Gallery

RAS Gallery Presents: Rene Almanza Solo Show. Paintings.Drawings.Graphics (Barcelona)

Rene Almanza

Rene Almanza

Rene Almanza

SUBEN  PRESENTS

R e n e  A l m a n z a (México) .  S o l o  S h o w
paintings  .  drawings  .  graphics

Vernissage June 10th from 7.30 till 10 pm
RAS Gallery Barcelona . Carrer Doctor Dou 10

From Monterrey Mexico and for the very first time in Europe, the work
of Rene Almanza arrives to RAS Gallery Barcelona. Convoluted lines
that show but also hide faces, bodies and animals, extracted from the
many worlds that Rene Almanza materializes melting his own urban and
poetic influences, mark the artist solo exhibition.

The paintings, drawings and graphic works presented review a wide
range of prices, inviting all art lovers to take one of Rene Almanza’s
unique works home.

” Every time I see the work of Rene Almanza I feel a mixture of love and hate.
I realize that he is a quiet person in whose drawings lives some a kind of
struggle with the paper that gives life to his strokes, making it sometimes, to
seem to go beyond the square surface limits. ”
Herbert Baglione

– Presents from the artist to the first 150 guests
– Oficial video, pictures, press-kits and more info more information on  www.subenysuben.com/blog



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Lazarides Gallery Summer Series Presents: “EuroTrash” with Conor Harrington, JR, Vhils and Antony Micallef (Beverly Hills, CA)

Lazarides
Address :
320 North Beverly Drive,
Beverly Hills,
CA 90210
Phone :
Phone: +1 323 202 6339 / +1 323 202 5305
Open :
Monday – Sunday 12 pm – 8 pm.
Admittance :
Free
9th June 2010 – 27th June 2010
Lazarides LA is proud to introduce, EuroTrash: a stellar line up of some of the hottest European artists around.

Hailing from France, JR will bring his unique vision to Beverly Hills. Immersing himself within cultures where struggle and conflict are rife, he presents his monochromatic photographs and installations.

Renovating the urban environment much like JR, is the innovative Portugese artist Alexandre Farto aka Vhils. He manipulates a variety of surfaces to create his extraordinary vision. From the brick facade of buildings to peeling off layered flyposters, he reveals images that explore the sub-cultures and dynamism of a city.

Cork born painter Conor Harrington explores the illusion of power and the emotional side of masculinity in his large-scale paintings. Combing the fast pace of grafitti art with traditional oil painting, resulting in energetic murals of soldiers and conquerors existing within a chaotic abstracted landscape.

Antony Micallef
returns to LA with his distinctive style of painting. Drawing on icons of contemporary society which both celebrate and condemn modern day living. His most recent works are built upon a profound belief in the act of brushstrokes and animals and humans merge in the happy accident of the artist’s extreme stream of consciousness.

Immortalising the individual in monumental proportions is what these exciting artist do best. Using the overlooked, misunderstood and mundane elements of our everyday, each artist captures our attention with their distinctive style and alternative approach.

Lazarides | 320 North Beverly Drive | Beverly Hills | CA | 90210

Monday – Sunday 12 pm – 8pm

Phone: +1 323 202 6339 / +1 323 202 5305

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Think Space Gallery Presents: Ekundayo and Brett Armory New Paintings (Culver City L.A.)

Think Space Gallery

Ekundayo Image Courtesy Think Space Gallery

Ekundayo Image Courtesy Think Space Gallery

Thinkspace presents:

Main Gallery:

‘Joy Today Jeopardy Tomorrow’

New paintings, drawings and an installation from Ekundayo

Project Room:

‘The Waiting Room’

New paintings from Brett Amory

Opening Reception:

Fri, June 11th 7-10PM with both artists in attendance

The Crepe’n Around Truck will be out during the opening reception – be sure to bring your appetite!

Both exhibitions on view: June 11th – July 2nd

(Los Angeles) Thinkspace is excited to welcome back Los Angeles based artist Ekundayo for his second solo show with our gallery. Also taking place at the same time in our project room will be the debut Los Angeles solo show from San Francisco based Brett Amory.

