Ambush Gallery Presents: “Open Street Art” An Outdoor Group Exhibition (Sydeney, Australia)

 

OPEN Turns The Art Gallery Inside Out

In an initiative that transcends the white walls of the conventional gallery space and redefines Sydney’s relationship with art, OPEN is Darling Quarter’s newest public art space, set to launch in association with Art & About 2012 on Friday 21st September.

Presented by Darling Quarter and curated and produced by aMBUSH Gallery, OPEN will surprise and enchant the passersby of Darling Quarter’s Civic Connector with large-scale and vibrant public art exhibitions.

The precinct’s debut exhibition, launching on Friday 21st September and continuing until the 26th October, is OPEN STREET ART, which features internationally renowned Australian artists Anthony Lister (Bris/NY), Beastman (Syd), Shannon Crees (Syd) and Hiroyasu Tsuri/
TWOONE (Melb). Illuminated at night, OPEN STREET ART will be visible 24 hours a day.

Singular in style and leaders in their field, the artists have created a site-specific and culturally reflective body of four works each, sixteen in total, which will hang throughout the exhibition’s duration on purpose built cubes down the length of the Civic Connector.

OPEN STREET ART explores the changing relationship between street artists, their work and their audiences, as the art form continues to grow as the most significant art movement of the last ten years.

Darling Quarter’s Abigail Campion says, “OPEN STREET ART gives visitors a chance to explore the fastest growing and most dynamic art movement in the world and the Australian artists who are leading it. We have some of the most brilliant artists here in Australia and
initiatives like OPEN are a chance to celebrate and support this. Through initiatives like Luminous, Lend Lease Darling Quarter Theatre,
the Night Owls Film Festival and now OPEN, Darling Quarter is gearing up to become a premier cultural hub in the city, supporting the arts,
partnering with cultural organisations such as aMBUSH Gallery and engaging with the community.”

Bill Dimas and John Wiltshire of aMBUSH Gallery attest to the broader significance of OPEN, saying, “OPEN demonstrates how successful
partnerships between business and the arts can benefit the whole community and the city’s cultural landscape, by providing an open,
direct and inclusive arts communication.”

While each of the artists’ work is a reaction to the space, their approaches are as diverse as their styles. One of the world’s Top
50 Most Collectable Artists, Anthony Lister says of his method, “I approached this painting like I was being attacked by an angry bull.
It’s best to deal with an angry bull head-on and with conviction. It’s worst to run and be hit and have to deal with the horns then.”

Beastman, 2010 Sydney Music, Arts & Culture (SMACS) best artist winner, whose iconic creatures grace walls around the globe, explains
that his OPEN STREET ART work “is a representation of the four material elements of nature: wind, water, fire and earth.”

The only Australian artist to show in Banksy’s Cans Festival 2 2008, Shannon Crees’ work is both bold and feminine, and she seeks to
engage her OPEN STREET ART audience by designing her work “as a seamless, unending plane… every surface an extension of the last and
a precursor to the next.”

Hailing from Japan and based now in Melbourne, Hiroyasu Tsuri, who also works under the name TWOONE, has created a series that is
“an exploration of the concept of a psychological portrait.” His work depicts people not as they look, but as they feel and act, by employing
animals as metaphors for the human condition.

In conjunction with the launch of OPEN STREET ART, Darling Quarter’s biggest tenant, the Commonwealth Bank of Australia, is
hosting a fundraising barbecue in support of prostate cancer research on Friday 21st September. The barbecue is open to the public, and
will be a great opportunity for Sydney to collectively welcome and celebrate OPEN as Darling Quarter’s newest cultural initiative.

The future of OPEN holds an exciting and diverse program of exhibitions. The pop-up shows will explore a dynamic range of
disciplines, from drawing and painting to photography, embellishing Sydney with beauty and reminding the city of the talent Australia
boasts from its own shores.

The OPEN STREET ART exhibition is presented by the recently developed 5 Green Star rated Darling Quarter precinct, and is produced and curated by award winning Sydney gallery aMBUSH. It is an Associated Event of Art & About Sydney 2012, produced by City
of Sydney.

