All posts tagged: Brooklyn Street Art

Red Gallery Presents: Part2ism “New Horizons & Future Love Songs” (London, UK)

August 7, 2012 , , , , ,

Part2ism

Red Gallery proudly present Part2ism’s first solo exhibition in London since Artillery for Pleasure 2009. This new body of work is perhaps his most outlandish work in a quartz-century journey using aerosol and a vast range of different media. New Horizons and Future Love Songs explores the relationship of sight and sound as one medium. In his series of polychromatic sculptural reliefs entitled ‘Architect-sonics’, wooden planes of color appear to slice through time placing our idea of transit art in another realm. Further works on show investigate aerosol paint as a raw medium exploring vectors as pure line and color but also the use of spatialization and surface data to interpret visual noise over large sheets of canvas. An exhibition that strips away the non essential elements and at the same time takes fundamental ideas to the absolute pinnacle.
“A syncretist at heart and now a synaesthesiac in practice, Part2ism is a multi-talented creator, exploring where his interests and instincts lead him. Beyond all the “isms’ that can be applied to his work over the past twenty eight years, whether of his own invention or culled from art history, Part2ism has always aligned himself with his own visions first. As an artist, he subsumes all categories and at the same time defies them. More importantly than these post-creation categories that can be applied to his body of work, the underlying and unifying threads in Part2ism’s history are DIY individualism, a revolutionary mentality and a consistent exploration of mind-challenging aesthetics. His timbre, his voice, his style is a constantly mutating, gene-splicing hybridism embodying rebellion and progression.
With this cross pollination throughout the full spectrum of his creative output, Part2ism has reached an apex of compression and connection of his lifetime of aesthetic explorations in different disciplines, utilizing everything that he has accomplished over the past twenty-eight years, in a sensurround of synaesthesia and synchronicity”. Daniel Feral

Taken from the ‘New Horizons & Future Love Songs’ exhibition catalogue. Also featuring written contributions by Steve ‘Fly Argaric’ Pratt, Pride (TCA) and Poesia from Graffuturism over 40 pages.

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Icy and Sot “Made in Iran” At the Openhouse Gallery (Manhattan, NYC)

August 7, 2012 , , , , ,

Icy and Sot

 

ICY AND SOT: MADE IN IRAN
Klerkx Art Agency (Amsterdam, Holland) and Neverheard Inc. (Brooklyn, NY) are proud to announce: MADE IN IRAN, the highly anticipated New York debut of the young Iranian street artists (and brothers): ICY AND SOT.
MADE IN IRAN is a groundbreaking display of the internationally acclaimed street art duo, featuring new stencil works and site-specific installations. The exhibition will be open to the public from the 23rd to 25th of August at Openhouse, 379 Broome Street. An opening reception will be held on Thursday the 23rd of August from 6 to 9 PM with a live musical performance by the Iranian punk rock band Yellow Dogs  (facebook.com/theyellowdogs).
Hailing from the city of Tabriz in North West Iran, brothers ICY AND SOT continue on their creative crusade to traverse pre-conceived perceptions of traditional Iranian art’s brevity through their highly intricate yet striking stencil artworks. Despite Iran’s cultural flourishing since the 2009 uprisings in Tehran, creative visual expression is still a constant struggle for its’ artists and society today. It is an oppressive force that provokes the Iranian art scene to fluctuate between an inhibited elegance and raw underground energy. This ambiguity is reflected in the vulnerable yet hopeful deep-set imagery of ICY AND SOT’s street art.
Using western street art approaches, the artists’ polarized themes of love and hate, war and peace, and hope and despair are manifested into the spectral faces of the innocent.
ABOUT ICY AND SOT:
ICY (born 1985) and SOT (born 1991) are stencil artists, skaters, best friends and brothers from Tabriz, Iran. ICY AND SOT started their professional career in 2008. They have made paramount accomplishments in Iranian urban art culture, creating an international buzz by playing it anyway but safe. Their prolific stencil work can be seen on the streets of Paris, Turin, Sao Paolo, New York and many other international cities. The brothers have been featured in numerous exhibitions and publications throughout Iran, Europe, South America and the US. Following New York, MADE IN IRAN will be making its way over to Amsterdam, Berlin and Milan.
In conjunction with the exhibition, American Iranian musician Ali Eskandarian will be performing an acoustic set in the gallery’s garden on Saturday, August 24th at 5 PM.
Openhouse Gallery
379 Broome St.
NYC
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IBUG 2012: Festival of Urban Art and Culture (Glauchau, Germany)

