June 2010

Perry Rubenstein Gallery Presents: “Shred” A Collage Based Group Show

Perry Rubenstein Gallery

Brian Douglas "Bears" Photo Courtesy of the Artist

Brian Douglas "Bears" Photo Courtesy of the Artist

PERRY RUBENSTEIN GALLERY
527 WEST 23 STREET
ANNOUNCES
SHRED
Curated by Carlo McCormick
July 1st – August 27th, 2010
Opening reception: Thursday July 1st, 2010 6-8pm
Perry Rubenstein Gallery is pleased to announce SHRED, curated by Carlo McCormick, senior editor of Paper magazine, opening on Thursday, July 1st from 6:00-8:00pm and on view through Friday, August 27th, 2010. A small catalogue brochure with an essay by McCormick will accompany the exhibition.
SHRED will feature collage-based works from a diverse group of artists, some who have pioneered collage as fine art and others who are expanding upon the subversive flavor inherent to the medium. Featured are works in myriad media—from simple collages of newsprint on paper to lively video animations made from cutout paper silhouettes.
The exhibition will include historic works by Robert Rauschenberg (1925-2008);Bruce  Conner (1933-2008); a prominent member of the Beat community recognized for his innovative assemblages; California-native, Jess (1923 – 2004) whose oeuvre includes collages based on alchemy, religion and comic strips; Dash Snow (1981-2009) whose work on paper appears deceptively simple; Gee Vaucher whose surrealist tendencies are tied to punk; and Jack Walls whose self-portraits incorporate photographic imagery taken by his long-time partner Robert Mapplethorpe.
Provocative new works were specifically produced for the exhibition. The collective Faile will show a ripped painting featuring brand new iconography. Shepard Fairey, Leo Fitzpatrick, Mark Flood, Erik Foss, Swoon, Judith Supine will all debut their latest works. Finely cut paper collage by Brian Douglas (Elbow-Toe) resembles intricate painting and Shelter Serra will present three-dimensional work: cast roses in white silicone. Video works by Martha Colburn, Tessa Hughes-Freeland and Bec Stupac will be featured, with Stupac premiering a new piece.
PRG is thrilled to welcome Carlo McCormick as guest curator for this extraordinary summer exhibition. McCormick is a prominent New York City-based author, curator, critic and champion of the downtown art scene. He has authored numerous books, monographs and catalogues on contemporary art and culture, including The Downtown Book: The New York Art Scene 1974-1984 published by Princeton University Press which he coauthored. He has lectured and taught extensively at universities and colleges around the United States. His writing has appeared in Aperture, Art in America, Art News, Artforum, Camera Austria, High Times, Spin, Tokion, Vice and countless other magazines. He has curated exhibitions for the Bronx Museum of Art, New York University, the Queens Museum of Art and the Woodstock Center for Photography.
Perry Rubenstein Gallery
527 West 23rd Street
New York, NY 10011
T 212.627.8000
F 212.627.6336
Gallery Hours: Tuesday – Saturday, 10:00 AM to 6:00pm
Summer Hours from July 2nd to September 3rd: Monday – Friday, 10:00am to 5:00pm

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NEW JMR Piece Departs From His Pretty Women to Consterned Men

Street Artist JMR has been talking about a new series called “White Man’s Consternation” and here’s a picture of one that is surely from this series.  I instantly think of Dick Cheney, especially with the armed vigilante/private security figure by Primo in the doorway. Apparently the series is meant to reflect the troubled image of the white men who still comprise most of the dominant roles in Western society.

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JMR (photo © Bryan Raughton)

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Brand New Piece From Dain: “Born Again” Solo Show in Paris at Lebenson Gallery

JUST RELEASED

An image of a brand new piece by Brooklyn’s Own DAIN for his new solo show tomorrow in Paris.

DAIN’s new show is opening Thursday at Lebenson Gallery


“Dain: I don’t call myself a ‘street artist’ or this or that type of artist, too many people are looking for a title. I respect all art, whatever that may be.”

Click here for the rest of an interview with DAIN published today on Elle’s website

Image courtesy the artist.

