All posts tagged: José Parlá

Fun Friday 03.04.11

Fun-Friday

Armory Madness This Weekend

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Light graffiti artist Vicki DaSilva blesses the art proceedings with Tiger Blood, an homage to someone famous allegedly. (photo courtesy the artist)

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Check out BSA’s Armory Picks http://www.brooklynstreetart.com/theblog/?p=18835

Jose Parla at The Standard Unveils New Book

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You are invited to The Top of The Standard (442 West 13th Street), this Saturday, March 5th, where José Parlá will be signing his new monograph from 6 PM to 9 PM. This event is open to the public.

Red Bull Accused by Posters of Hi-jackingBrooklyn-Street-Art-WEB-copyleft-Junkerade-March2011

Image © Junkerade

Junkerade, a London collective on Flickr, has posted images of a new campaign accusing Red Bulls’ new site that uses Google’s “Street View” technology of hijacking street art culture. With some simple handwritten posters they have begun a visual street backlash to encourage other discontents to mess with the messaging, including the posted piece above.

According to Junkerade, “Red Bull want to use it to flog their products without asking … to make them seem down and edgy. Let ’em know what you think, let them know they have no right to take our culture and try and sell it back to us in the form of a sugary drink”.  It’s hard to predict how this will go down, but other Iphone and Android apps introduced over the last couple of years have struggled to populate their databases with relevant, accurate, good quality images and contributors.  In a sweeping commercial gesture like this toward what many see as a grassroots movement, it is easy to question the company’s motives.  Social media has a way of determining the rendering a decision, and so does the street.

And Now Some Levity with Devo and a Singing Unicorn!

And an ad for gum at the end that has nothing to do with us.

Luna Park Talks Monday

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Portrait of Luna Park by Sam Horine (photo © Sam Horine)

Comrade Luna Park charges through the streets camera in hand with panther-like determination and captures the wild (and wildstyle) on the urban safari. Monday you can get a chance to see her images and listen to her talk about her adventures in photography – or as she tells us,

“I’ll be telling the unlikely story of how a thirtysomething librarian fell into street art and became hopelessly addicted to graffiti along the way.”

The New York Public Library Presents:
“Eye on the Wall: Observations on Street Art,”
with Luna Park.
Monday, March 07 @ 6:30 pm

Mid-Manhattan Library
455 Fifth Avenue (at 40th Street)
New York, NY 10016-0122
(212) 340-0863

Pantheon Show: The Stanley Cup is Still Missing!

An ongoing multi-chapter collaborative art project by John Fekner and Don Leicht, The Stanley Cup

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BSA has just learned that possibly the contents of John Fekner & Don Leicht’s Stanley Cup will be revealed at Pantheon.

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John Fekner and Don Leicht “Stanley Cup” (Image © courtesy of the artists)

“Street art is the fastest visual conductor out there. It compels people to think and question, react and connect, not just to the artist’s work but with the real issues that we battle each and every day. I believe for art to succeed it’s all about the experience and not about the possession. Art in the streets is an immediate communicator. It beats out advertising, text-based social media and even video. In this type of window presentation we are reducing the value of an art object to that of a shared visual experience for the general public and passerby without an admission fee.

The Donnell library was always known as the art library in the city. For the artists to respond to ‘a sense of place’ is like a location shot in a movie; you attempt to transcend that specific space to become something bigger than it originally was.

Street projects such as the upcoming Pantheon installation allow artists to modify, update and change their work to reflect what is happening in the real world. Try putting up a different painting in a gallery or museum exhibition. It’s not going to happen”.

~ John Fekner

PLEASE DONATE to the Pantheon Kick Starter campaign:

http://www.kickstarter.com/projects/1959564116/pantheon-a-history-of-art-from-the-streets-of-nyc

To read more about Pantheon go to their web site and click on the link below:

http://www.pantheonnyc.com/

http://www.johnfekner.com/

Grafiteiro Enivo from Brazil by Parede Viva

Faith 47 – From South Africa

“It’s really a new art movement that a lot of people can’t quite get their head around,” says Faith47.

Charlie Sheen Dubstep

Or, “it’s humorous and benign when white men do drugs”.

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Armory Week NYC 2011: BSA Picks

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Armory Week, the annual art deluge in New York is about art Fairs, Art Fans, and Fiddy Dollars, Daddy. While a fair bit of the traffic at the various fairs is about the benjamins, it’s also just about having a good time and getting out to see what your favorite street artist is up to in this milieu. In short – a whole lotta street artists are getting busy this year in the booths, on the walls, and in the streets to show you their stuff.

This year the NYC madness officially opens Thursday March 3rd. Here are some of the things we are looking forward to – you might like them too.

FOUNTAIN

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A BSA favorite, Fountain is held in an old maritime vessel docked on the Hudson River on the West Side of Manhattan. Each year, and this is the sixth, the fair promises to rock at least a few boats.

