Hendershot Gallery
Hendershot Gallery

Our weekly interview with the street, this week featuring AIPOTV, Dain, Jaye Moon, JR, Miyok, Rae, Sanpaku, Tate & Modern, Tazz, Tripel, Willow and Wing.
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
L train to Bedford ave, J train to Marcy ave, or Q59 bus to Broadway/Wythe
For the first time, Opera Gallery will be uniting forty of the most important contemporary artists to emerge from the Street Art Movement. These artists span the globe, including the United States, Brazil, France, Ukraine, Poland, Belgium, Israel, Spain and China, proving that the Street Art Movement has no borders. Opera gallery is proud to have put together this unique show. Thank you to all the artists for creating some of their best works for this occasion.
Opera Gallery
115 Spring Street New York, NY 10012
| (212) 966-6675 |
Carlos Mare- Art is Study- Process and Influence over the past 36 years
Opening reception: Friday, May 5Th 6p.m. to 9 p.m. Artist talk with
Alan Ket at 7pm.
Pratt Institute Center for Continuing and
Professional Studies Exhibition Space
CCPS gallery located on the 2nd floor of Pratt Manhattan
144 West 14th Street (near 7th Avenue)
Gallery Hours: Mon-Thur: 10am-8pm; Fri-Sat-Sun: 10am-4pm
KENJI NAKAYAMA
May 5 – July 7, 2012
Announcing the first, New York solo exhibition by Japanese born and Boston-based Artist Kenji Nakayama. Simply entitled Kenji Nakayama, this must-see exhibition will be the most extensive presentation of his art to date, featuring photorealistic, hand-cut stencil, spray enamel, acrylic and mixed media paintings.
Nakayama’s dedication and work ethic is unprecedented and very well respected. A mechanical engineer by formal education, Kenji Nakayama made a significant and resolute life change in 2004 moving from his home in Hokkaido, Japan. Bringing his cultural heritage to the United States, Nakayama incorporates Japanese and American influences within traditional sign painting techniques.
Kenji became involved with street art to document and respond to his surrounding environment, and as a method to capture significant moments in his daily life. His elaborate process involves crafting original, hand-cut, multi-layer stencils which become one complete image when illuminated with colorful spray enamel. This deeply personal technique serves as a diary from start to finish. In the studio, each intricately cut stencil painting often takes months to complete combining hours of concentration with a spiritualistic and meditative-like disposition.
Soon after Kenji’s arrival to the States, he met Director John Woodward and was challenged with the opportunity to paint the outdoor wall on their Project Space. This was followed by an invitation to exhibit another large scale installation in the Bank of America, SoHo. People were in awe of Kenji’s complex murals. The public continues to show great support by embracing this Artist for his quiet determination, skill and exciting new contribution to our culture.
Kenji Nakayama left his homeland driven to develop and master high levels of detail with an intense discipline in his art. Kenji describes, “My process is like dust. Each little grain and speck adds up, and soon becomes a mountain.”
Woodward Gallery welcomes Kenji Nakayama for an exhibition not to be missed.
Please join us at the Artist Reception Saturday, May 5th, 2012: from 6-8 pm
Dorian Gray Gallery


30 years of Public Dialogue
Dorian Grey Gallery presents an exhibition spanning thirty years of pivotal graffiti artists and writers whose work have helped define the medium and style. Featured works include such iconic New York names as Keith Haring, LA 2, Futura, Richard Hambleton, COPE 2, & CRASH. International artists such as Bansky and DOLK are paired with the modern innovators XAM, SeeOne, Penn & AVone.
The Dorian Grey Gallery, 437 East 9th Street between 1st Ave and Ave A., NY, NY
Gallery Hours: Tuesday – Sunday 12a-7p.
Subway stop: #6 Astor Place. Free Admission.
CONTACT: Christopher Pusey, 516-244-4126, info@doriangreygallery.com
Official Dorian Grey Gallery music site: www.crackedlatin.com
With a nod to collage, appropriation, and possibly the colonial era craft guilds of Mexico, Street Artists Faile just added a nice touch of talavera to the formerly tough turf of Williamsburg in North Brooklyn. With the façade of the house completed just a few days ago by Patrick and Patrick and some helpers, the effect is contextual for the street it is on – and just understated enough for you to pass by without noting something different.
With their hand made and custom designed tiles referencing their Faile vocabulary, pulp, pop, and their own temple in Portugal from 2010, the Street Art duo are further exploring a medium that bridges historical and public art also employed in recent years by Street Artists like Dain, Invader, Toynbee, OverUnder, Miss Van, and recently Willow, among others. With each tile individually pressed, painted, and fired, the impermanence associated with Street Art is tiled over by a full wall of unfailing inspiration.
Berlin-based Street Artist Evol is now having his first solo gallery show in the US at New York’s Jonathan LeVine in Chelsea and it is an uncommon opportunity to see his ingenious mind up close. As many artists working on the street know, it is possible to imagine a world in the mottled scarred façade of a surface, and here Evol shows what he can do with cardboard and metal.
A product designer by training, Evols’ detailed lines and careful attention to the finer points of the most unromantic architecture of the metropolis somehow makes you smile, even as it attests to his command of the multi-layered stencil technique. Repeat Offender miniaturizes the large-scale impersonal utilitarian repetitiveness of institutional design and brings the buildings into your careful consideration of their exterior and the possible nature of their interior. At that moment, he’s got you – having successfully transformed a surface into a world.
