All posts tagged: JMR

The Bushwick Collective Turns 5

The Bushwick Collective Turns 5

BSA has been promoting and supporting The Bushwick Collective and the artists who paint there from the very beginning.

Before The New York Times. Before Time Out. Before The Daily News and many other news or culture outlets. Before there were any videos of Joe Ficalora telling his story. Before Social Media turned every private act into an object for mass consumption. Before the street art tours. Before Street Art was a cottage industry in our borough.

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Case MaClaim (photo © Jaime Rojo)

As we celebrate five years of Bushwick Collective we have a question for you: Do you remember it’s original name before he changed it to Bushwick Collective? Joe contacted us out of the blue one day to ask us to curate some walls with him and to help him contact some artists and we immediately sensed a determination in Mr. Ficalora that was stellar. However, we never could have envisioned the huge daily festival it has become or how many people would celebrate or malign it.

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Case MaClaim (photo © Jaime Rojo)

Bushwick Open Studios was already in full effect by that time – another artists’ effort we were among the first to support – and Manhattan art fans were beginning to make the trek a little further out on the L train to Bushwick now that Williamsburg had been clobbered by consumers by the late 2000s.

The first Bushwick Collective party had a DJ and 10 muralists. Jim Avignon, KLUB 7, and Gabriel Spector among them. Unofficially included was the huge “return” of COST, who slammed an entire defunct garage shop with posters and paint – a site that he often returned to in the months that followed to revise and expand.

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Case MaClaim (photo © Jaime Rojo)

It’s been a rollicking and sometimes rocky ride with the Collective, with mostly the voices of fans and few detractors, including silly art-school gentrifiers who bemoaned the gentrification that these murals brought to the neighborhood. Also local graff writers felt disrespected or overlooked by what they perceived as an invasion, and you can’t blame them for feeling that way.

Mostly, it has been a celebration of the creative spirit in these twenty-teens in Brooklyn and we all know that this too is a temporary era, as New York is continually reinventing itself. Enjoy these murals smacked cheek-by-jowl for block after block by an international train of talents running through Bushwick today, because they are here for you to enjoy in this moment. Like David Bowie wisely told us, “These are the golden years.”

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Nychos. Detail. (photo © Jaime Rojo)

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Nychos (photo © Jaime Rojo)

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Joe Iurato and Logan Hicks collaboration. (photo © Jaime Rojo)

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Joe Iurato and Logan Hicks collaboration. (photo © Jaime Rojo)

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Joe Iurato and Logan Hicks collaboration. (photo © Jaime Rojo)

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Li-Hill (photo © Jaime Rojo)

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Celso (photo © Jaime Rojo)

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Don Rimx (photo © Jaime Rojo)

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Sipros. Detail. (photo © Jaime Rojo)

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Sipros (photo © Jaime Rojo)

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D*Face (photo © Jaime Rojo)

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Damien Mitchell (photo © Jaime Rojo)

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Atomik (photo © Jaime Rojo)

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FKDL (photo © Jaime Rojo)

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Dasic (photo © Jaime Rojo)

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BG183 . Tats Crew (photo © Jaime Rojo)

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NICER . DAZE . BIO . Tats Crew (photo © Jaime Rojo)

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CRUSH . Tats Crew (photo © Jaime Rojo)

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JMR (photo © Jaime Rojo)

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KLOPS (photo © Jaime Rojo)

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NEPO . CORO (photo © Jaime Rojo)

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BSA Images Of The Week: 06.05.16

BSA Images Of The Week: 06.05.16

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It’s Bushwick Collective Weekend Yo! The assembled faces and artists is local, national, international – a melange of what Brooklyn has become in recent years and the streets are alive with involved citizenry in search of entertainment, art and community. The Street Art scene is alive and well, just mutating weirdly as it always does; charges of commercialism and the whitening power of gentrification notwithstanding. A little further out in BedStuy was the #PrincePartyBK yesterday with Spike Lee celebrating the Purple One’s birthday, along with a lot of Biggie love, and Muhammad Ali love, and you, Love.

Here’s our weekly interview with the street, this week featuring 1Penemy, BG183, Bio, City Kitty, Coro, Crash, GIZ, JMR, KLOPS, Loco Art, Marie Roberts, Nepo, Nicer, Samantha Vernon, Sheryo, Tats Crew, The Yok, Thomas Allen, Tristan Eaton, UNO, XSM, and You Go Girl!

Our top image: Marie Roberts for Coney Art Walls 2016. (photo © Jaime Rojo)

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Unidentified artist’s portrait of Muhammad Ali who passed away this Friday. (photo © Jaime Rojo)

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BG183 TATS Crew for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

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CRASH TATS Crew for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

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Nicer TATS Crew for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

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BIO TATS Crew for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

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“Oh my God, I am totally getting a selfie with this. No one back in Nazareth will believe this. Suurreeusly.” KLOPS for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

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JMR for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

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NEPO . CORO for The Bushwick Collective Block Party 2016. (photo © Jaime Rojo)

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GIZ. Joe Ficalora The Bushwick Collective founder with his BFF Pope Francis. (photo © Jaime Rojo)

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You Go Girl! (photo © Jaime Rojo)

