Arts In Bushwick Presents: Bushwick Open Studios 2012 (Brooklyn, NY)

BOS

About Arts in Bushwick

Our Mission

Arts in Bushwick is an all volunteer organization that serves and engages artists and other neighborhood residents through creative accessibility and community organizing. It is our goal to create an integrated and sustainable neighborhood, and to bring together all Bushwick residents and stakeholders to counter development-driven displacement.

Our History

Arts In Bushwick was founded in the fall of 2007, as a result of grassroots efforts to produce the 2007 Bushwick Open Studios festival.  The organization was founded by a group of roughly fifteen local artists and community organizers, most of whom were involved in planning the 2007 Bushwick Open Studios, and has continued to operate on an all-volunteer, non-hierarchical, break-even basis to today, the fifth annual Bushwick Open Studios we have produced.  Arts In Bushwick maintains a completely open structure, inviting all community members to bring their ideas and to participate in collaboratively producing the organization and its activities.

Our Projects

Arts In Bushwick has two core functions – producing neighborhood arts festivals, and facilitating community projects and dialogue.  All of our activities are produced by volunteers and at no cost to the public.  Learn more about our projects here.

Our People

Arts In Bushwick is an all-volunteer, non-hierarchical organization – we have a completely open structure, where anyone in the community who is willing to volunteer their time is welcome to join with us and take on a leadership role. Dozens of community members volunteer their time as organizers for each of our festivals and year-round, and many many more pitch in during our events. It would be impossible to list everyone we rely on to do what we do, but here are a few:

View BOS2012 Organizer Bios »

For more information visit BOS site:

http://artsinbushwick.org/bos2012/

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Baltimore Opens Its Walls To Street Art

Abstract geometrist and Street Artist MOMO is still sweeping across a massive brick wall in his cherry picker as he leads Open Walls Baltimore across the finish line with more than twenty artists and murals spread across these blocks straight off “The Wire” TV series.

 

 

MOMO. Open Walls Baltimore 2012. Stay tuned for process shots of MOMO’s wall on BSA tomorrow. (photo © Jaime Rojo)

“Oh, man, he’s really getting it down over there,” says local pigeon trainer Tony Divers, who is looking out his back door past the bird’s coop at the new 5-story MOMO piece coming alive in the empty lot next door. Mr. Tony, whose pigeons have also had a starring role in the series, himself became the subject of a massive building-sized portrait by Jetsonorama two blocks up the street.

 

VHILS. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Welcome to Open Walls Baltimore.

New York Street Artist Gaia had been racing his fixie around this town since he started studying at Maryland Institute College of Art (MICA) a few years ago. In between trips back home he began hitting walls with his large scale paste-ups on sides of some of the abandoned buildings that comprise entire blocks in this city. Somewhere along the way he gradually fell in love with the neighborhood and it’s lively conversations on the stoop, secret speakeasies on the weekend, and eclectic shows with Dan Deacon and the Wham City Arts Collective.

Freshly graduated, the talkative 23 year old artist with a natural knack for organizing decided to stay in B’more and plot a Street Art revitalization of sorts. With Ben Stone and Rebecca Chan of Station North Arts & Entertainment as partners, the trio secured monetary backing and city support for 20 artists to come and paint murals this spring.  When asked if the grand outlay of almost a hundred thousand dollars is a civic/private program, Gaia is quick to answer, “Totally private. I guess you could call it civic because they’re non-profit.”

Gaia. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Armed with a budget and Gaia’s knowledge of Street Artists on the scene, the team was able to garner a wide collection of artists to create murals. When Baltimore native and famous graffiti/hip-hop photographer Martha Cooper agreed to shoot it all, Gaia knew OWB was going to be a hit. Large walls were pretty easily secured with help from the City of Baltimore and sponsors helped with paint and services. From March to May the neighborhoods of Station North and Greenmount West have played host to internationally known Street Art names of the moment like Vhils, Sten and Lex, Swoon, Jaz, MOMO, and Interesni Kazki getting up on walls alongside a list of local and regional talents.

