http://www.whitewallssf.com/artists/ernesto-yerena/
HCG solo show “Ganas 20/20″ Opens this Friday, November 13 at the White Walls Gallery in San Francisco. The gallery is located at 835 Larking Street. San Francisco, CA. 94109
Photo © Todd Mazer
For the past few months Ernesto has been at work in his garage/studio in Los Angeles preparing. With help of the talented photographer Todd Mazer, we get to see these exclusive images of Ernesto finishing his final piece for the show, “Ganas 20/20”.
For someone with an acute eye and the sensitivity of an artist, growing up in a border town 15 minutes from Mexicali, daily life in such a culturally rich and tumultuous environment can also be a wellspring of inspiration. The mundane, daily crossing over the border after school as a boy to visit with his grandmother and family in Mexicali, gave him insight into the complex lives of families who just happen to be geographically sprouted along an invisible political dotted line. Today that dotted line has razor wire that cuts everyone it touches.
Photo © Todd Mazer
Ernesto began some cutting of his own when he received a stencil cutting set for his tenth birthday from his grandfather. During time away from his business painting cars and doing auto-body repair, his father encouraged the boys’ painting projects and showed him how to cut stencils. As a youth Ernesto felt motivated and supported by his family to go to art school and sharpen his artistic skills.
As he got older, the geopolitical realities of the harsh cultural and social landscape where he was growing awakened his intellectual curiosity and desire to better understand his social surroundings.
A teen listening to his own bi-national music collection including Public Enemy and Mexican rockers Mana, he got a better handle on the underlying racism and social inequities that plague the American landscape. When his artistic chops got him an opportunity at age 19 to work alongside Shepard Fairey, the street artist known for frequently incorporating social justice and political themes into his work, Ernesto found a stronger voice.
Ernesto’s world of two countries, difficult border life, socially conscious music, a deep interest in history and human rights have prepared him to face, as an artist, the recent fierce issue of immigration in this country and in Arizona in particular. In collaboration with Shepard he produced, at his imprint “Hecho Con Ganas” or HCG, one of the posters that protesters in Arizona have used as a tool to denounce the racist and demonizing rhetoric coloring the immigration debate as well as SB1070, a bill that codifies racial profiling into law.
This Saturday night Ernesto crosses another invisible border as the White Walls Gallery provides a space for his new work in his first solo show.
Photo © Todd Mazer
Photo © Todd Mazer
Photo © Todd Mazer
Photo © Todd Mazer
Photo © Todd Mazer
Photo © Todd Mazer
Photo © Todd Mazer
Click on the link below to visit Ernesto’s “imprint” HCG (Hecho Con Ganas)
Ernesto’s solo show “Ganas 20/20” Opens this Saturday, November 13 at the White Walls Gallery in San Francisco. The gallery is located at 835 Larking Street. San Francisco, CA. 94109
Thanks again to photographer and videographer Todd Mazer for these images he shot exclusively for Brooklyn Street Art.
To see more of Todd Mazer work click here: http://www.flickr.com/photos/legenddairy/
Photo © Jaime Rojo
In a very short time C215 has become an important phenomenon in street art around the world. BSA has been among the crowd who have been moved by the feelings that arise with a sudden encounter of his work on the street. What gives his stencil work resonance is the light that emanates from within the people he selects from whatever neighborhood he is in. Paolo M., a photographer who goes by the moniker Unusual Image and is featured in the new collection, remarks on C215’s people, “I think that there is a kind of sense of humanity that illuminates them.” It’s an uncanny ability to summon the spirit of a subject through his deft cutting of stencils, but it’s what he does with regularity.
Further distinguishing the work is the level of detail in these hand-cut pieces, incrementally setting a new standard for stencils and portraiture. Says VitoStreet, another featured photographer who has shot numerous of the pieces in the street, “The most amazing things such as feathers, fur, beard, hair are reproduced brilliantly.” Collectively the steady development of the body of work is blurring the line between fine art and street art.
This Friday in Paris C215 is debuting a new show of studio work on both floors of Galerie Itinerrance.
Mighty Tanaka
| Mighty Tanaka LLC |
Opening Reception:
Friday, November 12th
6pm – 9pm
(Show ends Friday, December 3rd)
Mighty Tanaka
68 Jay St, Suite 416
Brooklyn, NY 11201
(F Train to York St)
Block Party
Brooklyn Street Artists Paint 200 Foot Wall, Burning Candy Crew Debut Film at Bushwick Block Party
All City, the international street art and graffiti app, is partnering up with Factory Fresh gallery in Bushwick, Brooklyn to open up 200 feet of wall and turn it over to Brooklyn street artists. Chris Stain, Gaia, Skewville, Imminent Disaster and several guests artists will be tackling the project. Tek33 and Dscreet of London’s Burning Candy crew will also be in town painting and premiering their film Dots.