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Protestors at the entrance of the Brooklyn Navy Yard have been drawing attention to their opinion that the Duke Riley “Fly By Night” art project with Creative Time is cruel to the pigeons in some way and that the animals are being exploited for profit. Riley has reportedly consulted pigeon clubs, an avian veterinarian, experts from animal welfare groups and been given a good review from the Audubon society so the opinion does not seem unanimous. Regarding the charge of making a profit, we’re pretty sure all the tickets are free, right? Our favorite one is the sign that also insults the artistic quality of the project as “mediocre.” Oh, gurl, you did not manage to throw some shade while protecting those birds did you? Snap! (photo © Jaime Rojo)

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XSM (photo © Jaime Rojo)

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Pizza on the run. The Yok and Sheryo shot through the driver’s seat of a parked UPS truck. (photo © Jaime Rojo)

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UNO. Marseille, France. May 2016. (photo © UNO)

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Thomas Allen, partially obscured by some green buffing. (photo © Jaime Rojo)

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Thomas Allen (photo © Jaime Rojo)

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City Kitty. A mash up of two giants of rock whom we lost withing months of each other this winter/spring – with that intuitive third eye. “You will be missed” (photo © Jaime Rojo)

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Prince. Is VJZ the signature of the artist who painted the portrait? (photo © Jaime Rojo)

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Unidentified Artist (photo © Jaime Rojo)

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“The monster within and the fool that follows.” Heard that. Tristan Eaton for Coney Art Walls 2016. (photo © Jaime Rojo)

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Samantha Vernon for Coney Art Walls 2016. (photo © Jaime Rojo)

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Is there a story behind this, or simply a fantasy scenario? 1Penemy (photo © Jaime Rojo)

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“I hate your negative energy”.  Unidentified Artist (photo © Jaime Rojo)

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Loco Art (photo © Jaime Rojo)

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Untitled. Brooklyn Navy Yard. Duke Riley’s Fly By Night performance with pigeons in collaboration with Creative Time. Brooklyn, NY. June 2016. (photo © Jaime Rojo)

 

 

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BSA Images Of The Week: 05.18.14

BSA Images Of The Week: 05.18.14

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Here our weekly interview with the street, this week featuring AEON, Arturo Vega, Bio Tats Cru, Balu, Bifido, COL Wallnuts, Crash, Federico Cruz, JMR, Kram, Kronik, Labrona, LMNOPI, Meca, Moby, Muro, Nick Walker, Stinkfish, TRN, Txemy, and Vexta.

Top Image >> Rooftop piece by Crash, Bio Tats Cru and Nick Walker. The shot was taken from a higher rooftop. A straight shot would have landed this photographer in the slammer and that would mean missing happy hour. (photo © Jaime Rojo)

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Crash, Bio Tats Cru and Nick Walker. Detail. Same piece as above taken from the street. See what we meant? (photo © Jaime Rojo)

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Bifido new piece in Naples, Italy. “Don’t Forget to Play” (photo © Bifido)

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TRN…what can we say? (photo © Jaime Rojo)

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Moby…yes that Moby. “Receiving” Dedicated to the memory of artist Arturo Vega. (photo © Jaime Rojo)

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Moby. Detail. (photo © Jaime Rojo)

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Balu (photo © Jaime Rojo)

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Balu (photo © Jaime Rojo)

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Balu (photo © Jaime Rojo)

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Balu (photo © Jaime Rojo)

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Ever feel like you need a mint? Vexta (photo © Jaime Rojo)

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A clamoring collaboration of color from Txemy and Muro. Detail. (photo © Jaime Rojo)

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Txemy and Muro collab. Detail. (photo © Jaime Rojo)

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Why, you little green eyed devil, you. KRAM (photo © Jaime Rojo)

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Labrona new piece in Montreal, Canada. (photo © Labrona)

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Labrona new piece in Montreal, Canada. (photo © Labrona)

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Detail of a wall with a variety of wheat pasted art. Artist(s) Unkown, though we think we see Stinkfish in there. (photo © Jaime Rojo)

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Cruz (photo © Jaime Rojo)

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Stinkfish . Meca . Kronik (photo © Jaime Rojo)

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JMR and Col Wallnuts revisit the spot where a JMR rode for a few years, and now expanded and redefined it. The Bushwick Collective. (photo © Jaime Rojo)

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LMNOPI (photo © Jaime Rojo)

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Untitled. Brooklyn, NYC (photo © Jaime Rojo)

 

 

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Images Of The Week: 03.30.14

Images Of The Week: 03.30.14

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Here’s our weekly interview with the street, this week featuring Adam Dare, Bunny M, COL Wallnuts, Don’t Fret, Icy & Sot, JMR, John Ahearn, Judith Supine, Michael McKeawn, Miss Me, Mr. Toll, Paper Skaters, Pyramid Oracle, and What is Adam.