Fountain is an excitedly directed directionless cacophony of hits and odd couple of misses every year. The hits usually are upside your head. We are looking forward to the 100+ feet wall of fresh Street Art as you enter and the Murder Lounge down below. As you wend your way past the bar and the flash bulbs at the Saturday night musical melee with Ninjasonik you will swear you are floating. Because you are.

brooklyn-street-art-frying-pan-jaime-rojo-fountain-nyc-2011-3-webAn interior shot of the The Frying Pan, where Fountain splashes on the Hudson River at 26th Street. (photo © Jaime Rojo)

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If you are lost, look for the mast. Fountain is the only water vessel based fair at Armory, baby (photo © Jaime Rojo)

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Elle does final prep to her wall piece for Fountain (photo © Jaime Rojo)

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Hellbent installing his Fountain piece (photo © Jaime Rojo)

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Joe Iurato installing his piece (photo © Jaime Rojo)

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Ellis G. Detail (photo © Jaime Rojo)

Highlights:

FOUNTAIN NEW YORK ANNOUNCES
MASSIVE STREET ART INSTALLATION FOR 2011 FAIR

Adding to Fountain’s signature overwhelming visual and sensory experience, visitors entering Fountain Art Fair will encounter a 100-foot long street art installation stretching along the entrance and exit—a massive collaborative installation by a number of street artists. It features Chris Stain, Dickchicken!, Faro, Gaia, Shark Toof, Clown Soldier, Love Me, Ellis G, Allesandro Echevarria, Lee Trice, Imminent Disaster, Elle, Hellbent, Joe Iurato, and Anthony Sneed. “The medium and movement referred to as Street Art has played an integral role in Fountain Art Fair’s development,” said David Kesting, Fountain Art Fair Co-Founder.

Location:

Pier 66 Maritime @ 26th Street & 12th Avenue in the Hudson RIver Park

March 3 – 6, 2011

General Public Hours:
March 4–March 6, 12pm–7pm

Special Events:
Thursday March 3, 12am – 5pm – VIP & Press Preview
Friday, March 4, 7pm – 12am – Opening Night Reception – Performance: Gordon Voidwell and Tecla
Saturday, March 5, 7pm – 12am – Performance: Ninjasonik

Go to Fountain official site to see the full list of exhibitors and to learn more details about the special events and full program:

http://fountainexhibit.com/

SCOPE

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A mouthwash and an art fair, we’re checking out Scope mainly to see the new collaboration called Contra Projects, put together by brothers Tristan and Matthew Eaton – comprised of some rockin’ Street Artists who will be taking their show on the road around the globe this year. We’ve had a blast watching them put up new work on Brooklyn streets this week, and can’t wait to see the installations at Scope.

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TYPOE

Also you will want to check out the sculpture work by Miami graff artist Typoe, whose friend have been saving their caps from spray cans for a minute. He laughs when he talks about graffers mailing them to him too and as a co-founder of Primary Flight, Miami’s original open air museum and street level mural installation, he’s got plenty to work with.

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TYPOE | Fountain, 2011| Confetti Death Series
Represented by SPINELLO GALLERY

To see the full list of exhibitors, details of the programs and fees to enter go to the Scope Art Fair site:

http://www.scope-art.com/Index.php/

Location
320 West St (West Side Highway)
Across from Pier 40
New York NY 10014

Opening Schedule
FirstView
(For VIPs and Press
or $100 donation at the door)

Wednesday | March 2 | 3pm-9pm

General Admission Fair Hours
Thursday | March 3 | noon – 8pm
Friday | March 4 | noon – 8pm
Saturday | March 5 | noon – 8pm
Sunday | March 6 | noon – 7pm

VOLTA

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California’s Carmichael Gallery is showing new work by Street Art brain jammer Mark Jenkins, whose well-placed human installations in public places cause people to stop and ponder. Apparently, his work has a similar effect on cats.

Mark Jenkins, Family Roombrooklyn-street-art-carmichael-gallery-mark-jenkins-volta-nyc-2011

From the press release;

“Mark Jenkins’ installation at VOLTA NY will transform Booth A1 into an unconventionally furnished family room. “I’ve been doing a lot of experimentation with resin and fiberglass,” says the artist of this new series, which includes five and a half life-size sculptures and a range of smaller pieces, “finding more original ways to make hand casts and improving structural solidity through new bracing techniques.” For the first time, Jenkins will present his works within a site-specific environment purposefully created to provide greater contextual authority and definition to his aesthetic and thematic considerations. “An empty space can feel sterile,” he observes, “as if a giant eraser has removed all context. The works become more like pinned butterflies. I have taken a different approach with (the presentation of) Family Room. This time it’s about creating a place for the sculptures to live in, so, in addition to clothes, I’ve been thrift store shopping for plants, drapes, rugs and chairs.” Both individual works and the installation as a whole will propose non-traditional commentaries on the institutions of family and home.”

Booth A1
7 West 34th Street
between 5th and 6th Avenue / 11th floor
New York, NY 10001
USA

To see the full Volta exhibitors list and details of all events please click on Volta’ site:

http://ny.voltashow.com/

To learn more about Carmichael Gallery please click on the gallery’s site:

http://www.carmichaelgallery.com/

PULSE

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Brooklyn’s David Ellis at Joshua Liner is one painter/sculptor/film maker always worth checking out. As a founding Barnstormer, Ellis continues to stretch and swerve with painterly illustrations and installation.

