All posts tagged: SeeJ

Chris Jordan : A Bold Light Artist Hits Iconic Icelandic Church

Rafmögnuð Náttúra: The Hallgrimskirkja Church in Reykjavik, Iceland

It’s not that light artist Chris Jordan didn’t find the sweeping supersonic jet-shaped façade of the church inspiring. He just wanted to make it visible again to the people in town.

Hallgrímskirkja, the Lutheran church in the center of Reykjavík, with it’s soaring steeple and outstretched wings it has been an architectural icon since it’s completion in 1986 and anyone first laying eyes on the largest Icelandic church is usually impressed by it’s command and design.  And yet, somehow even pivotal architecture can disappear before our eyes due to familiarity and it may take a visionary talent like Jordan to bring it back to our attention with animation, mapping, color, and pattern.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

From his home in New Yorks’ Chinatown, Jordan, who teaches interactive design at Baruch College and New York University, talks about his work in the same way that Street Art is often credited in the urban environment: art as activation.  “Activating is about changing people’s perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you’ve already seen it. So for me, this light project was so exciting because here’s this massive landmark church that this whole town can’t see anymore.. made completely fresh and new. To see that reflected back at me through the faces of viewers was exhilarating.”

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

That observation perhaps was the pinnacle of his Icelandic experience in February when he camped out in front of the church over four days in the back of a box truck with his collaborator Marcos Zotes, a handful of computers, three projectors, and a low budget. Together they created a series of site-specific video performances that brought to life Zotes’ idea for a project called Rafmögnuð Náttúra.

The two had met while Jordan was performing his 24 hour timelapse of Hurricane Irene inside an engineered cloud at New York’s Bring to Light Festival last October. Zotes asked if Jordan would like to collaborate on a project to illuminate the 150 foot wide façade of a church in for the Winter Lights Festival in Iceland.  Since Jordan has over the last decade created installations appearing at MoMA, The New Museum, The Whitney, The Museum of Natural History, The Chelsea Museum, in Times Square, and many unusual places in between, he had a good idea what cool stuff he would like to do. With the free help of other artists, software designers, and even NASA, Jordan brought a mind-blowing façade to the church that Zotes had only imagined.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

“We collaborated on how we could, with a very limited budget, create something spectacular for the festival,” explains Jordan.  “We knew that the majority of the budget would be going for projectors so we called our friends up to help us with creating animation sequences that could be mapped to the facade, in triple-HD resolution.”

“We developed a workflow and a template for each animator to follow; then compiled the animations together into a final 15-minute composition. In addition, I contacted friends at NASA for solar imaging data, and created animations using graphic and solar elements. The dream was to have northern lights over the building with the accompanying solar data displayed. Although the solar and earth weather didn’t collaborate, the animations of the sun in a dark cold city on this Norse façade were very appropriate and powerful.”

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Jordan’s work over the years has included explorations into memory, and elements of photography, film, interactivity, and projections. We talked with Jordan about traveling to Iceland, transparent ideas, the importance of community, and what a light artist has to go through to reactivate an icon.

Brooklyn Street Art: Can you talk about the trip to Iceland?
Chris Jordan: We went to Iceland with just one day before the opening. The Icelandic people were incredibly accommodating, and set up three massive projectors inside a box truck, with a massive piece of glass mounted on it. The box truck became our projector-heated cabin in the center of Reykjavik for four days. Location is everything! It was a great setup. The projectors were aligned and from there I mapped the content using the software MadMapper by Garage Cube. Garage Cube are also friends of mine and they  helped me troubleshoot the tech issues the day before. The opening event had the band For a Minor Reflection accompany us, right after the mayor of Reykjavik introduced the festival to the audience.