Top Image >> Icy & Sot (photo © Jaime Rojo)

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Judith Supine (photo © Jaime Rojo)

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Col Wallnuts (photo © Jaime Rojo)

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Adam Dare (photo © Jaime Rojo)

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Jim McKenzie (photo © Jaime Rojo)

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What Is Adam (photo © Jaime Rojo)

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What Is Adam (photo © Jaime Rojo)

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Paper Skaters (photo © Jaime Rojo)

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JMR for The Bushwick Collective (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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John Ahearn. Florant 2013. Plaster portrait of Florant Morellet, the colorful restaurant owner and business pioneer in the Meat Packing District of Manhattan installed at the High Line Park for the BUSTED Series. The portrait was inspired by the 16th century painting of Bacchus by Caravaggio. John Ahearn of course is a crucial link between public art and street art in New York and has been for thirty years or so, aligning his work and practice with actual people who live in our neighborhoods – especially in the Bronx. Mr. Florant, a longtime fixture and heart of the Meat Packing District, abandoned Manhattan for Bushwick, Brooklyn last year.  (photo © Jaime Rojo)

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Michael McKeawn “Winter Laundry”. Look closely and you’ll see that this is an installation of rather large clothing. photo © Jaime Rojo)

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Miss Me produces a rather elaborate tribute to you know who. (photo © Jaime Rojo)

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Miss Me (photo © Jaime Rojo)

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Dont Fret (photo © Jaime Rojo)

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bunny M (photo © Jaime Rojo)

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Catch the Love (photo © Jaime Rojo)

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Mr. Toll (photo © Jaime Rojo)

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Untitled. East River, NYC. January 2014. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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New High-Water Mark for Street Art at Fairs for Armory Week

New High-Water Mark for Street Art at Fairs for Armory Week

This year represents a high-water mark for current Street Artists being represented at the New York fairs if what we have just seen over the last couple of days is any indication. For those who have been following the trajectory of the new kids we’ve been talking about for the last decade, the room is rather getting a lot more crowded. Only a handful of years ago names that produced blank stares at your forehead and a little sniff of dismissal are garnering an extra lingering moment near the canvas and snap of the cellphone pic, complimentary champagne flute in hand.

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Hellbent at Fountain (photo © Jaime Rojo)

With the gusts of wind provided by a couple of recent auctions, optimism about an up-turning economy, and even the Banksy one-month residency, it is not hard to imagine that we have some “overnight” stars in the midst of this constellation, but it is really anyone’s guess.

While we are certainly aware of it, we don’t dedicate too much ink to the commercial aspect of the Street Art scene, preferring to learn the lingua franca of these artists who have developed their narrative and visual style before our eyes, to celebrate experimentation, the creative spirit, and to give a pedestrian view of the street without being pedestrian.

But just as neighborhoods like Bushwick in Brooklyn, El Raval in Barcelona, LA’s downtown Arts District, and parts of London, Berlin, and Paris have been transforming by gentrification, we would be remiss if we didn’t note the more frequent raising of commercial eyebrows all around us when the topic turns to Street Art. It’s not a fever pitch, but can it be far off? There is already a solid first tier that everyone can name – and the stratification is taking shape below it.

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Herb Smith (previously Veng RWK) at Fountain (photo © Jaime Rojo)

Buffeted by blossoming sales of works by early 2000s Street Artists and the burgeoning of lifestyle companies now appropriating this cultural wealth and transforming it into “content” that helpfully couriers all manner of merch from spirits to soda, sneakers, and electronic smoking devices, we are looking for our seat belts as there a major shift in popular acceptance and critical embracing of 21st century Street Artists up ahead.

As for the streets, the flood is going to continue. Street Art is Dead? Yes, we’ve been hearing this since 2002…

Here’s a brief non-specific and uneven survey of only some work showing this weekend by current or former Street Artists and graffiti writers – perhaps a third of what you can see in the New York fairs and satellite galleries.

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Rubin at Fountain (photo © Jaime Rojo)

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Fumero at Fountain (photo © Jaime Rojo)

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Gilf! and Icy & Sot at Fountain (photo © Jaime Rojo)

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EKG and Lamour Supreme at Fountain (photo © Jaime Rojo)

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Alice Mizrachi and Jon Burgerman at Fountain (photo © Jaime Rojo)

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Chris Stain and Rubin at Fountain (photo © Jaime Rojo)

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See One and Chuck Berrett/Nicole Salgar of Cargo Collective at Fountain (photo © Jaime Rojo)

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JMR and Cake at Fountain (photo © Jaime Rojo)

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Vicki DaSilva at Fountain (photo © Jaime Rojo)

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Pose at Volta (photo © Jaime Rojo)

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Vinz at Scope (photo © Jaime Rojo)

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Amanda Marie at Scope (photo © Jaime Rojo)

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Tip Toe at Scope (photo © Jaime Rojo)

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El Mac at Scope (photo © Jaime Rojo)

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Know Hope at Scope (photo © Jaime Rojo)

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Cope at Scope (photo © Jaime Rojo)

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Aakash Nihalini at Scope (photo © Jaime Rojo)

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Banksy and friends at Scope (photo © Jaime Rojo)

 

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The Power of Color via Street Art, Graffiti, and Murals

The Power of Color via Street Art, Graffiti, and Murals

No doubt it is the grey days of late winter that is making us think about this as we brace for the next snowstorm, but today we’re considering the impact that Street Art color has on architecture that never asked for it.

We’re not the first to think of hues, shades, tones, and palettes when it comes to the man made environment of course, but it does strike us that most of the buildings that are hit up by street art and murals today were designed by architects who never imagined art on their facade.

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Os Gemeos in Boston. (photo © Jaime Rojo)

Modern architecture for some reason is still primarily grey, washed out greens, beige, eggshell, snore.

“Color is something that architects are usually afraid of,” said internationally known and awarded architect Benedetta Tagliabue in an interview last May about the topic of color.  A generalization probably, and you can always find exceptions of colorfully painted neighborhoods globally like the Haight in San Francisco, La Boca in Buenos Aires, Portafino in Italy, Guanajuato in Mexico, Bo-Kaap in Capetown, the favelas of Rio de Janeiro and the Blue City of India, but many of those examples speak to color blocking and pattern.