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VISIT
PULSE Contemporary Art Fair at http://www.pulse-art.com/ or contact by phone at +1 (212) 255-2327.

FAIR HOURS
Thursday March 3 10am-1pm
Press and VIP Private Preview
Thursday March 3 1pm- 8pm
Friday March 4 12pm – 8pm
Saturday March 5 12pm – 8pm
Sunday March 6 12pm – 5pm

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::ADMISSION TO ALL VERGE ART BROOKLYN
EXHIBITION LOCATIONS IS FREE::

PUBLIC HOURS
Thursday, Friday & Saturday, 3 – 5 March, Noon to 10 pm
Sunday, 6 March, Noon to 6 pm
OPENING NIGHT PARTY
Thursday, 3 March, 2011, 10:00 pm to 4 am

TOMORROW’S ART TODAY: THE INAUGURAL ART BROOKLYN
Coming Thursday, March 3, Verge Art Brooklyn invites you to experience a paradigm shift in art fairs as we know them, a show that recovers the standard of an art fair as a platform for presenting the best work by living artists. Art Brooklyn throws open the doors for attendees to a whole new universe of artists, music, art, and community. Verge Art Brooklyn is proud to announce a list of exhibitors that includes gallery exhibitors, resident DUMBO galleries and Brooklyn Art Now participants for a combined total of over seventy gallery exhibitors at nine locations, nearly forty participants for “Material Issue: Artist’s Projects Spaces” and fifty artists for “Tomorrow Stars: The Art Brooklyn Open Call Exhibition.” Chosen by a distinguished panel of jurors, “Tomorrow Stars” represents the brightest and best Brooklyn has to offer, as selected by Courtney Wendroff of the Brooklyn Arts Council, artist and former president of the NYC chapter of the American Society of Media Photographers Stephen Mallon, blogger and art critic Steve Kaplan, and Danny Simmons, chairman of the NYC chapter of the National Conference of Artists. Don’t miss out on this opportunity to own the work of tomorrow’s stars today!

GALLERY EXHIBITORS
81 Front Street, Ground Floor / One Main Street, Ground Floor ANTIDOTE, Brooklyn, NY, Albrecht Art Enterprise, New York, NY, Art Project International G77 Gallery, Tokyo, Japan, Phoenix Gallery, New York, NY, G2 Gallery, Tokyo, Japan, MoCADA Gallery, Brooklyn, NY, Cue Art Foundation, New York, NY, Firecat Projects, Chicago, IL, Stilllife Gallery, New York, NY, Fine Art Consultancy, London, UK, Arch 402, London, UK, A.R.T. Module R, Brooklyn, NY, Mayjune Gallery, Seoul, South Korea, Brooklyn Art Project, Brooklyn, NY, and others TBA.

BROOKLYN ART NOW: 2011 SURVEY EXHIBITION CURATED BY LOREN MUNK/JAMES KALM
111 Front Street, Second Floor, Suites 200, 204 & 222 Tabla Rasa Gallery: selected artist(s) and  work,  Audrey Anastasi,  “Spoken Birch.” BAC Gallery selected artist(s) work, RahulAlexander, “Golden Chamber”, Greg Lindquist, “ntitled.” Like The Spice Gallery selected artist(s) and work, Jenny Morgan and David Mramor, “View Quan Yinha.” Micro Museum: Selected artist(s) and work, Kathleen and William Laziza “THE KISSING INSTALLATION 2.0.” Open Source Gallery: selected artist(s) and work, Peter Feigenbaum, ”02″,  Katerina Marcelja “02.” Camel Art Space: selected artist(s) and work, Rob de Oude, “Hither fro Yonder”, Carl Gunhouse, “Development Nashville, TN.” MoCADA: selected artist(s) and work, Jeff Sims, “Straddle 72.” WORK Gallery:  selected artist(s) and work, Eric Ayotte, “Protest Painting”,  Karin Stothart, “Ileostomy Drainage.” Central Booking: selected artist(s) and work. Despo Magoni, “The Thousand and One Nights series”, Lothar Osterburg, “Zion Homestead.” BRIC Rotunda Gallery: selected artist(s) and work, Jeesoo Lee, “Darkening Blue”,  Pinar Yolaçan, “Untitled (from Mother Goddess series), Lael Marshall, “Compact Florescent.” Famous Accountants: selected artist(s) and work,  Meg Hitchcock, “Nausea, The Sunyatasaptati (Seventy Verses on Emptiness) by Nagarjuna, from Neasea by Jean-Paul Sartre”, Ben Godward, “Shhh! I live here.” Spring Gallery: selected artist(s) and work Charles Lahti, “First Eyes on Jura.” Front Room Gallery: selected artist(s) and work, Tom Broadbent, “Floating Camouflaged Pants” Manhattan Bridge Tunnel proposal, Stephen Mallon, “Virginia Placement”, Patricia Smith, “Mapped Location of Pronounced Situation Density.” Janet Kurnatowski: selected artits(s) and work, Craig Olson, “Murcury in the Philosopher’s Egg (Oh!  Hospitable Jupiter! And the Trust)”, Ben La Rocco, “Minerva’s Pallette.” English Kills Gallery: selected artist(s) and work, Don Pablo Pedro, “jpg #1”, Andrew Hurst, “EOS Digital Rebel ETi.” 440 Gallery: selected artist(s) and work, Tom Bovo, “BOVO_TOM_02”, Richard Eagan “EAGAN_RICHARD_01.” LUMENHOUSE: selected artist(s) and work, Jeremiah Teipen, ” Untitled, digital video with screen and player.” Side Show Gallery: selected artist(s) and work, Shari Mendelson, “Bumpy Blue-Green Vessel”, James O. Clark, “Orestes 2006.” Parker’s Box: selected artist(s) and work, Steven Brower, “Child Astronaut Test Suit 1999-2000”, Joshua Stern, “Untitled V” Patrick Martinez “Jesus video.” In addition, a list of Special Projects for Brooklyn Art Now is forthcoming.