For more information about Open Street Art visit
www.darlingquarter.com or
www.ambushgallery.com

Open Street Art is an Associated Event of Art & About Sydney 2012
www.artandabout.com.au

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Overunder and Labrona In Chicago are Full of Characters, History

Overunder continues to expand, explore, rework, reveal – a surrealist stretching the figurative and coupling it with the symbolic and architectural,  and finishing it with overlays of patterning of tattooing or circuitry. In a rising tide of sameness, Street Artists like Overunder are weaving storyline and imagination, innovation, experimentation. His characters are mid-thought and on the move, rooted in history and with a sense of self, these paeans to people and to place. Also it’s interesting to see this new symbol pop up suddenly, this distortion of the smile icon – we’ll have to find out about that and get back to you…

‘Division of Memory and Construction’, 14′ x 100′, Chicago, by Overunder (photo © Brock Brake)

Seth and Nick of Pawn Works continue to curate this, their summer project “Art in Public Places” in the Pilsen Neighborhood of Chicago, and to be on the look out for spots that are choice. Many of the pieces have dealt thematically with the populations and the history of Pilsen, giving a distinctive voice to the neighborhood. With these recent contributions from Overunder and fellow traveler/ painter Labrona just capping off the humid summer season, the character of this project is going wide, and deep.

Chicago contributor and talented photographer Brock Brake captured Overunder and Labrona at work and shares the view through his lens here with BSA readers.

Overunder. Detail. (photo © Brock Brake)

Overunder. Detail. (photo © Brock Brake)

Overunder. Detail. (photo © Brock Brake)

Overunder. Detail. (photo © Brock Brake)

Overunder. Detail. (photo © Brock Brake)

A portrait of a “Young Pilsen Chicana”. Overunder. (photo © Brock Brake)

Overunder. Detail. (photo © Brock Brake)

Portrait of Mondo, the Foreman, by Overunder. Detail. (photo © Brock Brake)

Overunder. Detail. (photo © Brock Brake)

Overunder (photo © Brock Brake)

Overunder (photo © Brock Brake)

Overunder (photo © Brock Brake)

Overunder and Labrona (photo © Brock Brake)

Labrona (photo © Brock Brake)

Labrona (photo © Brock Brake)

 

OverUnder participates in the GEOMETRICKS show this weekend in Red Hook, Brooklyn.

 

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C.A.V.E. Gallery Presents: Fall Group Exhibition (Venice Beach, CA)

CAVE Gallery

C.A.V.E. Gallery Presents

FALL GROUP EXHIBITION  

PARTICIPATING ARTISTS
YOUNG CHUN * PAT PERRY * RADICAL! * BRANDON BOYD
MEAR ONE * CRAWW * MAX NEUTRA * J. SHEA
RESTITUTION PRESS * NOM KINNEAR KING * JOHN PARK
CHERRI WOOD * HANS HAVERON * KYLE HUGHES-ODGERS aka CREEPY
BAYO * SHAUNNA PETERSON * CODAK * L CROSKEY
KEN GARDUNO * SOPHIE BASTIEN * JoKa * RAFAEL DELGADO

 

OPENING RECEPTION
Saturday, September 22nd,  6 – 10pm
   

 

On view thru October 13

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A Gallery Presents: Shai Dahan “Broken Window” (Göteborg, Sweden)

Shai Dahan

 

Opening reception on September 22
12-16 in the presence of the artist.
The exhibition runs until October 13
A Gallery
Sofierogatan 3
412 51 Göteborg
info@agallery.se
www.agallery.se

A Gallery is pleased to welcome Shai Dahan to the Gallery with a new body of work that represents his distinctive aesthetic and continually evolving style. Please join us for a reception with the artist on Saturday, September 22nd, 2012.

Shai demonstrates aesthetic elements that encompass both contemporary and traditional techniques of urban art much like the way he performs his art outdoors. Each of Shai’s works is an explosion of layered graffiti text or heavy layers of painted drips or gestural brushstrokes. Working with acrylics, spray paint, and at times, watercolors, his works have an organized chaos that is both compelling and appealing.