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Interesni Kazki in Baltimore. (photo © Jaime Rojo)

We’ve been looking at the power of Street Art to reface, re-contextualize, re-energize, and re-imagine a building and its place in the neighborhood. Some times it is successful, other times it may produce a light vertigo. The impact of work on buildings by today’s Street Artists and muralists depends not only on content and composition but largely on the palette they have chosen. It sounds trite, and self-evident perhaps, but much of Street Art is about color, and primarily on the warm scale first described by Faber Birren with his OSHA colors and color circle in the 1930s .

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Faile in Manhattan, NYC. (photo © Jaime Rojo)

Birren developed his color system with the observation that artists favor the warm colors more than the cold, from the violet side of red and extending beyond yellow because “, their effect is more dynamic and intense and because the eye can, in fact, distinguish more warm colors than cold.

It’s common now to think of 21st century Street Art as the graffiti-influenced practice that primarily activates the detritus of the abandoned industrial sector blighting western cities in the wake of trade agreements that sent all the jobs to lands without protections and regulations. While that is definitely the sort of neglected factory architecture preferred for “activation” by many graffiti artists and Street Artists alike, we also see more curious couplings of color with the delicately ornate, the regal, or even modernist structures today thanks to artists being invited, rather than chased.

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Shepard Fairey in Manhattan, NYC. (photo © Jaime Rojo)

The results? Abstractionist, cubist, geometric, letter-based, illustrative, figurative, text-based, outsider, folk, dadaist, pop.  One common denominator: color.

“The environment and its colors are perceived, and the brain processes and judges what it perceives on an objective and subjective basis. Psychological influence, communication, information, and effects on the psyche are aspects of our perceptual judgment processes,” writes Frank H. Mahnke in his recent piece for Archinect. The author of Color, Environment, & Human Response has made it his mission to explore psychological, biological effects of color and light and to help creators of the man-made environment make good choices.

Whether all of these choices are good, we leave up to you. But it is worth considering that Street Artists have been part of the conversation on the street for decades now, making powerful suggestions to architects and city planners , so maybe it’s worth taking another look at what they’ve been up to lately.

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Ever in Baltimore. (photo © Jaime Rojo)

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Escif in Atlanta. (photo © Jaime Rojo)

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Kenton Parker and Roa in Miami. (photo © Jaime Rojo)

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LUDO in Chicago. (photo © Jaime Rojo)

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Anthony Lister in Los Angeles. (photo © Jaime Rojo)

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Kobra in Manhattan, NYC. (photo © Jaime Rojo)

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Smells, Cash4 and Spiro in Brooklyn, NYC. (photo © Jaime Rojo)

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Don Rimx in El Barrio. Harlem, NYC. (photo © Jaime Rojo)

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Agostino Iacurci in Atlanta. (photo © Jaime Rojo)

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Barry McGee in Brooklyn, NYC. (photo © Jaime Rojo)

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Jaz and Cern in Brooklyn, NYC. (photo © Jaime Rojo)

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Pose and Revok in Manhattan, NYC. (photo © Jaime Rojo)

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Rime, Dceve and Toper in Manhattan, NYC. (photo © Jaime Rojo)

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Pixel Pancho in Miami. (photo © Jaime Rojo)

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Deeker and David Pappaceno in Brooklyn, NYC. (photo © Jaime Rojo)

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Reka in Brooklyn, NYC. (photo © Jaime Rojo)

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RRobots in Brooklyn, NYC. (photo © Jaime Rojo)

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MOMO in Brooklyn, NYC. (photo © Jaime Rojo)

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Skewville in Brooklyn, NYC with an old NEKST tag on top. (photo © Jaime Rojo)

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3ttman and Elias in Atlanta. (photo © Jaime Rojo)

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Chris Stain and Billy Mode tribute to Martha Cooper in Brooklyn with ROA on the water tank. (photo © Jaime Rojo)

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Rubin in Brooklyn, NYC. (photo © Jaime Rojo)

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Os Gemeos in Manhattan, NYC. (photo © Jaime Rojo)

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JMR in Brooklyn, NYC. (photo © Jaime Rojo)

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Greg LaMarche in Brooklyn, NYC. (photo © Jaime Rojo)

 

 

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The “Aqueduct Murals” Are Off and Running!

The “Aqueduct Murals” Are Off and Running!

“He’s pissed off. He’s like… he has an attitude. He’s ornery. In my work I’m always looking to relate my own feelings to the images that I see and try to express them through painting.”

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Chris Stain and Katherine Huala at work on their first collaborative piece. (photo © Jaime Rojo)

Chris Stain is looking at a black and white photo of a victorious and defiant jockey covered in mud – a guy named Webber who raced “Broiler” at Aqueduct – and talks about why he is immortalizing the fella in paint for this thoroughbred race track that turns 120 years old next year.

“So when I saw him I was like, ‘Yeah I feel like that sometimes, most of the time, ninety-five percent of the time.’ ”

Any seasoned wagerer knows it is a bit of a gamble to work with graffiti and Street Artists – untamed and unbridled as they can be – but Street Artist Joe Iurato has corralled a small herd and coaxed them inside off the streets for this one race. The Aqueduct Murals are out of the gate and if last nights marathon of painting was any indication, the odds are good they will all hit the finish line by Saturday.

