Opening
High Roller Society Presents: Skewville “Slow Your Roll” Solo Exhibition (London, UK)
Skewville

“Slow Your Roll”: a term commonly used by Skewville to keep themselves in check.
Growing up in the underground NY Art Scene was all about respect and paying your dues. After a decade of deviance, Skewville is as well known for their creative, aggressive questioning of this popular street art culture as they are for being a monumental part of it with their wooden sneaker mission. The growing popularity of this art movement has made Skewville check itself, always remembering why they started in the first place. Just as street art began as a way of reclaiming space from the advertising that had overrun it, Skewville reclaims the gallery space to communicate its thoughts on the loss of a counter-culture and the rise of consumerism. In a constant self battle to not “Sell Out”, while maintaining success in the art world Skewville presents… “Slow Your Roll”. Featuring selected artwork from previous years that will showcase the classic Skewville Style along with new paintings and sculptures that reveal their dedication to steadily evolving that Skewville Aesthetic.
The Outsiders Present: Woozy “I Don’t Care About My Face’ (London, UK)
Woozy

‘I Don’t Care About My Face’ is the first UK solo show by Woozy. The exhibition will showcase his most recent paintings and works on paper. Woozy is renowned for his street art which has graced urban landscapes all over the world. Woozy’s latest work, retains his signuture bright colourful forms, and experiments with texture, style and techniques.
The Private View is on Thursday 17th March 6 pm – 9 pm. Please RSVP with your name and your guest’s name by Wednesday 16th March.
‘I Don’t Care About My Face’ will run from 18th March – 9th April at The Outsiders | 8 Greek Street | W1D 4DG | Monday-Saturday 11 – 7pm | www.theoutsiders.net.
Mighty Tanaka Presents: “Ley Lady Ley”, a solo show by Matt Sewell (Brooklyn, NY)
Mighty Tanaka presents
Ley Lady Ley
A solo show by Matt Sewell
Imagine a mystical world where your inner child plays freely amongst the flora and fauna. Immerse yourself in a place where people and animals roam freely together through the woodlands and hills. This is the tranquil world of Matt Sewell, as he brings back the dawn of the golden ages. Mighty Tanaka is proud to bring you our latest show, Ley Lady Ley, a solo show by Matt Sewell, as he transforms the gallery into his peaceful and idyllic vision.
Ley Lady Ley represents an era when people connected with Mother Earth and worshiped the land. Men and women joined in a celebration of nature and praying to the deities. Through fertility dances in oak groves and the cycle of life, death and rebirth, the artwork for Ley Lady Ley forges a sacred bond that is all but lost in modern society.
Matt Sewell has gone all out for this event, creating ten brand new works of original art on site for the show. His color pallet is warm and inviting as he takes the viewer on an inspiring journey through another time. Also including a large-scale mural on the gallery walls, his art symbolizes reconnection to the Earth and offerings to the gods.
OPENING RECEPTION:
Friday, March 11th, 2011
6:00PM – 9:00PM
(Show closes April 8, 2011)
Mighty Tanaka
68 Jay St., Suite 416
Brooklyn, NY 11201
Email: alex@mightytanaka.com
Web: http://www.mightytanaka.com
(F Train to York St.)
MOCA Presents: “Art In The Streets” (Los Angeles, CA)
JR
JR “The Wrinkles in the City 2011” Photo Courtesy © MOCA
Street artist JR has installed a new piece on the Alameda street side of our Geffen Contemporary building in Little Tokyo. The work is part of a 20 artwork project called The Wrinkles of The City that is currently being unveiled at locations around Los Angeles. It’s also part of MOCA’s upcoming exhibition Art in the Streets, the first major U.S. museum survey of graffiti and street art.
MOCA Press Release:
APRIL 17–AUGUST 8, 2011 / THE GEFFEN CONTEMPORARY AT MOCA
The Museum of Contemporary Art presents Art in the Streets, the first major U.S. museum exhibition of the history of graffiti and street art. The exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities where a unique visual language or attitude has evolved. Following MOCA’s presentation, the exhibition will travel to the Brooklyn Museum, where it will be on view March 30–July 8, 2012.