‘Joy Today Jeopardy Tomorrow’ is an exhibition about the beautiful struggle we all face of reaching for our dreams, in hopes of guiding our own destiny. Whether we succeed or fail is not important, as long as it’s on our own terms. Ekundayo’s work illustrates the sacrifices we make in the pursuit of fulfillment, while simultaneously questioning the actions taken to attain this ‘fulfillment’ we all seek. A great deal of inspiration for this new body of work has come from the life of Marcus Mosiah Garvey Jr., an African nationalist who during the 1920’s had a vision to bring his people from all over the world to a higher level of  conciseness in regards to where they come from and how they provided for themselves. Although Garvey failed in his ultimate goal of having a fleet of steamships fairing people from all over the world to Africa in-order to connect them to their origins, he left a legacy behind that continues to inspire countless others.

When looking at the work you get a sense of an inner struggle with the central figures being anchored by a large burden, while at the same time appearing weightless, as if suspended in moments of relief. A sort of “misshapen beauty” which speaks to the imperfections and vices found within all of us. Ekundayo’s pieces are handled with a deliberate sensitivity, framed by moments of very loose, almost sporadic applications of paint, which help to give the finished works a sense of inadvertence, that in turn serve as a testament to the artist’s intent.

In our project room we welcome Brett Amory. His painting series entitled “Waiting” depicts the urban individual’s yearning for presence and the seeming impossibility of attaining it. The paintings portray commuters in transit immersed in either a quiet, even hopeful state or, alternately, a state of anguish due to unfulfilled anticipation.

At first, the series, begun in 2001, depicted travelers waiting underground. But as the paintings evolved, the people ceased to be exclusively travelers, and began to emphasize figures selected from anonymous snaphots of city streets taken by the artist during his travels. Although the experience of waiting remains, the perception of it has changed from one of mundane task to one leavened with transcendence.

The series has also charted the evolution of an artist—the reductive elements of the compositions provide an outward echo of the inner states of the figures.  By reducing the elements of the painting as far as possible, a frozen moment is extended.

Lastly, Amory has developed favored motifs in the series, a kind of visual music, such as repetition of a human image, to show not only the passage of time but of the human being through it.

In our main gallery space::

Ekundayo

‘Joy Today Jeopardy Tomorrow’

Ekundayo (Dayo) was born in Honolulu, Hi, in 1983 where he lived with his mother and father until the age of five when his mother and father could no longer get along. Ekundayo’s father snuck him out of the state without his mother’s knowledge, and for seven years Ekundayo and his father moved from place to place living a life on the run. Meanwhile in her desperate need to find her son, Ekundayo’s mother helped start Hawaii’s first clearing house for missing children. The life on the run ended in 1994 when his father moved to California with Ekundayo’s sister because his father was dying from cancer. In early 1995, Ekundayo’s father passed away from lung cancer; Ekundayo was eleven…

Ekundayo lived with his sister, brother in-law, four nieces and his sister’s mother in a small three-bedroom and one-bath house in Pacoima, Ca. It was in this house at the age of 13 that Ekundayo discovered his love for art. After being involved in school fights, stealing and hanging with the wrong people, he was suspended from school. One day while in the garage, he found one of his uncle’s black books. This uncle wrote for a graff crew in L.A. called C.H.B. This book completely changed Ekundayo’s life. He became obsessed with drawing and copied every single page in that little book. Meanwhile, the Dept of Justice had located Ekundayo at his sister’s home and returned him to the custody of his mother. Ekundayo went back to Hawaii to live with his mother. His drive to create didn’t stop, and the encouragement from his family only fueled that ambition. Shortly after graduating high-school, Ekundayo moved back with his sister and brother in-law in much more spacious accommodations. He attended Pierce College in Winetka, Ca, where he practiced his craft and worked on his portfolio until 2003 when he was accepted into Art Center College of Art and Design on a scholarship.

Although the teachers he studied under and the friends he met while going to Art Center were priceless to his development, Ekundayo dropped out after completing his foundation courses in order to create his own path in the fine art world. He combines both subversive graffiti aesthetics in combination with art-historical erudition using acrylic, gouache, watercolor, ink and various carving techniques. Ekundayo’s work expresses the struggle of life and how those struggles and burdens can either inspire us to change in a constructive way or weigh us down by our own inability to change.

