Haven’t seen the Roman soldier lurking around with his paintbrush helmet lately so it it was a real special treat to see on the old Twitter machine that Nomade was putting up some new stuff Saturday, in downtown LA. Complete with decaying Roman columns….. it’s just funny, that’s why – don’t be a grouch. The Nomade fellas put this fresh piece to reclaim their old spot next to Lady Aiko and Kofie Augustine while under the watchful gaze of Daniel Lahoda. It’s part of LA Freewalls of course and there may be an animation in the near future we hear.
All posts tagged: Jaime Rojo
Martha Cooper and Remembering 9/11
This week many New Yorkers are thinking about where they were on 9/11/2001 when the planes hit the World Trade Center Towers and what the city felt like in the days, weeks, and months that followed. There are many questions that never were answered, and there are many consequences that are still to unveil. An incredibly diverse city in so many ways, our unity was automatic and sincere. We already knew each other and we knew we all had been hurt and we were all changed by those events. While others looked at it as an American attack, New Yorkers felt a wound to the place we had made together, our beloved dirty beautiful hard and scrappy city. Today it is painful to go back and contemplate those days and wonder what happened, why, and at what cost.
Martha Cooper: Remembering 9/11. De La Vega. (photo © Martha Cooper)
World renowned graffiti and Street Art photographer Martha Cooper had been documenting New York as a journalist and ethnographer for a quarter century when the streets of the city were flooded by raw sentiments and visual communications expressed with marker, pencil, paint, – whatever was at hand – in the days that followed 9/11. Those incredibly personal desperate acts of expression were gazed upon and reflected on by neighbors and strangers as we attempted in vain to explain the world to one another. To remember a little of what it was like, she shares with us her photographs from those days.
“9/11 happened to all of us. It was a collective experience that defined the outset of the uneasy, globally interdependent twenty-first century. Nowhere, however, were the raw terror and tragic consequences of 9/11 felt more personally than the metropolitan region of New York City, for which the Twin Towers had functioned as a conspicuous compass setting, hub of work and recreation, and symbol of America’s economic might,” Martha Cooper writes in “Remembering 9/11”
(photo © Martha Cooper)
A memorial wall by members of Tats Cru. (photo © Martha Cooper)
The symbolism in personal depictions like these often said more than thousands of words ever could. (photo © Martha Cooper)
“There are no prescribed rituals for mourning thousands of people. We invented them as we went along,” Martha Cooper
(photo © Martha Cooper)
Art work in Union Square (photo © Martha Cooper)
Memorial Wall for WTC victims by Lower East Side artist, Chico Garcia; Avenue A (photo © Martha Cooper)
(photo © Martha Cooper)
(photo © Martha Cooper)
This wall in Queens, NY was painted by Lady Pink, Smith, Ernie and friends. (photo © Martha Cooper)
Martha Cooper is a featured panelist at today’s panel discussion in Brooklyn called “Return Remember: Ephemeral Memorials in the Legacy of September 11” At Power House Arena. 37 Main Street Dumbo. 6-8 PM.
Martha Cooper will be signing copies of a new slim volume of images “Remembering 9/11” following the panel discussion. For more information about this event please click on the link below:
Images of the Week 09.04.11
Here’s our weekly interview with the streets, this week featuring Dal East, Dust Love, El Sol 25, Faith 47, Knitta Please!, Le Concept, UFO, and Wing.
El Sol 25 (photo © Jaime Rojo)
El Sol 25 (photo © Jaime Rojo)
El Sol 25 (photo © Jaime Rojo)
El Sol 25 (photo © Jaime Rojo)
El Sol 25 (photo © Jaime Rojo)
Knitta Please! “Plan Ahead” (photo © Jaime Rojo)
Artist Unknown (photo © Jaime Rojo)
Faith 47, Dal…East (photo © Jaime Rojo)
Faith 47, Dal…East (photo © Jaime Rojo)
Faith 47, Dal…East (photo © Jaime Rojo)
Wing (photo © Jaime Rojo)
Le Concept (photo © Jaime Rojo)
Artist Unknown (photo © Jaime Rojo)
Artist Unknown (photo © Jaime Rojo)
UFO (photo © Jaime Rojo)
Dust Love (photo © Jaime Rojo)
Untitled photo © Jaime Rojo
Peek at Swoon’s “Anthropocene Extinction” Opening at Boston’s ICA
Swoon (photo © Geoff Hargadon)
Opening tonight at the Institute of Contemporary Art in Boston, is an exhibition of new work by Brooklyn Street Artist SWOON, called Anthropocene Extinction.
“The title addresses humanity’s impact on the environment,” says Pedro Alonzo, the Adjunct Curator of the show and the guy who brought the very successful Street Art exhibition “Viva La Revolucion” to San Diego last year.
Swoon (photo © Geoff Hargadon)
Kind hearted and focused powerhouse SWOON continues her efforts to engage viewers at ICA with her hand cut wheat pasted installations of real people and mythical ones, symbolically telling a tale that brings responsibility for the environment directly to our feet. Wholistic in many respects, we find familiar recurring themes in the subject matter, the construction techniques, even the manner of fruition of the installations; The localized environment in which Swoon’s work evolves mirrors the collaborative vision and processes that will be necessary to address the very real issue of sustainability and disaster more populations are facing.
