Ceilee Sitt Presents: TMNK Nobody “Modern Urbanisms” (Manhattan, NY)

Nobody
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TMNK aka “The Me Nobody Knows” – Artist
Profile and Interview
In occasion of the opening of TMNK aka “The Me Nobody Knows” exhibition in Milan, we contacted Nobody asking for an interview. Alessandro met him here in New York City and spent some time talking to him.

Check out his profile and interview. You can read TMNK’s blog and view his phenomenal and original artwork posted on his website.

Photographer, painter, music producer, tattoo artist, Nobody is an artist whose creative abilities defy pre-conceived labels.
He began his career as a talented fashion photographer, when he found himself in Paris photographing the designers’ collections for Essence Magazine. He has received national recognition for his digital editorial illustrations.

More interested in making art than making a name for himself, Nobody began his extraordinary artistic production outside the influence of the art galleries world.
Showing his poignant, provocative, and bold art under the moniker of “The Me Nobody Knows” or simply “NOBODY”, he deliberately used the pseudonym to emphazise his similarity with the other talented artists in this community ignored by the art
world.

In the great tradition of synergies among artists which reveals the desire of contaminating their art, the collaboration with his fellow street artists (Avone, Ski, 2Esae) has brought to life works of great intensity.

A Soho-born street factory that considers the Big Apple sidewalks as the only possible stage, these artists collaborate without ever losing their own individual perspective and their own creative message.

Nobody likes to refer to his unique paintings as urban hieroglyphics. Constructing, assembling, deconstructing, painting, and scratching on any surface he can find, his paintings are modern-day cave drawings, offering reflections, observations, and discussions that the viewer is invited to join.

Nobody’s mix media paintings have drawn the attention of international curators, collectors, celebrities and even other artists! Well-known raw artist Gus Fink had this to say: “I think your one of greatest out there.

I really think you’re work is superb. It’s brilliant…I can’t believe how wonderful your work is. A little bit of Warhol, Basquiat, Picasso and you of course.” (Art in America)

Nobody’s mix of symbols, abstract figurative drawings, words about the current socio-political background, defying any comparison, is uniquely irreverent and poetic at the same time, comprising all the strengths and the depth of the street art.

The artist and the Sosic group (Soho Street Ink Collective) have been invited in Feb 2008 to present their art at the event “Design and Elastic Mind Exhibit” at MOMA (Museum of Modern Art) of New York

AS: Do you often work together with other artists?
TMNK: Sometimes. I’m always open to learning from and working with other artists.

AS: How much are you influenced by New York and how much are you influencing New York?
TMNK: New York is the perfect place for an artist like me; its walls resemble the inside of my mind. A myriad of messages, thoughts, and images pervade the urban landscape. Somehow these impressions are  filtered out and onto the canvas by me in a way that some have connected with. Me Influencing New York? ! Hell yeah. But why thinking so limited. I hope I am influencing the world.

AS: What will be your next step in the art biz?
TMNK: That’s classified information. NOBODY KNOWS (wink). What I do know is that I am chasing Picasso.
That is to say, I am focusing on developing a workman’s like discipline. I hope one day, to have as many credible works as the maestro. But along the way I hope to have conversations with the world it won’t soon forget. My concern with business is only in as much as I need to make money to
survive. But as an artist, I think like Van Gough or Leonardo Da Vinci. I’m constantly looking inward and outward to see what  I can discover.

AS: Any comment about the new president Obama?
TMNK: The Book of American History has a new cover, it will be up to the hearts and souls of each of us to write new chapters of humanity, equality, and mutual respect.

AS: Hi Nobody, I know you are very very very busy. Could I ask you few questions?
TMNK: Please man.

AS: What is your philosophical viewpoint behind “Art is my weapon”?
TMNK: I try to find creative solutions to problems. In a world filled with so much hate, violence, and intolerance I use my art as a weapon against these manifestations of ignorance.
Yes, I am maybe nobody, but I am not powerless. I fight back through creative expression.

AS: You consider your paintings as “Modern-day cave drawings”. What is your message to people?
TMNK: Not so much a message, I am simply my sightings and experiences, and my interpretations thereof. I share stories about what I saw/experienced, but I also leave room for the viewer to interpret from their viewpoint. I hope my paintings make future generations think and ask questions. I would love to be a part of a future discussion on politics, economy, culture 100 years from now. I simply paint what’s  in my head and in my soul. I throw my pebble in the pond hoping it ripples outward a great distance, hoping someone  anyone is moved by this disturbance I’ve caused.