PUBLIC HOURS
Thursday, Friday & Saturday, 3 – 5 March, Noon to 10 pm
Sunday, 6 March, Noon to 6 pm

OPENING NIGHT RECEPTION
Thursday, 3 March, 2011, 10:00 pm to 2 am

To read more details about Verge Art Brooklyn click on the link below:

http://www.brooklynartfair.com/

Non-Art Fair Recommendations

Brice Wolkowitz Gallery Presents: José Parlá “Walls Diaries and Paintings” (Manhattan, NYC)

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José Parlá “Order, Pattern, Organization, Form and Relationship”. Image Courtesy of the gallery.

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Mint&Serf Present: Well Hung: The Chelsea Chapter at +ART. A Fundraiser for Free Arts NYC

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Fun Friday 06.11.10 on BSA

Fun-Friday

Fundraiser, Print Show, New Gallery Opening in Brooklyn

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Don’t miss the opening and fundraiser tonight of Brooklyn’s newest gallery, called 99%. The silent auction will feature new prints by Swoon (left) and Gaia (right) as well as Bast, Chris Mendoza, Cycle, Dennis McNett, Doze Green, Ellis G, Eric White, Esao Andrews, EZO, Ian Kuali’I, Imminent Disaster, Jeremiah Ketner, Jose Parla, Kenji Hirata, Lady Pink, Martha Cooper, Martin Wittfooth, Maya Hayuk, Mel Kadel, Morning Breath, Nathan Lee Pickett, Orlando Reyes, Rage Johnson, Ricky Powell, Rostarr, Ryan Humphrey, Skewville, Tara McPherson, Tono Radvany, Voodo Fe, Xiaoqing Ding, Yuri Shimojo

See our interview with gallery owners Andrew Michael Ford and Mikal Hameed HERE.

For more info go to http://www.ninetyninegallery.com/

Collabo With Blu and Os Gemeos for Crono festival in Lisboa (Portugal)

see the finished wall here:
http://cargocollective.com/crono
Os Gemeos blog:
http://osgemeos.com.br/
about Blu:
http://blublu.org

Guy Denning and David Walker Show Tomorrow

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The Village Voice said it’s good and that’s all that matters. More info about the Guy Denning and David Walker show at Brooklynite here.

GUY DENNING • DAVID WALKER
June 12 – July 10

Musical Guest: DJ REKHA

Happy World Cup!!!! Here is Tsatsulow,the Best Soccer Freestyler in the World

FIGMENT on Governors Island – Interactive Art for Everybody (Free Free Free)

Figment

The Figment Festival on Governor’s Island boasts so many live arts and activities for free this weekend that it is guaranteed to relax and exhaust you simultaneously. A number of street artists are going to be there performing live, as well as a number of interactive installations and performances to challenge and titillate.

Governors island continues to expand and grow, and FIGMENT this year is no exception. Check the ferry schedule (free). There are ferries from Brooklyn again this year. Visitors are encouraged to bring bikes and food.

Figment all Weekend http://figmentproject.org/2010/events/figment-nyc-2010-event-projects-artists/

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How Fast Can You Paint a Portrait?

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Brooklyn’s New “99%” Will Serve Street Art Fans and Many More

Brooklyn’s New “99%” Will Serve Street Art Fans and Many More

99% Perspiration, 1% Inspiration

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Anyone in New York will tell you that the adage holds true if you are trying to get your dream to happen in this city– a band, a restaurant, a store, a website, a clothing line.  It could be a genius idea, but you’re going to have to work for it. Gallerist/curator Andrew Michael Ford and artist Mikal Hameed, both in the Brooklyn neighborhood of Williamsburg since 1999, have put in plenty of perspiration getting separate projects off the ground over the last decade in NYC.  This spring as their shared dream of an art center and gallery in Billyburg gathered momentum, they redoubled their efforts and called every artist and source they knew.  Tomorrow, their dream, called “99%”, will open with a community fundraiser auction of prints by those artists. Ford and Hameed are going to do the necessary perspiring to make it happen.