 

Chris Stain and Billy Mode. Open Walls Baltimore 2012. (photo © Jaime Rojo)

The reviews and interactions between the organizers, artists and local residents have generally been positive in this part of town where the drug trade has filled the vacuum since all the factories died and communities were destroyed. With “art as a gentrifying force” being a huge discussion, these hippy kids have formed community in bombed out factory buildings here over the last decade and a burgeoning artists community has somehow sustained itself tenuously through the rigors of a ruthless recession. Programmatically OWB is not entirely new as a cultural stimulus but this sort of “jump-start” approach to engendering a creative renaissance by public/private development may be watched carefully by other cities as a possible formula to imitate.

Sten & Lex. Open Walls Baltimore 2012. (photo © Jaime Rojo)

For the upbeat organizer/curator of the project, it’s been extremely gratifying and an eye opener to be accountable to such a range of interests, “I learned that murals can be a little threatening to people and bring out their latent fears and that the parties you think who are going to be most afraid generally might not be,” Gaia explains, “and the ones you think might be the most into it – provide the most criticism.”

“For example the artists community turned out to be the one that was most afraid of being a gentrifying force and was most critical of the project. And all the legacy residents were generally not bringing that up, even if I asked them,” he says.

 

Sculptor John Ahearn performs a live casting of a couple. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Two young art fans watch in wonderment as Mr. Ahearn applies the liquid rubber to cast the mold. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Mr. Ahearn’s street installation of previous casts. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Street Artist Nanook, also a student at nearby MICA and a logistical lynchpin for OWB, created his own mural that strikes at the historic manufacturing base that once provided a livelihood for the people who lived in many of these abandoned buildings. For him, the artist’s role is to connect the lines between past and present, “And so it’s just about bringing back these signifiers to the neighborhood. Especially for this housing area that was built to house the people who were working at these factories. It has been interesting to meet the people who are old enough to have worked at these factories – they actually worked at the coat factory and the rudder factory and the bottling factory down the street.”

As he smokes and points to the gears and the large hand on his mural, Nanook also talks about the former coat factory two blocks away that is now being renovated to be a magnet art school, and the possibility that work by creatives can create help neighborhoods re-imagine a future, “I think most artists are intermediaries for the communities they reside in.”

 

Swoon. Open Walls Baltimore 2012. (photo © Jaime Rojo)

As we tour around the streets with Ms. Cooper, we make sure to hit the hot graffiti spot in town, an alley she’s known for more than 50 years and one that has provided uninterrupted opportunity for exploration with an aerosol can for many artists who start out here. “Usually there are people painting back here and there’s often somebody doing a fashion shoot back here,” she remarks while snapping images of tags and colorful pieces. “There was a “Wild Style” reunion here a few years ago with Charlie (Ahearn), and they painted all kinds of stuff. It’s fun and they all come to this – because there really aren’t too many locations to do this”

While we watch a handful of 20-year-olds pulling cans from backpacks and arranging them on the cracked concrete in front of a wall, we talk to Jeremy, a local Baltimore artist who also makes puppetry and masks. He says he likes the effect that OWB has been having on the neighborhood. “It’s an interesting project. It’s nice to see a kind of subtle but effective change. Baltimore is kind of rough. But because (OWB) is there it invokes something different and the space actually is transformed.”

On a Friday evening at a block party celebrating the completion of the final wall, Gaia is happy with how it has turned out, and pleased with the multiple conversations he’s been able to have with people in the community about murals, walls, pigeons, paint, and wheat-paste. “My only curatorial process was matching the artists with walls and sites that I thought would be pertinent and I thought would really work with the artists’ process – that was my biggest goal and it succeeded.”

Interesni Kazki. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Ever. Open Walls Baltimore 2012. (photo © Jaime Rojo)

JAZ. Open Walls Baltimore 2012. (photo © Jaime Rojo)

JAZ. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Freddy Sam. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Specter. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Maya Hayuk. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Josh Van Horn. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Overunder created a new facade within the facade of this building and a tribute to a local resident, Dennis Livingston. Says Gaia, “OverUnder is remarkably improvisational and really works well with children and people and is super engaging.” Open Walls Baltimore 2012. (photo © Jaime Rojo)

Overunder.Dennis Livinston. Detail. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Mata Ruda. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Doodles. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Jetsonorama’s portrait of Mr. Tony as he watches his pigeons in the sky. Open Walls Baltimore 2012. (photo © Jaime Rojo)

A Jetsonorama and Nanook collaboration from a Martha Cooper photograph. Open Walls Baltimore 2012. (photo © Jaime Rojo)

