Leon Reid IV
Leon Reid IV: A Decade Of Public Art
Photography, sculpture and drawings exhibiting the span of Leon Reid IV’s public artwork, 2000- present.
Sat. April 16 – Sun. May 8, 2011
Sat. April 16, 2011 7-11pm
‘A Decade Of Public Art’ is Leon Reid IV’s first New York City solo exhibition and features a new public sculpture viewable outside Pandemic Gallery. The show reveals a vast range of unpublished material associated with his well known public artworks. Sketches, maquettes and video footage flesh out works such as “True Yank” the controversial Abraham Lincoln intervention; “Free As A Bird,” a sculpture installed on a prison guard tower; and “The Kiss,” the cherished London installation for which he is most known. Reid provides a glimpse into his plans for future public works, including his monumental “A Spider Lurks In Brooklyn” project, which recently received Fiscal Sponsorship from New York Foundation For The Arts (NYFA).
Listed as one of the “60 Innovators Shaping Our Creative Future” by Thames & Hudson, Leon Reid IV has been on the edge of public art for over 15 years. He grew up as a traditional graffiti writer (a.k.a VERBS) and quickly developed a knack for unconventional practices such as painting street signs and installing them during daylight disguised as a construction worker. His most famous work of this period is “Verbs St – Oh Yes I Did” a cleverly manipulated subway sign installed in Canal Street station, NYC. His experiments in graffiti lead him to move beyond the genre and pursue site-specific installations under the pen-name Darius Jones. The New York Times featured an article on “It’s All Right”, a subtle contortion of a One-Way sign and a Phone sign creating the illusion that the two are in love. Reid is one of the few artists responsible for introducing sculpture into the language of street-art, his techniques of installation combined with his humorous and romantic themes have made a sizable impact on urban artists of his generation.
Reid’s current work remains sculptural, highly contextualized and is often installed on existing architecture. In Norway, “The Great Recession” features a giant Kilroy-Was-Here styled sculpture hanging over the ledge of a local bank, apparently holding on to his last dollar. In Brazil, “Bring The House Down” depicts a life-sized human figure made of chain, attempting to uproot the building pillar of a cultural institution. Reid’s latest works add striking visual elements to existing structures, the result of which he considers a true collaboration with the structure’s architect.
At present and through out his career, Leon Reid IV has designed his work to communicate directly with the public at large. He considers every site -be it domestic or international- an opportunity to create work that is meaningful and accessible to the community where it exists.
Leon Reid IV’s work has been exhibited worldwide and featured in publications/media such as: Time Magazine, The New York Times, PBS, BBC, Radio National Australia, Good Magazine, Creative Review, Recharge and The Wooster Collective among others. He co-authored a novel based on his experience in graffiti and street-art “The Adventures Of Darius and Downey” as told to Ed Zipco” Thames & Hudson 2008. Reid holds a B.F.A. from Pratt Institute in Brooklyn, NY, and an M.A. from Central Saint Martins School Of Art and Design in London. He lives and works in Brooklyn, NY.
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
Sat. & Sun. 12-7pm
L train to Bedford ave, J train to Marcy ave, or Q59 bus to Broadway/Wythe
Other Articles You May Like from BSA:
This week BSA is in Mexico City in collaboration with Urban Nation Museum of Urban Contemporary Art (UN) to see what is steering the scene on the street, meet artists, visit artist compounds, muse...
Just as we started 2018 we had the fortune to spend one week in the enchanting city of Lisbon, Portugal as ambassadors for Urban Nation Museum For Urban Contemporary Art (UN). Lisbon is home to some g...
Our weekly focus on the moving image and art in the streets. And other oddities. Now screening : 1. Escif: Magic Piano2. Adele Renault: St+Art India. Lodhi Art Festival 20193. Jeff Koons at t...
Dog days of summer be damned, the Street Art in all of its fabulous illegal varieties, the true Vox Populi (and self-advertisment) persists and insists through the streets this July. On the t...
“Distinguish sense from nonsense.” Easier said than done perhaps, but that was probably one of our favorite signs Friday at the Global Climate March here in New York. With a steady flood of d...