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Phun Phactory 10 Years Later, a Reunion on The Street

Last weekend the Phun Phactory returned to New York’s streets for an aerosol infused celebration of Old Tymers – and a promise for the future.

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The original graff spot of the same name was founded in 1993 by Pat DiLillo and the pioneering aerosol artist Michael “Iz The Wiz” Martin, who recently passed away. Created as a safe place to promote legal aerosol art in New York City, the Phun Phactory allowed many a newcomer to practice and perfect their skills in a supportive environment, frequently working side by side with veterans. The Queens factory building in Long Island City across from MoMA/PS1 became a free public outdoor art exhibit and is considered a landmark. The original site, now known as 5 Pointz, passed from their hands by the end of the decade.

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Saturday a large corrugated metal wall, 3 sides of a block in an industrial site in North Brooklyn, feted newbies and old skoolers to “Old Tymer’s Day”, a gathering of aerosol artists who began riding trains and spraying tags during a time in the city’s recent history when the hand-lettered graffiti style defined the urban environment and spawned an international youth culture infatuated with all things New York City.Brooklyn-Street-Art-WEB-Phun_Factory-June-2010-copyright-Steven-P_Harrington-L1090275

Because of we’re kind of ignorant about graffiti at BSA, rather than concentrate on too many individual pieces and artists, we wandered the scene meeting people and listening to the DJ beats, soaking in the sun, and feeling a little bit of the magic.  It was a hot and humid day and most people moved slowly to endure the heat, enjoying  hanging out, trading stories, talking about technique, walking over to the barbecue, and taking a seat behind the wheel of a classic convertible.  The vibe was nice and the feeling of community and creativity was in the air.

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Jeremy Vega, the Director of the Phun Phactory, says that very soon a new Phun Phactory will headquarter itself in Williamsburg and will make available more than 500,000 square feet of public space for artists of all mediums to showcase their artwork legally.  Judging from the number of young people we saw hanging out Saturday, the new generation will be in attendance.

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This crew of stylish people spontaneously jumped together for a photo as soon as they saw the tripod. In front of this piece by CANO were Boltism, KCONE, Atom, CANO, Vic, and Chino.

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Sitting on a loading dock, these two stayed cool and did tags in a black book.  They said their names are Mary Kate and Ashley.

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The barbecue was open and working, and one guy was making mixed fruity drinks in a blender! Sharp knife too.

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Had a really nice conversation with this guy, who was waiting for his 18 year old son to bring by his paint so he could start his piece.  His name is Zord AKA ZD, G+F, TDT, Tns, R+W, MPC.  He  said he was the king of the BMT, J and M lines circa 1985-1990. We discussed his Kiss action figure collection that got thrown away, Satanism, addiction, opinions on the differences between graffiti and street art, film school, and peace and love.

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This was an impromptu (and shaded) area for blackbooks, which people brought to be signed and traded back and forth discussing.

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Nothing like a robot dance and some heavy metal air guitar for fun on a Saturday.

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(all images © Steven P. Harrington)

The Phun Phactory

Phun Phactory on Facebook

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Dan Witz Will be Signing Copies of His New Book “In Plain View” at Spoonbill and Sugartown in Williamsburg.

Dan Witz

Dan Witz "In Plain View"

Dan Witz "In Plain View"

Wednesday June 30th 7:00 pm

Spoonbill and Sugartown

218 Bedford Ave
Brooklyn, NY 11211
718/387-7322
www.spoonbillbooks.com


Dan Witz: “In Plain View” — 30 Years of Artworks Illegal
and Otherwise is the first and long overdue monograph
on the work of Dan Witz. A benefit of having one of the
most sustained careers in street art, if such a thing exists, is the degree of growth, freedom and experimentation that such an extended period allows. Another advantage would be the influence of the aesthetic environs within the changing cultural landscape, especially if you happen to work in New York City.
From the no-wave and DIY movements of New York’s Lower East Side of the 70’s, through the Reaganomics of the 80’s to the flourishing of graffiti art in the new millennium. Whether stickers or paste-up silk-screened posters, conceptual pranks and interventions, or beautiful tromp l’oeil paintings, the medium is inspired as much by the nature and subject of his art as by the mutating urban conditions in which the piece is executed.
– Hide quoted text –
Besides obvious craftsmanship, the artwork of Dan Witz evinces a rigorous conceptual framework. This framework not only opens up a dialogue with graffiti and street art which dominate the urban environment, but also allows for the retention of clear and open lines with the canon of art history.

