Lady Pink – Evolution
November 5 – December 30, 2011
LadyPink is the first woman in graffiti based art. In her current solo exhibition “Evolution,” Lady Pink re-masters work she once created as public murals. Lady Pink muses on old lettering outlines which have evolved from three decades of writing. To the cultured eye, Lady Pink’s street tag can be identified from the period in which it was deliberately constructed. The colorful POP- surreal canvases today, have her trademark name interwoven throughout the elaborate image, as if to authenticate her mark in art history. Lady Pink’s unique personal vision has been communicated throughout her evolution from subway writer to fine artist.
Sandra Fabara, aka, Lady Pink, was born in Ecuador in 1964, raised in Queens, New York, and studied at the High School of Art & Design in Manhattan. While a student there, she met a group of graffiti artists and began writing at age fifteen. She was soon well known as the only prominent female capable of competing with the boys in the graffiti subculture. Lady Pink painted subway trains from the years 1979-1985. She appeared in theaters in the starring role of Rose in Charlie Ahearn’s 1983 film Wild Style and quickly acquired hip-hop, cult figure status. That same year, Lady Pink was featured in the landmark Graffiti exhibition at the West 57th Street Sidney Janis Gallery where she met the elite collectors of the artworld.
Lady Pink’s canvases are in the permanent collections of the Whitney Museum, the Metropolitan Museum of Art, the Brooklyn Museum, New York and the Groningen Museum, Holland. They were featured in the major exhibitions “Art in the Streets” at the LA MOCA and “Graffiti” at the Brooklyn Museum. Lady Pink continues to mature as an artist, selling work internationally and producing ambitious murals commissioned for universities, corporations and institutions. This year, Pink’s art has also been seen on television commercials for the search engine BING.
Please join us for the opening reception Saturday, November 5, 2011 from 6-8pm
Teebs. Photo Courtesy of the Gallery
‘Lady Luck’
L.A. based artist Teebs is more than just another painter in Southern California’s flourishing contemporary art scene, he’s also an accomplished music producer for L.A. based label Brainfeeder. With his largest and most extensive body of work in over 2 years, ‘Lady Luck’ is the result of the artists thoughts spilled over the last few years, built around the excitement and experiences of the release of his first record whilst traveling all over the world.
The juxtaposition of gentleness in the images and the technicolor aesthetic lends itself to the subtle execution that Teebs uses to immediately define a mood within his work. Much like his music, the tone in his artwork is one of intoxicating amusement. It’s whimsical, gentle and joyful on the surface but upon examination unveils some of the more intricate and abrasive elements. ‘Lady Luck’ will feature many large-scale works on wood, hand-painted installation elements and a handful of original artwork created on blank record sleeves. Through this body of work Teebs has found himself, once again, speaking and working within a language he truly understands.
Join us for the Opening Reception of Teebs ‘Lady Luck’ on Friday Nov. 11, 2011 7-10pm. Followed by an after party featuring the music of Brainfeeder’s Teebs and friends at Beauty Bar Chicago on 11.11.11
POP International Galleries is proud to present BREAKING AND ENTERING –
UR New York’s first exhibition in conjunction with Miami Art Basel 2011.
BREAKING AND ENTERING is a demonstration of UR New York’s
vast range and ability to continuously produce groundbreaking urban
inspired art. Artists Michael Baca – aka “2ESAE” and Fernando Romero aka
“SKI” are committed to “breaking and entering” into the mainstream – letting their art loose on the world, all the while breaking the status quo and entering the art world on their own terms — offering intensely personal and colorful works of art with an amazingly beautiful and compelling yet universal appeal.
UR New York
tells the stories of a new generation of artists…those talented urban
and street creators generally hidden in the shadows and more often than
not found arrested and punished for nothing more than expressing their
massive talents.
UR New York
has grown up on the streets of New York City — both artists born and
bred in some of New York’s most notoriously tough neighborhoods.
Continuing with their fascination with and the allure of the street,
Mike and Fernando started their own “gallery stand” on the corner Prince
and Greene Streets a few years ago in SoHo, New York’s original gallery
district. Since claiming the street corner, Ski and 2ESAE have now
moved onward and upward, having been received by the gallery world and
are now fully represented by Pop International Galleries on West
Broadway.
Breaking the cycle of struggling street artists and entering the
professional art world with shows and collaborations globally, with
companies such as Nike, VH1, and of course Pop International, these two
authentic, skillful and versatile artists have begun to make their name
known. BREAKING AND ENTERING
will be the first time they will present an entire solo collection
making them some of the first artists ever to sponsor their own show in
Miami around Art Basel in the Wynwood District.