Take a ‘Sneak Peek’ at the works for ‘Joy Today Jeopardy Tomorrow’ coming together:

http://www.flickr.com/photos/thinkspace/sets/72157623719360265/

Artist website:

www.ekundayo.com

Brett Armory Image Courtesy of Think Space Gallery

Brett Armory Image Courtesy of Think Space Gallery

In our project room:

Brett Amory

‘The Waiting Room’

Brett Amory was born June 25th, 1975 in Portsmouth, Virginia. His father, Harry Amory, was a mechanic at a shipyard and his mother, Sally Roebuck, a nurse. When he was 21 Amory moved to San Francisco to study motion pictures at the Academy of Arts. Soon after enrolling in school, Amory took his first drawing class and was introduced to his passion for the arts. Around the time Amory celebrated his 24th birthday he tried his hand in painting. In 2002 Brett switched his major to fine art and started his current body of work called “Waiting”. This series of paintings explores the anticipation of the next moment.

Amory graduated from the Academy of Arts in 2005 and has shown his work all over the country. In 2006 Amory along with five other artists (Mars-1, David Choong Lee, Damon Soule, Nome Edona, Oliver Vernon) published a book called “Convergence” and had book signings in New York, Los Angeles and at the SFMOMA in San Francisco.

Amory currently works as a graphic designer at an environmental company in San Francisco and continues to show his work in galleries across the country.

Take a ‘Sneak Peek’ at the works for ‘The Waiting Room’ coming together:

http://www.flickr.com/photos/thinkspace/sets/72157623844101930/

Check out a great video documenting the process behind the piece ‘Waiting #54’:

http://vimeo.com/11705089

Artist website:

http://www.brettamory.com/

About Thinkspace Gallery:

Established in November of 2005, Thinkspace exists as a catalyst for the ever expanding new contemporary art movement that is exploding forth from the streets and art schools the world over. We are here to help represent this new generation of artists, to provide them that home base and to aid them in building the right awareness and collector base necessary for long-term growth.

Our aim is to help these new talents shine and to provide them a gallery setting in which to prove themselves. It is our hope and dream that through these opportunities these individuals will prosper and continue to grow to amaze us all for years to come. With the love of and for our community, and with the talents of so many incredible artists involved, we believe that this movement will provide the necessary proving ground for the ideas and dreams of today to become the foundations of a new tomorrow.

Thinkspace Gallery is located at 6009 Washington Blvd, in the heart of the Culver City Arts District, Culver City, CA 90232. Gallery hours are Wednesday through Saturday, 1 p.m. to 6 p.m. and by appointment. For more information, please call 310.558.3375, visit www.thinkspacegallery.com, or email contact@thinkspacegallery.com.

Also opening on June 11th in London, England:

‘The Next Generation: A New Chapter in Contemporary Art’ – 45 international artists curated by Thinkspace and presented by London Miles Gallery (www.londonmiles.com)

Coming up in July at Thinkspace:

July 9th – July 30th

‘Negative Never Again’ featuring new paintings and sculptures from Yosuke Ueno

+ ‘Waking in the Dark’ featuring new work from Dan-ah Kim (project room)

*Please note our new address and phone number*

Thinkspace

6009 Washington Blvd.

Culver City, CA 90232

#310.558.3375

www.thinkspacegallery.com

www.sourharvest.com

Hours:

Wednesday thru Saturday

1 p.m. – 6 p.m. (or by appointment)

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Jon Burgerman and Jim Avignon Back Together: On June 2 at Pete’s Candy Store and On June 5th at Factory Fresh

Jon Burgerman and Jim Avignon

Jim Avignon and Jon Burgerman

Jim Avignon and Jon Burgerman

The Salads and Ballads of Anxieteam.

wed june 2 / 11 PM
Petes Candy store – 709 Lorimer street

The dynamic and delightful duo reunite and return for a very special performance at Brooklyn’s much loved live music haunt Pete’s Candy Store.