Art in the Streets will showcase installations by 50 of the most dynamic artists from the graffiti and street art community, including Fab 5 Freddy (New York), Lee Quiñones (New York), Futura (New York), Margaret Kilgallen (San Francisco), Swoon (New York), Shepard Fairey (Los Angeles), Os Gemeos (São Paulo), and JR (Paris). MOCA’s exhibition will emphasize Los Angeles’s role in the evolution of graffiti and street art, with special sections dedicated to cholo graffiti and Dogtown skateboard culture. The exhibition will feature projects by influential local artists such as Craig R. Stecyk III, Chaz Bojórquez, Mister Cartoon, RETNA, SABER, REVOK, and RISK.
A special emphasis will be placed on photographers and filmmakers who documented graffiti and street art culture including Martha Cooper, Henry Chalfant, James Prigoff, Steve Grody, Gusmano Cesaretti, Estevan Oriol, Ed Templeton, Larry Clark, Terry Richardson, and Spike Jonze. A comprehensive timeline illustrated with artwork, photography, video, and ephemera will provide further historical context for the exhibition.
Art in the Streets will feature several shows within the show. There will be a special section dedicated to the Fun Gallery, which connected New York graffiti artists with the downtown art community in the early 1980s. Co-curated by gallery founder Patti Astor, the Fun Gallery installation will feature the work of Keith Haring, Jean-Michel Basquiat, and the graffiti artists who shaped the gallery’s history. A section dedicated to the seminal film Wild Style (1983), co-curated by the film’s director Charlie Ahearn, will document its influence on the global dissemination of graffiti and hip-hop culture. The exhibition will also feature a memorial presentation of Battle Station, a rarely seen work by legendary artist and theorist RAMMELLZEE, and a display of graffiti black books and other historic works from the Martin Wong Collection presented in collaboration with the Museum of the City of New York. A highlight of the exhibition will be a Los Angeles version of Street Market, a re-creation of an urban street complete with overturned trucks by Todd James, Barry McGee, and Steve Powers.
The exhibition will open with a skate ramp designed by pro-skater Lance Mountain and artist Geoff McFetridge. Skate demonstrations by the Nike SB skate team will be held onsite for the duration of the exhibition.
“Art in the Streets will be the first exhibition to position the work of the most influential artists to emerge from street culture in the context of contemporary art history,” said MOCA Director Jeffrey Deitch.
“This quintessentially urban and dynamic partnership between the Brooklyn Museum and MOCA began with the 2005 Brooklyn-organized exhibition of the work of Jean-Michel Basquiat, the consummate American street artist of his generation; continued with the MOCA-organized ©MURAKAMI in 2007, defining critical elements of worldwide street art; and now culminates with a groundbreaking exhibition devoted entirely to street art and graffiti,” said Brooklyn Museum Director Arnold L. Lehman. “The partnership has, in itself, provided a major record of public art over the past half century.”
Art in the Streets is organized by Jeffrey Deitch and associate curators Roger Gastman and Aaron Rose. Gastman is the author of The History of American Graffiti, which will be released in April 2011, and was a consulting producer on the film Exit Through The Gift Shop. Rose curated the exhibition Beautiful Losers and directed the related documentary film. Ethel Seno, editor of Trespass: A History of Uncommissioned Urban Art, is the curatorial coordinator of the exhibition. The Brooklyn Museum’s presentation will be organized by Managing Curator of Exhibitions Sharon Matt Atkins.
ART IN THE STREETS CATALOGUE
A comprehensive catalogue on the history of graffiti and street art published by Skira Rizzoli and edited by Nikki Columbus, former associate editor of Artforum, will accompany the exhibition. The book traces the birth and dissemination of styles through the stories of graffiti writers and street artists all over the world. It features a foreword by Deitch and essays by Carlo McCormick, Greg Tate, and Diedrich Diederichsen. It also features interviews and discussions with influential street artists about wild style, cholo graffiti, and the art that emerged from skate and punk subcultures. Additional contributors include Fab 5 Freddy, KET, Caleb Neelon, Lydia Yee, Kathy Grayson, Cheech Marin, Bill Daniel, and Hiroshi Fujiwara. The book was designed by Conny Purtill, whose previous projects include Barry McGee: The Buddy System and Beautiful Losers.