But the day before this we went through myriad technical issues. Many times I thought this was going to either look horrible, or crash altogether. There was no budget for a backup computer, or to test the entire setup beforehand. Luckily, Iceland has an early sunset, so we gleaned a couple crucial extra hours to configure everything. The mapping was completed literally seconds before the mayor spoke. It all went off smoothly and the people that braved the intense horizontal-downpour cheered.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Brooklyn Street Art: You managed to transform a landmark into a completely different light using your creativity.  Doesn’t that feel pretty powerful?
Chris Jordan: Yes. It was pretty fantastic we were able to do this on such a small budget. It absolutely required a community to make happen. When our main computer failed, the Icelandic underground came to the rescue. One person there offered graphics cards he’d had in a drawer. Another brought us snacks from a nearby cafe. That community effort is really what made this project powerful for me.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Brooklyn Street Art: You were given no budget whatsoever, aside from a plane ticket and 3 projectors. How do you plan for a live performance with the inevitable technical issues?
Chris Jordan: Years and years of failure. I read an Edison quote the other day, “If you want to succeed, double your failure rate”.  I’m also a huge proponent of transparency, modularity, and scale. These tenets allow me to see unique solutions to problems, and find compelling solutions. Light art is still maturing as a public medium, as last November’s Occupy Wall Street “Bat-signal” projections attest. It’s a wide-open field for creative expression.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Brooklyn Street Art: Without revealing your trade secrets, is it true you plan to introduce more community interaction into your future work?
Chris Jordan: Always. There’s an axiom I live by: “There is no art without politics”. You either choose to engage it, or you choose political apathy. This ties in with ideas around real-time performance and feedback. I hate the word “rendering”, as it equates to “pouring concrete” on ideas that demand continuing dialog. “Trade secrets” imply hoarding of knowledge. I only want to work with transparent ideas and accessible technologies that ‘spotlight’ the individual’s role in society through creativity. I try to live an open-source life.

Brooklyn Street Art: What role does community play in this project and in your philosophy?
Chris Jordan: I love interacting with communities and to give them the control to create dialogue. This fascinates me, and informs my work constantly. My next long-term outdoor installation is on Governor’s Island, where I’ll be engaging the broadest spectrum of people on the planet (New York) in playing and building, using buckets and stop motion photography. For me it’s all about the community. Without it, we are making monoliths to our egos.

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan on the back of their box truck. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” – Chris at work on his live creations. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra”. Mission control trailer. (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

Marcos Zotes and Chris Jordan “Rafmögnuð Náttúra” (photo © Enki)

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With very special thanks to Enki for sharing this incredible photographic story.

Rafmögnuð Náttúra, a concept by Marcos Zotes created by Marcos Zotes and Chris Jordan

We would also like to recognize the other creators and contributors to the project:
Animators Thessia Machado, Noa Younse, Andrea Dart and Steven Tsai
Performer Coco Karol
Videographers Azmi Mert Erdem and Raghul Sridharan
Photographer Enki
and the music group For a Minor Reflection

 

 

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Fun Friday! 01.15.10: “Street Crush” on Video, Jerkville, Available Men, Greenscreen Grannies, Local Banking

Fun-Friday

“Street Crush” on Video

Brooklyn Filmmaker Collective “Cinema Set Free” produced this great video about the celebration of Street Art in New York called “Street Crush”. Thank you Antonio, Lawrence, Melissa, and Demitri of “Cinema Set Free” for your talents.

BrooklynStreetArt.com and AlphaBeta Art Space hosted a fun street art show with 43 street artists, 4 burlesque performers, and a kissing booth.  Working around themes of “Love, Sex, and the Street”, well-known street artists alongside relative whipper-snappers dug deep for fresh takes on gritty street ardor.

Artists included Aakash Nihalani, Abe Lincoln Jr., Aiko, Anera, Bortusk Leer, Broken Crow, C. Damage, Cake, Celso, Charm, Chris Uphues, Creepy, DirQuo, Ellis Gallagher A.K.A. (C)ELLIS G., Eternal Love, FauxReel, FKDL, General Howe, GoreB, Imminent Disaster, Hellbent, Infinity, Nobody, Jef Aerosol, Jon Burgerman, Matt Siren, Mimi the Clown, NohJColey, Pagan, PMP, Poster Boy, Pufferella, Pushkin, Chris from Robots Will Kill, Col from Robots Will Kill, Veng from Robots Will Kill, Royce Bannon, Skewville, Stikman, The Dude Company, Titi from Paris, and U.L.M.

See the Street Crush Artists Here

THE PERFORMERS Nasty Canasta, Clams Casino, Harvest Moon, and your MC, Tigger!