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Chris Stain found this vintage photograph as an inspiration for his collaborative piece with Katherine Huala.  Jockey Weber finished second place on his horse “Broiler”, and it looks like it was a rainy and muddy day at the track here in 1941 in Jamaica, Queens. Original photographer unnamed. (This photo © Jaime Rojo)

“Equestrian racing, jockey related – the only criteria they gave us was they wanted to see something that was more in the spirit of the place,” says Joe as he looks around the mainly beige walls of the facility in Queens that is filling with aerosol fumes as the clock nears midnight. He still has to get up on a cherry picker and get working on his collaborative mural with Logan Hicks, but as the organizer, Joe discovers he needs to make sure all the other artists are getting taken care of first – its all part of the care and feeding of Street Artists.

Tomorrow night the opening bell on the reception rings at 6 pm at Aqueduct with a DJ and a print release with all the artists in attendance and Ellis G doing some live chalk drawings, but for right now Joe is looking at some peeling paint and figuring out how to seal it.

“They gave us a photo bucket that was full of about 300 pictures from the past 60 years,” he says of the racetrack reference material that roughly half of the artists are using in their murals. “We were able to use any of those and a lot of them were just brilliant.”

The international and locally-based artists all are taking different approaches – and the distances they have traveled vary from South Africa, Australia, Sweden, Italy, Texas, California, New Jersey….and even hometown Queens and Brooklyn guys like Stain, Skewville, and Hicks. In the middle of the progress last night BSA got some shots as some of the pieces were galloping along – some are on the backstretch while a few just started out of the gate.

Participating artists for The Aqueduct Murals include : Logan Hicks, David Flores, Chris Stain collaborating with Katherine Huala, Rubin, Faith 47, Skewville, JMR, LNY, Ian Kuali’i, Shai Dahan, Zed1, Joe Iurato, ThenOne, and Reka.

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Chris Stain and Katherine Huala. Chris working on their piece. (photo © Jaime Rojo)

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Reka. Detail of his piece in progress. (photo © Jaime Rojo)

“I’m trying to experiment a little at the moment and in terms of colors I’m just doing strictly gray scale,” says Melbourne Street Artist REKA, who is normally known for his use of vibrant oranges and reds in his tightly fluid character-based street work.  “Also this is something a bit more messy, a bit more dynamic anyway – I’m allowing more room for error and be more playful.”

“I want to show the movement in the racing – sections of the horse and the jockey – to show more of the human element and the connection between the rider and the horse. I don’t paint realistically – so that is my representation of the horse.”

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Reka at work on his piece. (photo © Jaime Rojo)

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Zed1 at work on his piece. (photo © Jaime Rojo)

Italian Street Artist Zed1 stays monochromatic in his palette also but his metaphor is entirely different. “I prefer you see when you finish because it is a surprise !” he says while revealing to us in a conspiratorial tone what the humorous scene will eventually depict. Don’t worry folks, it’s all clean and respectful.

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Zed1. Process shot. (photo © Jaime Rojo)

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Rubin at work on his piece. (photo © Jaime Rojo)

Brooklyn Street Art: This doesn’t look like a horse.
Rubin: No. It doesn’t necessarily have to be a horse just because it is a race track.

The least representational of the murals draws a clearer connection to its location and proximity to the city with more abstract depictions of the roaring crowd and the city skyline.  Roaring twenties of last century meld well with the spattered street inflections of early teens 21st century here.

“I kind of flipped those Art Deco inspired lines from being horizontal to vertical and so it is my way of paying tribute to New York,” says the Greenpoint, Brooklyn based Swedish artist who says he never tires of going on the roof to look at Manhattan across the East River.

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Rubin at work on his piece. (photo © Jaime Rojo)

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David Flores and assistant at work on his piece. (photo © Jaime Rojo)

LA’s David Flores used to go to the races at Santa Anita when he was a kid. “but nothing major, we didn’t bet or anything like that,” he says as he steps back to compare his rendering to the piece on the wall. The composition combines the jockey image from a photo from the track with a new mask and a horse and hand from two other sources. “I kind of married them together,” he says of the scene. “I had to make it the way I wanted with a lot of diamonds and stars and stripes – you know how they wear their gear so it’s all colorful.”

Normally more abstract, this wall by Flores is literal in its depiction, but with an illustrators eye. Has he worked with animals in his work much? “I have worked with animals a couple of times but nothing of this scale – or horse racing and I’m super excited because I’m a fan of the sport. I’m stoked on it now.”

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David Flores. Sketch for his piece. (photo © Jaime Rojo)

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LNY. Detail of his piece in progress. (photo © Jaime Rojo)

New Jersey Street Artist LNY took something with history and shot with the older film based technology and manipulated it with a current digital and returned to the hand rendered painting form to create it on a wall.

“Yeah, especially this,” he says as he rolls a thin screen of crimson over his composition, ” – doing washes is a super traditional technique”

The subject matter for LNY speaks to the regimented hierchy of class that permeates the traditions of racing. “Its always been about social status and that became really apparent when I came here,” he says as he describes his choice of outfielders he researched as subjects.