AS: Someone compares you to Picasso, Basquiat, and Warhol. What do you think about that?
TMNK: I’m honored, as I respect their work, their talent and their accomplishments. I laugh at those who say my work is just like Basquiat, as it shows their ignorance. They see the crown, and they say aha, he copies Basquiat. And to them I have left a message in my paintings “BDO Me,” Basquiat doesn’t own the crown symbol. But these things are the business of critics and curators.

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Joe Iurato Offers “Salvation” in Philadelphia

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Joe Iurato “Bulletproof” (photo © Joe Iurato)

The work for Street Artist and fine artist Joe Iurato uses stencil as it’s central technique, and the human figure and gesture as a means of expression. For his dual show with Shai Dahan opening tomorrow at Vincent Michael Gallery in Philadelphia, Iurato expresses a turbulent time in his recent life when he battled economic insecurity, deep rooted fears, and feelings of low self-esteem. For “Salvation” the artist contemplates his relationship with his religious faith, and he questions the strength of it’s foundation and his life.

As a gift to the BSA family, Joe speaks here about his development of the theme and offers a rare insight into the intersection of faith and creativity in an artists life, and the catharsis that can take place.

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Joe Iurato Installing his show “Salvation” at Vincent Michael Gallery (photo courtesy the artist)

“Salvation” addresses a personal struggle I’ve had during the past couple years. It’s a conflict that everyone, regardless of social status, will go through at least once in life. It’s about the struggle with faith and where we stand with our own beliefs. It’s easy to say “I believe in this” or “I don’t believe in that” when times are good.

brookln-street-art-joe-iurato-Ill_Take_Care_of_you_WebJoe Iurato “I’ll Take Care of You” (photo © Joe Iurato)

After I was laid off, like probably half of the people reading this, in 2008, I watched the job market crumble and I just fell apart with it. At the time, I was sole provider of a new family at home, and I just remember feeling the greatest sense of failure I’ve ever known. Pure defeat. Regardless of what I believed or didn’t believe prior to this, I went through all sorts of soul searching. I questioned everything. I was angry at somebody, but I didn’t know who. Sometimes I’d look up and question why, and sometimes I’d look down and place the blame on myself. It’s like you don’t know exactly where or what went wrong and suddenly these crutches appear – like if you leaned on them they’d save you. Looking back on it, it’s rather desperate and borderline silly. But, there’s no denying they were there. And it left me wondering. Now, I ponder the validity of it all.

brookln-street-art-joe-iurato-Rubble_WebJoe Iurato “Rubble” (photo © Joe Iurato)

You can interpret the paintings any way you like; religious, spiritual, desperate. I’m not saying any conclusions are right or wrong. Whatever you see will probably be a testament of your own faith and where you stand with it. For me the story begins with the struggle, leaps into the arms of faith, and ultimately ends with salvation.

brookln-street-art-joe-iurato-Nobody_WebJoe Iurato “Nobody” (photo © Joe Iurato)

About the work itself: I used some new techniques and ideas, especially with the concept of supports. I used glass and shadow boxes for depth with “local” wood harvested from Amish farms in Pennsylvania. I stayed away from being exact and clean, and got a little looser with my cuts and compositions. I’m hoping this segues into something new for me on walls outside, too. The works are primarily based on photos of me, since the topic of salvation is so personal. Carrying the theme a step further, I made an installation in this show using the coat and shoes I wore while creating these pieces; the rope, some torn stencils, unused wood scraps and cuts of paper. Guess it’s my way of retiring a critical time in my life and moving forward.

brookln-street-art-joe-iurato-Safety_Net_webJoe Iurato “Safety Net” (photo © Joe Iurato)

brookln-street-art-joe-iurato-Stranger_Coming_Home_WebJoe Iurato “Stranger Coming Home” (photo © Joe Iurato)

brookln-street-art-joe-iurato-Salvation_webJoe Iurato “Salvation” (photo © Joe Iurato)

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New Image Art Presents: David Ellis “Mola Salsa” (Los Angeles, CA)

David Ellis
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OPENING RECEPTION SATURDAY FEBRUARY 5, 2010

7 TO 10PM

Mola Salsa
David Ellis’s newest exhibition, Mola Salsa explores process with 15 new works on paper and a new motion painting. Reflecting on images from his childhood in rural North Carolina, David draws animals, trees, clouds and images dear to him. For this exhibition Ellis engages the idea of the animal spirit to depict his ideas of transformation. Ellis also makes imagery derived from plumes of smoke and steam originally inspired by witnessing an active volcano. These linear works he calls “flow” also describes rivers, both above and below the surface. This language embodies his belief that no condition is permanent.

