Countless elements pulling together into one form, directed by will, energy.
Science tells us that we are matter, theologians say that we are spirit. Today we accept that humans are energy. Some innate ordered intelligence allows this energy to direct the laws of attraction/repulsion, commanding quarks and gluons to pull with and against; adding, arranging, discarding elements to the mass of distinct particles and facets that comprise us.
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
At any moment the inventory of our composition is not what it was yesterday, particular from what it will be tomorrow, always in motion, within it a record of our history. Energy is what dancers summon by their will – then command, allow, direct, capture, release – their collections of atoms electric, a magnetic pulling and propelling together as one, as many, with nuance.
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Here in February these forms and their energy are frozen in layers of glass, arranged on enormous slides, their components visible without microscope. Dustin Yellin neatly spaces the stacked slices of stilled movement across the cosmos of this great minimalist hall at Lincoln Center and hits them with focused beams of light.
And what do they reveal? A myriad of found objects, clippings, images, textures, mirrors, gestures, memories, imaginings, emotions. The forms and their components blast apart and swirl and swarm and realign. All are in motion, and all are stilled, better seen when you exert your command of motion, your willful direction of energy.
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Cross section. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Detail. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Detail. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Detail. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Detail. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Detail. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Detail. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Detail. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. Detail. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
Dustin Yellin. New York City Ballet/Art Series. February, 2015. (photo © Jaime Rojo)
New York City Ballet is offering free, open hours for the general public to view this exhibition, fifteen works of a larger collection entitled Psychogeographies, on the following dates: Thursday, February 12 through Sunday, February 22 – Mondays through Fridays from 10 a.m. to 5 p.m.; Saturdays from 10 a.m. to noon; and Sundays from 10 a.m. to 1 p.m. For further information go to: nycballet.com
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks! <<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
This article is also published on The Huffington Post
Other Articles You May Like from BSA:
It’s the poster rip, achieved in tile. Since the 1960s, with the Nouveau Réalisme art group, people like Jacques Villeglé became one of the first street artists to rip and lacerate posters wheat-paste...
Our weekly focus on the moving image and art in the streets. And other oddities. Now screening:1. Minerva Cuevas in "Mexico City" - Season 8 / Art21 2. Nick Cave in "Chicago" - Season 8 / A...
At a time when Barcelona has received criticism for allowing iconic murals to disappear, it is a joyful sight to witness street artist and muralist Jaz create a new iconic one after full immersion in...
We knew that Rammellzee deserved an intellect and artist operating on his wavelength to give a fair examination of his work and this exhibition, and very few can rise to the occasion the way that EKG ...
Brief Analog Messages on Walls Ape Our Digit-driven Discourse Whether satire, slogan, or soliloquy, the anonymous street scribe shapes our experience while we walk through the city. Artist Unknown...