All posts tagged: Swoon

Redu Presents: “Re:Form School” A Group Show Including Shepard Fairey, Swoon, Chris Johanson, Jo Jackson, Maya Hayuk, Gary Baseman, Friends With You, HunterGatherer, iO Tillett Wright, Andrew Bannecker and More (New York City)

RE:FORM SCHOOL
brooklyn-street-art-redu-reform-school

RE:FORM SCHOOL is a group art exhibition and event series, bringing together hundreds of artists in New York City to send a loud message that the time has come to fix our ailing Public Education System.

Participating artists include: Shepard Fairey, Swoon, Chris Johanson, Jo Jackson, Maya Hayuk, Gary Baseman, Friends With You, HunterGatherer, iO Tillett Wright, Andrew Bannecker and over a hundred more.

The RE:FORM SCHOOL Gallery issues a visual call-to-action, with artists motivating public energy toward true education reform on a local, state and national level. Artists, grass roots activists, performers, celebrity guests, art collectors, musicians, public officials and the general public will display their works or show support at the RE:FORM SCHOOL Gallery in New York City. RE:FORM SCHOOL will be taking over the entirety of the recently closed St. Patrick’s School in SoHo, which is one of the oldest schools in Manhattan.

RE:FORM SCHOOL will be open to the public, Saturday, October 9th, 2010 through Monday, October 11th, 2010 between the hours of 10:00 AM – 6:00 PM and is located at 233 Mott Street, New York City, NY 10012

To learn more about REDU click on the link below:

http://letsredu.com/


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Specter Spot-Jocks Shepard Fairey in New York City

Specter Spot-Jocks Shepard Fairey in New York City

Ice-T is still stylin’ like an American Che Guevara, but he’s officially joined the force 19 years after “Cop Killer”.

Brooklyn_Street_Art_740_Specter_Shepard-Fairey_Before_After

photos © Jaime Rojo

As part of a string of strikingly personalized spot-jocking intended to send shivers through the New York Street Art scene, artist Specter is brazenly re-crafting other artists pieces, including high profile names like Swoon, Faile, Skewville, and Shepard Fairey.

This discovery side-busted our heads when we saw the radically altered Shepard Fairey piece – a myriad of nested ironies that takes “homage” to a new level. Or is that a “diss”?

The Fairy piece he’s messing with is a 2010 version of his Nubian Signs that appeared on walls during the run-up to his May Day gallery show this spring at the now closed Deitch Projects in Soho. Since that time, the wheat-pasted piece has weathered and faded. As part of Specters reworking of the piece, the portrait of Ice-T, itself criticized for incorporating the iconic image of Che, is now backed up by his fictional TV partner Detective John Munch from Law and Order: SVU. Ice-T has a new posse. Aside from that quizzical pairing that has left Street Art watchers dumbfounded, it’s even more confusing that Fairey’s original was restored before Specter smacked his own piece on top.

Brooklyn_Street_Art_740_Specter_Shepard-Fairey_AFTER

photo © Jaime Rojo

“It was totally defaced, you could not make out what was going on anymore,” said Specter this week when reached for comment.

Dissing doesn’t usually include restoration.

Explaining the choice of adding Ice-T’s fictional police partner to the existing Fairey piece, Specter talks about the duality of a celebrity’s image that can produce a cognitive asymmetry.

“Ice-T plays a detective on a very popular crime show that everyone likes so much. (My piece) is kind of poking at these popular figures – who maybe were seen as a visionary. This was a rebellious figure, who is now on prime time television playing a police detective, who he previously was talking about shooting.” According to the show’s website, the rapper-turned-actor “formed the thrash metal band Body Count”, whose “1991 self-titled debut contained the controversial single ‘Cop Killer.’”

In an additional homage to Fairey, Specter appears to have used a copyrighted promotional photo off the internet to interpret Detective Munch – calling to mind the current lawsuit Fairey is defending himself against that accuses him of incorporating copyrighted material to create his famed Obama poster of two years ago.

In this piece by Street Artist Swoon that has been up for perhaps two years and has sufferred wear, tear, and sprayed out faces, Specter meticulously repairs the visages and adds a bit of fabric. (photos © Jaime Rojo)

In this piece by Brooklyn Street Artist Swoon that has been up for perhaps two years and has sufferred wear, tear, and sprayed out faces, Specter meticulously repairs the visages and adds a bit of fabric. (photo left © Specter, right © Jaime Rojo)

In each of the cases where Specter is hitting the street art of somebody else, the style and technique closely mimics that of the original artist, creating a counterfeit that so closely resembles their own body of work that it could be confused theirs. This alone opens up a discussion about high-jacking a message, misleading a passerby, or even damaging a reputation.

