The city of Chicago is famous for many things, one of them is the city’s zero tolerance for Graffiti and Street Art. Lore has it that if a piece runs for more than one day before “The Buff” hits it with a drab splotch of municipal death, it’s because they thought it was an ad.
One piece that has survived the wrath of The Graffiti Blasters (as they are officially known) is the only known Banksy piece in Chicago. It’s a vintage baby carriage tumbling down the ghosted remnant of a staircase. It brings to mind the movie ‘The Untouchables” with mobsters and police and screeching cars and a panicked baby just for the hell of it. But, really, no one knows why this Banksy baby has survived so long.
The faded Banksy baby carriage and the mysterious woman this summer in Chicago. (photo © Jaime Rojo)
Compounding the question this summer was the appearance of a mysterious unfinished non-Banksy body lying further down the staircase. Oddly stiff and praying, nobody knew the cadaverish forms’ origin as we looked through a lense at the Banksy in all it’s faded glory, looking more poignant and beautifully decayed, tagged but not destroyed. The unfinished form appeared to be levitating above the steps, it’s incompleteness adding an eerie feel to the Banksy carriage. Who painted it? Why was it not finished? Que significa?
Today we can report to you with certainty that the unfinished piece was by that side-busting Specter. And it is unfinished no more.
According to one account, it looks like the Brooklyn Street Artist had gotten in a little deeper than he intended when he began his unwanted collaboration with the biggest name in spraybiz, and he lost his concentration, one could say.
The resulting work, the “restoration” of the original Banksy, will surely infuriate some BSA readers. In the context of Specters other “sidebusts” and his own semi-rigid rulebook, however, it makes it’s own curious sense. And the woman who appears to have inched her way closer to the baby carriage as she become more complete? What of her? Reached for comment, Specter only said that in this unwanted collaboration he “used the Banksy baby carriage to make a reference to the conservative agenda that attempts to control women’s reproductive systems.”
Banksy/Specter (photo © Specter)
Banksy/Specter detail. (photo © Specter)
“In this colab I used the Banksy baby carriage to make a reference to the conservative agenda that attempts to control women’s reproductive systems”. Specter
Banksy/Specter (photo © Specter)
To read our interview with Specter last year as he explains “Unwanted Collaborations / Sidebusts” here >> Specter Spot-Jocks Shepard Fairey in New York City
Other Articles You May Like from BSA:
Street Art / Photography artist couple Jana & JS came to New York for the first time and hung around Brooklyn for the second half of March. Somehow you might say they brought a touch of romance to...
Our weekly focus on the moving image and art in the streets. And other oddities. Now screening : 1. Our Nation's Sons - Joe Caslin 2. Ludo: The Chaos Theory 3. Stinkfish Smashes Aust...
Happy Mother's Day in the US and in Mexico too. We praise the work and the love that mothers around the world are giving today and every day, with gratitude and recognition for their shaping ...
A colorful harvest of local folk on walls here as we bring you images Nether has been painting this summer in his native Baltimore by himself and with friends. A mix of community projects and independ...
Our weekly focus on the moving image and art in the streets. And other oddities. Now screening : 1. Broken Fingaz Animates Video by Beck & U2 2. ResistanceX in Bilbao, Spain 3. Jeremy Fish...