August 7, 2012 , , , ,

IBUG 2012

IBUg 2012 – Festival of urban art and culture in GermanyThe IBUg – the famous festival of urban art and culture in Germany – goes into its seventh edition this year. From 24th August on more than 70 artists from eight countries will transform a former slaughterhouse in the West Saxon city of Glauchau during a week-long creative phase into a work of art by graffiti, street art, urban art installations and performances. Numerous national and international artists like Ta55o (Germany), Chromeo (Switzerland), Flamat (Germany), Help (Germany), Hifi (Germany), Koala (Switzerland), Loomit (Germany), Okle74 (Germany), Royal TS (Germany), Zone56 (Germany), Amin (France), Andy K (Germany), Bue the warrior (Belgium), Caparso (Germany), Etam (Poland), Johannes Mundinger (Germany), Lean Frizzera (Argentinia), Martin Ron (Argentinia), Quintessenz Creation (Germany), Rebelzer (Germany), Remi Rough (England), SatOne (Italy) or Threehouse (Germany) have announced to IBUg 2012.

The results are presented to the public during a festival of urban art and culture from 31st August to 2nd September. Among the highlights of the weekend are the lectures by Göttingen based artist Bond about the graffiti culture in southeast asia and by Manuel Gerullis, who talks about the event „Meeting of Styles“. And on Saturday night the traditional IBUg party invites to celebrate and dance to hip-hop and electronic beats with DJ Showi (Stuttgart), DefZone (illcandevilz/IBUg), Okle (illcandevilz/IBUg), Franz! (Muna, http://www.muna.de/), Konglomerat (Weimar, www.facebook.com/daskonglomerat) and Mopedgang (Glauchau, www.mopedgang.de) as well as visuals by MXZEHN (Weimar).
The side program also offers a IBUg pub which grants an insight view into the work of the artist during the creative phase, an urban art market including photographs by Conny Heimer from the last five years of IBUg, t-shirts, bags as well as works of the IBUg-artist, a film program about urban art and urban culture and an IBUg fashion show.
For more information click here http://www.ibug-art.de/
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Mighty Tanaka Gallery Presents: Chris Stain and Joe Iurato “Deep In The Cut” (Brooklyn, NYC)

August 7, 2012 , , , , ,

Deep in the Cut

Deep In The Cut

Featuring the artwork of Chris Stain & Joe Iurato

With a steady hand, precise cuts are dutifully made, revealing the negative space that lies beyond.  Like a virtual roadmap, these incisions dictate the direction and flow of the artwork, building layers of corresponding imagery.  Through patience and grace, the art of stenciling goes far beyond the final outcome of the artwork, as it incorporates a delicate and intricate process that elevates the artwork into something more than meets the eye.  Mighty Tanaka is honored to present Chris Stain and Joe Iurato, two predominant stencil artists who are taking their art form to a whole new level with their highly anticipated show, Deep In the Cut.  Together, both artists exemplify very different yet highly technical approaches to stencil art through their individual processes and results.

Deep In The Cut is the first time Chris Stain and Joe Iurato have been paired together for a two-person gallery show.  Highly influenced by each others artwork, they share a mutual respect for one another that encourages them to constantly push the boundaries of their individual interpretation of stencil work, redefining the limits of expectation.

Both Chris Stain and Joe Iurato’s artwork exemplifies the art of the process, as they use a myriad of tools and techniques to create their individual expressions.  Deep In The Cut exhibits a highly unique and identifiable approach to their work, ripe with social statements, that causes the viewer to reflect on the world around them while enjoying the intricate details and beauty of their art.