A new piece by Swoon! Wait, maybe not. (photo © Jaime Rojo)

A new piece by Swoon! Wait, maybe not. (photo © Jaime Rojo)

This new crop of “side-busts” may get him in hot water, but Specter is giddily unapologetic to the other street artists whose work he’s jocking. In an extensive interview he talked about the nature of impermanence implicit in the Street Art scene, his own weariness with attempts at codification of rules that some have endeavored to create for the street, and the fact that many of these pieces already have run for a long time – so they’re fair game according to his rules. For Specter, it is evident that this project is a social experiment as much as an expression of creativity and an attempt to shake open a can of conversation.

Brooklyn_Street_Art_740_Specter_Skewville_Before_After

For a series of posters by Brooklyn Street Artists Skewville, who have done their own block-letter wisecracking spot-jocking in the past with street pieces by Fairey, Elbow Toe, and Gaia, Specter shoots close to the bone. (photos of Skewville and Specter above © Jaime Rojo)

Poking the Monkey

Is Specter sort of poking the monkey to see what will happen? Surely he knows that someone is going to see it as a sign of disrespect.

The cheerful Specter replies, “Yes, of course. I also thought it was also kind of good to push the button. It might piss them off, or they might love it or they might hate it. The point is I can do it regardless because of the nature of the work.”

Specter adds a waving American flag to the partially destroyed collage image by BAST. (photos © Jaime Rojo)

Specter adds a waving American flag to the partially destroyed collage image by BAST. (photos © Jaime Rojo)

In the Street Art world, as in the graffiti world before it, the unwritten “rule book” (existing mainly in the heads of the participants) pretty clearly marks ones territory. Putting up your piece too close to someone else’s, let alone over part or all of it, can occasion vendettas, retaliation, or at least some trash talk. Never mind that this claim to real estate sometimes refers to a building actually owned by somebody else entirely – a bothersome contradiction that falls to the wayside when street rules are in effect.

That's no mare! Specter re-genders the scuba diving horse of Street Art duo Faile (photos © Jaime Rojo)

That’s no mare! Specter re-genders the scuba diving horse of Street Art duo Faile (photo left © Specter, right © Jaime Rojo)

“I was talking to another Street Artist who was saying that people were angry with him for spot-jocking and I said that’s what these pieces are about: the ridiculousness of these kinds of ideas. It all harkens back to these ‘rules’ of this anarchistic form of art. Street Art can be this unauthorized kind of art form and people are like, ‘Oh you shouldn’t come within 12 feet of me’. This project talks about that too and it’s supposed to bring up this dialogue. I really think that these issues need to be discussed because people take it very seriously”

Perhaps a reference to recent street art stencils dealing with LGBT issues, Specter uses pulp-fiction styled lettering and a pretty bow to give this Faile piece a sex change. (photo © Jaime Rojo)

Perhaps a reference to their recent stencils dealing with LGBT issues, Specter uses pulp-fiction styled lettering and a pretty bow to give this Faile piece a sex change. (photo © Jaime Rojo)

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Chris Stain and Billy Mode: Danger, Poverty, Friendship

Brooklyn-Street-Art-copyright-Chris-Stain-Title-Graphic

Did you see all the kids going to school today?  It was LOUD on my bus as everybody was cramming in, some holding hands of their mom or dad or grandparent. Little backpacks, new shoes, excitedly talking about what classes are going to be like this year and what they did over the summer.

Times like this give us a bit of hope in a period when so much for so many seems uncertain. Two years into an economic kick to the stomach and many of us are still reeling, trying to hang on, and some are falling off. For the first time, many are understanding the dangers of poverty and it’s dehumanizing cyclical nature.

Brooklyn-Street-Art-copyright-Chris-Stain-Stain-and-mode

Naturally, some artists are there to help us see us – canaries in the coalmine, they dare to go there and talk about the dangers ahead and the dangers present.  Armsrock, Swoon, Chris Stain, Specter, even new artists like Indigo and Joe Iurato – all explore sides of the human experience that are difficult for us to talk about sometimes but all the more necessary.

Taking advantage of really temperate and long summer days recently, Chris Stain and Billy Mode have been working in the beauty that is upstate New York on a few murals – some of which contemplate the realities of a system that can push people into the margins and leave them there. Incorporating some of Chris’s recent imagery of the boy along with his signature atmosphere urban signposts, the two created a graff-style sign across the front spelling the word that is associated with poverty.