Common Dreams, Rooted In Respect

Together, the two partners (along with a silent 3rd ) have discussed this gallery and community art space for a year and a half.  Studio talks about formal goals, bar-stool wisdom about esoteric ones, and serious footwork finally secured this location in a Brooklyn neighborhood considered a Street Art destination for artists and fans since the late 90’s.  Formerly an artist enclave, the neighborhood is rapidly changing as rezoning from 2005 allowed gentrification to rapidly bland the bohemian vibe, even as the change was slowed by the speed-bump of a huge recession.  Ironically, as the street art in the neighborhood is gradually disappearing, 99%, a gallery that celebrates it, opens it doors.

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Mikal (known professionally as M11X), an innovative ingenious creator of art merging furniture and stereos, came from a graff background on the west coast writing as SMUGE with the WCA crew as a youth.

“So I was a writer, then I was an MC, a break dancer, whatever – all 5 elements. I started to gradually change and become well connected with people who are part of the street art scene,” says Mikal as he recounts his path to this place. He recalls how he ran a gallery called Headquarters in San Francisco and Oakland before coming to New York and running MJH’s gallery in Williamsburg.

“This is just part of my whole evolution. It’s been building up inside of me for so long. “

As he speaks about his goals for 99% he talks about the life of an artist. You can tell that he sincerely wants to bring a greater command of the craft to the newer graff and street artists out today – people he refers to often as “The Kids” .

Ford, a gallerist best known for his work as gallery director at both the pivotal Street Art gallery Ad Hoc Gallery in Bushwick and for the Dark Pop and Pop Surrealists at Last Rites Gallery in Chelsea, hopes to merge his affinities for any number of current art movements, most considered “outside” or lo-brow by the established gallery scene.

“Yeah, I think it’s more about ‘the work’, the skill levels, and the imagination.  The artist may also put up work in the street or do comic books for a profession or they are a professional illustrator but they have such a desire to do personal work.  A lot of galleries will look at them as simply an illustrator and not an artist, and I think those kinds of distinctions are ridiculous. An artist is an artist and they want to express themselves creatively and they want to have a place where they can do that. ”

Me and my shadow. Andrew Michael Ford stands by a much loved wall in the studio and a view of his portrait by Street Artist Ellis G. on the door

Me and my shadow. Andrew Michael Ford stands by a much loved wall in the studio and a view of his portrait by Street Artist Ellis G. on the door

Street Art, comic books, illustration, pin-up, animation, new media, graffiti, tattoos, folk art, – these terms pepper-spray through the conversation as Andrew, an enthusiastic conveyor of ideas about the current state of art and the gallery scene, barely keeps up with his own ideas. Clearly he hopes to create a gallery where unsung and marginalized art forms are given the respect he thinks they’ve missed. Street Art may be hot at the moment, but labels are not going to be the determining factor for whether 99% Gallery works with an artist or not.

BSA: Are we going to retire the term “Street Art” at any time in the near future?

Andrew: That obviously is a public debate, and obviously that is something that everyone should be involved with as far as what’s going to happen with these other terms like “low brow”, “pop surrealism”, “street art” and similar terms.

Mikal: They asked the same question about graffiti in the late 80s and I don’t think we were ever able to retire it.

BSA: So is there such a thing as “Street Art: Phase 2”?

Mikal: I think we are at Phase 3 or Phase 4 at this point.

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An Educational Component

But it’s not just going to be a gallery. The guys want to create an art space that serves and educates, along with showing cutting edge art.

Sketching out their plans for the near future, Andrew explains, “We’re not talking about traditional education here – we’re talking about re-examining how the work is presented to people. I would say first phase is about lectures and talks, and we can work our way into workshops and classes down the road.”  The ideas for educational topics run the gamut, but they often touch on the basics that both partners feel have been missed by many of today’s artists.

“Yeah, kids need to learn how to do their own framing, make their own stretchers”, says Mikal, “I wish somebody taught me how to do that.”

Sounding like he is creating a new class on-the-fly, Andrew jumps in, “I do have a traditional art education background, — it was so much conceptual stuff, so much theory. There wasn’t a whole lot of practical stuff.  It was amazing that I could have this degree and yet it was after school that I had to learn a lot of stuff on my own.  It seems like a simple thing but I have this conversation with people all the time; What is the difference between a Giclée print, a hand silkscreened print, and what is a serigraph?”

A grassroots, populist philosophy enters the conversation again and again, and it becomes evident that the focus will be on the person, their approach, and the talent –rather than the formal educational background or pedigree of an artist.

“Yeah we want to create an equal playing field for a lot of artists,” stresses Mikal.

What playing field are they trying to equal out? Mikal responds, “Sometimes it just comes down to skills and imagination. You may not have the proper education but you have your passion and your motivation about this whole movement – you should be recognized as well.  Your sh*t should be up right next to the other stuff because your education could have come from somewhere else beside school.”

How often do you see this? Doze Green and Martha Cooper catching a tag on the wall of the new gallery.

How often do you see this? Doze Green and Martha Cooper catching a tag on the wall of the new gallery.

So the men have a lot in store, and they have what can only be described as a healthy dose of mutual respect.