A Jetsonorama and Nanook collaboration from a Martha Cooper photograph. Open Walls Baltimore 2012. (photo © Jaime Rojo)

A Jetsonorama and Nanook collaboration from a Martha Cooper photograph. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Nanook’s wall in progress. Open Walls Baltimore 2012. (photo © Jaime Rojo)

Open Walls Baltimore includes the following artists: Gaia (Baltimore), Momo (New Orleans), Doodles (Port Townsend, WA), Maya Hayuk (New York City), Ever (Buenos Aires, Argentina,  Overunder (Reno, NV), John Ahearn (New York City)
Specter (Montreal), Mata Ruda (Baltimore), Josh Van Horn (Baltimore) , Caitlin Cunningham (Baltimore) , Jessie Unterhalter & Katey Truhn (Baltimore), Freddy Sam (Capetown, South Africa), Intersni Kazki (Kiev, Ukraine),
Gary Kachadourian (Baltimore), Chris Stain (New York City, Baltimore), Billy Mode (Baltimore),  Jetsonorama (Arizona), Swoon (New York City), Sten and Lex (Italy), Nanook (Baltimore), Jaz (Buenos Aires, Argentina), and Vhils (Portugal)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Seeing Spain Through the Eyes of Street Artist “Ever”

“It’s a really cute little town with no stoplights and with a lot of old people!” says Street Artist EVER, who has been painting in Amposta, the site of the FAHR Festival.

About 2 hours from Barcelona, he’s hanging with Sam3 and Kenor and getting up with interesting pieces.  He says that thematically he is addressing the social revolution that is right now happening in Spain, and trying to capture the feelings of insecurity that young people have for the future there.  In a country with an 25% unemployment rate and with the very shaky prognosis for the Euro, you can understand why.

Ever “Buy Your Revolution” Detail. FAHR Festival.  Amposta, Spain. (photo © Ever)

Ever “Buy Your Revolution” Detail. FAHR Festival.  Amposta, Spain. (photo © Ever)

Ever “Buy Your Revolution” FAHR Festival.  Amposta, Spain. (photo © Ever)

Ever “Occupy” Detail. FAHR Festival.  Amposta, Spain. (photo © Ever)

Ever “Occupy” Detail. FAHR Festival.  Amposta, Spain. (photo © Ever)

Ever “Occupy” Detail. FAHR Festival.  Amposta, Spain. (photo © Ever)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Flanders Art Gallery Presents “Make Ends Meet” Olek, Jonathan Brilliant and Mathew Curran (Raleigh, NC)

Make Ends Meet

Make Ends Meet

Jun 1, 2012 – Jul 21, 2012

Henry Moore is credited with saying, “There’s no retirement for an artist; it’s your way of living, so there’s no end to it.” Moore’s words outline art making not simply as profession, but as compulsion. Make Ends Meet is an exhibition that celebrates the repetition of a daily grind, as it features the incredibly inventive, yet remarkably labor-intensive works of Jonathan Brilliant, Mathew Curran, and Olek. Only compulsion could inspire these artists to employ the countless connections, cuts, and knots necessary to create their works.

Jonathan Brilliant’s oeuvre appropriates the throwaway accessories of the coffee shop – the wooden stirrers, the cardboard sleeves, and the plastic lids – to create tension-woven installations and an assortment of prints inspired by those installations. His large-scale forms, utilizing thousands of these often overlooked items, thread, engulf, and cocoon space. His concentration on such materials speaks not only to his personal attachment to the coffee shop; as he writes, “In my vision [of the installations as the “Goldsworthy of the coffee shop project”], the coffee shop is my natural environment and source of inspiration for materials.” It also demonstrates Ray Oldenburg’s urban sociology theory that locations like coffee shops are the “third place” in an active community, following the spheres of work and home. Brilliant’s installations give abstracted form to this third place. Because coffee shops are communal locations for sustenance and socialization, their contents are immediately recognizable to a wide audience. However, in his methodical, excruciatingly exacting constructions, Brilliant combines these items in such a fashion that he negates their seeming familiarity and insignificance. Their resulting beauty instead appears sublimely foreign.