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Says Stain, “The mural says ‘Danger’ and it’s a tribute to our friend VOKE. One of his early tags was DANGER. He was the most creative person that Bill and I knew, always pushing the boundary of what graffiti was about and what it could become. With this piece we tried to do just that by incorporating graffiti style lettering and stencils. ”

A 20 year old picture of a piece by Voke, courtesy Chris Stain
“Voo Doo”, A 20 year old picture of a piece by Voke, courtesy Chris Stain

To Stain and Mode, Voke was doing stuff with his graffiti in 1990 that later would become more familiar as “Street Art”. Chris explains how the graffiti artist was moving in the new direction even then, “He was introducing elements that were unusual in graffiti lettering at the time. Like the pinwheel in place of the ‘O’ for example. The ‘V’ is made up of two nail like spikes.”
Brooklyn-Street-Art-copyright-Chris-Stain-abolish-poverty
For the two Street Artists, who easily switch back and forth between brushes, cans, stencils, and freehand, working collaboratively is always freestyle. “Bill and I have been painting together for over 20 years. We have developed a certain rhythm and trust that allows us the freedom to create without inhibitions. I think it comes from a mutual respect. We usually develop a loose plan and let each other add our own ingredients,” says Chris.

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images courtesy and copyright of the artist
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Fun Friday 09.03.10

Fun-Friday

Fun Friday 09/03/10

C215 and Eelus are in Brooklyn This Weekend

Brooklyn-Street-Art-Brooklynite-Sept2010-Eelus-c215

Brooklynite Gallery, deep in Bedstuy, creates a certain lively tension with  two Street Art tricksters in this duo Euro show.

Parisian C215 continues to exceed expectations, which isn’t easy because he has already set them pretty high as a world class urban stencillist with  portraits that glow from within uncannily, summoning more empathy than a Jerry Lewis telethon.  The vastly more light-hearted Eelus guards the class impudent role – combining youthful humor, technologic fantasy, and a bit of antsy-lad sexual tension in his starkly popish compositions. A rewarding and rich show, “Paradise Lost” is another solid and smashing Street Art /gallery show that doesn’t compromise either one.

Kid Acne “Stabby Women” New Zine and Video

Word the heck up.The Stabby invasion is here…

Image Courtesy of the Artist

STABBY WOMEN – 52 Page Fanzine & Postcard Set, edition of 250

Stabby Women”  – a project of serendipity that started in São Paulo includes the female battalion of over five hundred Stabby Women now patrolling our streets amongst the hustle and bustle of New York, Paris, Barcelona, Munich and London – peering from the bottom of doorways, subtly patrolling their domain.

Learn more about this Kid Acne project directly from the artist here

Countdown to FAME

FAME Festival Begins This Month in Italy

A stunning array of street artists from around the world have been gathering over the summer to do large-scale and high quality installations leading up to the FAME Festival, starting September 25. Included in the lineup are JR , ERICA IL CANE , SAM3 , NUNCA , BLU , OS GEMEOS , BORIS HOPPEK , ESCIF , 108 , DALEK , NICOLA TOFFOLINI , LUCY MCLAUCHLAN , SWOON , SLINKACHU , CYOP E KAF ,DAVID ELLIS ,VHILS , BEN WOLF , WORD TO MOTHER , MOMO , and BASTARDILLA.

As told by our friends at HookedBlog.com, “The festival now is in it’s third year and is set to be bigger and better ” Read more at HookedBlog.com      (image of MOMO © HookedBlog.com)

Brooklyn-Street-Art-MOMO-FAME_copyright-HookedBlog-ceramiche-dettaglio

Shepard Fairey in San Diego for Viva La Revolucion

“The thing with Street Art is you can’t be too precious about it.  It’s ephemeral.”


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Images Of The Week 08.22.10

Our weekly interview with the street, this week featuring Aakash Nihalani, Chor Boogie, Labrona, Peat Wollaeger, ROA, Swampy, Swoon, and White Cocoa

Aakash Nihalani (© Jaime Rojo)

Aakash Nihalani (© Jaime Rojo)

Swampy (© Jaime Rojo)

Swampy (© Jaime Rojo)

Chor Boogie (© Jaime Rojo)

Chor Boogie (© Jaime Rojo)

Swoon (© Jaime Rojo)

Swoon (© Jaime Rojo)

Swoon. Detail. (© Jaime Rojo)

Swoon. Detail. (© Jaime Rojo)

Labrona (© Jaime Rojo)

Labrona (© Jaime Rojo)

Peat Wollaeger (© Jaime Rojo)

Peat Wollaeger (© Jaime Rojo)

The Gardener (© Jaime Rojo)

The Gardener (© Jaime Rojo)

White Cocoa (© Jaime Rojo)

“Oh my god she is such a two-face”, White Cocoa (© Jaime Rojo)

White Cocoa. Detail. (© Jaime Rojo)

White Cocoa. Detail. (© Jaime Rojo)

Labrona. Cash4 (© Jaime Rojo)

Labrona. Cash4 (© Jaime Rojo)

Roa (© Jaime Rojo)

ROA (© Jaime Rojo)

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Swoon: From Haiti With Love

Brooklyn based Street Artist Swoon has been in Haiti for the last few weeks helping re-build the community and bring in alternative ways of constructing housing and shelter. The project involves the residents of the village of Barriere Jeudy in the process.

To get the work done Swoon is there with a small team of friends and like minded individuals; Tod Seelie, KT Tierny, and Ben Wolf.