OPENING RECEPTION:
Friday, August 10th, 2012
6:00PM – 9:00PM

Mighty Tanaka
111 Front Street
Suite 224
Brooklyn, NY 11201
Train: F Train to York St
(1st stop in Brooklyn)

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Monsters of Art Gallery Presents: Kings Moa (London, UK)

August 7, 2012 , , , , , ,

Kings Moa

PRIVATE VIEW 27 SEPTEMBER 2012

Continues until 27 October

“In 1991, three intoxicated and disgruntled teenagers went out to take on the biggest graffiti crew in Copenhagen. Adopting the name MOA (Monsters of Art) the aim was to become the most recognized graffiti crew in the world…”
Now, over twenty years later, MOA is one of the most notorious graffiti crews and still hold the top spot for train ‘bombing’ in Denmark. Forever growing and expanding the fight for MOA global domination is far from over. This one-off exhibition will explore the crew’s unique codes and conducts that have, over the years, set them world’s apart from all other graffiti crews. Many crews have challenged their position but none have succeeded, proving that MOA really are the kings of unparalled artistry and skill. Since their arrival onto the scene MOA has been off-limits, only giving selected interviews and infrequent comments to certain publications. We are delighted and highly privileged to show a one-off exhibition looking back at MOA’s 21-year rein on the graffiti world.The exhibition will include original works, screenprints and photographic documentation. 

Monsters of Art Studio and Gallery
112 Mill Lane
London
NW6 1NF

0207 435 3433
info@moasgallery.com
www.moasgallery.com

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Mishka Presents: Numskull “Dance Like a Video, Sting Like a Gif” (Brooklyn, NYC)

August 7, 2012 , , , , ,

Numskull

Numskull has a very distinct aesthetic, full of strong line work, collage elements, and a flurry of pop culture influences that he magically melds together into a cohesive style. His show, Dance Like A Video, Sting Like A GIF, will be opening with a bang next Friday, August 10th, at 350 Broadway in Brooklyn. We can’t wait for you to feast your eyes on more of this elusive artist’s striking pieces. For the truly charmed, we’ll also be selling a t-shirt at the even that you can see above.

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Carmichael Gallery Presents: “Primeval” A Group Exhibition. (Culver City, LA)

August 7, 2012 , , , , ,

Primeval

 

Primeval

Emol, Stinkfish, Zio Ziegler

Opening reception

Saturday, August 11, 6-9pm

Carmichael Gallery
5797 Washington Blvd
Culver City, CA 90232

Please RSVP to rsvp at carmichaelgallery dot com

Exhibition open to the public August 11 – September 1, 2012

Carmichael Gallery is pleased to present Primeval, a group exhibition featuring works by Emol, Stinkfish and Zio Ziegler. The exhibition will be on view from August 11 to September 1, 2012. Zio Ziegler will be in attendance at the opening reception on Saturday, August 11 from 6-9pm.

Cities and their streets put the three artists in daily contact with the urban elements that in turn influence their work. Be it architecture and propaganda for Emol, the texture of old walls for Stinkfish, or the color of pavement after a rainy afternoon for Zio, inspiration for these artists is inextricably drawn from the outdoor environments they encounter in their respective cities. Their individual mastery of line, sources of form, and choice of color share a compassion for and understanding of history and humanity. Such honest and considered motives translate into works that are powerfully evocative and, though indigenous, universally approachable.

Emol finds the connection between art, artist and city crucial to his practice. He believes that to paint outside is the best way to grasp what is happening at the moment and to know how one’s art affects communities. Emol considers his work an embodiment of antenna to roots, capturing that which is current, but with a strong link to the past and ancestry. He achieves this largely through his color choices, which symbolize Brazil’s wealth of distinct cultures. Through traveling the various regions of his home country and closely observing their different traditions, Emol combines the tropical colors he encounters, each offering a different vibration, with lines and forms to infuse sensorial joy into urban landscapes.

