BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Who is your muse? Most artists have one, or a few. The portraits that Street Artists leave on walls usually have a story behind them, a personal connection to the figure depicted. The Bogata based Stinkfish began doing graffiti and Street Art in 2003 and has focused his portraits on anonymous people he sees in streets or public spaces – usually without them knowing he has captured their expression while they are in the midst of daily life.
Stinkfish. Grafica Mazatl. Killjoy Press. Crossroads. Navajo Nation. (photo © Stinkfish)
Creating these images usually only once, they impart their own personal story and create a new narrative when placed into an entirely original location – often in a city far from where they live. Using techniques of stencil, graphic design, and more traditional freestyling aersol graffiti, Stinkfish elaborates on an initial idea and allows it to take on a life of its own. By translating a daily life from one location to another context entirely, Stinkfish highlights our common ground, our shared humanity.
Stinkfish. Grafica Mazatl. Killjoy Press. Crossroads. Navajo Nation. (photo © Stinkfish)
In September Stinkfish and two other artists worked collaboratively on three walls on or near the Navajo Nation courtesy of their host Chip Thomas (Jetsonorama). Stinkfish, Grafica Mazatl and Killjoy Press all intermingled their respective styles and visual vocabulary on structures in the desert – always collaborating with the vast sky all around them.
The sites include an abandoned trailer in Gray Mountain, Arizona which is about a mile away from the southwestern border of the Navajo nation. The remaining sites are on the Navajo nation and include the 89/160 junction near Tuba City and the Crossroads. Together the three created new works that are inspired by their immediate surroundings while bringing their own muses and travels with them.
The sites include an abandoned trailer in Gray Mountain, Arizona which is about a mile away from the southwestern border of the Navajo nation. The remaining sites are on the Navajo nation and include the 89/160 junction near Tuba City and the Crossroads. Together the three created new works that are inspired by their immediate surroundings while bringing their own muses and travels with them.
Stinkfish. Grafica Mazatl. Killjoy Press. Crossroads. Navajo Nation. (photo © Stinkfish)
Original photo from Phnom Penh, Cambodia in March 2015 by Stinkfish (©Stinkfish)
Mazatl at work. Stinkfish. Grafica Mazatl. Killjoy Press. Crossroads. Navajo Nation. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. Killjoy Press. Crossroads. Navajo Nation. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. Killjoy Press. Crossroads. Navajo Nation. (photo © Jess X Chen)
Stinkfish. Grafica Mazatl. Gray Mountain, AZ. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. Gray Mountain, AZ. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. Gray Mountain, AZ. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. Gray Mountain, AZ. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. Gray Mountain, AZ. (photo © Stinkfish)
Original photo from Malmo, Sweden in August 2014 by Stinkfish (©Stinkfish)
Stinkfish. Grafica Mazatl. Gray Mountain, AZ. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. Gray Mountain, AZ. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. Gray Mountain, AZ. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. 89/160 Junction. Navajo Nation. (photo © Stinkfish)
Stinkfish. Grafica Mazatl. 89/160 Junction. Navajo Nation. (photo © Stinkfish)
Original photo from Gulf of Gabes, Tunisia during his time there for the Djerbahood project in August 2014 by Stinkfish (©Stinkfish)
Stinkfish. Grafica Mazatl. 89/160 Junction. Navajo Nation. (photo © Stinkfish)
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