In the project room Ellis will show his most recent motion painting “Animal.””Animal” is a 10-minute, high-definition, edition of 6, commissioned by Landmarks in Austin, Texas in 2010. Motion painting is a time based media technique that renders the process of painting into a cinematic experience.

In ancient Roman religion, mola salsa (“salted flour”) was a mixture prepared by the Vestal Virgins and used in every official sacrifice. It was sprinkled on the forehead and between the horns of animal victims before they were sacrificed, as well as on the altar and in the sacred fire. It was a common offering to the household hearth.[1]

In his explorations of movement, change, and rhythm David Ellis effectively combines his talent for visual representation. By utilizing various elements of music making-collaboration, improvisation, timing, and repetition- Ellis enlivens his creative process and thus his viewer’s experience through intricate experimental videos and complicated kinetic sound sculptures. David Ellis has exhibited at the Museum of Contemporary Art, San Diego, PS1, and the MOMA, New York to name a few. He looks forward to a forthcoming solo show this June in New York City, a solo booth project at Pulse, NY in March 2011, and an exhibition with Agnes B. before the end of 2011.

Tues – Sat / 1-6pm

New Image Art

7908 Santa Monica Blvd.
Los Angeles, CA 90046
323.654.2192
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Winners! BSA Giveway for “Eloquent Vandals”

Congratulations!

“I love art a lot, its a hobby that takes a lot of my time, and helps me being positive and keeps my mind off the more serious things in life,” says prize winner Martin C. from Denmark. Congratulations to him and to Marco C. from Italy who was stoked to win the big prize, “You made my day.” Finally, there is Mika A. from Washington, DC, who is a young street artist there and who sent us a cool pic.

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Hello My Name is TY

Stickers keep coming up in conversation and on the street as a popular option for the time pressed or weather oppressed street artist who wants to get up and outy ASAP. Last week when we were getting pummelled by our weekly winter storm, this batch of stickers suddenly popped up all over the place by somebody named TY. They are fresh and haven’t achieved that weathered patina yet so they popped out in SOHO in front of passers by who dared to look up from icy sidewalks. Simple shapes and poppy colors are all it takes for TY to mix up a batch.

brooklyn-street-art-ty-jaime-rojo-02-11-7Ty (photo © Jaime Rojo)

brooklyn-street-art-ty-jaime-rojo-02-11-1This reminds me of a guy at work. Ty (photo © Jaime Rojo)

brooklyn-street-art-ty-jaime-rojo-02-11-2A ruby in the rough. Ty (photo © Jaime Rojo)

brooklyn-street-art-ty-jaime-rojo-02-11-3What’ s that you say about Salvia? Lemme check.  No, that’s s-a-l-i-v-a.  Now I need a napkin. Ty (photo © Jaime Rojo)

brooklyn-street-art-ty-jaime-rojo-02-11-4Ty (photo © Jaime Rojo)

brooklyn-street-art-ty-jaime-rojo-02-11-5We are so in love. Sometimes I don’t know where you end and I begin. Ty (photo © Jaime Rojo)

brooklyn-street-art-ty-jaime-rojo-02-11-6Ty (photo © Jaime Rojo)

brooklyn-street-art-ty-jaime-rojo-02-11-8Damn, son whatchu been smokin’? Ty (photo © Jaime Rojo)

brooklyn-street-art-ty-jaime-rojo-02-11-9Ty (photo © Jaime Rojo)

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BSA Giveaway: Win “Eloquent Vandals” and NuArt Stuff

Answer 3 Simple Trivia Questions from last nights Brooklynite  LIVE chat with Martyn Reed

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Man, that was a blast! The Chat Pub over at Brooklynite was pretty crowded last night with an international crowd of beer swilling NuArt fans all yelling and climbing over each other to grab the ear of the guest of honor. Peeps who logged online to see the World Premiere of “Eloquent Vandals” were happily peppering affable bad boy Martyn Reed with questions ranging from his experiences with the NuArt artists (95% good) to how his little Norwegian town became known for amazing Street Art over the course of a decade (work and talent and luck). All that chatter made it hard to hear the movie and if you were like us, you missed most of the show because of all the excitement.

