The international art fair Art Basel announced today that this year’s flashy Miami event is cancelled, joining its two other high-profile annual fairs in Hong Kong and Basel, Switzerland, which had both already met this fate earlier – all due to the complication of COVID-19.

One of the best parts about graffiti, street art, mural, and hip hop culture events like Urbane Kunst here in the city of Basel is you don’t have to worry about air kissing on both cheeks.

Graffiti jams are more interested in getting up on the wall, drinking beer, and having a barbecue – which 40 local and international artists did here from August 20-30, thanks to the event’s sponsor, Bell on Neudorfstrasse in Basel.

“The top criterion for artists was we have to know them: because we’re going to spend a lot of time together,” explains street artist BustArt, who has been working for about five years to make this wall happen. “You are together every day for about two weeks and so the main important thing is having a good time and for this, we just wanted to have cool people here with whom we’ve worked in the past and who we could trust that we were going to have a great outcome.”

Not that “Change of Colours”, as this event is called, didn’t have a lot of complications from the worldwide virus. The artist list kept changing as certain countries were eventually banned from traveling here – First the US, later Spain.

A final list of names was not available at press time but scheduled were artists like Boogie, Cole, Kesy, Kron, Tizer, Seyo, and Sonic. Photographer and journalist Nika Kramer caught a handful of the artists to ask a few questions, including Mr. Cenz (UK), Chromeo and Bane (CH), and event organizer BustArt (CH).

Street artist Julian Phethean aka Mr. Cenz is internationally known for his unique, expressive portraits of women. He tells us “I created one of my futuristic female portraits that I’ve been doing for a few years now and I paint a lot of black women as well because I think they are under-represented in the street art world. It’s very important to me, coming from a multicultural city like London.

Also for me, hip-hop is a black culture that’s why I paint mainly black power for women,” he says. “If you look at it, it’s quite spiritual as well. My style is kind of something transcendent. It’s for people to look at and to get lost in. That’s just what I do, and it’s amazing to do it on a big scale in such a prominent place and I hope people enjoy it.”

Two Swiss artists Fabian Florin aka Bane and David Kümin aka Chromeo, have worked together on smaller walls in the past, but the two masters of photorealism have never truly collaborated on something new together, and they say that they’re very satisfied with the result.

For Chromeo, Basel holds a special meaning to him in the development of his career as a graffiti writer and an artist.

“Basel is history. Back in the days when I started graffiti it was like a duty: you have to go to Basel!” he says. “Because it was considered state of the art. No disrespect to other places in Switzerland but… The graffiti history is here and it is the most important, I would have to say – even though I’m not from Basel.”

In the opinion of Bane, Basel left a major impression as well, but it is much more personal. “I came here with completely fresh eyes. I was drug addicted during the time that Chromeo’s referring to,” he explains. “I’ve just been painting for about 10 years so Basel for me is a very fresh place, like new. What I enjoy here is the community. There’re so many people. It’s a community I’m stepping inside of – kind of a small family already. It was heartwarming and I felt very welcomed and for me, that is the best thing about Basel.”

For organizer and hometown boy BustArt, who just completed his largest wall to date for Urban Nation Museum in Berlin a couple of months ago, this wall has been beckoning to him and the event is the result of persistence in pursuing it. “I’ve been wanting to paint this wall for 20 years so we are happy that the company actually paid for it,” he says. He calls his new piece, “Home Sweet Home” because it symbolizes the place and the city he loves more than any other.

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