Photo © Tod Seelie

Photo © Tod Seelie

In a brief dispatch she just sent, Swoon talks about the project:

I’m writing from Haiti. I’m here with Tod Seelie, KT Tierny, and Ben
Wolf. For the last three weeks we have been building a community
center/hurricane shelter with the participation of the village of
Barriere Jeudy.

This first structure is being created to give a meeting place to the
mango growers, and other local residents, as well as to introduce some
alternative building styles as Haiti rebuilds itself after the
earthquake.

So far, we’ve been able to provide temporary jobs for about 60 people,
as well as train three teams of builders in the earthbag technique. If
all goes well, we’ll be finishing within a week or two, and returning
to build some houses in the fall.

If you have interest in the project and would like to learn more about it and MAKE A DONATION please go here:

http://blog.konbitshelter.org

Photo © Tod Seelie

Photo © Tod Seelie

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The Herbert Art Gallery And Museum Presents: Street Art: Contemporaty Prints From The V&A (Coventry, England)

The Herbert Gallery and Museum

Image Courtesy of the Gallery

Image Courtesy of the Gallery

MEDIA RELEASE

Banksy comes to the Herbert …

Herbert Art Gallery & Museum will host the UK public premiere of

Street Art: Contemporary Prints from the V&A a new touring exhibition

including works by celebrated street artist Banksy…

The Herbert Art Gallery & Museum, Coventry will be taking inspiration from the street this autumn as it showcases work from some of the best, freshest and most controversial street artists around.  The UK premiere of the new temporary exhibition Street Art: Contemporary Prints from the V&A opens on 9 October, 2010 and is completely FREE to see.

This brand new touring exhibition explores the ways street art has moved away from the painted wall into the medium of printmaking, creating distinctive, exciting visuals along the way. Drawn from the Victoria and Albert Museum’s internationally renowned collection of prints, Street Art: Contemporary Prints from the V&A showcases established and emerging street artists, both British and international, including names such as Banksy, D*Face, Eine, Miss Tic, Swoon and Shepard Fairey.  A piece of Eine’s work was recently gifted to Barack Obama from David Cameron.

The Herbert has commissioned six emerging artists on the UK street scene to create new works of art that will be displayed in a second complementary exhibition Fresh Paint.  Pahnl, SPQR, Lucy McLauchlan, Ben Slow, AsOne and Newso have all created pieces that have not been seen before, and will not be seen together again.

Contextual images showing street art in its original settings have been provided by Very Nearly Almost magazine.

Dominic Bubb, Exhibitions Officer at the Herbert Art Gallery & Museum said “Being the first venue to show the V&A’s exhibition is amazing for us especially with the Banksy pieces.  We wanted to add an extra element to make this exhibition unique to Coventry so we’ve commissioned six works from up and coming Fresh Paint artists.  Add to this the street images supplied from the VNA Magazine and you’ll see that this is a wholly exclusive exhibition that will never be seen anywhere else again.”

Street artists produce work in a variety of media, including the works on paper seen in this exhibition. Street art prints offer the opportunity to collect and preserve this otherwise ephemeral art form, which now moves between the street and the gallery. Street art prints are an interesting development, both within the medium of printmaking and within urban art. Although street artists produce work for exhibitions and galleries, most still continue to work outside the gallery system, or in some cases, creating galleries of their own. This exhibition explores the recurring themes within the genre, such as historic and current subjects, traditional methods of image-making and styles familiar from art history.

The art will also be heading out of the gallery and spilling over onto the street through a range of special events, activities and unique artworks hidden around Coventry.  Shoppers in the city centre and the bus station should keep their eyes open and look out for miniature scenes and artworks which can then be photographed and shared on the Herbert’s Flickr site.

Between 11:00am and 4:00pm, on Saturday 11 September visitors can meet some of the artists taking part in the exhibition and see demonstrations of live spraying, painting, pasting and stencilling at Street Art Saturday, they will then have the opportunity to  walk away with a FREE new and unique artwork in Take it, it’s yours.

Street art is a growing world-wide phenomenon where artists have taken their art outside of the traditional galleries and exhibitions and created a new platform with which to showcase their work.  Walls, doors, derelict buildings, pavements, rivers and railings have all been used creatively to display an artist’s work.

Whilst most street art is produced illegally and without permission, it is a movement which has developed into recognised art form with street artists becoming well-known and respected among their peers and within the art world.

For further information on these and other FREE family events, exhibitions, talks and activities visit www.theherbert.org or join our family mailing list at www.theherbert.org/mailing-list.

