Alexandra Pacula & JMR at Dapper Dan’s Imperial Gallery

Mighty Tanaka Presents:
Alexandra Pacula & JMR
Opening July 17, 6PM-10PM
Dapper Dan’s Imperial Gallery
139 West 14th St between 6th and 7th Ave, Manhattan.
Runs July 17-July 31
Motion, flow and scale are common influences that conjoin the art of Alexandra Pacula and JMR.  Individually, they are daring to explore uncharted terrain within their own unique style and progression of form.  Opening July 17, Mighty Tanaka is proud to present Alexandra Pacula and JMR, in a double-solo show.  Bringing forth a rehashed idea to Dapper Dan’s Imperial Gallery, the two artists both juxtapose and complement one another in such a way that exemplifies the range and breadth of a style all their own.
In their own words-
Alexandra Pacula: My work investigates a world of visual intoxication. It captures moments of enchantment associated with urban nightlife. I am fascinated by the ambiance of the city at night and its seductive qualities. The colorful lights become a magical landscape with enticing opportunities and promises of fulfillment.  In our seemingly content society there is a struggle to achieve greater levels of enjoyment. We explore various environments and activities in search of pleasure. Extravagant lights of night environments seduce us to participate in curious events, enticing us to experience new forms of satisfaction.  In my oil paintings I aim to capture various atmospheres that occur in such environments. Through observation and documentation I assemble images, which become visual tools for my paintings. I concentrate on how the mind perceives and evaluates surroundings while under the influence of a social climate.  I recreate the feeling of dizziness and confusion by letting the paint blur and allowing shapes to dissolve. I suggest motion in order to slow down the scene and capture the fleeting moments, which tend to be forgotten. By interpreting lights in graphic or painterly ways, I create a sense of space, alluding to a hallucinogenic experience. Color is the main factor for setting the mood. By using mostly warm browns and reds I create an inviting, candle-lit atmosphere and by introducing cool blues, and contrasting colors the environment becomes energetic and noisy. I want the viewers to experience my paintings as if they were in a place of nighttime entertainment where the mood changes as the night goes on.

JMR: As a Brooklyn native, I am inspired by the flux of the city: memories and photographs of painted elevated trains, illuminated windows in nocturnal cityscapes, broken glass shimmering in dull sidewalks, and the panoply of cultural pluralism, increasing by the day, even in a city already as diverse as New York. In the public space of the city, street artists appropriate the urban environment by layering ideas on top of one another. Wheat pasted posters, aerosol designs, white rolled lettering, advertisements, stickers, peeling and decaying paper, brick. The process I use in my work is an attempt to mimic this. I collage the initial surface or leave it clean, and then paint projected drawings over it.  This layering technique results in an interplay of tangled, swooping, and jutting lines, which coalesce into unexpected shapes, emerging as vivid fields of color. Ultimately these images are informed by urban iconography, but they also contain a more personal narrative.  Much time is spent filling pages with autonomous ink drawings, rendered and defined, before projection. The viewer is presented with a dichotomy, as, despite its condensed and chaotic appearance, the work strikes the eye as both simple and open. The projections abstract the original surface image; the process creates a nocturnal environment, leading me beyond the physicality of the urban landscape.


N9th & Driggs
Creative Commons License photo credit: hragv