UR New York
is the premier collective to watch. Propelled by sheer determination, a
hunger for success and growing validation by galleries, collectors and
their peers, Mike and Fernando have a somewhat guerilla approach to the
art world — a point of pride for the two of them, who remain genuinely
grateful and humble. This unconventional approach has already allowed
them some early benefits resulting from their burgeoning success. They
have traveled extensively and work determinedly with kids from all walks
of life, earning admiration and respect the world over. “BE WHO YOU ARE®”
is their credo and they take their growing visibility seriously,
genuinely recognizing their responsibilities as they have an impact on
the kids they encounter, while still maintaining a solid work ethic and
commitment to their community.
BREAKING AND ENTERING will have pieces inspired by traveling the world and the different people that have touched their lives. Ur New York
brings everything back home, with an approach to art that relies
heavily on the city from where they come and the people and culture to
which they’re paying homage.
Baca
and Romero truly work together – allowing two distinct personalities to
magically meld on the canvas, creating an enormous a fusion of energy,
hope, power, community and imagination in every piece they make.
BREAKING AND ENTERING
is presented by UR New York in conjunction with Pop International
Galleries and will open through Miami Art Basel till the December 12.
The Barracuda Wall in Los Angeles is a safe outlet for Street Artists and graffiti artists to try out ideas without worrying that they have to look over their shoulder. The boxing club inside is owned by Miguel De La Barracuda, thus it’s name and it’s a good spot to get seen, if only for minute before it’s replaced.
What this fight club gives the lie to is that Street and graff artists are somehow at odds with one another, a mythology propagated by young hot heads sometimes. In fact, this high profile wall in LA shows that most peeps are big enough to allow everybody to get a chance to express the creative spirit, and often they collaborate. A quick bit of Googling will show you a diverse list of work on the Barracuda wall over the last couple of years, including people like Ron English, Gabe and OG. Defer, Prime, Gabe88, Anthony Lister, Escif, Sanir, Gregory Siff, Shepard Fairey and AWR MSK, Hush, Chad Muska, Cyrcle, Free Humanity, and David Flores. It’s a never ending reinvention for the never ending traffic on Melrose Avenue, a gift from a business owner to his community and the artists.
Photographer and BSA collaborator Carlos Gonzalez captured some excellent night shots of Street Artist Paul Insect at work on the wall one night last week. Masking out the portions of the wall for painting with a roll of masking tape, alternating sharp lines with drippy, Insect put up a pair of eyes to keep track of a piece by Risk below.
Happy Halloween to all you good boys and ghouls lurking behind heavy closed doors with frogs in your pockets and bats in your hair. Do you dare venture out this All Hallows Eve? What will you see tonight in the cold black air?
“What beckoning ghost along the moonlight shade
Invites my steps, and points to yonder glade?”
We know that BSA fans dig Halloween more than many holidays. Almost more than your birthday, but not quite, but almost. From his year round collecting of images, here’s a monstrous 39 photo essay from photographer Jaime Rojo of werewolves and vixens and frankenfreaks and zombies and ghosts just for you today.
FAILE DAY TWO : THE HOUSTON WALL AND A PRAYER WHEEL.
Friday was a sunny clear October day and the Faile Duo returned to the Houston Wall to complete their installation, a continual layering of the images and visual vocabulary they have developed into a language. Aided by a handful of assistants, they set out to fill in by hand painting the missing details on the hand painted and wheat pasted panels that they put up on Wednesday. It took them a month to hand paint all those panels at their studio. When that was completed they proceeded to add smaller pieces that were hand painted s well and silk screened.
Passing tourists stopped to take photos and admire the wall and ask questions while more industrious New Yorkers could only afford to take a quick glance and continue their brisk pace toward an important meeting or to the hair salon or the gym. Other Street Artists like Futura, JR and Kenny Scharf stopped by to say hello to the Faile fellas — adding to the small town feeling, one of the Patricks helped a lost mother navigate on her iPhone, as she and her child in tow taken a wrong turn. Sometimes New York feels like a quiet place, even as the traffic roars by.
Our interview with the street this week is with Brooklyn Street Art Collective, Faile.