Exhibition Extras

Street Art Saturday – FREE

Saturday 11 September

11.00am – 4.00pm

Meet some of the artists taking part in our Street Art exhibition.  For one day only we will have live spraying, painting, pasting and stencilling taking place in the University Square, just outside the Herbert

It’s Yours, Take It – FREE

Saturday 11 September

12.30pm

The Herbert is giving visitors the chance to take part in a worldwide phenomenon.  It’s Yours, Take It is a great way for people who wouldn’t generally think about owning art to get a piece for FREE, from the artists taking part in Street Art!

Street Art Launch – FREE

Thursday 7 October

7.00pm – 10.00pm

Be the first to see this exhibition from the V&A alongside new works from amazing regional artists , DJing, live animation projection and a serious live art battle, where locals will take on outsiders, and the audience help decide the winner.

10 Minute Tour – FREE

Every Tuesday from 12 October – 11 January

12.30pm

An informal, drop-in tour with a member of our exhibitions team bringing history, context and a little insider information to the exhibition.

Exit Through The Gift Shop – £5

Thursday 21 October

7.00pm – 8.30pm

Exit Through The Gift Shop is the groundbreaking film from Banksy – the world’s most famous graffiti artist; a global phenomenon with a fiercely guarded anonymity.  An eccentric Frenchman tries to film and befriend Banksy, only for the artist to turn the camera back on its owner with spectacular results.

Our Street – FREE

Monday 25 October – Friday 29 October

10.30am – 12.30pm and 1.30pm – 3.30pm

Hands on drop-in workshops inspired by the area that we live and some of the fantastic techniques used in the Street Art Exhibition.

Suitable for all ages but particularly 5+ and their adults.

Contemporary Arts Conversation – FREE

Thursday 28 October

6.30pm – 7.30pm

Love it or loathe it most people have an opinion on Street Art, and it often comes down to the contentious issue of graffiti.  Councils spend thousands of pounds a year removing graffiti, stickers and paste-ups but they are fast becoming one of the greatest forms of modern art.  Join us to tackle the thorny issue of art v vandalism.

Arrive at 6.00pm for tea and coffee.

Against the Wall – FREE

Wednesday 3 November

12.30pm – 1.30pm

A talk by acclaimed journalist and photographer William Parry about his stunning book of photos which captures the graffiti and art that has transformed Israel’s wall into a living canvas of resistance and solidarity.

Featuring the work of other artists including Banksy, Ron English, Blu and others, as well as Palestinian artists and activists, the photos express outrage, compassion touching humour, and illustrate the wall’s toll on lives and livelihoods.

Our Street Workshop and Mural Day – FREE

Saturday 6 November

12.00pm – 4.00pm

Using the creations made at today’s and Friday 29 October’s Our Street workshops, families can contribute to a fabulous 3D street scene in a workshop led by local artist Ben Sanderson.

Herbert Illuminations: Street Art – FREE

Tuesday 16 November

12.30pm – 1.30pm

British street artists Eelus and Lucy McLauchlan offer an insight into a project they are involved in to transform a rural village in The Gambia through art workshops and street painting.  They aim to bring art to a community the survives through farming, and ultimately encourage tourism and development.

Whole Train – FREE

Thursday 9 December

7.00pm – 9.30pm

Whole train’s edgy editing, pulsating soundtrack and exploration of the secret universe of the graffiti scene make it a film experience not to be missed. The four protagonists observe the hierarchies, values, rules and codes of this rarely documented scene. But as another crew appears on the scene, and the four feel challenged and a creative battle ensues. The Director will be available after the performance in person or via Skype to answer questions about how he made the film and its content!

If you want any further information, images or interviews please contact Sally Johnson on 024 7629 4735 or email sally.johnson@theherbert.org

NOTES TO EDITORS

  1. V&A collects new forms of printmaking, and the museum’s Print Collection continues to add to its existing collection of contemporary street art on paper.
  2. This touring exhibition has been organised by the V&A and all the works are drawn from the museum’s collection.
  3. The exhibition tours various venues in the UK from autumn 2010 until the end of 2012.
  4. The exhibition is accompanied by a book, Street Art: Contemporary Prints (V&A Publishing, 2010).
  5. The Herbert Art Gallery and Museum redevelopment project has been jointly funded by Coventry City Council, the European Regional Development Fund (ERDF), the Heritage Lottery Fund (HLF), Renaissance West Midlands, the Department of Culture Media and Sport (DCMS) Wolfson Foundation Fund, Advantage West Midlands and English Heritage.
  6. The Herbert Art Gallery and Museum is managed by The Coventry Heritage & Arts Trust. The trust also manages the Lunt Roman Fort and Priory Visitor Centre
  7. The Herbert Art Gallery & Museum has been nominated for the Guardian Family Friendly Award.
  8. The gallery has welcomed over 300,000 visitors through its door in the past year.
  9. The Herbert Art Gallery & Museum’s mission is to bring history and the arts to life for the people of Coventry; this is done through the many projects and initiatives run by the Learning, Social Inclusion and Media departments.  For more information please visit www.theherbert.org.

