All posts tagged: Gore-B

“Street Crush” coming up Feb 13 at Alphabeta

January 15, 2009 , , ,

Whassup Brooklyn!

This show is going to be off the hooker.

It’s for all the fans, that’s you. 42 artists, that’s all we gotta say, and lots of fun because it is all about community, and creativity, and love.

You’ll be hearing more about it as we get closer – in the meantime read all about it here in the calendar.

And In Preparation for Street Crush…

And for those of you who will want to be practicing up on yer def mooves for the Ladaays of the Eightaaays – here is an instructional video below. Stand up in front of your computer please and practice according to the directions.

I only needed like two minutes and I totally got it. Some other people (no names please, people) may want to view it in it’s entirety.

“Street Crush” Press Release Here

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“Street Crush” Street Art Show at AlphaBeta

January 14, 2009 , , ,

STREET CRUSH:
Sexy New Work from the Street Artists
You Have a Crush On.

A Show for the Fans.

“Street Crush” a Brooklyn Street Art show and party, featuring brand new work by 42 street artists, 4 dazzling Street-Tart burlesque performers, and a Kissing Booth will be thrown at AlphaBeta in Greenpoint, Brooklyn on Friday, February 13th, 2009.

BROOKLYN, NY-BrooklynStreetArt.com and AlphaBeta are thrilled to be hosting a timely and sexy show of brand new art by veteran and rookie street artists who are on the scene today redefining our ideas of street art. Working around themes of “Love, Sex, and the Street”, well-known street artists like Aiko and Jef Aerosol dig deep for fresh takes on gritty street ardor alongside relative whipper-snappers like Cake and Poster Boy.

In addition to a salon-style show, the opening party will feature live art collaborations and installation.

Full Press Release HERE

THE STREET ARTISTS You Have a Crush On

An unprecedented killer lineup of many of 2009’s best in one Brooklyn location, “Street Crush” will run from February 13 until February 28 and will feature work from an artist list that includes:

Aakash Nihalani, Abe Lincoln Jr., Aiko, Anera, Bortusk Leer, Broken Crow, C. Damage, Cake, Celso, Charm, Chris Uphues, Creepy, DirQuo, Ellis Gallagher A.K.A. (C)ELLIS G., Eternal Love, FauxReel, FKDL, General Howe, GoreB, Imminent Disaster, Hellbent, Infinity, Nobody, Jef Aerosol, Jon Burgerman, Matt Siren, Mimi the Clown, NohJColey, Pagan, PMP, Poster Boy, Pufferella, Pushkin, Chris from Robots Will Kill, Col from Robots Will Kill, Veng from Robots Will Kill, Royce Bannon, Skewville, Stikman, The Dude Company, Titi from Paris, and U.L.M.

STREET CRUSH SHOW OPENING INFORMATION

Friday, February 13, 2009, 7-12 pm
Press Preview by appointment

Location: Alphabeta, 70 Greenpoint Avenue
Greenpoint Brooklyn, New York 11222
Suggested Donation: $8

For more information on Brooklyn Street Art and to see images of the “Street Crush” artworks in the days before the show please visit http://www.BrooklynStreetArt.com

CONTACT: Crush@BrooklynStreetArt.com

THE PERFORMERS

To entertain the Opening Party street art fans, exotic passions will be alerted with Street-Tart Burlesque performances by 4 of today’s award-winning NYC burlesque artists – thrilling, titillating, and Twitterpating the audience in the back-room gallery at AlphaBeta. The rollicking rollcall includes Nasty Canasta, Clams Casino, Harvest Moon, and your MC, Tigger!

THE KISSING BOOTH

A funky loveshack built by artist and set-designer J. Mikal Davis and lorded over by Madame Voulez-Vous, will awaken furtive crushes in the crowd AND raise funds for Art Ready, a mentoring program created by SmackMellon Gallery to serve NYC High School students who are interested in the arts.

For more Information about the Art Ready program for New York City high school students, please visit: http://www.smackmellon.org/education.html

MUSIC

Live DJ sets by DailySession.com will be pumping and streaming live from the “Street Crush” event over the internet all night.

The featured Street Crush DJ will be Jessee Mann, a Williamsburg hottie and self-professed music nerd who plays weekly at Bembe and has mooved booties all over the whirl.