Mathew Curran has spent years exploring the potential in stencil art. An art form that offers technical possibilities of traditional printmaking and also represents a form of urban art, each stencil requires hours of cutting with an unforgiving X-acto blade. His current stencil work negotiates the intersections of natural and urban life. For him, nature is “a background character in every one of our interactions,” regardless of one’s location in the world. To communicate this duality, he has started turning to representations of white-tailed deer and ravens. While the choice of animals as his subject matter may seem to suggest an essential, potentially simpler, state of being, he uses jagged strokes to remind the viewer that the frenzy of urban life is echoed in the chaos of nature. Ravens have a long-standing connotation of death, and he utilizes studies of hunted, dead deer in his compositions. For him, these animals are metaphorical stand-ins for the complexities of survival across habitats and species. In this exhibition, he evolved from his traditional black-and-white palette, and he introduces the color of North Carolina red clay in his works to make specific reference to one of the current background characters of his home and environment.

Olek has spent the past decade in America “aggressively re-weaving the world as she sees fit.” She describes her own compulsion best when she writes, “A loop after loop. Hour after hour my madness becomes crochet.” Whether she uses wool or balloons, few things are safe from her intervention, be it covering the Wall Street Bull or entrapping a shopping cart in crochet. Olek is an artist for whom the entire world is her inspiration and installation. Past pieces include reclaiming entire rooms with crochet, filling a gallery with balloon sculptures, and creating full body suits before sending their wearers into the streets. Drawing from anything between intangible text messages and found everyday objects, she absorbs all into her process and allows them to reemerge covered in her multi-looped, hyper-colored, crocheted visions.


 302 South West Street  Raleigh, NC 27603 • (919) 834-5044
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Memorials on the Street

The US officially remembers service members who died in wars today. War touches every aspect of our daily lives whether through loss or gain, impacting our individual and group psyche, economy, memory, liberty, history.  Street Artists sometimes grapple with  war and related themes in their work for everyone who passes to see. Here are a few examples.

Gilf! replaces bombs with hearts (photo © Jaime Rojo)

General Howe places bones and other sculptural installations on the street in historical locations where war was waged and life was lost in Brooklyn, particularly during the “Battle of Brooklyn”. (photo © Jaime Rojo)

JC2 Army of One uses this image from a Diane Arbus photograph to draw attention to the children who are victims of adults wars. (© Jaime Rojo)

Street Artist General Howe placed grave markers in historical locations a few years ago, including this one featuring President Obama and Iraq war veteran Tammy Duckworth. (photo © Jaime Rojo)

Street Artist Ludo creates bio-techno military machines that merge the natural world with the man-made world. (photo © Jaime Rojo)

Street Artist WK Interact created a series of installations with American service personnel called “Bring Me Back” (photo © Jaime Rojo)

A piece on the street in Los Angeles (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images of the Week: 05.27.12

Our weekly interview with the street, this week featuring Astro, Jaye Moon, JR, Olek, PP, Roa, and Russell King.

JR. High Line Park, NYC. Brandon Many Ruiz. Standing Rock Reservation, North Dakota. Inside Out A Global Art Project. (photo © Jaime Rojo)

ROA in Vienna. ( exclusive photo for BSA courtesy of Inoperable Gallery © ROA)

OLEK “Love and Stop Lights Can Be Cruel” Quad installation in NYC. (photo © Jaime Rojo)

OLEK “Love and Stop Lights Can Be Cruel” Quad installation in NYC. Detail. (photo © Jaime Rojo)

OLEK “Love and Stop Lights Can Be Cruel” Quad installation in NYC. Detail. (photo © Jaime Rojo)

OLEK “Love and Stop Lights Can Be Cruel” Quad installation in NYC. Detail. (photo © Jaime Rojo)

OLEK “Love and Stop Lights Can Be Cruel” Quad installation in NYC. Detail. (photo © Jaime Rojo)

OLEK “Love and Stop Lights Can Be Cruel” Quad installation in NYC. Detail. (photo © Jaime Rojo)

OLEK “Love and Stop Lights Can Be Cruel” Quad installation in NYC. Detail. (photo © Jaime Rojo)

Want What I Can’t Have…Artist Unknown (photo © Jaime Rojo)

…have a balloon then…Artist Unknown (photo © Jaime Rojo)

PP (photo © Jaime Rojo)

Russell King. (photo © Jaime Rojo)

Astro (photo © Jaime Rojo)

Astro. Detail. (photo © Jaime Rojo)

Jaye Moon “Paradise Here” (photo © Jaime Rojo)

Jaye Moon “Where Better Than This Place” (photo © Jaime Rojo)

Jaye Moon “Asshole” (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

Our gratitude to Nicholas at Inoperable Gallery for the ROA photo. Click here to visit Inoperable.