“The Homo Riot opening was a great success,” says JB Jones of The Site Unseen, who threw this solo show for one of the rare gay Street Artists who are out of the closet and on the corrugated metal walls. Part social activism and eroticism, this stencil heavy work on the streets of LA can range from inflammatory to banal, depending on the perspective. For some the content is about liberation, for others it’s a depiction of adult themes. Whatever the impression, it’s mere presence is a mirror to us, a reflection about how attitudes are evolving in the culture and it’s various subcultures. Not to mention that even 20 years ago images like this on the street would have had the longevity of a stick of juicy fruit.
When Homo Riot’s work was taken into the gallery, it was anyone’s guess. “I think many of the attendees had no idea what to expect since most people are only familiar with his street work.” In the end, cocktails were served, pictures were taken, numbers were exchanged and of course it all devolved into a big homosexual orgy, as one might expect.
Basically today is the kickoff of a 4 day Halloween weekend of debauchery for many NYC freaks in the streets, loft parties, and bars. You are permitted to wear your Halloween costume at all times, including sleeping in a pile of barf and fake blood.
Some of the favorite Halloween costumes this year are Nicky Minaj, Angry Birds, Captain America, Charlie Sheen, a Pink Slip, a Topless Occupy Wall Street Protester, the Koch Brothers, Snooki or John Bohner (orange paint required), and your Chase Bank Student Loan Officer, Mrs. Snippet.
Top Stories this week on Fun Friday:
1. Bushwick Tonight – Beat Nite
2. The Rainbow Machine at Active Space
3. Launch of “Eloquent Vandals” Tonight in Stavanger
4. DAIN at Rook and Raven Gallery, “You Rest You Rust”
5. D’Face Never Liked What You Did Anyway (VIDEO)
Bushwick Tonight – Beat Nite
Jason Andrew continues to make the rallying cry for this art crawl/bar crawl in Bushwick, Brooklyn and it’s always an eclectic mix of badass, confounding, and clever work inside the galleries that are sprinkled around this neighborhood splattered with a fair share of Street Art. The beat we think of is the one on the streets here, where the air is infused with industrial sediment and diesel fumes, and electricity. Among the wandering artkids, quizzical conceptualists, and the odd hot-aired impresario claiming to be the original scene starter, you can look out for intermittent zombies tonight.
Beat Nite: Bushwick Art Spaces Stay Open Late
Friday, October 28, 2011 6-10PM
Voted “Best Neighborhood-Wide Gallery Night” by L MAGAZINE, participating art spaces include among others: Norte Maar, Centotto, English Kills, Famous Accounts, Regina Rex, Storefront, Valentine Gallery, and the long awaited debut of AirPlane Gallery.
The official after party will be held at The Bodega. This episode of BEAT NITE is sponsored by Hyperallergic.
Interactivity is the name of the game and you can be part of “The Rainbow Machine”, a deceivingly simple installation by Reid Bingham and Sean McIntyre where you stand still with a smile across your face while Sean sprints behind you with his custom programmed rainbow machine. Expect wilder variations in models and backgrounds than these rather tame participants in our example below.
If you find yourself in Stanvanger, Norway today NUART invites you to the launch of “Eloquent Vandals”. It’s a history of Nuart we’ve been anticipating!
” Nuart became a focal point for many in the Street Art world because of its highly curated nature and its expansive brand of personal interaction with public space. A hybrid of high-minded civic involvement and an art form with roots solidly in anti-authoritarianism, Nuart has presented a rolling roster of Internet stars and miscreants of the Street Art scene. ” – Steven P. Harrington and Jaime Rojo
The definitive book on one of the worlds leading street art festivals featuring exclusive essays from some of scene’s biggest names. Over 300 pages of exclusive images including works by Swoon, David Choe, Vhils, Blu, Ericailcane, Logan Hicks, Dface, Nick Walker, Judith Supine, Graffiti Research Lab, Blek Le Rat and many more…
Eloquent Vandals tells the story of how Stavanger, a small city on the West Coast of Norway gained a global reputation for Street Art. For the past six years, the annual Nuart Festival has invited an international team of Street Artists to use the city as their canvas. From tiny stencils and stickers to building sized murals, from illicit wheat-paste posters on the outskirts of the city to “Landmark“ pieces downtown, found everywhere from run down dwellings and train sidings to the city’s leading galleries and fine art institutions, Eloquent Vandals documents the development of not only Nuart, but also one of the most exciting art movements of our times. Features specially commissioned essays and texts by Carlo McCormick, Tristan Manco, Logan Hicks, Chris Stain, Steven Harrington & Jaime Rojo, Leon Cullinane and Martyn Reed.