“The outfielders are the guys that go out there and if a horse goes crazy – they are kind of the cops of the field – so basically they are staff,” he says of the well-dressed horsemen in the original image he started with. “I just got some really nifty iPad apps that cost nothing but they let you transform images so I’ve been having a lot of fun with those and I’m basing my mural on that.”

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LNY at work on his piece. (photo © Jaime Rojo)

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LNY created this digital collage mock up which  served as template for his piece. (photo © Jaime Rojo)

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Shai Dahan at work on his piece. (photo © Jaime Rojo)

Brooklyn Street Art: I guess it is not that far a stretch for you to paint a couple of horses!
Shai Dahan: “No! I’ve been painting nothing but horses for the last three years”

The LA-New York- now Sweden based artist has been painting his interpretation of Swedish Dalecarlian horses which are traditionally red, so he is making sure to include on in his Aqueduct piece.

Brooklyn Street Art: Had you seen races before?
Shai Dahan: No, this was my very first time
Brooklyn Street Art: What was your impression?
Shai Dahan: It’s very cool.  To actually see them race – just to see the quickness and the power and the movement of it is really fascinating and inspiring. I wanted to create some kind of forceful movement to get people out to the racetrack. The graffiti background is to represent the feel of New York, and all the bright colors.

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Sahi Dahan at work on his piece. (photo © Jaime Rojo)

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ThenOne working on the background color for his piece. (photo © Jaime Rojo)

New Jersey’s ThenOne says has been a graffiti artist for 16 years and he likes his lines to be crisp and  tight. Using his favorite red and black palette he brings perhaps the most historical equine references to the new collection at the race track and skillfully alludes to the practices from the modern graffiti scene he came up from.

ThenOne’s black Arabian horses are silhouetted in a decorative arrangement that recalls his Persian ancestry as depicted in pottery and ceramics and textiles while also recalling the early cave paintings that many art historians trace as ancestors to the Street Art/graffiti practices of today.

As long as the stylized stallions are as close to his original sketch as possible, he’ll be happy. “My style graffiti-wise is I like to be as clean as possible,” ThenOne says, “So the graphic and the clean work perfectly for me.”

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ThenOne. Sketch for his piece. (photo © Jaime Rojo)

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Joe Iurato at work on his piece. (photo © Jaime Rojo)

Organizer and artist Joe Iurato is up on his lift, masking out his collaborative piece with Logan Hicks. In between his other responsibilities, he’s planning to paint too.

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Skewville at work on his piece. (photo © Jaime Rojo)

Street Art wordsmith Squewville grew up in Queens so his trip here was one of the shorter ones. The text based entreaty he is taping out here will say “Update Your Status”  – in one short phrase bringing the track into the “social” sphere. The well known slogan for people using sites like Facebook also doubles as a reference to the incoming status of races as the bets and odds are displayed across screens and horses cross the finish line.

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Skewville at work on his piece. (photo © Jaime Rojo)

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Logan Hicks working on his stencils for his piece. (photo © Jaime Rojo)

The Brooklyn based Logan Hicks is prepping for his seven layer stencil that will depict a crush of horses in the thick of the race (not seen here). First he is applying a patterned background to his collaborative piece with organizer and Street Artist Joe Iurato.

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Logan Hicks at work on his piece. (photo © Jaime Rojo)

Originally from Hawaii, artist Ian Kuali’i is laying in the abstractly energetic background for his sliced paper piece that will float over it.

“I’m going to paste up a cutout. It’s about three quarters of the way done, “ he says as he describes a finished piece that will incorporate collage of actual vintage Aqueduct posters from the past and themes relating to horse husbandry and the thrill of the race.

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Ian Kuali’i at work on his piece. (photo © Jaime Rojo)

 

Tomorrow, Saturday the 23rd  a reception will be held for the artists at the Aqueduct Racetrack to celebrate “Aqueduct Murals”. The event is free and open to the public. Click HERE for all the details.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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Images of The Week 09.29.13

Images of The Week 09.29.13

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Here’s our weekly interview with the street, this week featuring Chris RWK, Chuck Barrett, Cs Navarrate, Damien Mitchell, Deekers, Gilf!, JMR, Katherine Daniels, Kuma, Left, Miishab, NM Salgar, Oculo, RVMP, Sheryo, Skewville, Swil, The Yok, Willow, and Zimer.

Top image > Willow and Swil for the Centrifuge Project. NYC 2013 (photo © Jaime Rojo)

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Zimer (photo © Jaime Rojo)

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Deekers (photo © Jaime Rojo)

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Oculo (photo © Jaime Rojo)

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Miishab for Centrifuge Project. NYC 2013 (photo © Jaime Rojo)

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Skewville at work for Dumbo Walls Project 2013 (photo © Jaime Rojo)

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Skewville for Dumbo Walls Project 2013. (photo © Jaime Rojo)

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KUMA (photo © Jaime Rojo)

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RVMP (photo © Jaime Rojo)

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JMR for Dumbo Walls Project 2103. (photo © Jaime Rojo)

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CS Navarrete at work for Centrifuge Project. NYC 2013 (photo © Jaime Rojo)

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Katherine Daniels for Dumbo Arts Festival 2013. (photo © Jaime Rojo)

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Gilf! for Dumbo Walls Project 2013. (photo © Jaime Rojo)

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Damien Mitchell for Centrifuge Project. NYC 2013 (photo © Jaime Rojo)

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Sheryo and The Yok (photo © Jaime Rojo)

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LEFT (photo © Jaime Rojo)

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Chuck Barrett and NM Salgar for Centrifuge Project. NYC 2013 (photo © Jaime Rojo)

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Chris RWK for Dumbo Walls Project 2013 (photo © Jaime Rojo)

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Untitled. Brooklyn, NYC (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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JMR Escapes to Hong Kong

 

Street Artist JMR has travelled far east from Brooklyn, where we first started seeing his work on the street in the 2000s. Coinciding with Art Basel Hong Kong, the geometry loving abstractionist had a solo show called “Escape” with Joyce Gallery that drew a lot of new fans to his line based work. The really exciting gig for JMR was seeing one of his pieces driving around town as a double city tram – a sort of mobile wall installation on wheels.