Curious to know how Evol makes his stencil art? Find out the answer in the vid below from Evol:
Evol “Repeat Offender” is currently on view at the Jonathan Levine Gallery. Click here for more information regarding this show.
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
First as D.I.Y. experimenters and visionaries, then leaders in a nearly empty field, then as inspiring catalysts for man-machine marriage, Kraftwerk paved the way for millions of musicians, programmers, DJs, rappers, and fans to integrate a mechanized electronic precision into the modern musical oeuvre. At a time when the youth movement was peacing out and getting high with arena rock and disco, Kraftwerk was turning itself into robots and its vinyl platters were getting play in New York house parties as an ideal futuristic soundtrack to integrate with lyrics, riffs and samples. With New Wave, House, and Techno music all spawned with those same programmed beats, voices, and influences, now in the 2010s we acknowledge that a wide spectrum of musical categories, recordings, and performances contain a significant part of Kraftwerk’s digital DNA.
A teenager in the early 80s listening to Man Machine and Computer World would have thought that Kraftwerk were geekily impressing each other with their sweeping vision of a future daily existence where people and robots interact via smart electronic devices and programs. Not only did each year afterward bring us many steps further into their outlandish computerized vision, it may be that they partially ushered it in with their undulating funky precision and robotic wit. And so it is in New York now that “Kraftwerk Week” is blowing away a roomful of people who are holding up their personal glowing rectangles toward the stage at the Museum of Modern Art. Over the course of 8 consecutive nights they appear as slightly human robots to perform one of their albums in it’s entirety, followed by a very satisfying collection of favorites.
The retrospective Kraftwerk 1 2 3 4 5 6 7 8 brings a vision of the current band members poised before their master controls while 3-D visuals crisply fly into your face with elements of aerospace, rail travel, and the pumping machinations of human propelled progress. Swelling pulsating vistas are punctuated by text and funnily low-tech robotic movements – all infused with a sense of classical European styling. As pure and total fans we were extremely lucky to have attended one of the performances and we felt like witnesses to an historic event that testified to the influence of 4 decades of experimentation but also displayed a delightfully stellar quality of skill and performance.
Naturally, these photos were shot on our personal hand-held computers.
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
Here’s our weekly interview with the streets, this week featuring Don John, Enki, General Howe, James Nardone, Never, Rae, Sheryo, Stikman, The Yok, and Willow.
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We don’t mind sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not take the photographer’s name off the .jpg file. Otherwise, please do not re-post. Thanks!
<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA
Uh-Oh, should I be wearing a necklace of garlic today? It might not be too cool to wear it indoors. Oh snap it’s only a movie. Happy Friday the 13th everybody!
1. “Vice & Virtue” Shai Dahan (Stockholm)
2. “It Felt Like a Kiss”, Alexandros Vasmoulakis at Gallery Nosco (London)
3. “The Birds & The Bees” with H. Veng Smith and Gigi Chen (BKLN)
4. Isaac Cordal Solo tonight in Barcelona
5. Hellbent at C.A.V.E. Saturday (LA)
6. Buff Monster at Corey Helford Saturday (LA)
7. Sowat and Lek present: “Mausolee”
8. Arabic Graffiti and Egyptian Street Art in Frankfurt
9. John Crash Matos’ “Study In Watercolors” at the Addict Galerie in Paris
10. ARMO and his world of color, shapes and textures. (VIDEO)
11. Ana Peru Peru Ana “meanwhile, in new york city (VII)” (VIDEO)
Shai Dahan’s solo show “Vice & Virtue” opened last night at the Scarlett Gallery in Stockholm, Sweden and is open today to the public. Are your virtues bigger than your vices?
An exploration of the seductive kiss and the female power of attraction – sounds like a valiant pursuit, doesn’t it? Alexandros Vasmoulakis’s solo show is open to the general public at Gallery Nosco in London today.
For further information regarding this show click here.
A perfect theme for a show right now as the temperatures rise and skirts rise and shirts come off on the grassy knolls in Prospect Park. “The Birds & The Bees” H. Veng Smith show with Gigi Chen at the Mighty Tanaka Gallery opens today in Brooklyn as Spring time’s gallant breeze calls you hither to Dumbo.
Curated by Street Art author Maximiliano Ruiz, this solo show gives platform to Isaac Cordal, a small-scale sculptor who has thus far used the street as the only necessary stage. Mr. Cordal’s little cement characters at RAS Gallery will stop you in your tracks and reconsider your giant self.
New York Street Artist and fine artist Hellbent shares the space at C.A.V.E Gallery in Venice Beach, California this weekend with his offering “A Quilted Life”.
For further information regarding this show click here.
Buff Monster is back at his most mischievous at the Corey Helford Gallery this time all covered in delicious pink. His solo show “Legend of the Pink” opens tomorrow in Culver City as the monster celebrates 10 years of work on the street.
For further information regarding this show click here.
Maya Hayuk solo show “2012 Apocabliss” in Mexico City at Anonymous Gallery. Click here for more details on this show.
Sowat and Lek present: “Mausolee”. An art show and book release in Paris, France. Click here for more details on this show.
From Here to Fame Publishing Presents: Arabic Graffiti and Egyptian Street Art in Frankfurt, Germany. Click here for more details on this show.
John Crash Matos’ “Study In Watercolors” at the Addict Galerie in Paris, France. Click here for more details on this show.
Peru Ana Ana Peru are Street Artists, jokesters, and film makers in New York. Here is their new mini-movie of unscripted New York scenes, sounds and soliloquies collected together for your amusement and befuddlement.