Swoon (photo © Geoff Hargadon)
For the politically charged time we’re in, a show like this could open itself to charges of smug liberal self satisfaction if the artists’ body of work and projects to create shelter from the storm were not so consistent and authentic. A person entirely engaged in every process, Swoon facilitates others’ stories and incorporates them along with more material considerations, like the 400-pound bamboo temple structure hanging from the ceiling here that uses traditional Chinese construction methods the artist has been studying (It’s excellent when viewed while riding the elevator). Balancing the durability of reinforced joints with the fragility of cut paper species floating through air, the exhibit calls to mind the range of responses we will need to employ if the march toward planetary destruction is to reverse, and if SWOON’s characters are going to survive.
Our thanks to photographer and BSA contributor Geoff Hargadon, who has been documenting Swoon’s installation for the show and who shares images with you here.Swoon and assistant Alyssa Dennis work on a linocut print (photo © Geoff Hargadon)
An assistant helps Swoon with final touches on this wall. (photo © Geoff Hargadon)
Swoon (photo © Geoff Hargadon)
Swoon (photo © Geoff Hargadon)
An assistant helps Swoon with this portion of the installation. (photo © Geoff Hargadon)
An assistant helps Swoon with final touches on this wall. (photo © Geoff Hargadon)
Support for the Swoon installation is provided by Fotene Demoulas and Tom Coté, Geoff Hargadon and Patricia La Valley, Tim Phillips, and Connie Coburn and James Houghton.
Learn more about the exhibition Anthropocene Extinction at the ICA website HERE:
Read BSA’s interview with Pedro Alonzo here about his curatorial experiences on Viva La Revolución at the Museum of Contemporary Art San Diego last year.
Listen to an interview with Swoon and Pedro Alonzo on Boston’s WBUR.
Gilf! “Back Talk” Conversation
To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Gilf!
One reason you make art: I make art to change people’s perspectives, and to bring awareness to major issues that face our whole planet. I also do it to make people smile. Street art is an amazing tool that allows me to speak to people with whom I wouldn’t get the chance in real life.
Gilf! (photo © Jaime Rojo)
Fun Friday 09.02.11
Fun Friday Stories
1. ASVP is “Down to Earth”
2. Ferris Wheel Minus the Wheel = Floating People in the Sky (VIDEO)
3. SPOKE Art Group Show (SF)
4. How to Steal a Banksy from the “Wild” in Palestine (VIDEO)
5. XAM Flies West to Flip the Bird
6. In Lebanon Courage is Contagious (VIDEO)
ASVP is “Down to Earth”
Tonight, Black Book Gallery is hosting the opening of A.S.V.P. The Duo from Brooklyn in Denver, Colorado.
For more information about this show please click on the link below:
http://www.brooklynstreetart.com/theblog/?p=24019
Ferris Wheel Minus the Wheel = Floating People in the Sky
SPOKE Art Group Show (SF)
On The West Coast in San Francisco Spoke Art Gallery brand new group show with works by Handiedan, Charmaine Olivia, Craww and Tatiana Suarez opened yesterday.
Tati in the old RC Cola Factory in Miami for Primary Flight. (photo © Jaime Rojo)
For more information about this show click on the link below:
http://www.brooklynstreetart.com/theblog/?p=23944
How to Steal a Banksy from the “Wild” in Palestine
From Kezler.mov
XAM Flies West to Flip the Bird
Fuzion Gallery in Santa Barbara, CA is hosting “Flipn’ The Bird”, their new group show which includes Brooklyn’s XAM with Chadillac and Martin Diaz
XAM in Brooklyn, NY (photo © Jaime Rojo)
More on Flipn’ The Bird HERE
In Lebanon Courage is Contagious
Rene Gagnon “Back Talk” Conversation
To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Rene Gagnon.
The first record or CD you ever bought? The last album you downloaded?
“First has to be RUN DMC – with the Krush Groove jam. Eminem, ‘Relapse & Recovery.’ “
Rene Gagnon (photo © Jaime Rojo)
Mark Carvalho “Back Talk” Conversation
To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Mark Carvalho.
Something you want the world to know about you:
“I only sing two songs for karaoke; Lionel Richie’s ‘Hello’ and Tupac’s ‘How do you want it’.”
Mark Carlvalho (photo © Jaime Rojo)
Banksy: Should his Art Be Listed?
Melinda Brocka, Associate Art Editor at The Huffington Post asks:
Should Bansky Graffiti Art be Listed?
Banksy in Chicago (photo © Jaime Rojo)
It’s been quite a year for Banksy, but does the increased popularity merit legal protection for his art? A recent study makes the case that his most important works should be listed as assets of cultural significance in the UK.