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WELCOME TO THE LAUNCH OF THE MUCH ANTICIPATED HISTORY OF NUART BOOK
TOU SCENE, ØLHALLENE
FRIDAY 28TH OCTOBER – 19.00
GUEST DJ’S, GIVE-AWAYS, OPEN BAR
For more information regarding this event click on the link below:
November 3-5, 2011
The Winter Garden at the World Financial Center New York City
Pongtopia! is presented by Brookfield Office Properties, in partnership
with SPiN Galactic. A dynamic three-day event combining the sport and
art of table tennis with the spirit of charity and education.
Given the recent increase in popularity of America’s favorite pastime,
Brookfield, SPiN and Operation Design are working together to showcase
this popular sport as never before — with world-class pros and
celebrities battling it out, as the New York area’s most amazing players
compete for the Brookfield Cup.
Street artist Billi Kid, of Public Works Department, will curate the
artistic components of the event, an incredible trove of one-of-a-kind
pieces of artwork and a live auction to be held on Thursday, November
3rd. Pongtopia! will display extraordinary, creatively painted Ping-Pong
tables and paddles by high-profile street and graffiti artists. Each
piece of table-tennis art will be available for purchase and proceeds
will go to support creative programs in selected New York City public
schools through Operation Design.
Featuring
Cope2, Cern, Shiro, Joe Iurato and Billi Kid
With Contributed Works by
ART ¹, Blip, Buildmore, Cake, Carly Ivan Garcia, ChrisRWK, COL Wallnuts,
CzrVII, David Cooper, Dashdoe, Dave Warnke, Dint Wooer Krsna, El Celso,
Elijah Arts, Franck de Las Mercedes, Frost215, Fumero, Geoff Hargadon,
Ian Ross, Indie, Jaxiejax Art, Jim McHugh, Mike Die, NohJColey, Peat
Wollaeger, Peru Ana Ana Peru, Question Josh?, Rednose, Sand One, Seamo,
Street Grapes, Ticky Tock, UWP (UnderWaterPirates), VengRWK and ZAM
The Houston Wall, a showpiece of curated Street Art in an increasingly malled and moneyed Manhattan where the uncurated stuff is getting harder to find, is once again brandishing a Brooklyn favorite, thanks to Faile’s installation yesterday. Patrick and Patrick worked methodically throughout the day and are expected to return for some hand touch ups before sealing it. With this wall, owned and curated by developer Tony Goldman, it’s anybody’s guess how long it lasts without being tagged, as Shepard Fairey and Kenny Scharf can tell you. Happily for all of us, photographer Martha Cooper caught all the action as it was going up and she makes a guest appearance today to share these excellent shots and observations with the BSA family;
“The Brooklyn collective Faile had an all-day, marathon pasting session yesterday on the Houston/Bowery wall transforming JR’s muted black and white photo into a dazzling display of color. The free-standing wall has been a favorite urban canvas since Keith Haring appropriated it in 1982. Faile hand painted their piece in their studio on multiple sheets of paper which they then pieced and pasted onto the wall. ” ~ Martha Cooper
One trend these days in the world of Street Art is to go lavishly large, big with a bang, gargantuan with gusto! Copius expanses of epic walls, scissor lifts, cases of cans and buckets of wheat-paste, an assortment of assistants, photographers, a public press release, and a panting play-by-play on social media as the Street Artist progresses across the cinder blocks. The desire to think big is a historical human inclination, from the pyramids to the Great Wall of China to Burj Khalifa to the works of Christo and Jeanne-Claude , we love gigantic work.
Due to its completely democratic nature, the Street Art practice also includes the simplest, least showy, and anonymous pieces. Often we find little one-layer stencils, sprayed in ten seconds, to be just as interesting, and sometimes more powerful than the largest mural. Hidden, tucked away on the bottom of a doorway or a lamppost, the stencil is a fast way for an artist to get up and run, as fast as a sticker slap and just as effective. This collection of stencils recently collected in a few cities reminds us of those days when a lot of Street Art was not conspicuously installed and the works were small. The artists here are unknown to us but maybe you have seen them.
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY
Lady Pink is the first woman in graffiti based art. In her current solo exhibition “Evolution,” Lady Pink re-masters work she once created as public murals. Lady Pink muses on old lettering outlines which have evolved from three decades of writing. To the cultured eye, Lady Pink’s street tag can be identified from the period in which it was deliberately constructed. The colorful POP- surreal canvases today, have her trademark name interwoven throughout the elaborate image, as if to authenticate her mark in art history. Lady Pink’s unique personal vision has been communicated throughout her evolution from subway writer to fine artist.