Stinkfish is equally indebted to the street, having spent his childhood playing soccer and going for bike rides around his neighborhood. He is drawn to bringing his work to as many people as possible, favoring busy crossroads and streets as locations for his murals. The texture of highly trafficked, decrepit areas gives Stinkfish the feeling that he is continuing the history of a wall, mixing his story into a larger narrative of crumbling paint, grit and wear. Stinkfish also remembers having an affection when he was young for the cameras his father would buy and sell, spending hours “playing” with them, discovering their mechanisms and teaching himself techniques of framing and focusing that would become essential to his art form. His transposition of photo to mural enhances the fleeting moments of human nature he captured with his camera, leaving the final interpretation up to the public.

Zio too finds that the balance of working publicly and privately assists his entire creative process in a symbiotic way. The open source template of the streets serves as a constant reminder to him of the democratic yet organic nature of art. Though influenced by classical philosophy, literature and art, Zio constantly reminds himself of the paradigm shift towards the digital age. To be aware of this ephemeral state of painting assists the visceral encouragement of instinct in the studio. And so, with the balance of both studio and street, instinct and patience, comes Zio’s paintings.

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Jonathan Levine Gallery Presents: “Détournement: Signs of the Times” A Group Exhibition Curated By Carlo McCormick. (Manhattan, NYC)

August 6, 2012 , , , , ,

détournement

 

Détournement : Signs of the Times
Group Exhibition curated by : Carlo McCormickAugust 8—25, 2012
Opening Reception:
Wednesday, August 8, 7—9pm

Jonathan LeVine Gallery is pleased to presentDétournement: Signs of the Times, a group exhibition curated by Carlo McCormick, featuring work by a number of artists, including: AIKO, Dan Witz, David Wojnarowicz, Dylan Egon, Eine, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong, Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey + Jamie Reid, Steve Powers (ESPO), TrustoCorp, Will Boone, Zevs

CURATOR’S STATEMENT
A détournement is a detour of sorts, but not so much along the scenic route as over the tougher road that goes more directly to the truth. A more proximate translation from the French might be a derailment, but I’m not sure English is so well suited to get both the violence and hilarity of the term. Since coined by the Lettrist International in the 1950s, it has served various generations as a common strategy by which to subvert consensus visual language so as to turn the expressions of capitalist culture against themselves. The most typical folkloric version we encounter of a détournement is when someone writes a word at the bottom of a stop sign, so that with say just three letters this mundane road command might read “Stop War.”

Employed brilliantly by the Situationists, whose great philosopher Guy Debord laid out the socio-aesthetic framework for this practice, détournements twist the terms of mimicry in ironic parody using the a semblance of the easily recognizable to dissemble and redirect the literal meaning of signs so as to construe a more honest picture of their deceptive intentions. As such they are a mediation of the media, a way of transgressing the fine art of persuasion that dominates our visual landscape to offer alternative readings and deviant possibilities to the hegemony of mainstream corporate culture. A natural response to the lies and coercions we are fed on a daily basis, the détournement has been the reactive impulse of all those who question reality, from the Punks who adopted it in the 1970s through Culture Jammers, Adbusters, contemporary street artists and the winding legacy of protest movements from WTO to Occupy.

This exhibition is meant to both celebrate the lineage of détournement and bring attention to some of its current practitioners who embody its continued vitality through their art. We live in a forest of signs that are meant to confuse, distract and numb us to the more dire consequences of the human condition as it is. We do not need to follow these signs, we need to make our own so as to find a way out of the mess we are in. I cannot thank these artists enough for their contributions towards helping us find another way.

ABOUT THE CURATOR
Carlo McCormick is an esteemed pop culture critic, curator and Senior Editor of PAPERmagazine. His numerous books, monographs and catalogs include: TRESPASS: A History of Uncommissioned Urban Art, Beautiful Losers: Contemporary Art and Street Culture, The Downtown Book: The New York Art Scene 1974-1984, and Dondi White: Style Master General. His work has appeared in numerous publications including: Art in America, Art News, and Artforum.