All City Block Party
Saturday, November 20
2:00 PM, Dots premiering at 7 PM
Factory Fresh – 1053 Flushing Avenue – Bushwick, Brooklyn
* Live painting
* Calexico taco cart
* DJs
* Beer
* Art for sale from participating artists
* Burning Candy’s Dots film premiere
Dan Witz
DAN WITZ “IN PLAIN VIEW: 30 Years of Artworks Illegal and Otherwise”
Limited Edition Release
Reception and Book Signing
Monday, November 22, 2010
6:30-8:30pm
Limited Edition hand painted signed and numbered copies of Dan Witz’s will be available for purchase.
NEW YORK, November 9, 2010 – Clic Gallery is proud to present the book release and signing of internationally recognized street artist Dan Witz’s new book “IN PLAIN VIEW: 30 Years of Artworks Illegal and Otherwise” on Monday, November 22, from 6:30-8:30 pm. At the evening event, Dan Witz will not only be signing books, but will also be hand painting the cover of a limited edition of 120 copies. Each signed and numbered edition will feature a fine linen, hand painted cover, in a classic tromp l’oeil style by the artist, merging his two worlds of fine art and street art through a new medium: the printed book. Hardcover, clothbound, 216 pages, 250 color illustrations, 9” x 12” (229 x 305 mm), $150, Ginko Press.
More than just a documentation of Witz’s public artworks, this book is a diary of three decades of thoughtful and emotional engagement with the ever evolving surfaces of New York City. Embracing a meticulously disciplined aesthetic inspired by the old masters, Witz has spent the last decades making easel paintings as well as street art, leaving various love letters in plain view on the doorstep of his beloved New York City.
Dan Witz is in conversation with both the conventional and street worlds of art. His work is inclusive. It is obsessive. It is acknowledged as an original voice, an inspiration and a catalyst.
Fine art prints by Dan Witz will be on view and available for sale as well as signed copies of his Hummingbirds 2011 accordion calendar, also published by Gingko Press. The Birds of Manhattan was the first of Dan’s large scale street art projects where he painted over 40 hummingbirds in lower Manhattan below fourteenth street. This twelve month calendar draws on a selection of the artist’s hummingbirds painted in 1979, 2000 and 2010, bringing the collection full-circle and completely up-to-date. The Dan Witz In Plain View book signing event is free and open to the public.
About Dan Witz
Since receiving his BFA from Cooper Union, Dan Witz has received a grant from the NEA and two fellowships from the New York Foundation of the Arts. His first book, “The Birds of Manhattan,” was published by Skinny Books in 1983. Solo exhibitions include Semaphore Gallery NY (1985,1986), Clementine Gallery (1996), Stolen Space, London (2007); DFN Gallery NY (2003-5, 6, 7, 8, 10) and Carmichael Gallery, LA (2009). Group exhibitions include: Buying Time: Nourishing Excellence, Sotheby’s NY(2001); and Fifteen, NYFA Fellows at Deutsche Bank, NY (1999). Today Dan lives and works in Greenpoint, Brooklyn.
Clic Bookstore & Gallery
424 Broome Street
New York, NY 10013
Tel: 212-219-8006
Today we’re sticking to the little pieces; those quickly appearing peeled objects that people smack up on just about every smooth surface around the city. Getting your name, your art, your product out there for people to see has blossomed into a genre of it’s own, fostering shows, mini-conventions, websites, magazines, books, and collectors trading clubs dedicated to the sticky-backed missives some people call ‘slaps”. From individually handmade to glossy mass-produced pieces, the city is a magnet for these adhesive miniature works of art, accumulating them quickly in some locations like snow piling up in a doorway corner during a Nor’easter.
Photo © Jaime Rojo
Books have been documenting the world of sticker art of late. Most notable are Martha Cooper’s tomes “Going Postal” and “Name Tagging” from Mark Batty Publishers and this fall Rizzoli released a new book on stickers called “Stickers From Punk Rock to Contemporary Art” by DB Burkemen in collaboration with Monica LoCascio.
The humble sticker is an art medium that does not require a big production and carries a very low risk when being put on the streets and gets the job done. Doors are often the hot spots where the stickers live together in a seemingly harmonious life – and the rules applied to other forms of Street Art regarding space and real estate on a surface roughly apply here too; “Don’t overlap your sticker on mine or Imma bust you head, son.” In addition, getting up in as many places as possible, preferably where your fellow sticker artists can see you, is a goal.
Here are some images of richly textured surfaces around town that are “wall-papered” with a myriad of stickers. Even if we knew all the artists, it’s impossible to note them all here.