Andrew praises Mikal’s talents and explains what he brings to the partnership, “One of the most important things is that Mikal is a very vibrant active artist who is doing shows regularly and has a different relationship with people than me because he is a working artist. It is really important to me to have Mikal because we are really good sounding boards for each other. I might be thinking a little more about the business side of things and how we are going to present it and he is thinking more about the specific piece of art and where the artist is coming from. He could say to me, ‘You may want to consider this because this is how the artist is going to feel’. I think it is a really really good match”

For his part, Mikal sounds solid in his dedication, “The people that work with Andrew just have straight up respect for him and they know that he’s the main guy in this business right now but he just needed his own platform to show everybody what’s up.”

Is this place big enough for all their dreams?

“No, but it’s a start. There is no place like that,” says Mikal.

Andrew agrees, “I’m really grateful for the fact that it is a tremendous starting point and an incredible location. I think it is going to benefit everybody that we work with”.

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images of Andrew Michael Ford and Mikaal Hameed © Steven P. Harrington

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99% Gallery and Art Center

99 North 10th (between Berry and Wythe), Brooklyn, NY 11211

OPENING RECEPTION: JUNE 11TH, 7-11PM

FUNDRAISER PRINT GROUP SHOW SILENT AUCTION to benefit 99% and the artists.

$5 COVER

Participating artists for the print show  include:
Bast,Chris Mendoza,Cycle,Dennis McNett,Doze Green,Ellis G,Eric White,Esao Andrews,EZO,Gaia,Ian Kuali’I,Imminent Disaster,Jeremiah Ketner,Jose Parla,Kenji Hirata,Lady Pink,Martha Cooper,Martin Wittfooth,Maya Hayuk,Mel Kadel,Morning Breath,Nathan Lee Pickett,Orlando Reyes,Rage Johnson,Ricky Powell,Rostarr,Ryan Humphrey,Skewville,Swoon,Tara McPherson,Tono Radvany,Voodo Fe,Xiaoqing Ding,Yuri Shimojo

For more information about the auction

CONTACT:info@ninetyninegallery.com
WEBSITE: www.ninetyninegallery.com

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99% Gallery and Art Center : Debut and Fundraiser

OPENING RECEPTION: JUNE 11TH, 7-11PM

FUNDRAISER PRINT GROUP SHOW SILENT AUCTION for the new…

99%
Gallery and Art Center

99 North 10th (between Berry and Wythe)
Brooklyn, NY  11211

$5 COVER

The first opening will be a print group show fundraiser, to benefit the new space.  All prints will be available for purchase via a silent auction.  First bid MUST be half of the retail price of the print.  Each bid thereafter must increase my increments of $20.  Cover: $5

If you are unable to physically be at the gallery, but would like to bid on prints from the show, e-mail: info@ninetyninegallery.com

Participating artists for the print show so far include:
Chris Mendoza
Cycle
Doze Green
Ellis G
Eric White
Esao Andrews
Gaia
Ian Kuali’i
Jose Parla
Kenji Hirata
Martha Cooper
Mel Kadel
Morning Breath
Nathan Lee Pickett
Orlando Reyes
Rage Johnson
Rostarr
Ryan Humprey
Skewville
Swoon
Tara McPherson
Tono Radvany
Voodo Fe
Xiaoqing Ding
Yuri Shimojo

ABOUT 99%

99% perspiration, 1% inspiration.  This old adage still makes sense in 2010.  We at 99% Art Space produce the 99% perspiration, allowing the artists we work with to focus on the final 1% inspiration.  We want to do the work to create a space which will be conducive to not only art exhibiting, but also to art appreciating, art learning and in the end art creating.  We believe in the artist and the artwork they produce.  This is the reason we, or any other art space for that matter, even exists.  It’s about the artist and the inspiration and enlightenment their final art embodies.

99% is dedicated to doing everything in our power to support the artist and the work they create.  We are also dedicated to art learning, through our upcoming series of lectures, classes, workshops and so much more.  Of course we also are dedicated to working with the artists we want believe in to produce a regular schedule of exhibitions throughout the year.

Lastly, 99% is dedicated to underdogs.  We will exhibit artists who been inspired by the worlds of comic books, animation, new media, graffiti, tattoos, illustration, folk art and many other forms of pop, subversive and outsider imagery.

99% perspiration, 1% inspiration.  We like the way that sounds.  We like the idea of working hard to create an environment for our artists to engage with comfortably, as they change the world one idea at a time!

P.S. Oh, and it doesn’t hurt that the number on our building is 99!  😉

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Barnstormers Coming to Joshua Liner in March

BarnStormers! Yee Hawwwww!

Famed Barnstormers!

Famed Barnstormers!

I first saw an iteration of this collective at their 2001 installation at SmackMellon in Dumbo, Brooklyn in an old spice factory – think David Ellis was doing a residency there...  Anyway, the roster and locations and breadth of projects that the Barnstormers were involved in has evolved over the last decade, but the wild-eyed no-holds-barred inventive quality stays solid. This is a show I’m not missing.

The new group exhibition at Joshua Liner Gallery will feature works in a variety of mediums: painting, photography, video, mixed media works and installation.  Here’s a half hour presentation, or rather, performance piece from 2005.   An actual barn is involved.