MEDIA RELEASE

WANTED: ART

Herbert Art Gallery & Museum seeks artist donations for

Coventry’s First It’s Yours, Take It event

Donations of art works are being sort by the Herbert Art Gallery & Museum for a one-off event taking place on Saturday 11 September at 12:30pm.  It’s Yours, Take It gives visitors to the museum the opportunity to leave with a piece of artwork for FREE.

The Herbert is asking for artists to take part in the worldwide phenomenon of It’s Yours, Take It by donating a piece of their work to the event.  Works can be produced on any material including canvas, reclaimed wood and cardboard, they can be of any style, shape or inspiration but need to be of a quality standard.

Work has already been donated by up and coming street artists Pahnl, Newso and AsOne, and has been sent in from as far as St Louis, Missouri and Tehran in Iran.

Donated items will be included either during this one-off day, or, it may be hidden somewhere in Coventry during the Street Art exhibition for passers by to pick up and take home.  By submitting pieces of work, artists will be given the opportunity to have their work and name seen by everyone visiting the Herbert on that day.

Work needs to be sent to Dominic Bubb, Herbert Art Gallery & Museum, Jordan Well, Coventry, CV1 5QP by Friday 10 September.

It’s Yours, Take It is a great way for people who wouldn’t generally think about owning art to get a piece for FREE.

Jamie Perry Head of Marketing and Communications at the Herbert commented ‘This is a great opportunity for local people to get involved with the Herbert, see some ground breaking art and have the chance of walking away with a piece to hang on their walls. The kind and generous donations of artists worldwide ensures that everyone has the chance to become a collector, appreciator and owner of truly inspirational art. I would urge everyone to take advantage of this unique opportunity’.

It’s Yours, Take It has been organised to complement the Herbert’s new exhibition Street Art: Contemporary Prints from the V&A which opens on 9 October.  Street Art: Contemporary Prints from the V&A explores the ways street art has moved away from the painted wall into the medium of printmaking, creating distinctive, exciting visuals along the way. Drawn from the Victoria and Albert Museum’s internationally renowned collection of prints, this exhibition showcases established and emerging street artists, both British and international, including names such as Banksy, D*Face, Eine, Miss Tic, Shepard Fairey and Swoon.

As an addition to the V&A exhibition, the Herbert Art Gallery & Museum has commissioned six emerging artists on the UK street scene to create new works of art that will be displayed in Fresh Paint.  Pahnl, SPQR, Lucy McLauchlan, Ben Slow, AsOne and Newso have all created pieces that have not been seen before, and will not be seen together again.

Contextual images showing street art in its original settings have been provided by Very Nearly Almost magazine.

For further information other FREE family events, exhibitions, talks and activities visit www.theherbert.org or join our family mailing list at www.theherbert.org/mailing-list.

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Joshua Liner Gallery Presents: 2010 Summer Group Exhibition

Joshua Liner Gallery

Image Courtesy of the Gallery

Image Courtesy of the Gallery


We are pleased to present the 2010 Summer Group Exhibition showcasing 24 artists, including established gallery regulars, emerging artists, and newcomers to Joshua Liner Gallery.

The exhibition will feature painting, assemblage, drawing, and sculpture, with works by:

Cleon PetersonDavid KassanDennis McNettEvan Hecox Ian FrancisJames RoperJeremy FishJessica JoslinKenichi YokonoKris KuksiMacMi JuMike DavisOliver VernonPema RinzinPete WattsRyan BradleyRyan McLennanShawn BarberSWOONTat ItoTiffany BozicTomokazu Matsuyama and Tony Curanaj

The opening reception is Saturday, August 14th from 6 – 9 pm. Many of the artists will be in attendance for the opening reception.

Please contact the gallery if you would like to be placed on the preview list for this exhibit.

Joshua Liner Gallery
548 W 28th St. 3rd Floor
New York, New York 10001
212-244-7415
joshualinergallery.com

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Geoff Hargadon on the Scene (and behind it) for la Revolución

Unprecedented Access to an Unprecedented Street Art Show

The Street Art photographer gives us a personal look with some of his favorite shots in a photo essay on “Viva La Revolucion”

Brooklyn-Street-Art-copyright-Geoff-Hargodan-Shepard-Fairey-DSC_8823

Shepard Fairey in action on Kettner Street not far from the museum (© Geoff Hargadon)

It’s very exciting to be a part of a growing and ever-evolving art movement comprised of so many diverse artists and talents.  Among them of course are the photographers who enable us to see what is happening without leaving our computers. Sometimes they are simply documenting pieces so you have the opportunity to see what the street artist created.  Other times a photographer will open other doors of understanding, write a bit of poetry with the moment.

We are so impressed with Geoff Hargadon and his deft positioning of the frame and his storytelling ability.  During the installation of the city-wide street art show “Viva la Revolución” that is running right now in San Diego, Hargadon was given unprecedented access to the artists as they immersed themselves in their work. We asked Geoff to tell us a story with his images of that exceptional experience.