Click here to learn more about Inside Out. A Global Art Project by JR.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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“Geometrip Soup” from Romania with Allan Dalla

Exclusive photos for BSA Readers

Romania in Da House!  That’s right yo, Allan Dalla are as funny as they are talented and you can reach right inside the mind of a child to get the playful poppy organic geometrics that wrap their figures and fantasies. The Romanian Street Art collective teamed up with Kero to make this big pot of “Geometrip Soup” and kids from the neighborhood were there to cheer them on, their mere presence bringing the street alive.

Also make sure to check out the video after the pics to see how you can make a fun Saturday in your house with just a few ingredients and some imagination. Kids! Try this at home!

Allan Dalla X Kero in Romania. “Geometrip Soup” (photo © Platonic Forms)

Allan Dalla X Kero in Romania. “Geometrip Soup” (photo © Platonic Forms)

Allan Dalla X Kero in Romania. “Geometrip Soup” (photo © Platonic Forms)

Allan Dalla X Kero in Romania. “Geometrip Soup” (photo © Platonic Forms)

Allan Dalla X Kero in Romania. “Geometrip Soup” (photo © Platonic Forms)

Allan Dalla X Kero in Romania. “Geometrip Soup” (photo © Platonic Forms)

Here’s that video we were telling you about:

In 2011 Allan Dalla made this with Platonic Forms for their project Cosmonotrips. We have shown it on these pages but it never gets old. See it again or see it for the first time.

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Fun Friday 05.25.12

1.    Male Massage Poster from Manny Castro
2.    Reed Projects Now Open with “The Re-Jects” (Norway)
3.    “Vues sur murs” in Brussels
4.    “Vari-Okey” with Everman (Atlanta)
5.    A Classic from The Beastie Boys Gets a Tribute Remix – SABOTAGE! (VIDEO)
6.    Yue Minjun, Mark Jenkins and Aakash Nihalani (LA)
7.    Augustine Kofie’s Angle in LA
8.    (Re)-Print at Hendershot Gallery in The Bowery
9.    “Keep Wild Life In The Wild” At ThinkSpace
10.    “At Home I’m A Tourist” – Selim Varol at Me Collectors Room
11.    Cyrcle Daydreaming with James Lavelle (VIDEO)
12.  CELEBRATE BOB Moog : Moog Factory Mural Time Lapse (VIDEO)

Dear BSA Reader: Finding yourself at the end of another long hard week? Why don’t we all just go get a massage and release all that pent up anxiety and pressure? Thanks to Manny Castro for taking the photo of this ad and reminding us about the power of therapeutic touch.

Photo © Manny Castro

Reed Projects Now Open with “The Re-Jects” (Norway)

If you happen to call the port of Stavanger, Norway this weekend we recommend that as soon as you get off of your cruise head straight to Reed Projects where one of Street Art’s greatest rejects has mounted an art show to inaugurate his brand new gallery. The show “The Re-Jects” is now open to the public and the artists include: Dolk, Evol, Roa, Brad Downey, Escif, Dan Witz & Vhils.

Dolk in Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

Vues sur murs” in Brussels

The Centre de la Gravure new show “Vues sur murs” In opens today and includes C215, Denis Meyers, Doctor H, Jef Aerosol, Evol, Ludo, Muga, Obetre, Sten & Lex, Invader and Swoon.

Jef Aerosol in Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

 

“Vari-Okey” with Everman (Atlanta)

Living Walls The City Speaks Atlanta 2012 continues to bring world talented artists for all ya’ll. This Saturday Living Walls Concepts invites the public to be an active participant in the the festival with artist Everman. If you are interested in participating you must first stop by AM1690’s “Vari-Okey” event this Saturday, May 26 at the Goat Farm and sign up for Evereman’s workshop through ARTWORKS, the new digital platform that will transform your involvement in the Atlanta arts scene. Promise.

Everman (photo courtesy of Living Walls 2012)

For further information regarding this event click here.

A Classic from The Beastie Boys Gets a Tribute Remix – SABOTAGE! (VIDEO)

 

Yue Minjun, Mark Jenkins and Aakash Nihalani (LA)

The Carmichael Gallery in Culver City, CA has invited artists Yue Minjun, Mark Jenkins and Aakash Nihalani for the new show opening tomorrow.