The gallery is located at 529 West 20th Street, New York, NY 10011. Gallery hours are Tuesday through Saturday, 11am to 6pm. For further information, please visit:www.jonathanlevinegallery.com, call: 212.243.3822, or email:info@jonathanlevinegallery.com.
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Pandemonium on the Walls at Pandemic

August 6, 2012

Brooklyns’ Pandemic Gallery recently invited a sort of painted pandemonium to fill all the walls of their space for a summer art party. Shoulder to hip and head to toe, this mixture of artists is actually emblematic of this moment in Brooklyn history and representing the raucous variety of styles that are mashing and mixing on the graffiti/street art/fine art continuum throughout the world.

But no one likes to be labelled and if you ask them and probably each of these artists would prefer not to be called graffiti artists or street artists or fine artists because each title has too many limitations or insulting inferences. One thing everybody agrees on is they like to paint on walls and while we have seen our share of bring-all-your-friends wall smashing that somehow goes awry, this indoor installation is one of the most cogent mashup derby style groupings you are likely to see this year.

Darkclouds and David Pappaceno (photo © Jaime Rojo)

UFO 907 (photo © Jaime Rojo)

Keely, Matt Siren, Don Pablo Pedro, Cost, Royce Bannon (photo © Jaime Rojo)

Don Pablo Pedro, Cost (photo © Jaime Rojo)

Keely, Matt Siren (photo © Jaime Rojo)

Swampy, Deeker, Cost (photo © Jaime Rojo)

The Yok and Shyro (photo © Jaime Rojo)

SET (photo © Jaime Rojo)

COST (photo © Jaime Rojo)

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Images of the Week: 08.05.12

August 5, 2012 , , ,

New York was smacked upside the head this week by fresh work by Faith 47, DAL East, and ROA. BSA was lucky enough to catch all three, even as photographer Jaime Rojo was bouncing from spot to spot like a silver pinball to see as much of the action as possible. Here in the thick of summer, there was a lot more happening on other walls through the week too and we’ll be showing those images to you in the coming days.

Today we’re just going to bring you some of the live action, first with ROA, fresh from his controversial double bear portrait in Rochester for the Wall/Therapy project, which apparently alarmed some unfulfilled observers because it reminded them of a “69” position. Either a) they never experienced this personally or b) it’s been a really long time or c) things are kind of slow going in Rochacha right now, but clearly they may want to do some research before growling about these two sleepy bears. God only knows WHAT they would say about ROA’s new piece with three animals stacked on top of each other. Clearly what this Belgian hellion has created is an orgiastic scene of furry debauchery!

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

ROA (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Faith 47 (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

Dal East (photo © Jaime Rojo)

The Faith 47 project was produced by Keith Schweitzer of MaNY Projects in conjunction with Fourth Arts Block (FAB).

The Dal East wall was procured by Joshua Geyer.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Göla Busts Out of a Moscow Wall

Göla Busts Out of a Moscow Wall

August 4, 2012 , ,

In Moscow last month Street Artist Göla popped out of the wall into a third dimension with this topiatastic sculpture that appears to contain as much exuberance and life as it’s creator. In town for a large festival that concentrates on sneakers and other lifestyle products, the ever fertile artist mind clearly is unencumbered creatively, letting his imagination off on a tear, with Göla gleefully running after it.

Göla (photo © courtesy Göla)

Göla (photo © courtesy Göla)

Göla (photo © courtesy Göla)

Göla (photo © courtesy Göla)

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Fun Friday 08.03.12

August 3, 2012 , , ,

Yo what’s up Neeeewwwww Yawwwwk! You mean aside from brand new work on the streets this week in NYC from Faith 47, DAL, ROA, and JR? Oh, nothing really, just a normal boring summer. Street fairs, skateboarding, popsicles, public drunkeness, and I think the Olympics are still running but apparently only Michael Phelps is in them this year according to the TV. Also, something about VISA I think. Anyway, here are some fun activities for your weekend!