THE KISSING BOOTH A funky loveshack built by artist and set-designer J. Mikal Davis and lorded over by Madame Voulez-Vous. Kissing Booth Volunteers: Ashley, Jeremy, Jess, Justin, Natasha, Ryan, and Val.

THE NON-PROFIT: Art Ready mentoring program for New York City high school students considering careers in the arts, please visit: http://www.smackmellon.org/education.html

MUSIC The DJ was Jesse Mann streaming live on DailySession.com

POST PARTY Brooklyn projection artists, SeeJ and SuperDraw performed at Coco66 .

SPECIAL THANK YOU TO “CINEMA SET FREE” and
Producer/Cameraman – Lawrence Whiteside
Producer/Cameraman – Antonio Bonilla
Editor – Melissa Figueroa
Voice Over Recordist – Dimitri Tisseryre

The original “Street Crush” Press Release

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It’s a New Dance KRAZE Born in Jerkville!


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And Speaking of Jerkville: Dashing Men Available for Dating

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Too Cold For Coney Island? Not Virtually!

Forget Avatar – Put Grandma in front of a Green Screen!

(The image you see behind them is the image they’re looking at)

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Bill Maher on Keeping Your Money Local

You don’t have to stay in a loveless, abusive relationship with your Big Bank.

Here’s a list of Brooklyn Community Banks
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Projekt Projektor in DUMBO this Weekend

PROJEKT PROJEKTOR
Getting Up on the Wall with Light

Brooklyn Street Artists Show their Work with Projectors in DUMBO this Weekend.

Brooklyn is in the streets this weekend with two nights of public art projections called Projekt Projektor, launched during the artist’s festival in DUMBO, Brooklyn.

Projekt Projektor expands the definition of Brooklyn street art to include the fleeting electronic and animated images of current projection artists in the public sphere; including video jockeys SuperDraw, SeeJ, Jeremy Slater, and Housewife’s Guide to Anatomy, as well as images of street art from photographer Jaime Rojo and stop-action animation from Steven P. Harrington.

Mounted at Halcyon on the Pearl Street Triangle, with a live soundtrack performed by four New York electronic DJ’s streaming live on DailySessions.com, the inaugural installation of Projekt Projektor will show video and stills in the midst of the public art celebrations.

Dates: Friday, September 26 and Saturday, September 27, 2008
Time: 7 pm to 11 pm
Location: Pearl Street Triangle area of DUMBO, Brooklyn

Who is invited: Brooklyn lovers, pedestrians, passersby, friends and fans of video projection, street art, electronic music, emerging art, and celebrants of the creative spirit.

Projekt Projektor Night 1
Friday 9/26
Artists
SeeJ
Jeremy Slater
Jaime Rojo
Steven P. Harrington
DJs
Padati
Golden Child

Projekt Projektor Night 2
Saturday 9/27
Artists
SuperDraw
Housewife’s Guide to Anatomy
Jaime Rojo
Steven P. Harrington

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The Week in Images 09.28.08

Mary Never Failes You     (photo Jaime Rojo)

Mary Never Failes You (photo Jaime Rojo)

Projekt Projektor was this weekend

and we had such a blast with all the fun art fans on the streets of Dumbo for the Dumbo Under the Bridge Festival.  Over the 3 day event it is estimated that 150,000 people flood through the neighborhood to see artist studios, galleries, and multitudes of public art installations.  Together with mind-bendingly talented projectionists Josh Ott (SuperDraw), Jeremy Slater, SeeJ, and The Housewive’s Guide to Anatomy, Brooklyn Street Art projected images from the book and others from the booming scene by Jaime Rojo onto the side of the Manhattan Bridge, among other architectural surfaces.

The definition of street art was expanded again – mounted at Halcyon on the Pearl Street Triangle, with a live soundtrack performed by four New York electronic DJ’s streaming live on DailySessions.com.

Superdraw
Housewife’s Guide to Anatomy
SeeJ
Jeremy Slater

Halcyon

Current.TV sponsored the Under the Bridge Festival -Current.TV did a rocking review of our Book “Brooklyn Street Art”

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