Aakash Nihalani in Manhattan (photo © Jaime Rojo)

For further information regarding this show click here.

Augustine Kofie’s Angle in LA

I’m truly honored to have the chance to share a lot of these more dense collage works with my LA peoples,” says Augustine Kofie about his new show “Working an Angle” which opens Saturday at the Known Gallery in Los Angeles, CA.

Augustine Kofie in Los Angeles for LA Freewalls Project (photo © Jaime Rojo)

Click here to read an interview on BSA with Augustine Kofie

For further information regarding this show click here.

Also Happening this Weekend:

(Re)-Print at Hendershot Gallery in The Bowery in NYC. A mostly prints show showcasing some of your most beloved Street Artist. Click here for more details regarding this show.

“Keep Wild Life In The Wild” At ThinkSpace Gallery in Culver City, CA. This is an art exhibition with some of the proceeds form the sale benefiting Born Free with the participation of more than 100 artists from all over the world. It should be fun. Click here for more details regarding this show.

“At Home I’m A Tourist” An Exhibition showcasing works of art and toys from the vast collection of Selim Varol at Me Collectors Room in Berlin Germany. Click here for more details regarding this show.

Cyrcle Daydreaming with James Lavelle (VIDEO)

 

CELEBRATE BOB: Moog Factory Mural Time Lapse (VIDEO)

Dude, Wednesday was Bob Moogs’ 78th birthday. Cool right? Awesome. Here’s a brand new portrait on the side of the Moog factory in Asheville, North Caroline by artist local artist Dustin Spagnola.

 

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Nelly Duff Presents: “Banger Art” A Group Show With The Best Banger Artists (London, UK)

Banger Art

Hold tight & fasten your seat belts for Nelly Duff’s next major pit-stop, Banger Art! We have been invited to be ‘Art Partner’ at LOVEBOX festival’s 10th anniversary, this Summer 15-17th June. Nelly Duff is curating an installation of 10 old bangers destined for the scrapheap! We will be recycling these bad boys the best way we know how- with some detailed painterly pimping by a selection of the world’s best street artists, including EINE, Sweetoof, Pablo Delgado, Matthew Small, Dan Hillier, Aida and more! Special new prints available too!

Special Preview Show on the 13th June 6-9pm at an Underground Bethnal Green Car park.
RSVP essential.

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Living Walls Concepts Presents: Everman Invites The Public To Participate. The Goat Farm (Atlanta, GA)

Everman

The ubiquitous and iconic Evereman crafted a unique game for the city of Atlanta, attaching his distinctive emblem everywhere. Usually in the form of a wooden magnet, Evereman offers the city to interact with their surroundings by collecting and redistributing his art. Evereman is for everyone, or as he puts on the back of each piece, Evereman is “4 U ATL.”

This Memorial Day, Living Walls Concepts invites the public to participate in Evereman’s technique. Starting Sunday, May 27, participants will have the chance to create their own wooden magnets in Evereman’s studio to scatter about Atlanta and beyond the following day.

Want to get involved? First, stop by AM1690’s “Vari-Okey” event this Saturday, May 26 at the Goat Farm and sign up for Evereman’s workshop through ARTWORKS, the new digital platform that will transform involvement in the Atlanta arts scene. If you miss the event, check back to our website to sign up. Anyone and everyone should participate.

After the workshop, Evereman will create a mural intervention somewhere in Atlanta’s urban landscape. We’ll keep it secret for now, but when the time comes workshop participants will be notified where and can take part in the installation.

Workshop Signup
Saturday, May 26
8:00 p.m. – 12:00 a.m.
The Goat Farm
1200 Foster St. Atlanta, GA 30318

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Hendershot Gallery New Street Art Print Show

Prints are often a good way for an artist to reach younger collectors and those with limited funds, and a good way for a gallery to get the doors open for traffic with a new generation of collectors. Hendershot Gallery new show in the Bowery opened last night with a Street Art centric collection of (mostly) prints that hit a nice cross-section of some of the current action on the streets. In addition they invited Gilf!, Clown Soldier, Chris Stain, and ASVP to hit some walls in the basement stenciling, screen printing or wheat pasting directly on the surface, so see if they’ll lend you the key to the dungeon while your are there.

Artists also included in the show are: Anthony Lister, Gaia, Gilf!, Icy & Sot, Imminent Disaster, Judith Supine, Know Hope, Labrona, Other and Paul Insect.

Gilf! Basement Installation. (photo © Jaime Rojo)

Gilf! Basement Installation. Detail of glittered shoes. (photo © Jaime Rojo)

Gilf! (photo © Jaime Rojo)

Imminent Disaster (photo © Jaime Rojo)

Clown Soldier’s work was screen printed directly on the wall for this installation in the basement. Now that is a print show! (photo © Jaime Rojo)

Clown Soldier. Detail of his piece that was screen printed directly on the wall for this installation in the basement. (photo © Jaime Rojo)

Clown Soldier. Detail of his basement installation. (photo © Jaime Rojo)

OTHER (photo © Jaime Rojo)

OTHER (photo © Jaime Rojo)

A.S.V.P. Basement Installation (photo © Jaime Rojo)

A.S.V.P. Prints with glitter. (photo © Jaime Rojo)

Paul Insect (photo © Jaime Rojo)

Judith Supine (photo © Jaime Rojo)

Anthony Lister (photo © Jaime Rojo)

Chris Stein. Basement Installation (photo © Jaime Rojo)

Chris Stein (photo © Jaime Rojo)

Know Hope (photo © Jaime Rojo)

Labrona (photo © Jaime Rojo)

Icy & Sot (photo © Jaime Rojo)

Gaia (photo © Jaime Rojo)

For further information regarding this show click here.

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Young New York: Silent Art Auction and Fundraiser at White Box Gallery (Manhattan, NYC)

Young New York

 

YOUNG NEW YORK At Risk Youth Being Seen, Heard, and Known | youngnewyorkers.org
SILENT ART AUCTION & FUNDRAISER
We are pleased to announce Young New York: A Silent Art Auction & Fundraiser, Tuesday May 29, 2012 at White Box in the Lower East Side.  This one night event will benefit Young New York (YNY), an art focused social justice program working with 16 and 17 year olds who, legally classified as adults, have been thrown into New York State’s adult criminal justice system.
The funds from the silent auction will help build the first stage of the program – a series of cutting edge creative workshops with fifteen young New Yorkers. The young New Yorkers will work closely with a team of successful artists, designers, teachers and social workers to responsibly and creatively develop their message around their own experiences with, and hopes for, the treatment of youth in New York State’s criminal justice system.
The evening will feature the works of Steven Holl and Steve Powers ESPO along with many other established and emerging international artists whose work touches on the realm of the social in urban space, thereby creating a dialogue with the work being developed in the YNY workshops.
The space for the event has been provided by White Box, food provided by Maimonide of Brooklyn, and drinks provided by Bomb Lager.  Additional support has also been provided by Loci Architecture and gopro.
Young New York is supported by the Goodman Fellowship at Columbia University and Brooklyn Defender Services.
For more information visit http://youngnewyorkers.org/
YNY SILENT ART AUCTION & FUNDRAISER
Featuring Artists: Steven Holl, Steve Powers ESPO, NohjColey, Joe Iurato, Miguel Ovalle, Overunder, Gaia, Rodolfo Diaz, Marissa Paternoster, Ian Kuali’i, LNY, Blackmath, Doodles, Feral Child, Cake,ND’A, QRST, Sean 9 Lugo, Radical!, C215 from the Vandalog collection, Gilf, Beau Stanton, Rachel Hays, SUE works, Clown Soldier, Jill Cohen, Yulia Pinkusevich, Alyse Dunn, NEVER, Shane Nash, Jesse Hazelip, Sheryo,the YOK, ASVP, Labrona,Then One,Tom Smith, Day Le, Danielle Riechers,  Jon Burgerman, Darnell Scott, Nathan Pickett, Joseph Grazi, John Breiner, Anne Grauso, SMURFO, Beau Stanton, Jamie Bruno, Luna Park, Sam Dylan Gordon, Fay Ku, Michael Bilsborough, NANOOK, Felipe Baeza, Sam Fleichner and more!
Curated by Natalie Trainor & LNY
Auction & Reception: Tuesday, May 29, 2012, 6-10 PM
Auction called at 9 PM
At White Box, 329 Broome Street NY, NY
Supporter Tickets: $50.00
General Admission: $25.00
Purchase Tickets here: youngnewyork.eventbrite.com/
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