Dan Witz, born 1957, Chicago, IL, attended Cooper Union in New York City’s East Village. In 1982 he received a NEA grant and in 1992 and 2000 fellowships from the New York Foundation for the Arts. His first book, “The Birds of Manhattan” was published in 1983 by Skinny Books. Solo exhibitions include Semaphore Gallery NY (1985,1986), Clementine Gallery (1996), StolenSpace, London (2007); DFN Gallery NY (2003-5, 6, 7, 8, 10) and Carmichael Gallery, LA (2009). Group exhibitions include: Buying Time: Nourishing Excellence, Sotheby’s NY(2001); and Fifteen, NYFA Fellows at Deutsche Bank, NY (1999). Submission (curated by Juxtapoz) Fuse Gallery NY (2005); From The Streets of Brooklyn, Think space Art Gallery, LA (2009) and Beach Blanket Bingo, Jonathan Levine Gallery NY(2009). Dan lives and works in Greenpoint, Brooklyn.

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Lebenson Gallery Presents: Dain “Born Again” (Paris)

Dain “Born Again”

Dain (Image Courtesy of the Gallery)

Dain (Image Courtesy of the Gallery)

Opening June 24

6 to 9 pm

After two very successful New York shows, Brooklyn born artist DAIN, makes his first solo show in europe at the Lebenson Gallery in Paris. His love for old Hollywood glam is evident in all his work. This, along with his roots in graffiti, create a gritty yet classy street art style . ” BORN AGAIN” will bring back to life an era long gone..”

http://www.lebensongallery.com/

director@lebensongallery.com

56 rue Chapon
75003 Paris
Tel :

+33 (0)9 81 88 75 61

Ouverture Du mardi au Samedi de 11h à 19h
Tuesday to Saturday 11 am to 7 pm

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NohJColey Advances The New Guard of Street Art

Street Artist NohJColey keeps bringing it, even if you don’t know what “it” is.

The quality of line and rendering continues in this 12′ x 8′ large metaphor that incorporates a human figure with other symbols of explosives in some sort of race against time.  If the missing fingers are any indication of this guy’s safety record, you may want to run.

NohJColey "Kleptomaniac" (Photo © Jaime Rojo)
NohJColey (Photo © Jaime Rojo)

An entirely hand painted wheat-paste of this size is fairly rare in a street art vernacular that looks increasingly mass produced, but a small number of the new generation are distinguishing themselves from the pack in this way – QRST, Gaia, Cake, Over Under, and others come to mind. This is not simply a linotype that’s been inked and printed – there is only one of these and yet a strong rainstorm could crumple it.  It’s fragility in a hostile street environment makes it even more curious, and makes the viewer feel like they have experienced something individual, impermanent, irreplicable.

Detail
NohJColey (Detail) (photo © Jaime Rojo)

Thematically, this Street Artist never makes it easy for you. His pieces can feel like a frustrating riddle, but the level of industry shows that he’s not simply doodling; there is a message or two or five – maybe intended only for the artist.  But in the street art world messages are often shrouded and left for you to determine. Even one of Street Art’s older relatives, graffiti, can be so stylized that only the writers’ peers can decode it.  Ah, well. When it comes to the work of NohJColey, we’ll keep listening.

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Video of Mundano – Street Artists Raise Awareness of Social Conditions

Urban Planning is a soaring and shiny term hinting at civic consideration that is sometimes employed in the sales mix by regal real estate developers and audacious architects eager to win approval for new projects in the modern city.  Sustainable Development and Urban Renewal, somewhat less glamorous and less sexy for press conferences, actually take into account the needs of all citizenry and are the province of a thankless few policy wonks taking the long view of a liveable city.