RELATED EDUCATION AND COMMUNITY OUTREACH
An extensive program of educational and community workshops will complement the exhibition. As part of its exhibition sponsorship and ongoing community collaboration initiative, Levi’s® will host the Levi’s® Film Workshop at MOCA, offering a diverse schedule of programming that celebrates the craft of filmmaking and explores the exhibition’s subject matter. Access to the Levi’s® Film Workshop’s resources is open to all and free of charge.
Special versions of Associate Curator Aaron Rose’s Make Something!! educational project will also be presented at Culver City High School and at The Geffen Contemporary at MOCA in conjunction with Nike SB. Art in the Streets will include a graffiti and street art film festival presented in collaboration with the Cinefamily, and music and dance programs featuring some of the originators of hip-hop and break dancing.
Art in the Streets is made possible by The Eli and Edythe Broad Foundation.
This exhibition is generously supported by the Sydney Irmas Exhibition Endowment.
Major support is provided by Levi’s®. Additional support is provided by Mandy and Cliff Einstein, Nike SB, MOCA Contemporaries, MOCA Partners, and Montana Colors.
In-kind media support is provided by Ovation, Los Angeles magazine, and KCRW 89.9 FM.
Saturday in the Streets is presented by Ovation.
MEMBERS’ OPENING
Saturday, April 16, 7–10pm
The Geffen Contemporary at MOCA
Join us for another legendary opening party at MOCA as we premier Art in the Streets, featuring performances by the stars of the classic hip-hop film, Wild Style—Busy Bee, Cold Crush Brothers with Grandmaster Caz—and the award-winning B-Boy crew from Los Angeles, Killafornia. Cash bar.
INFO 213/621-1794 or membership1@moca.org
FREE for MOCA members, $25 for additional guests
José Parlá Writes His Diary on the Wall
For his current show at Bryce Wolkowitz Gallery in Chelsea, José Parlá’s new paintings make you feel as if you were standing on a cold windy elevated Brooklyn subway platform waiting for a hulking rusted behemoth to scrape and scream around the curvature of the tracks toward you.
José Parlá (photo © Jaime Rojo)
Concentrate solely on the canvases in front of you and you might even hear the heroes of the railyards approaching. Like Ginsberg with no rhyme but a lot of reason Mr. Parlá’s poetic abstractions gently draw the viewer in for a close inspection.
“The whole blear world of smoke and twisted steel around my head in a railroad car, and my mind wandering past the rust into futurity: I saw the sun go down in a carnal and primeval world, leaving darkness to cover my railroad train because the other side of the world was waiting for dawn.”
— Allen Ginsberg
José Parlá (photo © Jaime Rojo)
Using a color palette of red, ochre, black and gray he mashes the colors with bold textures and exquisite, sinuous lines. Eroded, tattered surfaces and found objects are canvas to markers, aerosol, even charcoal. The gestural markings and strokes recall a hip-hop romance now abstract and calligraphic: some layers evoking a dark Mexican Baroque wooden altar, carved and gold leafed.
José Parlá. Detail (photo © Jaime Rojo)
Mr. Parlá trained in the 1980s on the streets as a graffiti artist – and all of these elements exist elsewhere in the urban jungle, but Parlá has developed his own language to tell his story with these tools. Born in rebellion, the energy of his movement across the canvas is just as badass as any tunnel writer but with a timbre and depth that age and self-study can render.
José Parlá (photo © Jaime Rojo)
José Parlá. Detail (photo © Jaime Rojo)
José Parlá (photo © Jaime Rojo)
José Parlá (photo © Jaime Rojo)
José Parlá (photo © Jaime Rojo)
José Parlá (photo © Jaime Rojo)
José Parlá. Detail (photo © Jaime Rojo)
José Parlá. Close up of the painted hall wall. (photo © Jaime Rojo)
José Parlá (photo © Jaime Rojo)
At the show opening last Thursday an ad hoc duo of drummers set up shop outside the gallery and an air of raucous carnival and merriment permeated the night. A demanding New Yorker stopped to inquire just how long they would continue. The musicians gently answered her questions and banged away. Walking away from the spot their beats disappeared into the cold night.