JMR (photo © JMR)

Right now the former SVA student is showing the poppy Miro and Caldor side of his work along his more gestural monochromatic stuff, drawing on his early graffiti past and his art school education about mid-century modern expressionism and the processes associated with automatic drawing.  Check out some images of the trip exclusively for BSA readers.

 

JMR (photo © JMR)

JMR (photo © JMR)

JMR (photo © JMR)

JMR (photo © JMR)

A promotional video for “ESCAPE”, JMR’s new show at Joyce Gallery in Hong Kong.

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Fountain 2013 Shots of Street Art Above and Below

The Fountain fair raised the Street Art to the rafters this year with an installation curated by Mighty Tanaka Gallery and Robots Will Kill. The canvasses wave above the exhibit floor in this historic Armory space while below thousands of people milled through the booths of a varied collection of this years offerings. Here are new shots of the work we found Friday in the first full day of this weekend full of art fairs.

Fountain Art Fair 2013: Alan Ganev, Dark Clouds, CERN, Chris RWK, Veng, Danielle Mastrion, NEVER, ND’A, Joe Iurato, Chris Stain, See One, CAM, Miguel Ovalle, JMR, Apolo Torres, Keely, Quel Beast and Cake. (photo © Jaime Rojo)

Cern. Detail. (photo © Jaime Rojo)

ND’A. Detail. (photo © Jaime Rojo)

Chris Stain. Detail. (photo © Jaime Rojo)

Chris. RWK. Detail. (photo © Jaime Rojo)

Cake. Detail. (photo © Jaime Rojo)

Apolo Torres. Detail. (photo © Jaime Rojo)

Fountain Art Fair 2013: Alan Ganev, Dark Clouds, CERN, Chris RWK, Veng, Danielle Mastrion, NEVER, ND’A, Joe Iurato, Chris Stain, See One, CAM, Miguel Ovalle, JMR, Apolo Torres, Keely, Quel Beast and Cake. (photo © Jaime Rojo)

Chris Uphues. Detail. (photo © Steven P. Harrington)

John Breiner. Detail. (photo © Steven P. Harrington)

En Masse doing some live painting. Detail. (photo © Steven P. Harrington)

Fumero does Marilyn, Biggie, Keith. He says he has coined a term to describe the school of work he and others are evolving within as “Grafstract Expressionism” (photo © Steven P. Harrington)

Sinxero. Detail. (photo © Steven P. Harrington)

A delightful guest at Fountain. (photo © Steven P. Harrington)

Light artist Vicki DaSilva has video and photos of her work. (photo © Steven P. Harrington)

Pop Mortem has some political commentary dripping with drama, or oil. (photo © Steven P. Harrington)

Art performances with nearly naked people tend to draw an appreciative crowd. (photo © Steven P. Harrington)

LNY prints being discussed. Detail. (photo © Steven P. Harrington)

Labrona. Detail. (photo © Steven P. Harrington)

 

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Images of the Week: 01.27.13

Here’s our weekly interview with the street, this week featuring 4 Burners Crew, Bast, Billi Kid, Bunny M, Doug Nox aka the Harlequinade, El Sol 25, Entes y Pesimo, How & Nosm, JMR, Kobra, Rubin, and Stikman.

Top image > KOBRA (photo © Jaime Rojo)

KOBRA. Detail. (photo © Jaime Rojo)

Rubin . 4 Burners Crew (photo © Jaime Rojo)

JMR in Dallas ( yes that Dallas). (photo © JMR)

How & Nosm covered the windows for their big pop-up show opening this week with Jonathan Levine Gallery. (photo © Jaime Rojo)

Click here to read How & Nosm Confessions.

 Stikman continues to flirts with dangerous dames. (photo © Jaime Rojo)

El Sol 25 has a new batch of off-kilter kollage. (photo © Jaime Rojo)

Intro at Buswhwick Five Points (photo © Jaime Rojo)

Intro at Bushwick Five Points (photo © Jaime Rojo)

Doug Nox AKA The Harlequinade (photo © Jaime Rojo)

Bast (photo © Jaime Rojo)

bunny M (photo © Jaime Rojo)

Billi Kid goes over himself with his own promotional beer. (photo © Jaime Rojo)

Entes in Lima, Peru. (photo © Entes)

Entes y Pesimo at the Museum of  Contemporary Art in Lima, Peru. (photo © Entes)

Untitled. Clinton Hill, Brooklyn. January 2013 (photo © Jaime Rojo)

 

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Fun Friday 03.16.12

Yowsah! It’s a Triple Header for Street Artist shows in Brooklyn tonight, with Haring at the Museum, Stikman at Pandemic, and JMR/See One at Mighty Tanaka. But that’s not all that’s happening this weekend.