Artists exhibiting at Joshua Liner will include:
Alex Lebedev, Alice Mazorra, Bluster One, Che Jen, Chris Mendoza, Chuck Webster, David Ellis, Dennis McNett, Doze Green, GION, Guillermo Carrion, James Lynch, Joey Garfield, Jose Parla, Kenji Hirata, Kiku Yamaguchi, KR, MADSAKI, Manny Pangilinan (WELLO), Martin Mazorra, Maya Hayuk, Mikal Hameed, Mike Houston, Mike Ming, Miyuki Pai Hirai, Naomi Kazama, Pema Brush, Romon Kimin Yang (Rostarr), Shie Moreno, SWOON, West One, Yuri Shimojo and more.
Joshua Liner Gallery
548 W 28th St. 3rd Floor
New York, New York 10001
212-244-7415
joshualinergallery.com


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Interview: Inside the “The Thousands” and Swoon’s lock box with Michael “RJ” Rushmore

Interview: Inside the “The Thousands” and Swoon’s lock box with Michael “RJ” Rushmore

After spending most of 2009 in preparation, Michael “RJ” Rushmore is one week from the opening of “The Thousands”, a retrospective survey covering artists of the last few decades that led to what we’re calling “Street Art” today.

Nick Walker for The Thousands (courtesy Michael "RJ" Rushmore)

Nick Walker for The Thousands (courtesy Michael “RJ” Rushmore)

As editor and author of the popular blog Vandalog, RJ has been taking readers on a tour of the Street Art scene from his unique perspective.  Encouraged by his father, an avid and prodigious collector of street art, the recent high school graduate has labored for much of the last 5 months to pull together this show – reaching out to artists, collectors, authors, publishers, you name it.

When RJ first told us about his idea for a “pop-up” show in London, we thought it would be a small affair with perhaps one or three of the larger names and examples of work in an inflatable shop on cobblestone streets. But like so many young people energized by the excitement garnered in an exploding new movement, RJ has worked feverishly to grow this show into what he hopes will set a standard.

Swoon Box Contents

More inside looks at this Swoon Box below (courtesy Michael “RJ” Rushmore)

A tribute to his dedication and sincere regard for the work and the artists, “The Thousands” will feature many of the antecedent contributors (or pioneers) to the scene (Jenny Holzer, Blek le Rat, Futura 2000) as well as the better known artists that have come to symbolize the current explosion that began in the first half of this decade (Swoon, Banksy, Shepard Fairey) and many others of equal interest.

As if throwing a show of this scope was not enough RJ also created a book to accompany the show, published by Drago, one of the few small presses that have seriously and knowledgeably  documented the growth of the graffiti-to-street art scene.  With dedication, focus, and maturity, RJ navigates the back alleys and side-streets to bring this show in the heart of London to fruition.

Skewville from "The Thousands" (courtesy Drago press)

Skewville from “The Thousands” (courtesy Drago press)

Brooklyn Street Art: What sparked your interest in curating this show of Street Art? How did the whole process start?

Michael “RJ” Rushmore: I think it was an idea that I’d had brewing in the back of my mind for a while, but I wasn’t taking it seriously until last January when I met with another street art blogger who proposed a similar idea about a having a street art retrospective. Eventually, we went our separate ways and I continued to develop the exhibition further. This is the show that a major museum should put on, but so far nobody has, and I hope that The Thousands helps to change that.

Brooklyn Street Art: “The Thousands” – is this a reference to the rise in this new wave of street art since 2000?

Michael “RJ” Rushmore: While probably 95% of the show is work from the last ten years, that isn’t where I got the name. It’s probably a more succinct explanation though.

The show’s title comes from a short story by Daniel Alarcón called “The Thousands”. The story is about this community that is built by society’s outcasts and dreamers and they build their city out of the discarded and disused materials of the city they used to live in. So that reminded me of street art and the street art community.

 

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Veng from Robots Will Kill featured in “The Thousands” from his piece at the Mark Batty Urban Arts Fest in Brooklyn last month (courtesy Drago)

Brooklyn Street Art: Are most of the pieces in the show privately owned?

Michael “RJ” Rushmore: Yes. More than 2/3rds of the artwork comes from private collections. I wanted this to be as much like a museum show as possible, almost a pop-up museum, and the way to do that is fill the show with amazing pieces from private collections.

The process of finding work has at some times been a challenge because I don’t know every street art collector in England, but it’s also been a unique opportunity to view some truly spectacular collections.

 

Chris Stain (photo Jaime Rojo)

Chris Stain will be represented in “The Thousands” (photo Jaime Rojo)

Brooklyn Street Art: What piece surprised the hell out of you?

Michael “RJ” Rushmore: I’m saving pictures of this particular piece until after opening night, because I want people to come into the gallery not knowing exactly what to expect, but Roa’s piece is very cool and different. When Roa was in London recently, we spoke about his piece for The Thousands. He told me to wait and to trust him, that it was something special, so I did. Then he sent me the jpegs and I was definitely surprised. All I will say for now is that the piece is on venetian blinds.