Adorned by their revered hand painted stage dressing, Anxieteam (Jim Avignon and Jon Burgerman) will whisk you away to a land of doe-eyed maidens of tea and carnivorous video game characters. Swooning strums of the ukulele, lacquered in lament and wistfulness, will be charged with the electronic prong of sounds from the dawn of the digital age.

The intimate set will touch upon the key universal themes of the Anxieteam oeuvre; buffets and best-friends, relationships and spaceships, cakes and cats, and of course, salads and ballads.

Guests are encouraged to bring their own salad items to the event to contribute to a communal salad to made by the band during the event.

SEE THIS DUO PERFORM AT FACTORY FRESH GALLERY ON SATURDAY JUNE 5th at 6:00 PM

Check out the newly updated mySpace page!
http://www.myspace.com/anxieteam

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Carmichael Gallery Presents: “Booked” ( Culver City L.A.)

Carmichael Gallery

Nick Walker Photo Courtesy Carmichael Gallery

Nick Walker Photo Courtesy Carmichael Gallery

For Immediate Release-

Carmichael Gallery is proud to present “Booked”, a group exhibition featuring over 35 of the  leading figures in contemporary art.
The gallery’s rooms will showcase a wide selection of original works from artists including:
Aiko, Banksy, Beejoir, Blek le Rat, Boxi, Bumblebee, 215, Henry Chalfant, Martha Cooper
C, D*Face, Brad Downey, Eine, Ericailcane, Escif, Faile, Shepard Fairey, Stelios Faitakis, Gaia, Hush,  Mark Jenkins, Dave Kinsey, Know Hope, Labrona,
Anthony Lister, Lucy McLauchlan, Aakash Nihalani, Walter Nomura (a.k.a. Tinho), Other
Steve Powers (a.k.a. ESPO), Lucas Price (a.k.a. Cyclops), Retna, Saber,
Sam3, Sixeart, Slinkachu, SpY, Judith Supine, Titi Freak, Nick Walker,
Dan Witz, and WK Interact.

Books and magazines will be available from a range of publishers,
including Drago, Gestalten,
Gingko Press, Murphy Design, Prestel, Rojo, SCB Distributors,
Studiocromie, Very Nearly Almost,
Zupi and more.

There will be an opening reception for the exhibition on Saturday,
June 5th from 6 to 8pm. The
gallery will be open for viewing from 12pm that day to coincide with
Culver City Art Walk. The
exhibition will run through July 3rd.

Carmichael Gallery
5795 Washington Blvd
Culver City, CA 90232
June 5 – July 3, 2010

Additional and/or high resolution preview images available, please do
not hesitate to contact me!

Best,
Lauren Licata
PR Associate
Carmichael Gallery
www.carmichaelgallery.com

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Signal Gallery Presents: Armsrock Solo Show “Drawn Towards The Present” (London)

Armsrock

Armsrock Signal Gallery

Armsrock Signal Gallery

Drawn Towards the Present”

The exhibition consists of an installation made out of monumental charcoal drawings on rice paper. The imagery represented in the drawings is based on a collection of press-clippings, which have been reworked and juxtaposed to create a labyrinth of fragments from contemporary history, standing as a tragic prologue to our future hopes and fears.

For additional information please see attached flyer or go to:

www.armsrock.blogspot.com

Drawn Towards the Present”

3rd -19th of June. 2010.

Opening on the 3rd of June, 6-9 pm.

Signal Gallery

96a Curtain Road

London EC2A 3AA

UK


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Factory Fresh Presents: Skewville “Shift Work Disorder”

Factory Fresh
brooklyn-street-art-skewville-factory-fresh

SHIFT WORK DISORDER
Skewville’s Illist Art
Opening June 5th & 6th, 1-7pm during weekend.
Beverages & Snacks will be served.
The brothers of Skewville change their work habits frequently, having worked long days on
unregulated shifts to maintain their status. As a result, in the last decade, the twin brothers
have created many projects on the streets and in galleries. Their aesthetic has been deemed
“Next levelism” in both arenas. Skewville’s newest body of artwork disrupts our visual
perception of maintaining a routine and average lifestyle. Such a recurrent interruption
of regular life patterns may result in stimulus overflow and excessive awareness.
Further Studies Will Be Done at Factory Fresh, till June 20th.
——————————————————————————————————————————

This is the final week to view ROA.
We are open this week  Wednesday Thru Saturday 1-7pm.
For more info on Factory Fresh and it’s upcoming shows go to www.factoryfresh.net or email info@factoryfresh.net
Factory Fresh is located at 1053 Flushing Avenue between Morgan and Knickerbocker, off the L train Morgan Stop

Factory Fresh

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Pandemic Gallery Presents: “Shock Therapy”

Shock Therapy!”