John Webster, a postgraduate law student at Bristol University Law School (in Banksy’s hometown), recently published a paper titled “Should the Work of Banksy Be Listed?” in the Journal of Planning & Environment Law. The paper, part of Webster’s dissertation, suggests that Banksy’s art might benefit from the protection of the Listed Building Act, which seeks to protect structures of architectural and historic significance.
To continue reading this article and for more photos go to: The Huffington Post ARTS…
Indigo “Back Talk” Conversation
To introduce readers to some of the Street Artists in the show “Street Art Saved My Life: 39 New York Stories”, BSA asked a number of the artists to take part in “Back Talk” with one of our most trusted and underground and sweet sources for modern art, Juxtapoz.
Today we hear from Indigo.
Artists you admire:
“I admire everyone who has the courage to spend hours, weeks, months and years turning thoughts and feelings into things, then putting them out into the world for others to respond with love or hate or complete indifference. I admire anyone who has the integrity to create for themselves, first and foremost. I admire those who are constantly pushing themselves to try new ideas, use new mediums, reach out to new audiences and immerse themselves in uniquely challenging experiences. I admire everyone who has taken a leap of faith, fallen into dark and swirling waters and after what often seems like a lifetime of struggle, reached the sunshine on the other side – only to do it all over again.”
Indigo (photo © Victoria Potter)
LUDO in NY, Chicago, and LA with More of “Nature’s Revenge”
Parisian Street Artist LUDO brought “Nature’s Revenge” to the US this month and his eye-popping surreal wheat-pasted creations are now on walls in New York, Chicago, and Los Angeles. By combining weaponry with insects and plants into hybrids, LUDO is using this ongoing series to draw attention to how we are messing with nature in ways we never have in an unquestioning way and at our own peril. From biotech to nanotech to robotics to remote controlled drones, the face of war is sold with branding and a sizzling “wow” factor, accompanied by vague assurances that these developments are necessary to protect us good guys from the bad ones. From the perspective of this ongoing “Nature’s Revenge” series, our romance with all things shiny and futuristic is quickly morphing out of our control and it’s likely to come back and bite us, or worse.
LUDO in Chicago (photo © Jaime Rojo)
Using a reliably greyscale, white, and acid green palette, LUDO’s high-tech hybrids are alternately frightening and amusing, and even super cool. While a Freddy Kruger facemask is obviously symbolic, it’s pairing with a mechanical daisy is unnerving. The wheat paste of a tarantular top-loaded missile delivery device is laughable until you see the video of unstoppable multi-limbed all terrain “big dog” robots being developed to do the same thing. Even the bunch of grape skulls seems sort of blunt until you think of what we’re now learning about irradiation, pesticides, and genetically modified foods. Taken as a whole LUDO’s work is one of the more message-driven on the street today and is another example of the new narrative-driven story telling we continue to witness in Street Art. Luckily, it’s also visually compelling.
LUDO in Chicago (photo © Jaime Rojo)
LUDO in Chicago (photo © Jaime Rojo)
LUDO in Chicago (photo © Jaime Rojo)
LUDO in Chicago (photo © Jaime Rojo)
LUDO in Chicago (photo © Jaime Rojo)
LUDO in Chicago (photo © Jaime Rojo)
LUDO in Chicago (photo © Jaime Rojo)
LUDO applies his custom-mixed acidic green goo in Chicago (photo © Jaime Rojo)
LUDO in Chicago (photo © Jaime Rojo)
LUDO in Chicago (photo © Jaime Rojo)
LUDO’s snail tank on a rooftop in Chicago (photo © Jaime Rojo)
LUDO on an abandoned building in Chicago (photo © Jaime Rojo)
LUDO in Brooklyn, NY (photo © Jaime Rojo)
A LUDO discovered in Brooklyn with a bit of his other “Co-Branding” campaign, which pairs disturbing imagery with a friendly logo to assuage discomfort. (photo © Jaime Rojo)
LUDO in Brooklyn, NY (photo © Jaime Rojo)
LUDO in Downtown, Los Angeles with LA Freewalls project (photo © Jaime Rojo)
LUDO in Venice Beach, Los Angeles (photo © Jaime Rojo)
A LUDO piece currently on view in a gallery setting: The group show “Street Art Saved my Life: 39 New York Stories”on view at C.A.V.E. Gallery in Venice Beach, Los Angeles, is curated by Steven P. Harrington and Jaime Rojo and produced with ThinkSpace (photo © Jaime Rojo)
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In LA Ludo installed work with Daniel Lahoda for LA FreeWalls, C.A.V.E. Gallery, and with curation by BSA. Special thanks to Daniel for his total support, hospitality, and vision.In Chicago special thanks to Nick and Seth from Pawn Works Gallery and to Brock for making this happen and for providing the wheels and the good company.Images of the Week 08.28.11
Our weekly interview with the street, this week featuring Bast, Chris Uphues, Cyrcle, Dain, Enzo & Nio, Ja Ja, LMNOP, Shepard Fairey, Skewville, Swampy, and Willow.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY






















































