The city of Chicago is famous for many things, one of them is the city’s zero tolerance for Graffiti and Street Art. Lore has it that if a piece runs for more than one day before “The Buff” hits it with a drab splotch of municipal death, it’s because they thought it was an ad.
One piece that has survived the wrath of The Graffiti Blasters (as they are officially known) is the only known Banksy piece in Chicago. It’s a vintage baby carriage tumbling down the ghosted remnant of a staircase. It brings to mind the movie ‘The Untouchables” with mobsters and police and screeching cars and a panicked baby just for the hell of it. But, really, no one knows why this Banksy baby has survived so long.
The faded Banksy baby carriage and the mysterious woman this summer in Chicago. (photo © Jaime Rojo)
Compounding the question this summer was the appearance of a mysterious unfinished non-Banksy body lying further down the staircase. Oddly stiff and praying, nobody knew the cadaverish forms’ origin as we looked through a lense at the Banksy in all it’s faded glory, looking more poignant and beautifully decayed, tagged but not destroyed. The unfinished form appeared to be levitating above the steps, it’s incompleteness adding an eerie feel to the Banksy carriage. Who painted it? Why was it not finished? Que significa?
Today we can report to you with certainty that the unfinished piece was by that side-busting Specter. And it is unfinished no more.
According to one account, it looks like the Brooklyn Street Artist had gotten in a little deeper than he intended when he began his unwanted collaboration with the biggest name in spraybiz, and he lost his concentration, one could say.
The resulting work, the “restoration” of the original Banksy, will surely infuriate some BSA readers. In the context of Specters other “sidebusts” and his own semi-rigid rulebook, however, it makes it’s own curious sense. And the woman who appears to have inched her way closer to the baby carriage as she become more complete? What of her? Reached for comment, Specter only said that in this unwanted collaboration he “used the Banksy baby carriage to make a reference to the conservative agenda that attempts to control women’s reproductive systems.”
Banksy/Specter (photo © Specter)
Banksy/Specter detail. (photo © Specter)
“In this colab I used the Banksy baby carriage to make a reference to the conservative agenda that attempts to control women’s reproductive systems”. Specter
Banksy/Specter (photo © Specter)
To read our interview with Specter last year as he explains “Unwanted Collaborations / Sidebusts” here >> Specter Spot-Jocks Shepard Fairey in New York City
Other Articles You May Like from BSA:
This week we take you to the scene of a brand new eye-opening JR installation in Manhattan - Seen from the outside and inside. Street Artist JR continues to plaster parts of New York City with over...
This summer curator and producer Keith Schweitzer invited Ecuadorian artist Raul Ayala AKA NANTU to paint the floor of the alley behind the old CBGB. The piece itself is integral to the history of the...
The city of Borås, Sweden is picturesque already when you are wandering through its cobbled side streets and along the Viskan River that whispers and weaves through it past churches, old textile fac...
The process of getting one of these huge murals up in Borås entails many hours, days, paint, a scissor lift, compressors, brushes, buckets, sandwiches, sunscreen, ponchos, lunches, bathroom breaks, ...
Every Friday you can stop by here to see a handful of videos that are directly/tangentially related to Street Art. The criterion for selection is admittedly loose so we'll just say that BSA Film Fri...