Sat. June 19th 7-11pm
featuring works by:

Thomas Buildmore
Morgan Thomas
Kenji Nakayama
Enamel Kingdom

Shock therapy is an attempt to regain control. while everything may seem to be spiraling towards disaster, there are methods to shock it all back in place. Over the years the term has been used to describe methods of medical, financial, and economic rebound, as well as psychological molding.  As we see it, Shock Therapy through art is a way to Instill upon others an instant sense of our passion and our desire to create. But also a way to overcome any subconscious hang-ups, to let go and be released from mental confines. A way to control the chaos, while still pushing the envelope. Shocking ourselves and the viewers straight and askew in tandem with a visual onslaught, so that they may see as we do the perplex, all encompassing world we live in.

ENAMEL KINGDOM

Enamel Kingdom is Artist/Designer Ryan Lombardi
Born in Indianapolis Indiana in 1980, Ryan’s family then moved to the Boston area when he was one year old and that’s were they decided to stay. With strong interests in Commercial Art, Graphic Design, and illustration, he headed for the “City of brotherly love” to attend Art Institute of Philadelphia. Through the introduction by a mutual friend, he hooked up with the international Artist collective Project SF in 2005.

Now Ryan lives in Boston, paying the bills with design and painting on the side. His works consist of various enamels applied to found objects such as: wood, metal, fiberglass… and any surface with normally underestimated aesthetic potential. Mainly influenced by urban settings, wild life and hip-hop culture, Ryan continues to draw from any other elements exposed from day to day life for inspiration.

KENJI NAKAYAMA

Kenji Nakayama is an artist originally from Hokkaido, Japan…

Documenting the environment that surrounds him, he spends weeks to hand craft his hand-cut multi-layer stencil work. Kenji flawlessly captures significant moments in his daily life. Serving as a diary from start to finish, his work is deeply personal.

Kenji is currently working and residing in Boston, Massachusetts. Showing his work both inside and outside of Boston.

MORGAN THOMAS


Hailing from Philadelphia, PA, Morgan Thomas has spent the majority of her life in observation of the people around her. She has studied art and art history around the world and graduated in 2007 from Williams College with two degrees (in studio art and sociology). Thomas’ main subject is human but she strives to examine human action, emotion, history and communication further than the classic portrait. Utilizing a semiotic vocabulary built up through the existence of the human race, Thomas records the world around her as she perceives it visually and spiritually. She aims to communicate to her audience the honest image and heartfelt meaning of a moment in time as it can be understood through form, color, and symbolic imagery. Thomas’ work is sociological, allegorical, and historical record. It does not try to comment on an event, but rather represent it for the audience to bring judgement to.

THOMAS BUILDMORE

Thomas Buildmore received his diploma from the School of the Museum of Fine Arts in 2004. Since then, Buildmore has taken part in and/or curated many fine art installations in a variety of arenas, receiving acclaim from publications such as The Boston Globe, The Boston Herald, The New York Daily News, And the Philadelphia Inquirer. In 2007 Buildmore established Overkill Studio in South Boston, Massachusetts. In 2008, Overkill Studio relocated to Philadelphia with Thomas Buildmore and Morgan Thomas at the helm. They are enjoying the lively and energetic Philadelphia Arts Community.

