would not even look twice at other graffiti that could accompany the wall, that could very well be a known graffiti legend. I tend to look at some of the photographers taking shots to say they have actually seen a piece in person and the other half are going to upload photos to create a new set of coffee mugs and mouse pads to be sold on Ebay. The “Guess Who?” on the wall was a comment on various headlines and such you constantly see. For every 10 articles of “OMG new Banksy on wall in such and such”, turns out only about 1 is real. Almost anything stenciled on a wall these days will have some amateur journalist drumming up web hits by just putting Banksy’s name in a title. That is my personal opinion and reason for the piece.” ~ Enomeks
Clown Soldier’s “The Human Cannonball” Show in Chicago opened this Friday at The Pawn Works Gallery. Here’s a dazzling circus of images that illustrate the collage based art that Clown Soldier holds closest.
When the huge Clown Soldier wheat-paste first appeared on the street a about a year and a half ago (see Images of the Week 01.17.10), few people understood that it was the result of a long process of selecting elements, combining, and re-combining to reach a sense of balance – Most of us just took it at clown-face value. Here are some images from the new show and a few behind the scenes pics for context.
Brooklyn Street Art: So what do you do, how do you make these, what is the process?
Clown Soldier: I start with collage. I cut up thousands and thousands of pieces of imagery until something works. What’s great about collage is you come with things that you wouldn’t come up with if you were drawing. So you cut up all these fragments, you know – it’s inspired by (William) Burroughs and it goes back to Picasso right? Anyway that process, you cut up these things and you put them together and not in a million years I would put these things together or come up with… so when I find this gem, this absurd thing.
Read more from his first public interview and studio visit here:
A New Clown Comes to Town : Clown Soldier in Studio http://www.brooklynstreetart.com/theblog/?p=18922
Clown Soldier is participating this August in the BSA presented “Street Art Saved My Life” 39 New York Stories” show in Los Angeles.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