1. OS Gemeos Solo at ICA Boston
2. Fairey / Hecox / Houser at Black Book (Denver, CO)
3. “Public Works” at LALA Gallery (LA)
4. Faring Purth at Anno Domini (San Jose, CA)
5. Brett Amory and Adam Caldwell “Dirty Laundry” at ThinkSpace (LA)
6. “Cause and Effect” Group Show (BK)
7. “Eye in the Sky” Group Show @ Stolen Space (London)
8. Summer Exhibition at Joshua Liner Gallery (Manhattan)
9. Snyder’s ART HUNT in Carlsbad, CA
10. “Dead Meat” Conor Harrington By The Baron (VIDEO)
11. Does Anyone Care About the Olympics (VIDEO)

OS Gemeos Solo at ICA Boston

The first USA solo exhibition of Os Gemeos enjoys it’s first opening weekend at ICA Boston and you can see the first piece before you even enter the museum because they have just completed a large outdoor piece on a ventilation building over the Big Dig. The Brazilian Twins began their artistic career since 1987 doing graffiti and and have been painting all manner of imaginative pieces and murals non-stop on the streets of the world ever since. Along the way they have garnered the respect of their peers and thousands of art fans across all continents.

Os Gemeos mural in progress in the Green Way in Boston (photo © Geoff Hargadon)

For further information regarding this exhibition click here.

Fairey / Hecox / Houser at Black Book (Denver, CO)

The Black Book Gallery in Denver, Colorado new Group Show includes Shepard Fairey, Even Hecox and Jim Houser and it opens today. The gallery is also organizing mural installations at the Metropolitan State College of Denver.

Shepard Fairey in Miami (photo © Jaime Rojo)

For further information regarding this show click here.

“Public Works” at LALA Gallery (LA)

“Public Works” is the title of the second show that is opening today at the still smelling-like-new LALA Gallery in Los Angeles, CA. Contributing artists include How & Nosm, Insa, Push, Revok, Risk, Ron English, Seen, Shepard Fairey, Trustocorp, WCA Crew, Uglar, and Zes.

How & Nosm in Miami (photo © Jaime Rojo)

For further information regarding this show click here.

Faring Purth at Anno Domini (San Jose, CA)

Portraitist Faring Purth spent a year or so traveling from city to city last year finding abandoned places to mount giant faces, full of character. “I will be sharing a body of work I’ve been preparing since my return from that insane journey last year and I will be taking over their entire space with pieces scaling from 10′ x 12′ to 3 “x 5”.

“This Snow Rising” opens at the Anno Domini Gallery San Jose today.

Faring Purth in Brooklyn (photo © Jaime Rojo)

For further information regarding this show click here.

Brett Amory and Adam Caldwell “Dirty Laundry” at ThinkSpace (LA)

“Amory and Caldwell each mobilize their unique representational strategies to invoke the modern day disconnect between time and space, self and other, and present and past,” which is exactly what I was gonna say.

“Dirty Laundry” features very cool work by Artists Brett Amory and Adam Caldwell’s opening Saturday at the ThinkSpace Gallery in Culver City, CA. Feel free to show up and air some of your own.

Brett Amory at the Studio (Photo courtesy of ThinkSpace © Shaun Roberts)

For further information regarding this show click here.

Also happening this weekend:

“Cause and Effect”, a group show curated by URNew York and Tone MST at a Greenpoint Pop Up in Brooklyn is now open to the general public. Click here for more details on this show.

In London at the Stolen Space Gallery the ATG Collective project “Eye in the Sky” is now open to the general public. Click here for more details on this show.

In Manhattan the Summer Exhibition at the Joshua Liner Gallery is now open to the general public. Click here for more details on this show.

Snyder has a solo show and a fun ART HUNT in Carlsbad, CA opening on Saturday. This event is all day or until supplies last. Click here for more details on this event.

“Dead Meat” Conor Harrington By The Baron (VIDEO)

 Does Anyone Care About the Olympics? (VIDEO)

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