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In parts of cities that suffer from decay and lack of investment, adapting urban renewal initiatives can incorporate abandoned housing stock and match it with the needs of a population, strengthening and enriching a city at a foundational level. For a number of years Street Artists in the slums of São Paulo have used their art on the street to draw attention to the plight of people they feel are overlooked and ignored when urban plans are being laid.  mundano-screenshot2
In this brief video, Street Artist Mundano draws our attention to an abandoned hotel in São Paulo that is home to hundreds of families who, although at risk in decaying conditions, consider it a welcome alternative to being homeless.  The video, directed by Rodrigo Piza Levy is a simple statement by artists whose eyes are open, punctuated by beautiful children and all they represent.

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Images of the Week 06.20.10

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Our weekly interview with the street, this week featuring Hellbent, Faro, Bast, El Sol 25,Vending Van, Faile, Maiden Hell, Over Under, Shin Shin, QRST, and Royce Bannon

Hellbent
Hellbent (Photo © Jaime Rojo)

Faro
Faro at Woodward Gallery (Photo © Jaime Rojo)

Bast
Bast (Photo © Jaime Rojo)

El Sol 25 (Photo © Jaime Rojo)

El Sol 25 (Photo © Jaime Rojo)

Woman Covering Her Face
You know I really love summer but sometimes the sun is like an oppressive burning ball of flames. No, it has nothing to do with PBR and whisky shots! Seriously.  (Over Under) (Photo © Jaime Rojo)

Bast
Bast (Photo © Jaime Rojo)

Vending Van
Tasty frosty treats from the Ice Cream truck! Ding Ding Ding!  (Photo © Jaime Rojo)

Faile
Faile does a stencil in honor of GLBT pride month.  Faile (Photo © Jaime Rojo)

Faile (Detail)
Bit of an inside joke there from the Faile gents. Faile (Detail) (Photo © Jaime Rojo)

Maiden Hell and Shin Shin
Maiden Hell and Shin Shin (Photo © Jaime Rojo)

QRST
“Jeez that was fun.”  QRST (Photo © Jaime Rojo)

Bast
I’m seeing a double bill of Liberace and Digital Underground, OMG! It’s a Humpty Hump Remix! Bast (Photo © Jaime Rojo)

El Sol 25
Man, I gotta give it to El Sol 25 for combining limbs and heads in the most unconventional way. Don’t know WTF it means but it’s reliably perplexing. (Photo © Jaime Rojo)

Royce Bannon (Photo © Jaime Rojo)
“I don’t want to be reductive in my assessment, captain, but suffice to say I’ve been somewhat green recently.” (Royce Bannon, or Robbie Busch, or Righteous Brotha.) (Photo © Jaime Rojo)

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Chor Boogie Interviewed by Choice Royce

Royce Bannon is online this month at The Source with an interview with LA sunshine muralist Mr. Chor Boogie. The very personable Boogie talks about his work and his historical influences. If you look further into his copious body of work, it reveals a seamless relationship between his technical abilities, his emotional life and his spiritual view of the world.

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Gifted in the art of self expression, Chor explains his work like this,

“I describe my style as the Omega Abstract Expressionism of A Street Romantic Voodoo with Emotional Landscapes of A Melodic Symphony through Color Therapy: 50% mind + 50% heart = 100% body + 100% soul = 200% spirit +an infinite universe= A Chor Boogie creation. See, when it comes to style I believe in originality and do not consider my work Graffiti. It’s art; I am a artist; and when it comes to the culture I would just love to see cats creating their own ways, meanings, and philosophies behind their work instead of following the flock… hence the fact of being original.”

Read more in the interview online at The Source here

Chor Boogie will be on the East Coast next month when he participates in the new installment of Electric Windows in Beacon, New York.

Brooklyn_Street_Art-WEB-Source-Royce-Todd-JamesRoyce Bannon’s interview with Todd James appears in the new print issue of The Source.


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