Shai has been inspired by cultural motifs from around the world. From Swedish Dalahorses to Palestinian Beduins, Shai finds a way to create motifs that are a piece of the world he is surrounded by and the world of urban art. Even the extended violence throughout the world, with ever roaring emergence of riots, Shai finds a way to create playful and somewhat humorous body of work in a small collection of watercolor paintings depicting riot police and rioters interacting in playful activities.

In other works, Shai finds beauty in the destruction of luxury items. Creating large scale paintings of collectible automotive, Shai takes away the social standard of what is beautiful and replaces it with a new vision for beauty by creating graffiti tags among these luxurious pieces. This body of work documents Shai development as an artist, and the new ways in which he is approaching his subject. By reworking, combining, and appropriating tags from his own local neighborhood, Shai’s new works are intricately layered with fine art and urban substance and contain an unprecedented sense of beauty in ruins.

About the artist:
Shai lives in Boras, Sweden with his wife and two dogs and exhibits both nationally and internationally. His work has been shown in numerous shows around the United States including New York and Los Angeles, and in solo shows including Stockholm and Boras Konst Museum. His work has been published in several books and magazines. Shai will be speaking at TEDxGothenburg in October and will also be taking part of numerous projects, lectures and workshops throughout the remainder of 2012.

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One Art Space Gallery Presents: El Hase “Luchadores” (Manhattan, NYC)

El Hase

The Struggle” explores popular aesthetics featuring emblematic figures of boxing icons
and characters from classic horror movies.  Incorporating a diverse collection of found
objects and various mixed media, El Hase, a pioneer of Venezuelan graffiti and urban art,
presents a series of pieces and installations in which he displays his figures with distressing
expressions and threatening postures, relating them to images from B-movies and horror films
and referencing the constant struggle of graffiti artists and skateboarders to legitimize their art.
In this series of work I want to express what’s going through my head when I walk 
at night on the dark streets of Caracas, my hometown, and to portray that 
feeling I rescue street objects at night  from the dark streets of Brooklyn”.
 
Venezuelan aesthetics abound in his work – handmade signs, street color palettes, posters,
local transportation and street graffiti, all are combined with local and international icons, horror
and B movies, Venezuelan and international Pop figures, and the skateboard art which El Hase
assembles into the personal style that he call B-Art.
With this exhibition, One Art Space continues the work started by other private galleries in New York City
during the 70’s and 80’s, promoting and legitimizing emblematic pieces of street art and graffiti.

 

“Luchadores” By Sergio Barrios (El Hase) will be on view from Thursday,  
September 20 through Saturday, September 29 Viewing hours are from 7 – 9 PM.

 

One Art Space 23 Warren Street   – TriBeCa – New York City 646.559.0535
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Mishka Presents: Ricky Powell “Back in BK” (Brooklyn, NYC)

Ricky Powell

Get Back In BK With Ricky Powell This Friday

Hope you got a taste for a nice icy Frozade, because we’ve got a hell of a photo show coming to 350 Broadway this Friday: the one and only Ricky Powell, designated visual cataloguer of New York City’s hip-hop history, will be bringing a selection of his work to the store in a collection entitled Back In BK. Never more than a lens away from the heart of NYC’s street scene since the 1980s, Powell captures the vibrancy of this city and its music, whether its through pictures of stars like The Beastie Boys and Run DMC or citizens rambling through the village.

Back in BK will show off work from his entire career, a portal into a New York long past and a window the one that still thrives just outside your door. As usual, we’re throwing a party to celebrate the opening night, and I have to imagine that Mr. Powell will be bringing out quite the crew. So be sure to come by 350 Broadway this Friday night. Come back to BK. You know you want to.

Friday September 21st, 2012, 7-10PM
Мишка NYC
350 Broadway
Brooklyn, NY

J/M/Z to Marcy
L to Lorimer
G to Broadway

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Signs on the Street as “Occupy” Turns One

Occupy did more than grab some headlines and inconvenience workers on Wall Street last year. It blew a hole open in the consciousness of a confused and battered public untethered and afloat in debt, denial, and 700 channels of mind-numbing distraction. As a result of the Occupy Movement and all it’s permutations, in many unexpected ways we woke up – we became enlivened, enraged, enthused, and possibly enlightened.