Also on display, the amazing video work of

DONALD O’FINN
“I appropriate samples from disparate TV media sources. I re-purpose, re-contextualize, effect, alter,
and weave these constructions into the dreams a television may have”

www.donaldofinn.com

gallery hours:
mon. – fri. 11-6
sat. – sun. 10-7

andemic Gallery

“Shock Therapy!”
Sat. June 19th 7-11pm
featuring works by:

Thomas Buildmore
Morgan Thomas
Kenji Nakayama
Enamel Kingdom

Pandemic Gallery

37 Broadway
Brooklyn, NY 11211

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Jonathan Levine Gallery Presents: Five Year Anniversary Group Exhibition

Dan Witz at Jonathan Levine Gallery

Image Courtesy Jonathan Levine Gallery

Image Courtesy Jonathan Levine Gallery

Dan Witz. "Sapphire Lounge' Image Courtesy JLG

Dan Witz. "Sapphire Lounge' Image Courtesy JLG

Jonathan Levine Gallery Presents: Five Year Anniversary Group Exhibition

Jonathan LeVine Gallery
Five Year Anniversary
Group exhibition

February 27, 2010 through March 27, 2010

NEW YORK, NY (January 26, 2010) — Jonathan LeVine Gallery will celebrate its fifth anniversary with a commemorative group exhibition featuring exceptional and exemplary new works by forty artists who are either currently represented by the gallery or who have exhibited at the gallery in the past five years. The exhibition will be on view from February 27—March 27, 2010, and there will be an opening reception on Saturday, February 27, from 7—9pm.

Since 2005, Jonathan LeVine Gallery has been an important venue for Street Art (ephemeral work placed in public urban environments) and Pop Surrealism (work influenced by illustration, comic book art, and pop culture imagery). As such, the pieces in this exhibition—comprised of paintings, drawings, and sculptures—will be primarily figurative with a strong sense of narration.

Artists in this exhibition have developed prominent creative voices for themselves as individuals, while also playing valuable roles within the historical context of the larger Street Art and/or Pop Surrealism movements. All of them have been influential in shaping the gallery’s program, creating work with a unique counter-culture point of view.

In LeVine’s words: “I believe that my program represents a generational shift, and that the artists who I work with will continue to define the evolution of this genre.”

Artists with work in the exhibition include (more to come):

Adam Wallacavage
AJ Fosik
Andrew Brandou
Andy Kehoe
Blek le Rat
Chris Mars
Dan Witz
Date Farmers
Dave Cooper
Doze Green
Eric White
Erik Mark Sandberg
Esao Andrews
Gary Baseman
Gary Taxali
Invader
Isabel Samaras
James Jean
Jeff Soto
Jim Houser
Josh Agle (aka Shag)
Kathy Staico Schorr
Mark Dean Veca
Miss Van
Natalia Fabia
Ray Caesar
Ron English
Scott Musgrove
Shepard Fairey
Souther Salazar
Stephan Doitschinoff (aka Calma)
Susan Crawford (aka Plankton Art Company)
Tara McPherson
Titi Freak
WK Interact
Xiaoqing Ding
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“Marvelous Color” Show and Royce Bannon’s Interview

Comics and comic books have had a great influence on the artistic development of many graffiti and street artists and right now there is a cool show going on in Manhattan that explores some of the dopest.

s

Known for his devious and comical monsters in his own work, New York street artist Royce Bannon explores the monstrous paucity of African American Superheroes in comics in a new interview with a curator in Source Mag.

from the inteview by Royce Bannon;

Edgardo Miranda-Rodriguez, curator of the Marvelous Color show, talks about the process of bringing the African-American super hero to the masses in NYC.

When did the idea to exhibit Marvels Black super heroes happen?

Somos Arte had the privilege of producing the first solo art show for Marvel’s Editor in Chief, Joe Quesada (www.santerians.com). After the success of his exhibit, we took some time to develop our next show. We wanted to do a new show that gave us the opportunity to highlight the many amazing renditions of these six African/African-American superheroes that are so culturally impactful to audiences regardless of race. They are multidimensional characters who have been developed and portrayed over 40 years. Marvelous Color allowed us curate an exhibition that displayed how different artists rendered and interpreted these characters over the decades. See more images and read more at THE SOURCE

The show, runs through February 26 at African Diaspora Institute on 58th Street called The Marvelous Color, featuring 27 artists, among whom are The Black Panther, Storm, Luke Cage, The Falcon, Blade and War Machine.