Look out for a special performance by electronic drummer Kamoni, who flagellates the street-sin out of you with a solo live audio collateral collage of beats, sounds, and samples on stage. yeow!

AFTER PARTY AT COCO66 NEXT DOOR

Immediately following the “Street Crush” show opening, guests are invited next door to continue celebrating their new found love at Coco66 and the 68 bar/restaurant, where the booty-shaking music continues and site-specific installations by 2 Brooklyn projection artists, SeeJ and SuperDraw, will blow minds with their original forays into the next horizon on street art.

BIOS OF THE PERFORMERS

DJ Jesse Mann

Jesse’s musical style encompasses all that is soulful and funky, incorporating familiar sounds with obscure forgotten classics and upfront remixes. In a single DJ set he can travel effortlessly between vintage funk and disco to Afro-Latin grooves, house, techno, hip-hop, and everything in between.
His DJing career has taken him far and wide in the last nine years; Paris, Berlin, Vienna and England, to San Francisco, Miami, and Puerto Rico. He has played at many of NYC’s biggest and most revered clubs, its most chic and exclusive lounges, and its most intense underground parties. Favorites include APT, Cielo, Limelight/Avalon, Love, Sullivan Room, Hotel QT, Socialista, Goldbar, Lunatarium, 3rd Ward, Cabaret Sauvage (Paris), Batofar (Paris), Watergate (Berlin), Roxy (Vienna). Currently Jesse is resident DJ at Bembe weekly with the BodyMusic party.

Download his mixes at:
http://www.jesse-mann.com/mixes.html

Live Electronic Drumming

Kamoni
Kamoni is a Brooklyn based sound designer, live performer and sonic experimentalist. His work encompasses everything from live electronic shows to commercial music production and sound library development. Kamoni has acquired numerous credits on TV, film and animation soundtracks while consulting with music software pioneers such as Ableton and Native Instruments. He launched Puremagnetik in 2006 and his work has been featured in Electronic Musician, Sound on Sound, XLR8R, Remix, Computer Music, Knowledge, Keys and numerous other publications.

See an example of Komoni’s work here: http://www.youtube.com/watch?v=PBPSRJAaubg

Street-Tart Burlesque Performers

Tigger!

Tigger! (the MC) is The Original Mr. Exotic World! – Best Boylesque 2006 at The Burlesque Hall of Fame in Las Vegas. Winner of Four Golden Pastie Awards including “Performer Most Likely to Get Shut Down by the Law” and “Most Unpredictable Performer.”, and “the King of Boylesque.” The New York Times called him a “hysterical and acrobatic man in drag,” Next Magazine called him “the taboo-defying dynamo,” and San Francisco tried to ban his striptease.

Tigger! has a MySpace page here:
http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=16832866

Nasty Canasta

Nasty Canasta is the co-producer of Pinchbottom (“Best Burlesque in NYC” – NY Magazine, “Most Innovative” – Miss Exotic World Pageant) and the impresario behind Sweet & Nasty Burlesque. Her performances combine classic burlesque, pop culture, and a theatrical sensibility to create a dazzling mummery of perplexing proportions. The reigning Cheese Queen of Coney Island, Nasty is, quite possibly, too damn clever for her own good.

Nasty Canasta can be found here:
http://www.nastycanasta.com/

Harvest Moon

Harvest Moon otherwise known as the Sultry Siren of Burlesque has been sauntering on burlesque stages since 1995. She has performed in Sydney, Paris and many cities in the US. She is founder of award-winning troupe, The Cantankerous Lollies. In the summer of 2008, Harvest toured the Netherlands and Italy in a special showcase of American Burlesque “Cabaret New Burlesque”. From her homebase in New York City she continues to push the frontiers of modern Burlesque with each new act.

Miss Harvest Moon’s website is here:
http://missharvestmoon.com/

Clams Casino

Clams Casino has been called a “Burlesque Queen” by the New York Times, and is the proud winner of the awards for Most Comedic and Most Innovative at the 2008 Miss Exotic World Pageant in Las Vegas. Clams is the co-producer of the Gameshow Speakeasy at the Slipper Room, AM Gold at Coney Island, Killer Queen Burlesque and Borderline Burlesque:Midnight Madonna Madness at the Zipper Factory, and many other pop-culture obsessed burlesque shows around New York City and the Eastern Seaboard.