OWS (photo © Jaime Rojo)

Colorful and chaotic and unsettling in all its imperfections, this social awakening on the streets continues to talk to us and we continue to listen, even as powerful forces do everything to convince us that it’s over. If you monitor the messages of Street Art and graffiti, you know that the desire for social and economic justice can be strident and ongoing, and people are pretty pissed off.

Marking the one year anniversary of this citizens movement that has successfully shifted the public discourse and has introduced new terms to the collective vocabulary, here is a collection of images taken by photographer Jaime Rojo during the last year that captures some of the spirit and sentiment of the street.

OWS (photo © Jaime Rojo)

OWS. An artist’s rendering in progress of the scene at Liberty Park during OWS 2011 in NYC. (photo © Jaime Rojo)

A piece by Street Artist LMNOP (photo © Jaime Rojo)

OWS Window Display at Printed Matter Inc., in Chelsea NYC. 2011 (photo © Jaime Rojo)

OWS Window Display at Printed Matter Inc., in Chelsea NYC. 2011 (photo © Jaime Rojo)

OWS Window Display at Printed Matter Inc., in Chelsea NYC. 2011 (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS. Adam Void . Rami Shamir. (photo © Adam Void)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

This sticker uses an image of a piece by Street Artist Banksy. OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS. Adam Void. (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

OWS (photo © Jaime Rojo)

 

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Quick Shots of The Grassy Lot: Edition 2012

We’re keeping it local today with an empty patch of real estate on Manhattan’s Lower East Side called “The Grassy Lot” that’s been semi-curated for about a year with an eclectic mix of American and Australian ex-pats. It’s a nice little patch of grass that is sometimes rented out for events and receptions – also it is used occasionally for rumored topless sunbathing, water balloon fights, or the periodic impromptu late night assignation after stumbling out of a nearby watering hole.

Queen Andrea on the wall where Nanook and GAIA painted last year. (photo © Jaime Rojo)

Like all fun things, Summer is drawing to a close, at least officially. For those of you who walk the streets of this city either with your eyes closed or fixed on your belly button we inform you that it was the Summer of Love ’12 for The Yok and Sheryro, who stayed at the top of the aerosol charts due to their sheer industry. This little lot has some examples of their stuff, but really they seemed to get up all over.  Here also is Queen Andrea, who has also been making a strong showing of late, along with stuff from Cake, Cern, Daek1, Gaia, Nanook, Never, and Sean Morris.

Brooklyn impresario Joe Franquinha of Crest Art Show fame was the procurer of art at “The Grassy Lot” again this year and we extend our gratitude to him for letting us give a peak to BSA readers.

Queen Andrea. Detail. (photo © Jaime Rojo)

Queen Andrea. Detail. (photo © Jaime Rojo)

A Queen Andrea detail with a duet with Cern’s birds on the right. (photo © Jaime Rojo)

Cern (photo © Jaime Rojo)

The Yok from last year illuminates the way for Cern. (photo © Jaime Rojo)

Sheryo (photo © Jaime Rojo)

Never (photo © Jaime Rojo)

Daek 1 (photo © Jaime Rojo)

“Oh, and one more thing…”, Cake (photo © Jaime Rojo)

Sean Morris ate too many Sheryo hot dogs this summer, evidently, and is still in a food coma. (photo © Jaime Rojo)

 

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Futura And The Origins of The Universe

In the beginning, there was Futura.

That’s kind of how this expansive space feels with no people in it.  It is a universe created by a post-graffiti graffiti godfather who has freed his own imagination to search for new planets of influence, new centers of intelligence.  Many of the New York graffiti artists who made names on trains in the 1970s and early 80s found a track to transition to the future, whether through evolving their style or reprising it again and again. When you look at the influence of 20th century fine art abstraction as it has matured on the Street Art scene of the last decade, this cat may have begun in this retro-future, and we’re now just catching up to him.

Futura (photo © Jaime Rojo)

Thirty years after he took his work into the gallery from the trainyards, Futura reminds us of the greater possibilities of aerosol as a tool for expression, exploration. The power of the works as presented is cosmic; explosive, exploratory, often serene. Fire and lava formations, oceans, suns, patterned reflections and free nebulous images as captured by powerful telescopes as they float above us. While his hand is freestyle and almost impulsive, Futura can be as selectively deliberate as he is uncontrolled. Viewed in this wide open and darkened gallery galaxy, the space-age illumination gives the works a feeling of astronomy, with each canvas a floating body in the cosmos, clearly viewed from your own porthole.  But it’s clear who the north star is.