Brooklyn-Street-Art-copyright-Geoff-Hargodan-JR-installation-on-5th-Ave-and-C-Street-D3S_7910

Two team members of French large-scale Street Artist JR helping with his installation on 5th-Ave (© Geoff Hargadon)

Geoff explains:

” ‘Viva la Revolución,’ curated by my good friend, Pedro Alonzo, opened last week at the Museum of Contemporary Art San Diego. Pedro and I got to know each other well during Shepard Fairey’s museum show in Boston at the Institute of Contemporary Art, which he also curated, and through that show he became acquainted with the photography I had done on Shepard’s work in Boston and Miami. When I heard he was putting this show together, with 20 of the best artists in the world, I urged him to document the outdoor work well, and offered to spend 10 days following the artists around.

My proposal was to be everywhere at once, and to get as close to them as possible without getting in the way. Without exception, the artists were gracious and welcoming. The result was 45GB of photographs, from which the museum will select a bunch for inclusion in the show’s catalog, media coverage, and potentially some commemorative prints. Here I have selected, with some difficulty, a handful that attempt to capture the diversity of the work, the varied processes the artists used, the wide range of locations in San Diego, and the spirit of street art itself.”

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Brazilian brothers Os Gemeos piece on a parking garage (© Geoff Hargadon)

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French tile wizard Invader did a number of well placed pieces in the city (© Geoff Hargadon)

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The preparation of a piece by Stephan Doitschinoff, also known as Calma (© Geoff Hargadon)
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The finished Calma piece (© Geoff Hargadon) Brooklyn-Street-Art-copyright-Geoff-Hargadon-Os-Gemeos-creating-one-of-their-museum-pieces-D3S_7988

Os Gemeos in the studio space (© Geoff Hargadon)
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Brooklyn  Street Artist Swoon’s piece being installed with help by her team. (© Geoff Hargadon) Brooklyn-Street-Art-copyright-Geoff-Hargadon-JR-installation-at-the-museum-DSC_8313
A JR installation in progress with the help of an intern at the museum.”It’s the left wall of a mini theatre in which he shows
one of his recent video works – a brilliant and moving piece.”(© Geoff Hargadon)
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Mexican tattoo artist Dr. Lakra installed a mural in a lot next to this low rider, which continued to beckon him during his work.  (© Geoff Hargadon)

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San Diego’s Streets Alive as “Viva la Revolución” Opens at MCASD

Opening night at MCASD's first Street Art Exhibition - a crushing crowd in two lines which formed an hour before the doors opened. (photo © Geoff Hargadon)
Opening night at MCASD’s first Street Art exhibition this weekend – a crushing crowd in two lines which formed an hour before the doors opened. (photo © Geoff Hargadon)

“Never Trust Your Own Eyes. Believe What You Are Told,” says the ironic slogan in the freshly wheat-pasted graphic piece by street artist Shepard Fairey on the side of a clothing store in San Diego, the town that chased him out for doing street art. One may believe Fairey’s politics to be Orwellian reference. Just as easily it could be applied to the academics, historians and would-be art critics struggling daily to describe with any authority what street art is and how it should be regarded. Luckily, we have been able to trust our eyes to make this analysis so far.

Read more (and leave your comments) on The Huffington Post

Invader and friends in San Diego (image © Geoff Hargadon)
Invader and friends in San Diego (image © Geoff Hargadon)

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TT Underground Gallery Presents: “Artefacts”

“Artefacts”

"Artefacts"

"Artefacts"

If you’re in New York this week, check out the ARTEFACTS group show opening Thursday night, July 15th 7-11pm at Toy Tokyo’s new underground gallery space. I’ll have a couple brand new works on display alongside street luminaries Swoon, Shepard Fairey, Cope 2, Mr Cartoon, and Clayton Patterson to name a few. Should be a great show.

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General Howe: Fruits of War and Imagination

General Howe: Fruits of War and Imagination

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If you pay close attention, you will always see something new on the street in Brooklyn.  Thanks to the imagination and efforts of General Howe, a street artist who has been laboring carefully in small scale plastic soldiers placed in historically accurate locations on the street, you may also get an education.  In this most unusual of street artists lies a deep commitment to honoring the sacrifices of soldiers of war and he deploys his installations to help us learn some of the history that our culture has forgotten – and hopefully draw some connections to the current wars we are engaged in.

From General Howe:

“I make war in Brooklyn. Did you know the Revolutionary War was fought in Brooklyn? Did you know we’re at war in Afghanistan and Iraq? It’s easy to forget we’re battling in foreign lands against invisible adversaries. I bet you know more about Call of Duty: Modern Warfare 2. This is why I make war in Brooklyn.”