Miss Clams Casino can be found here:
http://www.missclamscasino.com/home.html

PREVIOUS EVENTS from BrooklynStreetArt.com

An on-going celebration of the creative spirit, BrooklynStreetArt.com presents “Street Crush” as the 4th street art event thrown in the last 10 months.
Previous events include;

* April 2008: a benefit street art auction of work by 27 street artists at Ad Hoc Art in Bushwick that raised money for the youth and family creative arts and mentoring programs of Free Arts NYC (www.freeartsnyc.org) and launched the book “Brooklyn Street Art” published by Prestel worldwide and authored by Steven P. Harrington and Jaime Rojo.

See highlights on Youtube:http://www.youtube.com/watch?v=OP3by_SolwA

* May 2008: a street art showcase of 10 street artists at Fresh Kills in Williamsburg also benefiting Free Arts NYC,

* Sept 2008: “Projekt Projektor”, a first-ever curated show of projection artists as street artists in a live show by 6 projection artists on the side of the Manhattan Bridge and the Pearl Street Triangle during 2 nights of the Dumbo Arts festival on September 26 and 27.

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Power and Currency: Factory Fresh

Power and Currency: Factory Fresh

September 1, 2008 , , , ,

“Power and Currency” a new show curated in Bushwick’s Factory Fresh Gallery by Natalie Kates, strikes at the nexus of two words that shake out in the events of most days in New York.  On Brooklyn’s Flushing Avenue, just past Bushwick Ave, the road is rumbling with trucks and potholes, vibrating with the expectations and hopes of a lot of new people these days – artists seeking studio space and escaping high rents, small businesses strong-armed by condo-building piglords, musicians looking for a practice studio, artisans, woodworkers, furniture makers, ……it’s a growing list. You don’t have to look far to see the mounting pressures on the aspiring creative class, and one’s thoughts turn to power and currency more than ever.

Factory Fresh, celebrating three months on Flushing Avenue, is the lovechild of Ali Ha and Adam DeVille, who once fostered a vibrant, audacious, tiny and welcoming gallery of mostly street artists called Orchard Street on the Lower East Side of Manhattan in the early ‘00s. Over five short years and 20 shows, it was a wellspring of new street art that crunched genres and gave foot to a number of underground street artists, and opportunity to many more.

Flyer for the Closing of Orchard Street Gallery

Flyer for the Closing of Orchard Street Gallery

But powerful “Luxury Condo Fever” had been coursing through the valley of lower Manhattan, and when the slimy, blinding affliction caught their landlord, Ali and Ad fought in court to save Orchard Street Gallery, their community and their dream. The fight lasted for 8 months, before they rallied in April “06 and gave their “Grand Closing” show to say goodbye to the soon destroyed building, featuring work by artists they had heralded, some for their first solo shows, including Jet and Rubble, Abe Lincoln Jr, Solar, Rep1, GoreB, as well as shows by Magmo and MCA, Skewville, Pufferella, Overspray Magazine and Azstar.

With more guts and gusto, they eventually set up shop in a former bodega storefront in industrial Brooklyn, where a nascent street art scene was quickly ramping up. “The surrounding Bushwick galleries have been wonderfully supportive, there is a great neighborhood vibe and I really like and respect them,” says Ali.  A quick hike in almost any any direction from the gallery finds current street art installations from Swoon, Frank Duval, Judith Supine, Gaia, and Chris Stain.

Smart alecs and artists Welcomed

Smart alecs and artists Welcomed

The Factory Fresh coronation featured Orchard alumni Skewville during the Bushwick Open Studios weekend in June – an instant success that was swamped with fans old and new; It quickly sprayed a large stenciled red star on the Bushwick map, alongside other newcomers like English Kills, which is a sneaker-throws’ distance down Flushing. But don’t expect the haughty chilled white box here; Factory Fresh is just as committed to the community of artists as ever;  over the summer they hosted a show that paid tribute to the hardworking artists and interns who helped make the gallery launch successful with a showcase of their work.

With Fall roaring in, “Power and Currency” opens with 22 artists in tow.  A huge fan of Orchard Street, “style curator” Natalie Kates was asked to put together her inaugural show. “She came to our 8th show at Orchard Street which was Elik in January 2005… I always appreciated the way she handled herself”

“We are trying to expand our horizons, she knows things I have no clue about but blends them with things I know and love. Natalie surprises me every minute, it’s exciting,” says Ali.

For her part, Ms. Kates, a street art collector, was thrilled to get a chance to create a show, “Ali and Adam were the first art gallery in Manhattan to show Street art at the Orchard Street Gallery space.  My first purchases were three ELIK panel’s that I still to this day adore. When Factory Fresh approached me to curate a show I jumped on the opportunity.”

On the horizon, the auburn Ms. Ha exhibits her customary patience with the process, “We are taking it one day at a time, mostly. I have a few tricks up my sleeve but I also don’t like to plan things too much, you never know what the next day might bring. I like surprising myself, I like surprising my patrons.”

“I think working with lots of people is what will keep Factory Fresh current.  It takes a village, right?”

* * * * * * * * * * * * * * * * * * * ********

INTERVIEW with style curator Natalie Kates about “Power and Currency”

Brooklyn Street Art: What first drew your interest to street art (or urban art)?

Natalie Kates: I have always had a heightened visual sense and have been aware of urban art since the 80’s style old skool bubble letter tags and throw ups.  Some of my favorites were Lee, Seen, Martine, Futura 2000 and of course Keith Haring and Basquiat.  Having deep roots in the fashion industry I first started to notice a visual shift in the urban landscape with Kaws hijacking Fashion Ad Campaigns in the late ‘90’s.

Almost over night there seem to be a change of guard.  The new wave of urban artist had a new voice in the medium of stencils, wheat pasted cut-outs, stickers and glass tiles.  I wanted to know everything about this movement.

Funny Money by DFace (photo Natalie Kates)

Funny Money by DFace (photo Natalie Kates)

Brooklyn Street Art: It is not unusual to hear of an individual curating a show at a gallery, museum, or even nightclub.  What is a “style curator” in the context of a gallery?

Natalie Kates:”Style Curator” is a title/term/concept I came up with to best describe myself and what I am trying to manifest in the world. To me a style curator is a person who is able to think and curate on multiple levels. For example not only am I responsible for curating the artist but also responsible for curating music, guest lists, invites and the overall stylistic look and feel of event. A “Style Curator” is a person who curates style. Style can come in many forms such as fashion, art, music and esthetics.  It is a way of thinking and life.

Nicoz (photo Natalie Kates)

Nicoz (photo Natalie Kates)

Brooklyn Street Art: When street art enters the gallery, how does its’ energy change?
Natalie Kates: I am not sure if the energy changes, but I think the perception changes when in the context of a gallery.  A gallery can give street art it’s credibility the genre deserves.

Brooklyn Street Art: One artist collective, Peripheral Media Projects, recently has been creating large canvasses of storm-trooper looking police in Warholian “Silver Elvis” arrangements.  Do you think this show is influenced by fears of state power?_
Natalie Kates: PMP or Peripheral Media Projects is in the “Power & Currency” show.  They have come up with an amazing installation of “Riot Cops” on Plexiglas.  I don’t know if the images are influenced by fears of state power._
What I take from the images and the installation is a fear to conform, to be apart of a hive like mindset, the fear to not celebrate our differences and flaunt out human imperfections.

Peripheral Media Projects "Riot Cop" (detail)

Peripheral Media Projects “Riot Cop”   (photo Natalie Kates)

Brooklyn Street Art: Aiko and Bast have been introducing more graphic elements of sexualized or sexual imagery into their work.  How does sex enter the power equation?  Currency?_
Natalie Kates: Sex is power and does hold a currency.  Look back in history, Cleopatra, Helen of Troy, Evita Peron, all these women had this power and wielded its’ currency.

Brooklyn Street Art: Are there any examples in the show of the intersection of both power and currency?_
Natalie Kates: There are many amazing works of art in this show.  If I had to single out one piece it would be from artist Tom Fruin.  His piece is entitled “Bud Klan Church”.

Bud Klan Church by Tom Fruin (photo Natalie Kates)

Bud Klan Church by Tom Fruin (photo Natalie Kates)

Made from cut out Budweiser cans with (Klu Klux) Klan’s men illustrations in the silhouette of a southern church on fire. This is a solid piece that speaks of power and currency on many levels such as religion, fear, entitlement and alienation to name a few.

Brooklyn Street Art: From a curator’s point of view, what does the whole show look like when it all comes together in one location?
Natalie Kates: This show is a marriage of two art schools.  My attempt is a symbiotic relationship between the contemporary and street artist.  I feel the street artists can give a cool factor to the contemporary art while the contemporary artists can in a sense legitimize the street artist and give them their much needed nod in the global art world.

<<Brooklyn Street Art>>

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Factory Fresh

is located at 1053 Flushing Avenue between Morgan and Knickerbocker, off the L train Morgan Stop

“Power and Currency”

Opening Reception September 5, 2008 from 6-10pm
Show runs September 5 – October 3, 2008
Curated by: Natalie Kates

NatalieKates.com

Factory Fresh Website

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Gallerie Pulaski de Celso et Infinity

June 23, 2008 , , , , ,

Danny Licul, infinity, & Tefsukaz . Photo by Celso.

Danny Licul, infinity, & Tefsukaz . Photo by Celso.

POST NO BILLS @Gallerie Pulaski

curated by Celso & Infinity

Just north of the People’s Republic of Brooklyn, across the Pulaski Bridge, lies a nice patch of pavement called Long Island City, Queens.  Art fans always make sure to hit the Sculpture Center, PS1, and 5 Pointz – which is famous to taggers and street artists alike; a protected haven and prized pantheon of the creative spirit.  If you were to throw a molotov cocktail from 5 Pointz and  PS1 had the wind at your back you might smash into a marriage of both right now: an outside street gallery show called POST NO BILLS, featuring the work of about 25 intrepid explorers installed thoughtfully on a block long stretch of construction site walls.

Inga Huld Tryggvadottir. Photo by Celso.

Inga Huld Tryggvadottir. Photo by Celso.

Royce Bannon. Photo by Celso.

Royce Bannon. Photo by Celso.

Abe Lincoln Jr.(with Infinity). Photo by Celso.

Abe Lincoln Jr.(with Infinity). Photo by Celso.

One of the curators of this show, Celso, put down his hammer and nails for a minute to talk about his latest project, as well as his own recent solo and collaborative work:

BrooklynStreetArt: So you and your co-curator Infinity have put together a sizeable outdoor show called POST NO BILLS. Even with two people, it looks like it was a lot of work.

Celso: It wasn’t too bad. infinity and I have been working together for some time, so we can get things done quickly and easily. We both tend to be in agreement on what works and what doesn’t and that makes things easier. Plus, we both love the color orange.

BSA: How long have you two been working together?

Celso: It’s been three to four years, mostly through Endless Love Crew shenanigans, but in the last year or so, the two of us have done a lot of collaborative pieces (paintings, smaller murals, etc.), and now we’re also working together at a more massive level. infinity has lots of evil plans brewing…

Bushwick Brooklyn Mural with Celso, Infinity, and Deeker collaboration. Photo by Celso.

Bushwick Brooklyn Mural with Celso, Infinity, and Deeker collaboration. Photo by Celso.

BSA: Is Infinity trustworthy and reliable?

Celso: Not with money or women.

BSA: What was the main challenge getting the stuff up?

Celso: Some of the Post No Bills artists had never put work on the street before like James Willis and Inga Huld Tryggvadottir. James is an established gallery artist and he works in charcoal. This means that his works are incredibly easy to smudge. Now, add wheatpaste to the mix and it can get pretty ugly.

Likewise, Inga is an incredible cutter. She makes these fantastic works that are made out of layers upon layers of paper. This may work in a gallery, but on the street, it was a challenge to secure it to a wall. We used a ton of wood glue as well as a few screws to keep everything up. Despite the challenges of installation, the pieces really rock on the street.

BSA: So, really, it is a gallery.  Damn, I missed the opening!  Were there white wine and cheese cubes?
Celso: This Friday June 27th is the opening. We’ll have a cooler and a cheese tray. Maybe some showgirls too.

BSA: How did you hook up that space? I notice you have ceilings to conveniently shield your gallery visitors from the sun and rain.
Celso: I got the space through chashama, an arts organization based here in the city. They’re a non-profit that provides artists with subsidized studio and gallery spaces. They hooked me up with this spot. And yeah, what attracted me to it was the second level roof. It allowed us to put up two floors worth of art which are open 24/7. Next time we’ll try and add a penthouse….

BSA: Whose idea was it to take the gallery approach to the street?
Celso: This is something I’ve been thinking about for some time. I’ve curated a number of shows in galleries and I’ve worked on the street. And this seemed like a logical extension of both: an art exhibit on the street. When I saw the spot, I knew it would work. Plus, you can’t beat the traffic. It’s right next to the Pulaski Bridge and the Midtown tunnel.

BSA: In a way, the huge mural you did recently (very close to this one) was an outdoor gallery too.  But this one seems more formalized, with a gallery/museum presentation.
Celso: Yeah, I would say that “Standing at the Crossroads” (which we did with Deeker and Royce Bannon) is a more traditional mural. It’s so bright and over the top that it needed an unobstructed wall to work.

“Standing at the Crossroads” Mural with Infinity, Royce Bannon, Deeker. Photo by Luna Park.

“Standing at the Crossroads” Mural with Infinity, Royce Bannon, Deeker. Photo by Luna Park.

Celso: When I first saw the site where the Galerie Pulaski is installed, it looked pretty crappy. The construction walls were battered and painted blue and the area was surrounded in scaffolding. I knew that if we painted it gallery-white, the art would really pop. Now, people who’ve never set foot in a gallery or museum are forced to do it as they run out to catch a bus or train. Force feeding art every once in a while is a good thing.

BSA: Have you seen the gallery that was posted on a worksite in Williamsburg on S.5th and Berry this spring?  Think that one was sponsored by an energy drink.
Celso: No, I missed it.

BSA: While you have a lot of singular pieces all over the city, I notice that a lot of your work has been collaborative – Endless Love Crew is built on that model.  What appeals to you about collaborative shows?
Celso: It’s fun to work as a crew. There’s the partying and jams, but I also feel as if you learn a lot just hanging out with other artists. It’s art school without the blowhards and can be really energizing. _
But I do like to do a mix of solo and group stuff. I’ve worked on a lot of ELC stuff, but I’ve also done my own projects. I’ve worked a lot independently here in New York, doing posters, firebox shrines and the painted Plexiglas pieces, and I did a series of painted political signs in L.A. and in upstate New York. __The reason my independent work may not always be easy to find is because each piece I lay out on the street is an original. No Kinko’s bulls**t. Nothing is mass. Every piece is a hand-drawn and hand-painted. It’s a lot more work, but it keeps things more interesting. Plus, there’s something to be said for keeping pieces special.

SHRINES by Celso

“Our Lady of Monsey Trails”, by Celso. Photo by Celso.

“Our Lady of Monsey Trails”, by Celso. Photo by Celso.

Detail of “Nuestra Señora de Arte Calle, Patrona de los Grafiteros”, by Celso. Photo by Celso.

Detail of “Nuestra Señora de Arte Calle, Patrona de los Grafiteros”, by Celso. Photo by Celso.

PLEXI by Celso

Supah-stah plexiglas installation. Photo by C-Monster

Supah-stah plexiglas installation. Photo by C-Monster

Celso Plexi overlay of Frank Gehry in LA. Photo by C-Monster

Celso Plexi overlay of Frank Gehry in LA. Photo by C-Monster

BSA: There are a huge number of construction sites in Brooklyn right now.  Do you think you’ll do another gallery show soon?
Celso: Yeah, I’m already working on another one but the location is secret for now 😉

POST NO BILLS

curated by Celso & Infinity

with Abe Lincoln Jr., Celso, Ceito, Creeper, Darkcloud, DAVe, Elbow-Toe, Endless Love Crew, F.Trainer, Gaia, Gore-B, Jenny Holzer, infinity, Danny Licul, Evelyn Metzger, Milquetoast, Momo, Dean Radinovsky, Abigail Rothberg, Royce Bannon, Tefsukaz, Inga Huld Tryggvadottir, James Willis and friends

Gallerie Pulaski
48-15 11th St. @ Jackson Avenue

By Subway
Take the G to 21st Street Station
Take the 7 to Vernon Blvd – Jackson Ave Station

Celso’s work can be seen Here
Endless Love Crew too

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