Futura (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

Futura. Detail. (photo © Jaime Rojo)

Futura. Detail. (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

Futura. Detail. (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

Futura. Detail. (photo © Jaime Rojo)

Futura. Detail. (photo © Jaime Rojo)

Futura (photo © Jaime Rojo)

FUTURA – “Future-Shock”, is at the Andy Valmorbida Pop-Up in Tribeca.

 

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Gamma Proforma Presents: Futurism 2.0 A Group Exhibition (London, UK)

Futurism 2.0

FUTURISM 2.0 / Group Exhibition 

 

Augustine Kofie, Phil Ashcroft, Boris Tellegen (Delta), James Choules (sheOne), Matt W. Moore, Mark Lyken, Sat One, Christopher Derek Bruno, Moneyless, Mr Jago, Nawer, O. Two, Morten Andersen, Keith Hopewell(Part2ism), Jaybo Monk, Poesia, Derm, Jerry Inscoe (Joker), Remi/Rough, Divine Styler and Clemens Behr.

 

Blackall Studios

73 Leonard Street

Shoreditch, London,

EC2A 4QS.

Tel: +44 (0) 20 7739 9551

Launch Night

Thursday 27th September, a private preview for Sponsors, VIP’s and collectors with artists present. A selection of left-field DJ’s will be providing the soundtrack, a mix of classic and contemporary sounds.

RSVP: events@gammaproforma.com

 

Public Opening/

Friday 28th September 2012, the gallery will be open to the public all day. DJ’s and drinks from 6pm.

The exhibition will run from Thursday 27th September – Tuessday 2nd October.

Friday – Saturday 11am – 8pm
Sunday 12pm – 5pm
Monday – Tuesday 11am – 8pm

Live Paint/

Saturday 29th / Sunday 30th September. An ensemble of artists will paint live in London.

 

++

 

“We stand on the last promontory of the centuries! Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed.” – Marinetti, Futurist Manifesto, 1909.

 

SYMMETRY ACROSS CENTURIES

In 1912, just three years after the manifesto was published, the Futurists exhibited in London for the first time. A hundred years later on September 27th, 2012, just three years after the creation of Graffuturism.com, the Graffuturists will exhibit for the first time in London at Blackall Studios.

 

THE IDEALS OF DYNAMISM AND PROGRESSION

At the core of both movements are the parallel ideals of “dynamism” and “progression.” Both of these keywords conjure a sense of action, motion and movement, wavering disturbances of change pulsing forward, like an electrocardiogram, along a historical continuum into the future. Marinetti extolled the virtues of a dynamic art form that was alive and motivated; Poesia, the founder of Graffuturism.com, has stated that the word Graffuturism was inspired by the desire to articulate a progressive impetus for graffiti.

 

URBAN, ONLINE, GLOBAL

Uplifting arms together in spirit, both these movements revel in the urban environment as a petri dish for the advancements and inventions of their age. Just as Futurism embraced the Industrial Age and its recently mechanized urban centers, Graffuturism embraces the Digital Age and its recently wired urban-global community. For the Futurists, the ideals of dynamism were expressed in images of their century’s new inventions, such as the motor car, the steam engine, the airplane, the telephone; whereas for the Graffuturists, the icons of salvation are the subway car, electric/ diesel freight trains, markers, spray paint, rollers, fire extinguishers, and so on. A different set of symbols for this century, but still imbued with the same impetus.

 

GRAFFITI, PAINTING AND ABSTRACTION

Because of the global composition of the group, the Graffuturists consist of disparate backgrounds, professions, and locations. They create in different styles, but their unifying theme is abstraction, their medium is painting, and their influence is graffiti. In their work on the streets and on canvas, these painters aspire to a high level of proficiency at their craft, which creates a visual poetry of depth and complexity. The Graffuturists could be classified as a High Style New Millennium Painting movement, consisting of a long dialectic and cross-pollination between advanced graffiti and fine art painting techniques.