You can check out info on the Marvelous Color show at www.marvelouscolor.com For  info on Somosarte please go to www.somosarte.com

Pencils/Inks: Eric Battle Digital Paints (Classic): Edgardo Miranda-Rodriguez Digital Paints (Modern): José A. Gutiérrez Rivera  TM & © 2009, Marvel Characters, Inc. All Rights Reserved.

Pencils/Inks: Eric Battle Digital Paints (Classic): Edgardo Miranda-Rodriguez Digital Paints (Modern): José A. Gutiérrez Rivera TM & © 2009, Marvel Characters, Inc. All Rights Reserved.

Marvelous Color
At the Gallery of the
Caribbean Cultural Center
African Diaspora Institute
408 West 58th Street (between 9th and 10th Avenues)
Closing: February 26, 2010

Monday – Friday, 10am – 6pm
CLOSED ON WEEKENDS
Suggested Donation: $5

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Brooklynite Pairs Emerging Talents : “STEALTH: ARTISTS ABOVE THE RADAR”

Brooklynite Pairs Emerging Talents : “STEALTH: ARTISTS ABOVE THE RADAR”

THE NETHERLANDS & TEXAS join forces for a new art show in New York! Could you find greater opposites? How about

Sarah Palin and Angela Merkel ? Judas Priest and Dan Deacon ? Shakespeare and the Cast of “Jersey Shore”?

The invitation for Stealth

The invitation for Stealth Above the Radar (by Derek Shumate)

 

Brooklynite Gallery is pairing Collin Van Der Sluijs, a Dutchman from the Netherlands, with Derek Shumate from Houston for Saturday’s “Stealth: Above the Radar” show, and these two share one thing in the eyes of the gallery.“We strongly felt that these two emerging artists deserved a bigger stage to showcase their exceptional talent,” says Rae McGrath of the Bed Stuy venue. Enough said.

The gallery has championed under-exposed artists in the past, and this time they bring two guys whose minds are Cuisinarts of colorful cultural and historical references, spilling out and across their canvasses.  Each guy has a different set of figures and forms, animal and mineral, calligraphy and patterns, but there is a similarity in assembly, self referencing, and even in their processes.

BSA had an opportunity to talk to both artists, see some of the new work that will be shown, and find out more about them.

<<<>  > > > < < <> > < > < >< >< > < > < <<<<< > > > >

Brooklyn Street Art: How would you describe your style of painting?

Collin Van Der Sluijs: Most of the time I’m working on paintings about my life, so for me it’s autobiographical work that I make. I take little aspects (or big ones) from my daily life, and I translate them into my images.

Collin Van Der Sluijs "Float"

Collin Van Der Sluijs “Float” (courtesy Brooklynite)

Derek Shumate: My style? Usually I tell people “Mixed-Medium” or “Abstract” but I feel as if it’s much more than that. At times I feel like we’re all going through similar experiences, facing dire straits and that this artwork pouring out is a result of this energy. We’re all bombarded with information on a daily basis and multi-tasking to survive in this confusing world that seems to be speeding off the rails.

Derek Shumate "Make it Rain"

Derek Shumate “Make it Rain” (courtesy Brooklynite)

Brooklyn Street Art: Both of you guys’ work contain many different elements, ranging from figures to textures to shapes and text. Can you talk about how you assemble your work, or how you decide on what is included?

Collin Van Der Sluijs: Basically, some elements appear in my work during the process of making it. Sometimes I also erase things when they don’t match with the things that are happening in my head.

 

cc

A view inside Collin’s studio.

Derek Shumate: I don’t really have a defined process. Basically I’m always gathering bits and particles of things I like that come through my life and I spend vast amounts of time filtering it out into what you see. A lot of the elements in my larger paintings are fragments of prints and other works I’ve done in the past. I’ll also mix in stuff from my childhood sketchbooks.

 

Derek Shumate "Live Forever" (courtesy Brooklynite)

Derek Shumate “Live Forever” (courtesy Brooklynite)

It really depends on the mood of the piece. I start by putting down a few layers of colors and take it from there. Once I grasp a concept I start to hide little relevant elements as I build up the piece to something that works for me compositionally. Regardless, every piece contains various mediums such as inks, oils and acrylics. It’s almost as if I’m just attempting to harmonize everything I’ve got onto the surface at hand.