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Photo © Jaime Rojo
Heist Gallery
TILL DEATH DO US PART
Gallery Heist One Year Anniversary Group Exhibition
GALLERY HEIST / SAN FRANCISCO (USA)
NOVEMBER 13 – NOVEMBER 27, 2010
Opening Reception – Saturday November 13, 2010 7-11PM
Gallery Heist is pleased to announce the opening for its One Year Anniversary
Show, “Till Death Do Us Part” a group exhibition celebrating a year of work
since the gallery’s inception. The opening will be held on Saturday, November
13, 2010 from 7-11pm. The exhibition will be located at the Gallery Heist Annex
at 1036 Hyde Street.
A new venue specific to the anniversary show.
The anniversary show will present the work of emerging and established contemporary figures from the Bay Area, as well as artists hailing from New York, Los Angeles, Paris, and Melbourne. Along with paintings, photographs, mixed media works, and video, the show will include an installation by Ryan de la Hoz and a performance piece by Adam Rozan (of the Oakland Museum), as well as musical performances by Mark Aubert and TM.
Guest curators Allison and Garrison Buxton, of AdHoc gallery in NYC, will be co-curating and co-hosting the exhibition.
Featured artists include; Brett Amory, Adam Caldwell, Seth Armstrong, Mario Wagner, David Choong Lee, Oliver Vernon, Sean Desmond, Mike Giant, Mike Kershner, Gaia, Adam Flores, Justin Lavato, Ryan De La Hoz, Henry Gunderson, Mario Ayala, Roman Koval, Adam Rozan, Maja Ruznic, Ludo, Doodles, Helen Bayly, Miso, Daryll Peirce, Deborah Yoon, Allison Buxton, Garrison Buxton, Ezra Li Eismont, Shawn Whisenant and Bunnie Reise. These artists have come to represent what is and will continue to be the ethos of Gallery Heist.
The main location of Gallery Heist, at 679 Geary Street will feature an installation that will provide an opportunity for viewers to observe the obscured process of curating and running an art gallery.
Included in the installation will be various pieces of ephemera from the first stages of opening the gallery through the thought processes behind every show; photos, videos, notes, business cards, correspondence between the curators and artists, writers, editors, and figures within the art community will be displayed.
In conjunction with the exhibition, the artists will have access to several walls around the city to use as their canvases and to promote the show while contributing to the burgeoning local art movements. This process will be documented and displayed during the exhibition.
The exhibition will be on view at 1036 Hyde Street from Saturday November 13 – November 27, 2010. Viewing hours will be Tuesday – Saturday 4-8PM and by appointment. Gallery Heist is located at 679 Geary Street San Francisco, CA 94102.
For further information please visit www.galleryheist.com or contact Julianne Yates. info@galleryheist.com 415.563.1708
ABOUT THE GALLERY
Art is an extension of our culture and communities, serving as a vessel for the visual definition of our times. Art is not a luxury; it is a necessity.
Our mission is to foster innovative artistic expression and provide a sanctuary for the creative process and its importance and role in the redefinition of contemporary culture. Gallery Heist is a place for artists to gain exposure and develop their careers.
We encourage freedom of expression and experimentation within their work and artistic ideas. The walls of Heist will continue to house work that is representative of the contemporary generation, offering a venue for artists who challenge and analyze our social and cultural responsibility, traditions, and behaviors; specifically those who are leading the front of a conscious art movement.
Gallery Heist was opened in November of 2009 by twenty three year old Julianne Yates and has since become a destination for urban & new contemporary art in San Francisco. Located blocks away from the commercial galleries of downtown San Francisco’s Union Square, the gallery lies near the historical Tenderloin, which sees a demographical mix that serves as a microcosm for the whole of San Francisco.
London based Street Artist Ben Eine, the one with the American Presidential Seal of Approval, painted his new street work “PRO PRO PRO” in London on the side of Mother. Mother London commissioned this piece to counter the piece “ANTI ANTI ANTI” that Ben Eine painted, just across the street from Mother for the Anti Design Festival.
Our Weekly Interview with the street, this week featuring Chelsea Girl, ECB, Faile, Frog, Radical!, REVS, Think Fly, and Tono
As chosen by Samantha Longhi of Stencil History X
Pandemic Gallery
On Friday, Nov. 12th Pandemic is very proud to host a dual exhibition of two astounding Brooklyn artists,
“Sew Draw”
Richie Lasansky and Allison Read Smith
The show, comprised of drawings, prints, and sculpture of various mediums
relays an incredible balance of styles and process, that when combined simply take ahold.
Absorbing the viewers into the compelling visions these two have portrayed.
"Riche Lasansky "Fish Girl" engraving. copyright 2010. Image courtesy of the gallery
Allison Read Smith "Frog King" sewn rubber. copyright 2010. Image courtesy fo the gallery
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BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