 

Wildstyle Graffiti is combined with Abstract Expressionism or Geometric Abstraction, then transposed through the artist’s unique vision into a personal vocabulary of hybrid techniques, an experimental mix of the high and low, the intellectual and visceral, the visionary and the primitive. Whereas the Street Art movement of the mid-2000s tended to focus on collaged and wheat-pasted illustrations and figurative stencils, this group of artists focuses on the act of Painting, whether on the street or off, whether with spray paint or oils, with a fat cap or a sable brush.

Just as Be-bop developed from jazz, Raw Magazine from Superman comics, and Wildstyle from Original Writing, Graffuturism progresses from graffiti, and then takes up the oily-rag torch to ignite the future.

 

Daniel Feral (Pantheon Projects / 12oz Prophet)

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Images of the Week 09.16.12

 

Here is our weekly interview with the street, this week featuring Cern, Dain, El Sol 25, ETAM, Hef, Ka TVT, Kosbe, Lae, Lucx, Meks, Never, Nice-One, Phetus, Pilot, Reyes, Rez, RONE, Sebs, Skewville, Such, Vers, Victor Reyes, and Yes One.

Dain (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Reyes. Click here for details on Reyes and Steel current show at Klughaus Gallery.  (photo © Jaime Rojo)

Nice One and Lucx Collaboration in Chicago (photo © Nice One)

HEF. Detail. (photo © Jaime Rojo)

Yes One, Hef, Ka TVT, Never, Phetus. Detail.  (photo © Jaime Rojo)

Yes One, Hef, Ka TVT, Never, Phetus, Vers, Such, Lae, Rez, Cern, Pilot, Such, Meks, Sebs Summer wall collab. (photo © Jaime Rojo)

Kosbe (photo © Jaime Rojo)

Etam painting in Vienna. (photo © Inoperable Gallery for BSA)

Etam in Vienna. (photo © Inoperable Gallery for BSA)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

El Sol 25 new Ransom Letters Series. (photo © Jaime Rojo)

Artists Unknown (photo © Jaime Rojo)

RONE in San Francisco. Click here for details on RONE current show at the White Walls Gallery (photo © White Walls Gallery for BSA)

RONE in San Francisco. (photo © White Walls Gallery for BSA)

RONE in San Francisco. (photo © White Walls Gallery for BSA)

Vintage Skewville in a bit of urban archeology in NYC. (photo © Jaime Rojo)

Untitled. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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GEOMETRICKS Update: FREE Shuttle & Young Collectors Wall

The show is looking great! And we’re happy to make a few new announcements below. We sent this out to the email list with an incorrect photo for the Kofie Augustine image below so if you got one of those in your email box we apologize.

 

BSA teams up with Gallery Brooklyn, Brooklyn Crab, and Sixpoint Brewery to bring you a great night in Red Hook, Brooklyn on September 22nd.

JUST ANNOUNCED – FREE SHUTTLE BUS SERVICE courtesy Brooklyn Crab! Service from F/G train at the Carroll Street Station to the Gallery and crab house and back to the train, free.

BRAND NEW ART WORKS by 11 Street Artists of this moment.

YOUNG COLLECTORS WALL for Students With Valid ID (download PDF Flyer and Invite)

Music by SLEPTEMBER

Brand new gallery work from 11 Street Artists, including Augustine Kofie, Chor Boogie, Drew Tyndell, Feral Child, Hellbent, Jaye Moon, Maya Hayuk, MOMO, OLEK, OverUnder, See One.

Read More about GEOMETRICKS here.

Photos of GEOMETRICKS Artists

Chor Boogie (photo © Jaime Rojo)

Augustine Kofie (photo © Jaime Rojo)

OLEK (photo © Jaime Rojo)

Maya Hayuk (photo © Jaime Rojo)

Jaye Moon (photo © Jaime Rojo)

MOMO (photo © Jaime Rojo)

Over Under (photo © Jaime Rojo)

Feral Child (photo © Jaime Rojo)

Hellbent (photo © Jaime Rojo)

See One (photo © Jaime Rojo)

Drew Tyndell (photo courtesy artist)

Click here to download the PDF of the Flyer and Invitation

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