Photo © Jaime Rojo
“Wall Diaries and Paintings”, José Parlá
Bryce Wolkowitz Gallery from March 3rd to April 16th
Mad One Presents: “Sticker Phiends IV: A celebration of adhesive art” (Tempe, Arizona)
Mad One
Here is the run down of “Sticker Phiends” IV presented by” Mad One and some fliers to post if you all could do that would be greatly appreciated!! Send them out in your newsletters, blogs, sites etc..
Sticker Phiends 4
“A celebration of adhesive art”
Presented by: “Mad One”
April 8th 2011 Opening Reception
Featuring art by today’s top street artists, graphic designer’s and sticker makers & others!
Art By:
Abcnt
Age
Cryptik
Dolla
DumperFoo
123 Klan
Griffin One
Clown Soldier
Mad One
Matt Curran
20 MG
Obey
Pez One
Sike’
U.W.P.
Seizer One
& MANY OTHERS!!
Funky beats by:
-Sweaty Hot Junk
-Sick Duppy
-One Son
-Awb
FREE HANDOUTS provided by our sponsors
ALL ART for $ale!
Limited Merch for $ale!
Drinks with ID – 21+
Opens at 8pm April 8th!
Cartel Coffee Lab
25 w. University Dr.
Tempe, AZ.
480-225-3899
Know Hope “Bound By The Ties” Art Installation and Book Release (Tel Aviv, Israel)
Daniel Feral and Joyce Manalo Curate: “Pantheon: A History of Art From The Streets of New York City” (Manhattan, NY)
PANTHEON:
A history of art from the streets of New York City
OPENING RECEPTION
Saturday, April 2, 5-7PM
Press preview with curators: 4-5PM
Exhibition runs April 2-17, 2011
LOCATION
chashama/Donnell Library Building
20 West 53rd Street, b/w 5th & 6th Avenue
New York, NY 10019 (across from MoMA)
ARTISTS
CLICK HERE FOR PRINT VERSION OF PRESS RELEASE (2 of 4)
NEW YORK – On Saturday, April 2, 2011, 35 graffiti writers and street artists will unite to reclaim the former Donnell Library as a repository of visual information on the growing world-wide phenomenon of street art. This exhibition will present an art historical timeline that is a part of New York City’s unique legacy. The artistic contribution of these cultural catalysts and preservationists from the 70’s to the new millennium will address the ever-changing urban landscape and alternative modes of producing art in the streets.
The axiom of this movement is its ubiquity in the streets of New York City. During its nascency, John Ahearn and Rigoberto Torres’ casts of everyday people adorned buildings, John Fekner’s simple large-scale text stencils politically charged brick walls, Freedom’s representational art graced tunnel cathedrals, Richard Hambleton’s silhouette paintings emotionally moved sidewalks and alleys, and Ket’s prolific tags saturated NYC’s subway cars. These artists established the tone for style, medium and content in this genre. The radical style, guerilla approach and ephemeral aesthetic of this subculture have been challenged since the 80’s and today’s artists are exploring
new ways to respond.
10 DAYS LEFT FOR PANTHEON KICKSTARTER CAMPAIGN!!!
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chashama is a 501(c)(3) nonprofit founded by Anita Durst in 1995. The organization’s mission is to support creativity in New York City by repurposing vacant properties enabling artists a space to create. PANTHEON: A history of art from the streets of New York City was awarded the former Donnell Library as an exhibition space, which is part of chashama’s Windows Program. PANTHEON is Co-Curated by Daniel Feral and Joyce Manalo along with Debra Anderson and Royce Bannon of the Advisory Committee and the collaboration of dedicated and talented individuals, most notably, Abe Lincoln, Jr., Francesco Alessandra, Maura Barry, Jennifer Diamond, Valentin Farkasch, Karla Henrick, Ebi Kagbala, Luna Park, Ashlene Nand, Dan Nguyen and Mariette Papic. Thank you to Brooklyn Street Art (media partner); Gothamist, Hyperallergic, The Street Spot, Streetsy (media sponsors); Cresent Artists (exhibition sponsor); and WM Dorvillier & Company, Inc. (structural design consultation). Image credits courtesy of the artists. Special thanks to the Woodward Gallery, NYC for the loan of Richard Hambleton’s Fountain of Youth, 1982.