General Howe (Photo © Jaime Rojo)

General Howe (Photo © Jaime Rojo)

Brooklyn Street Art: How did you get so interested in history?

General Howe: I used to work in the United States Senate and was exposed to U.S. government, politics, and history all day, every day. If I found something interesting I would explore it further in the senate library. After reading the book 1776 by David McCullough I realized that a portion of the Revolutionary War (now known as the Battle of Brooklyn) went down in the neighborhoods I lived and travel in within Brooklyn. I’ve been researching locations and events of the Battle of Brooklyn for about three years now. For example, the area of the Brooklyn Navy Yard was a bay filled with British prison ships. Over ten thousand patriot soldiers died in those ships due to poor conditions or torture. Places where we live, work, eat, and socialize are the same places where people fought, killed, and died during a revolution. Coincidentally, I find a lot of street artists working in these same locations.

BSA: In your art you work with plastic toy soldiers in installations and collage, do you go back to memories of your childhood playing with toy soldiers?

General Howe: Childhood experiences have become a big part of my process. If you watch a 5-year-old play, they have so much magic and imagination going through them that is hard to match as an adult. The battles I make are influenced by all the pretend battles I fought growing up. Reflecting on the countless hours I would spend with my friends or by myself hunting down bad guys with plastic guns or spears made of tree branches was so intensely creative. I try to tap into that same energy. To help me do this, I have been collecting old coloring books, games, and toys that I had growing up.

A look around his fort reveals influences for General Howe

A look around his fort reveals influences for General Howe.

BSA: The Battle of Brooklyn plays a big role in your installations. What significance is this battle to you and to the country?

General Howe: The significance of The Battle of Brooklyn is that I feel more connected to it and its purpose then the current wars we’re fighting in the Middle East. It’s definitely significant to our history as a country. We almost lost the entire revolution in Brooklyn. Washington recognized that the British had the upper hand at the time, so he had the entire army retreat to Manhattan. It took many losing battles and retreats, but eventually we gained the upper hand and the rest is history.

General Howe (Photo © Jaime Rojo)

General Howe (Photo © Jaime Rojo)

BSA: Is there a central message that you want to convey with your work and installations?
General Howe:
There isn’t really a central message, more like a central goal. The goal of my work is for the viewer, or participant, to have an experience of reflection on his or her own experiences. Be it, war, childhood, or anything else that comes to the surface. We were attacked on 9-11 and we’ve been fighting 2 wars in the Middle East. It seems like that is all easily forgotten in our daily life. As we get older our childhood diminishes and memories are forgotten. For myself, I need to hold onto those memories in order to understand what’s going on now and live through it.

BSA: The American assemblage artist Joseph Cornell spent a lot of his life in Queens. Do you see his work as an important influence on yours?
General Howe:
The quality a self-taught artist produces is intriguing to me, but Joseph Cornell has not had an influence on my work. The work for shows, and recent street ICON pieces I have been making, are influenced by religious icons. One summer I spent some time studying art in Venice, Italy and I would sometimes stumble across religious icons built into actual walls of buildings in random streets and alleyways. Their purpose is to invoke spirituality and reflection. I try to achieve this same experience in the context of being in the street environment, childhood play, and of actual war.

The writings of John Dewey have had a major influence on my work and me personally. Walking around Brooklyn looking at the different textures and decay along with various forms of street art and graffiti provides constant inspiration.

A rendering by Goya for his "Disasters of War"
A rendering by Goya for his “Disasters of War”

Influential Artists for General Howe:
Seeing SWOON’S (and many partners) boats from Swimming Cities of Switchback Sea float down the East River will be a memory I never forget. The wheat pastes of Elbow-Toe never get old. Thundercut crosswalk stickers are brilliant and I always look forward to new Peru Ana Ana Peru films. The prints of Goya, especially Disasters of War are timeless and three of my favorite paintings are Thérèse Dreaming by Balthus, The Guitar Player by Manet, and The Death of Marat by David.

I am also an art teacher at a rigorous high school and the drive and dedication my students posses definitely keeps me going.

General Howe (Photo © Jaime Rojo)

General Howe (Photo © Jaime Rojo)

BSA: When you are manipulating and carefully placing your figures, do you worry that they will be stepped on?

General Howe: No way, part of the reason I became interested in street art was the ephemeral quality the work attains once placed in the street. The environment, nature, or people will unpredictably change the work. In one installation someone melted all the soldiers down to figurative stumps. Another person tastefully rearranged a battle inside a hollowed out log. Whether they’re playing with or destroying a battle, the fact that they’re spending time to do that and having an experience is why I create work in the street.

General Howe (Photo © Jaime Rojo)

General Howe (Photo © Jaime Rojo)

BSA: Can you hear a dialogue among the figures in your head when you are working with them?
General Howe:

Poncho: You’re bleeding, man. You’re hit.
Blain: I ain’t got time to bleed.

(From the movie Predator)

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