 

Collin Van Der Sluijs "Infinity" (courtesy Brooklynite)

Collin Van Der Sluijs “Infinity” (courtesy Brooklynite)

 

Brooklyn Street Art: Collin, you have talked about consumer behavior and it’s affect on your work. How does it impact your work?
Collin Van Der Sluijs: I grew up in a small village and it’s still fun to see big cities. I travel a lot but it always surprises me when there is a 70% off sale sign in the window of a big shopping mall and I see everybody lines up like sheep. You know what I mean? I think about this and its’ visual communication. I like it and hate it at the same time. I think of these kind of things when I work.

 

Derek Shumate "JWB" (courtesy Brooklynite)

Derek Shumate “JWB” (courtesy Brooklynite)

Brooklyn Street Art: Derek, you use a lot of collaged pieces and textures and the occasional figure. Do you ever think of doing portraiture?

Derek Shumate: Sometimes. I’ve had ideas to do a series of different people like politicians, pop icons and other people of influence. I feel as if I’m heading more in that direction because there’s so much going on in the world right now and I want to put these people that are in charge into a new light, so-to-speak. You’ll probably see more portraiture from me in the future.

 

Derek hanging out on a fire escape working out ideas in a sketchbook. (image courtesy the artist)

Derek hanging out on a fire escape working out ideas in a sketchbook. (image courtesy the artist)

Brooklyn Street Art: Does Street Art influence you in any way Collin?
Collin Van Der Sluijs: Well, not really to be honest, I’m basically a studio artist. In 1999 and 2000 street art was big in my town, but a lot of people put like 3 stickers up somewhere and build a reputation out of that. That’s lame. There are some people I admire in the street art scene, but I think I can count them on my ten fingers.

 

One of Collins' studio

One of Collins’ pieces in the studio references the effect of consumer garbage on the innerworkings of natural life.

Brooklyn Street Art: How about you Derek, does Street Art play a part in your creative life at all?

Derek Shumate: Most Definitely. The streets of Brooklyn to be specific.
I lived in New York for a few years and I would walk the streets on a daily basis, absorbing not only the art but also the weathered architecture and other surfaces.
I’d document and participate in the organic, collaborative atmosphere we were all creating.

 

Derek doing a Waldo (image courtesy Derek Shumate)

Doing a Waldo (image courtesy Derek Shumate)

I felt at home with creativity and potential everywhere I’d look. I’d never before interacted with my environment in such a way. I’ve got photo collections of all the street art and graffiti I admire from different cities I’ve visited over the years. However, nothing that I’ve found has the charm that exists in Brooklyn.

Brooklyn Street Art: Collin, what’s your favorite part of the creative experience?

Collin Van Der Sluijs: When things go wrong. Then, with a little adjustment I can make it good again, or better. Small things like that put the strawberry on the cake, for me.

 

Collin-Van-Der-Sluijs "Ephemeral"

Collin-Van-Der-Sluijs “Ephemeral” (courtesy Brooklynite)

Brooklyn Street Art: Collin says he likes when things go wrong! Derek, what’s your favorite part of the creative experience?

Derek Shumate: Finishing the piece! Well, not really. That’s a great feeling but of all the other parts I’d have to choose that moment where I’m completely lost in the piece and absolutely nothing else in the world matters. I’m sure anyone who creates is familiar with this amazing feeling.

 

Derek painting a bucket in his studio.

Derek at work in his studio.

But like Collin, I also like it when you totally f*ck something up but then later you realize it was the most perfect mistake that could have ever happened because it leads you in directions you never thought you’d venture to and takes your skills and pieces to new heights.

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CLICK THIS INVITE to go to Brooklynite

CLICK THIS INVITE to go to Brooklynite

 

ARTISTS ABOVE THE RADAR
Collin Van Der Sluijs •  Derek Shumate
Feb. 13 – March 6
__________________________
Brooklynite Gallery
334 Malcolm X. Blvd.
Brooklyn, New York 11233
347-405-5976

Collin Van Der Sluijs http://www.collinvandersluijs.com

Derek Shumate http://www.derekshumate.com

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