For more information, please visit pantheonnyc.com or chashama.org.
For further exhibition details, media relations, Kickstarter campaign, sponsorships, and partnerships please email info@pantheonnyc.com or visit www.pantheonnyc.com. For more information about the Windows Program, please visit www.chashama.org.
Robert Berman Gallery C2 Present: “REVOLUTIONS: THE ALBUM COVER ART OF SHEPARD FAIREY” (Santa Monica, CA)
| REVOLUTIONS: THE ALBUM COVER ART OF SHEPARD FAIREY |
OPENING RECEPTION:
MARCH 12TH, 2011, 8-11PM
EXHIBITION DATES:
3/12 – 4/23/11
ROBERT BERMAN GALLERY C2
2525 MICHIGAN AVE
SANTA MONICA, CA 90404
OBEY GIANT ART X SUBLIMINAL PROJECTS X ROBERT BERMAN GALLERY ARE PROUD TO PRESENT REVOLUTIONS, A PROJECT FEATURING THE ALBUM COVER ART OF SHEPARD FAIREY. ON EXHIBITION FROM MARCH 12TH THRU APRIL 23RD AT ROBERT BERMAN’S C2 GALLERY, WILL BE OVER 80 PIECES OF PUNK, ROCK, NEW WAVE, JAZZ, AND HIP-HOP INSPIRED ARTWORK BASED ON THE 12″ RECORD COVER FORMAT. TO MARK THIS OCCASION, TWO SPECIAL LIMITED EDITION ALBUM COVER PRINT BOX SETS WILL BE RELEASED FOR THE EXHIBITION. PLEASE JOIN US FOR THE OPENING CELEBRATION ON SATURDAY, MARCH 12TH, 8-11PM.
“LONG BEFORE I KNEW ABOUT ART GALLERIES OR EVEN STREET ART, I WAS EXCITED ABOUT ALBUM COVER ART, IF ONLY BECAUSE IT WAS THE VISUAL COUNTERPART TO THE MUSIC ON THE RECORDS I LOVED. ALBUM COVERS CONJURED A EUPHORIC ASSOCIATION WITH THE LISTENING EXPERIENCE. MOST OF MY EARLIEST HOME-MADE TEE SHIRTS WERE STENCILS BASED ON PUNK ALBUM COVERS. I’VE HAD SOME VERY MOVING ENCOUNTERS WITH ART IN MY LIFE, ESPECIALLY IN THE STREET, BUT ALMOST NOTHING CAN COMPARE WITH THE FIRST TIME I HEARD THE BOOTS MARCHING AND FIRST CHORD OF THE SEX PISTOLS’ HOLIDAYS IN THE SUN, OR THE AIR RAID SIRENS LEADING INTO “TOO BLACK, TOO STRONG” ON THE INTRO TO PUBLIC ENEMY’S IT TAKES A NATION OF MILLIONS TO HOLD US BACK, OR THE OPENING GUITAR SCREAM OF BLACK FLAG’SRISE ABOVE. THOSE SONGS DID, AND STILL DO, MAKE MY ARM HAIRS STAND UP. MUSIC IS VISCERAL AND ACCESSIBLE, BUT ALSO HAS THE ADDITIONAL POWERFUL LAYERS OF THE LYRICS, WITH THEIR CONTENT AND POLITICS, AND THE STYLE, POLITICS, AND PERSONALITIES OF THE MUSICIANS THEMSELVES. NO MATTER HOW MUCH I LOVE ART, OR TRY TO CONVINCE MYSELF OF ITS RELEVANCE IN SOCIETY, THE FACT REMAINS THAT MUSIC IS A LOT COOLER AND WAY MORE ABLE TO REACH PEOPLE’S HEARTS AND MINDS’ BUT I’M A POPULIST AND I LOOK AT THIS WAY: I MAY NOT PLAY AN INSTRUMENT, BUT I’M GONNA ROCK IT HARD AS NAILS ANYWAY. WITH MY ART I TRY TO CAPTURE THE SAME ENERGY AND SPIRIT THAT MAKES MUSIC SO POWERFUL AND DEMOCRATIC. REVOLUTIONS IS A CELEBRATION OF ALL THE GREAT MUSIC AND ACCOMPANYING ART THAT HAS INSPIRED ME OVER THE YEARS.”