1. Keith Haring: 1978-1982
2. Stikman “20” at Pandemic
3. JMR and See One @ Pandemic
4. SANER @ Fifty24SF (San Francisco)
5. Chris Stain “Long Story Short” at Wooster Social Club
6. Sickboy, White Walls Gallery new show “Wonder Club”
7. Asbjorn Skou AKA Armsrock “Stedfortrædere” at  Mosh Gallery in Copenhagen
8. “My Turn” at Carmichael Gallery with Bumblebee, Hyuro, Interesni Kazki, Jaz, Klone, LineLineDot, Moneyless, Penny, Stinkfish, Zeus.
9. KEMP “Behind her Disguise” at Artsee.
10. Kid NES in Dallas. Time Lapse (VIDEO)
11. Mimi The Clown turns Superhero by OAOFB. (VIDEO)
12. Mimi The Clown turns Superhero by OAOFB. (VIDEO 2)
13. Ben Eine getting up in London by Abbie Brandon (VIDEO)

Keith Haring: 1978-1982

“This exhibition shows you how much fun New York City used to be” – Mare 139

Opening to the public today Keith Haring: 1978-1982 at the Brooklyn Museum and while Mare 139 has a point, we contend that Brooklyn is still tons of fun, if Manhattan has lost much of it’s edge. Regarding this exhibit, GO! Exquisitely curated, it welcomes the viewer to Mr. Haring’s early days in NYC when the “downtown” scene was the scene.

Keith Haring. Pia Zadora subway installation. Courtesy of Mugrabi Collection. © Mugrabi Collection. The Brooklyn Museum (photo © Jaime Rojo)

The curators have included pieces rarely or never before viewed including an amazing slide show of images taken by Kwong Chi showing the artist illegally putting work in the subways. Combined with some of Harings journals, his Cipher chart, videos and 155 works mostly on paper, it is informative, accessible and fun to see.

Keith Haring. A photo taken from the Slide show at the exhibition of images taken by Kwong Chi. Courtesy of and © The Keith Haring Foundation. The Brooklyn Museum (photo © Jaime Rojo)

For more information regarding this exhibition click here.

To read our article on the Huffington Post of this exhibition with a complete photo essay and and written overview click here.

Stikman “20” at Pandemic

One of the most prolific and hermetic Street Artists working today on the streets of New York, sometimes literally melted into the street, Stikman has a gentle legend to his name. His solo show “20” opens today at Pandemic Gallery today, offering a rare glimpse into his world of secrecy and continuous invention. The little stick character he’s been leaving for two decades is synonymous with the symbol-based tagging of graff writers and the re-inventive practice of a fine artist continuously exploring new techniques of expression.

Stikman (photo © Jaime Rojo)

For further information regarding this show click here.

JMR and See One @ Pandemic

Fresh off their showing at Fountain last weekend, Mighty Tanaka is not skipping a beat by unveiling a brand new dual show in Dumbo tonight. If you thrill to “Color and Motion” then check out new works by JMR and See One tonight.

JMR (photo © Jaime Rojo)

For further information regarding this show click here.

SANER @ Fifty24SF (San Francisco)

Mexican Street Artist SANER has been impressing Street Art and graff fans in the last couple of years with his near magic interpretations, incredibly rendered. A down to earth fellow who often teams up with SEGO for collaborations, the artist makes his debut solo show in San Francisco tonight at the Fifty24SF Gallery.

Saner with Sego in Miami (photo © Jaime Rojo)

For further information regarding this show click here.

Chris Stain “Long Story Short” at Wooster Social Club

At the crowded opening for Chris Stain’s new show and book launch Wednesday, the vibe was a testament to his working class roots and real people charm, with Billy Mode on the turntables and Ray Cross from Bushwick Print Lab screen-printing some fresh Occupy Wall Street posters for people to take to the streets. It’s the the kind of kindred community that fostered “Long Story Short”, his new monogram on Drago, and the kind of environment that makes Stains work resonant in these times where the working person feels like they have a boot to his/her neck. Stop by The Wooster Social Club anytime to see Mr. Stain’s new body of work and catch an intimate look into his influences both as an artist and as a person.

Chris Stain (photo © Jaime Rojo)

For further information regarding this show click here.

Also happening this weekend:

  • San Francisco’s White Walls Gallery new show “Wonder Club” opens tomorrow. This is Sickboy‘s first US major solo show. Click here for more information about this show.
  • Asbjorn Skou AKA Armsrock new show “Stedfortrædere ” at the Mosh Gallery in Copenhagen, Denmark opens today. Click here for more information about this show.
  • Bumblebee curates the new show “My Turn” at the Carmichael Gallery in Culver City, CA opening this Saturday with artists including: Bumblebee, Hyuro, Interesni Kazki, Jaz, Klone, LineLineDot, Moneyless, Penny, Stinkfish, Zeus. Click here for more information about this show.
  • KEMP solo show “Behind her Disguise” is marks his New York debut at Artsee. This show is now open to the general public. Click here for more information about this show.

 

Kid NES in Dallas. Time Lapse (VIDEO)

Mimi The Clown turns Superhero by OAOFB. (VIDEO)

Mimi The Clown turns Superhero by OAOFB. (VIDEO 2)

Ben Eine getting up in London by Abbie Brandon (VIDEO)

 

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