 

Brooklyn street artists Faile will be in "The Thousands" (courtesy Drago)

Brooklyn street artists Faile will be in “The Thousands” (courtesy Drago)

Brooklyn Street Art: The show also has a handsome book to accompany it. What was the experience of putting it together?

Michael “RJ” Rushmore: Everybody at Drago, my publisher, has been extremely supportive of the show and the book. I would even say that Paulo, Drago’s founder and head guy, was the first person to actually believe that The Thousands was going to happen and not be a complete train wreck. So working with them has been good fun. But the process of putting together a book in such a short amount of time was very stressful and even led to a few days of working 12 hours straight on the layout and design.

The best part about the reading book was also my favorite thing about putting it together. The book is split into sections, and most sections cover one artist. Since everything was already organized by artist, I was able to get a number of other artists and art world personalities to write about their friends and favorite artists. For example, Know Hope has written about Chris Stain and Elbow-toe has written a piece on Veng.

 

Swoon Box

A hand-made box by Brooklyn street artist Swoon that will be in “The Thousands” (courtesy Michael “RJ” Rushmore)

Brooklyn Street Art: The Swoon Box for “The Thousands”; Did she construct the box herself or was it a found box that she then later decorated?

Michael “RJ” Rushmore: I’ve never asked Swoon, but I would guess that she constructed the chest. It looks like the wood is salvaged from a bunch of different sources, and the hinges are so mismatched that the lid can’t sit parallel to the walls of the box.

 

Swoon lock box (top detail)

Swoon lock box (top detail)

Brooklyn Street Art: It could be a time capsule, or a lock box of mementos and inspiring objects. What do you think?

Michael “RJ” Rushmore: Right now, I think of it more like a lock box, but 15, 20, 30 years from now… the meaning will probably change with time as street art and Swoon become more or less important. Maybe one day Swoon will be written about in art history books and the box will be seen in an entirely different light. But at its core, and for my family, it will always see it box as a lock box.

There is this old deerskin chest in my house that my family calls The Treasure Box. It’s been in my dad’s family for generations and dates back to some time in the 1800’s. It’s full of old letters and locks of hair and things like that going all back though more than 100 years of Rushmore family history. My family and I see The Swoon Box as very similar to our Treasure Box, so we will always see The Swoon Box as full of mementos and not just a piece of art history.

 

Inside the Swoon lock box. (courtesy Michael "RJ" Reynolds)

Inside the Swoon lock box. (courtesy Michael “RJ” Rushmore)

Brooklyn Street Art: What’s your favorite object in the box and can you describe it for us?

Michael “RJ” Rushmore: I usually like to get a behind the scenes view of things, so my favorite pieces in the box are the sketches for pieces that eventually became familiar Swoon images. In particular, I think the drawing for Zahra is a favorite. The sketch is beautiful, the end result is one of my all time favorite images by Swoon and I happened to meet Zahra earlier this year as well as her child.

 

Swoon's "Zahara" (courtesy of Black Rat Press)

Swoon’s “Zahara” (courtesy of Black Rat Press)

The Zahra sketch is pretty abstract, you can tell that there is a woman, but it’s really rough and seems to be more about the colors than any details about Zahra’s features. Without the image of a rising sun that is in both the sketch and the end result, you wouldn’t even connect the two pieces.

Swoon Box Contents

Swoon box has an original sketch for “Bethlehem Boys” (courtesy Michael “RJ” Rushmore)

Swoon's Bethlehem Boys as seen on the streets of Bushwick, Brooklyn.

Swoon’s “Bethlehem Boys” as seen on the streets of Bushwick, Brooklyn. (photo Jaime Rojo)

Brooklyn Street Art: If you have a show in ten years called “The Teens”, what do you think we might see in it?

Michael “RJ” Rushmore: What really interests me right now and what I’ve been noticing lately is the continuing fusion of graffiti and street art. In most cities that have graffiti and street art, somebody is trying to merge the two cultures. In London some of those artists are Part2ism, Sickboy, the Burning Candy crew, Kid Acne, ATG crew, Elate and Word To Mother. Maybe that’s just my particular interest, but I’ve heard Pure Evil say that he is seeing something similar.

So if my taste is anything to go by, a decade from now I would like to see a show with classically trained painters showing off their lettering style and hard-core train bombing kings painting with a brush and telling everybody why Lee Quinones is their hero, except we won’t even notice the supposed role reversal I’ve just described.

And of course, since I’ll be nearing 30 years old, I’d want to include some artwork by actual teenagers to help support the next generation of street art/graffiti/whatever we’ll be calling this in ten years time.

Swoon box's contents

What are you looking at? (Swoon courtesy Michael “RJ” Rushmore)

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“The Thousands” features artists Adam Neate,  Aiko,  Anthony Lister,  Armsrock, Banksy, Barry McGee, Bast, Blek le Rat, Burning Candy, Chris Stain, David Ellis, Elbow-toe, Faile, Futura 2000, Gaia, Herakut, Jenny Holzer, José Parlá, Judith Supine, Kaws, Know Hope, Nick Walker, Os Gêmeos, Roa, Sam3, Shepard Fairey, Skewville, Swoon, WK Interact

November 18 "The Thousands" opens

November 18 “The Thousands” opens

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