– SHEPARD
Galerie Gabriel & Gabriel Presents: “Artiste Ouvrier. Nostalgie du Temps Present” (Paris, France)
Black Rat Projects Presents: Brian Adam Douglas AKA Elbow-Toe “Due Date” (London, UK)
Never seen in public before, Brian Adams Douglas’ new massive (5 x 7) and three months in the making painting “Memory of You” will be the central focus of his new solo show.
Elbow-Toe

Brian Adam Douglas – Due Date
March 10 – April 8, 2011
Black Rat Projects
Through Cargo Garden
Arch 461, 83 Rivington Street
London EC2A 3AY
http://www.blackratprojects.com/
Black Rat Projects is pleased to present our next project with Brian Adam Douglas. Due Date, his first solo show in the UK, will be on view from March 10 – April 8, 2011. The opening will coincide with the launch of a book about his work, Paper Cuts, published by DRAGO.
Under the name Elbow Toe, Brooklyn based artist Brian Adam Douglas has been pasting his distinctive woodcuts, stencil work, large-scale charcoal drawings and collages onto the walls of cities all around the world throughout the past decade. His diverse practice is anchored by an interest in the human gesture as a powerful form of communication, one charged with unspoken narratives and he continually transforms public space into a stage for these private moments. The scenes in his most recent body of work focus on the bewildering act of parenthood. Just as he builds a finished image through the meticulous layering of tiny individual bits of coloured paper, so the meaning of the image is woven through layers of references to historically and culturally established narratives. This kind of intertextuality has become the foundation for the development of his distinctive style. The result is a sophisticated visual language where personal metaphors begin to communicate universal truths.
In Douglas’ work family life is a staged performance, animals are manifestations of human emotion, intense pattern breaks the jagged surface and functions like an ancient Epic storm: as his characters fight to find their balance the viewer holds their breath.
Artist’s Statement:
“For my first solo show in the UK, Due Date, I am exploring my preconceived notions of parenthood and the opportunities for growth that come through that process. I am presenting a series of narratives that flirt the line between fact and fiction; they are moments of autobiography that have been extrapolated to become allegories. As an artist in the process of trying to become a parent and living in one of the most parent-centric sections of NYC, I am keenly aware of the mania that strikes at the heart of parents young and old. In these paintings I am addressing fears (loss of individuation as well as of the proverbial unknown), the strengthening of bonds in times of crisis, the issues of trying to become a parent later in life and the wisdom gained through the process of parenting.
The work is divided into two groups: a set of images on panels, and a set of images on paper. In the more fully realized works on panel, all the actions are taking place in staged environments. The elements surrounding the figures are merely cardboard props, strictly for the purpose of giving the action of the figures a point of reference. The action of the figures is the reality of the image, everything else is just window dressing. The paint drips and splashes act as abstract gestures clearing things away yet never managing to obscure the events occurring on the stage. In the works on paper, the events being described are contained in a sea of white. By the very nature of the presentation the gestures and relationships are isolated and distilled.
The current body of work builds upon a process of art making that I have been refining for several years. I refer to the work as paper paintings rather than as collage. I see each piece of paper as a brushstroke rather than as a juxtaposed idea. Each brushstroke is selected for it’s color, value and texture, rather than it’s imagery”. Brian Adams Douglas
To read BSA interview and studio visit with Elbow-Toe click on the link below:
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY