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But, as promised, we’re giving away the movie today to you. Just answer these three questions and send them to us at Eloquent@BrooklynStreetArt.com.  The first three people who answer the three questions correctly win 1st, 2nd, and 3rd prize.

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No family or pets or employees or landlords of BSA are eligible. All complaints about the hardness of the questions should be addressed directly to Martyn Reed at thesequestionsaretoohardyousuck@nuart.no. Good Luck! We’ll tell you who won tomorrow.

Here are your Trivia Questions:

1) In the film, what does Dface’s work ask us to do?
2) GRL is an acronym for what ?
3) Nick Walker is from which British City ?


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Shot and directed by Martin Hawkes, the film features work and interviews with Street Artists like Blek Le Rat, Graffiti Research Lab, Dface, Herakut, Nick Walker, Know Hope, Jimmy Cauty, Chris Stain, Wordtomother, Sten & Lex, Dotmasters, Zeus (UK) and Dolk & Pøbel.
. . . . . . . . . . . . . . . . . . . . .

Special thanks to Martyn Reed and Rae McGrath.

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Fifty24SF and Upper Playground Present: INSA “More” (San Francisco, CA)

“More”
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FIFTY24SF Gallery in Association with Upper Playground presents:
“MORE” – A collection of new work by INSA

SAN FRANCISCO, CA [1.28.11] — Upper Playground and FIFTY24SF Gallery are pleased to announce London-based graffiti, conceptual, and fine artist INSA’s first solo exhibition in San Francisco opening on February 3rd, 2011. The exhibition is appropriately titled, MORE.

Within the new body of work in MORE, INSA explores themes of aspiration and expectation, wants versus needs, and happiness versus success in his most comprehensive study to date. Using exaggerated symbols of sexuality representing the commodification of both everyday life and underground subcultures, INSA examines the illusions of seduction while employing his own iconic brand of aesthetic allure to draw the audience in. INSA’s new work revels in lurid excess, embracing the insatiability of consumerism and highlighting the duplicity of morality and enjoyment.

Followers of the artist will be familiar with some of the themes displayed in MORE. INSA, constantly involved in interesting new projects, recently gained worldwide attention for his piece “Anything Goes When It Comes To (S)hoes,” (more commonly referred to as his “Elephant Dung Heels”) which were exhibited at Tate Britain in London. He has also been a pioneer in the world of graffiti on the Internet with his visually stunning, labor intensive “Gifitti.” This is all in addition to INSA”s continuing insatiable need to cover any surface with his signature “Graffiti Fetish” pattern.

MORE will feature 9 new provocative works, with INSA utilizing media such as sculpture and lights adding to the “glamour” of his work. The exhibition will also feature an exclusive SF edition of INSA’s classic “Heel” print and a selection of photographic prints.

MORE will run at FIFTY24SF Gallery from February 3rd, 2011 – February 28th, 2011.

—————————————————–
FIFTY24SF Gallery Contact Information:
Gallery Hours: Wednesday-Sunday from 12-6 P.M. and by appointment
Address: 218 Fillmore Street, San Francisco, CA 94117
Contact: Amanda Krampf / Phone: (415) 252-9144 / Email: Amanda@UpperPlayground.com

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Onethirty3 Presents: TitiFreak One Night Only (Newcastle upon Tyne, UK)


onethirty3 \ \ \ \ \\

Artists Installation space
TitiFreak//////////
Thursday, 24th Feb. 2011
The Artist will be present /////// // // / Open to the public for one night only

EACH INSTALLATION SHOW WILL BE ACCOMPANIED BY ONE ORIGINAL PAINTING & LIMITED EDITIONS OF 33 SIGNED & NUMBERED PRINTS)

THE PLACES WILL BE LIMITED – email us with your name to get on the list. – info@onethirty3.com


ART / DRINKS / DJS / GOOD PEOPLE

6.30pm-9.30pm on Thursday, 24th Feb. 2011
Venue: Onethirty3, Unit 22, Hoults Yard, Newcastle upon Tyne, United Kingdom.


‘One thirty 3 – ‘Artists project space’ will host six innovative and exciting wall based painting installations a year.
The invited artists will create site-specific art installations which will provide a unique opportunity for visitors to experience large scale examples of the best in contemporary street & urban art from around the world.


2011 Roster: April/May: Sickboy/Word to Mother – June: Herakut – August: Retna – October: Gaia – December: Special Guest

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Party with Mirf and BSA at District 36 in Manhattan

District 36
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Join Mint&Serf and Steve & Jaime from BrooklynStreetArt at District 36 for this official opening to celebrate the new Mint & Serf installation.

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Return to the roots of electronic music and join Mint&Serf and BrooklynStreetArt as we celebrate the unveiling of the Mirf Room at District 36, the newly opened 14,000 square foot dance club in the heart of Manhattan.

***

MUSIC BY:
LARRY TEE
CASEY SPOONER OF FISCHERSPOONER
DANCES WITH WHITE GIRLS.

DISTRICT 36
29 West 36th Street (Between 5th & 6th)
New York, NY 10018
D36NYC.COM

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New Folk Hero Julian Assange Is Inspiring Artists

Pre-dating the modern “Street Art” movement, the street has traditionally been an outlet for the voice of the people and social movements have almost always gained purchase there. Posters of underground heroes are as old as “Wanted: Billy the Kid” nail-ups that people used to rip down and take home. The amount of politically motivated Street Art you see or even themes surrounding social issues seem to ebb and flow in quantity, but they are ever present. Villain to some and emerging folk hero to others, Julian Assange, the founder of Wikileaks, has already inspired a comic book in addition to some pieces on the street.

We haven’t seen Julian Assange Street Art in person yet, but we keep hearing about pieces elsewhere as he slowly transforms into a Cause célèbre for freedom of information advocates throughout the world. Brooklyn-Street-Art-copyright-Julian-Assange-Coloring-Book

From the Julian Assange Coloring Book (©)(www.julianassangecoloringbook.com/)

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Artist Thierry Ehrmann @ the Abode of Chaos (their Flickr)

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From Melbourne, this double Assange stencil (© Regan Tamanui, Flickr)

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A new stencil on a vinyl album by Amorfart Stencils (© Amorfart)

Here is a short video showing the process for making a five layer stencil of Assange by Hungarian street art site Amorfart. Read more here:

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A Julian Assange stencil in West End, Queensland, Australia by Kamineko. (photo © Pawz)

brooklyn-street-art-julian-assange-John- CarrJohn Carr “Mendax (Assange)” (photo © John Carr)

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Images of the Week 01.30.11

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Our weekly interview with the street, this week featuring Billi Kid, Poster Boy, RG, BAST, Logik, DanWitz, Wing, Oculo, and Shin Shin.

brooklyn-street-art-billi-kid-jaime-rojo-01-11Billi goes iconic. Billi Kid (photo © Jaime Rojo)

brooklyn-poster-boy-art-artist-jaime-rojo-01-11“You Better Punch!” Poster Boy (one of many) (photo © Jaime Rojo)

brooklyn-street-art-RG-jaime-rojo-01-11A patriotic second amendment sculpture. RG (photo © Jaime Rojo)

brooklyn-street-art-bast-jaime-rojo-01-11A blast of Bast (photo © Jaime Rojo)

brooklyn-street-art-flag-jaime-rojo-01-11Insight into the class war (photo © Jaime Rojo)

brooklyn-street-art-dan-witz-jaime-rojo-01-11Logik and Dan Witz (photo © Jaime Rojo)

brooklyn-street-art-wing-jaime-rojo-01-11On a Wing and a prayer (photo © Jaime Rojo)

brooklyn-street-art-oculo-jaime-rojo-01-11Oculo surveys the street scene. (photo © Jaime Rojo)

brooklyn-street-art-lips-jaime-rojo-01-11 Read my lips, “No new jobs.” (photo © Jaime Rojo)

brooklyn-street-art-shin-shin-jaime-rojo-01-11Shin Shin leaves a patch of grass for the Manhattan cattle  (photo © Jaime Rojo)

All photos copyright Jaime Rojo

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