BSA Film Friday: 11.04.16

BSA Film Friday: 11.04.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. OFICIO: Short Documentary. Kosovo Gallery. Cordoba, Argentina
2. Kris Kim Takes a Walk Along Tracks in Washington, DC.
3. Bebo in Oaxaca for the 2nd Stencil Festival

 

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BSA Special Feature: OFICIO: Short Doc from Cordoba, Argentina

This week we have a short documentary showing the development of an artists residence in the city of Cordoba, which housed several artists from different cities. Done in cooperation with Kosovo Gallery, the mural projects objective is to develop a series of murals in two districts of the city. Here in Spanish the artists talk about their experiences and the interaction with the communities that they are working within – whom will live with the works once the artists have departed.

Artists who participated in OFICIO: Zosen, Mina Hamada, Elian, Pedro Perelman, Pum Pum, Joao Lelo, Pesk, Martin Ferreyra, Mariano Antedoménico and Pixel Pancho.

 

 

Kris Kim. Aerosoul 16′. Washington, DC.

New Yorker Chris Kim takes a walking adventure to see what kind of wild and wooly art works are growing along the CSX railroad scene outside the DC area and he documented what he saw there with his camera. “I really enjoy the scenic walk in the woods with just a train track to help me not get lost.”

A home made video sure, and the up close captures of graffiti on a passing train can be taxing in the quick blur, but the videographer also does some playful cuts and overlays a large portion of the graffiti discovering with a soundtrack of apocalyptic dread. Enjoy with us the sounds of MF Doom featuring Charles Bukowski adding cheerful narrative interludes like, “there will be open and unpunished murder in the streets” and “radiated men will eat the flesh of radiated men” against a backdrop of random shots of railside graffiti.

Also, a surprise ending.

 

Bebo in Oaxaca

In the Mexican state of Oaxaca the experimental stencilist Bebo furtively sketches his strokes with an aerosol can through the hand cut cardboard to create his new mural for the second annual Stencil Festival there.

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BCN Transit Walls Festival during La Mercè in Barcelona

BCN Transit Walls Festival during La Mercè in Barcelona

Cultural organizations and lifestyle brands often pool together their resources and coordinate events to capitalize on foot traffic. It’s like punk kids organizing a skate event – with bands, djs, graffiti jams, tattooing… You can catch some air, catch a great show, catch a tag, and hopefully catch secret kisses behind some old rusty freight train all on one perfect Saturday.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

During the La Mercè Festival in Barcelona in September the organizers for “BCN Transit Walls” brought to life a former ‘hall of fame’ stretch of wall and captured the attention of a lot of folks who were in town for the concerts, fireworks, drummer parades, wine festivals, projections, human acrobat towers – and many other events marking the end of the summer. Organizers brought many artists together to paint live on the wall at Passeig de Circumval·lació; the incredibly long wall that surrounds the Barcelona Zoo at the edge of the Estació de França train tracks.

Lluis Olive Bulbena was there with his camera and he shares some of the walls here with BSA readers.

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Cayn Sanchez. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal . Lucas Milart. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Kenor1 . Uriginal . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Lucas Milart . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Uriginal . Cintal Vidal . Kenor1. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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SPOGO. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Aleix Gordo. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Roc Black Block . Cintal Vidal. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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BToy. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

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Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

Hyuro’s BreastFeeding Mural is Not Provocative in Barcelona

The Spanish Street Artist Hyuro again features the uncovered breast of a female form in her public mural.

The news here in Barcelona is that it is not news.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Four years ago at a mural festival in Atlanta, Georgia the Argentinian artist was embroiled in a local “controversy” for painting a mural that depicted the nude female form. The monochromatic film-frame presentation across a long wall showed the incremental metaphorical shedding of wolves clothing to that of a human, then back to a wolf – or something like that. It’s open to your interpretation and not painstakingly explained by the artist, as is often the case.

Most viewers didn’t find it to be an eroticized presentation and some thought it had religious undertones actually. Alexandra Parrish, a principal organizer of the mural explained to the Huffington Post at that time that it was “a portrait of transformation, the mural reflects the teachings of the church.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Regardless, the high-minded Atlantans who rallied to have that painting destroyed could only see that the mural presented naked lady parts parading in public, which could potentially light loins afire. Presumably none of those people were in attendance with more than 50,000 Beyonce fans this September at Atlanta’s Georgia Dome, since it was essentially two hours of women strutting in high heels and highly revealing, even erotically inspired, costumes across enormous screens for everyone in attendance, including children, to ogle.

Here in Barcelona Hyuro doesn’t report any negative commentary coming her way for this mural painted with BCN Transit Walls in conjunction with La Mercè, Barcelona’s largest cultural, musical arts and communities festival. Named after the Virgin of Grace (Mare de Déu de la Mercè), the patron saint of the Archdiocese of Barcelona, you may think that the vision of a bared breast may cause a firestorm here.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Like many of her public pieces the Hyuro’s mural is a series of frames that collectively can create a sense of motion when viewed in quick succession. This series depicts a woman opening her garments to expose her breast and give it to her nursing infant.

These are not erotic images but in a society that again is increasingly equating women’s worth with their their physical appearance and sexual availability, devaluing their intellects, and otherwise objectifying and sexualizing them in media and advertising imagery, a simple loving and nurturing act like this can be perversely, stunningly, misinterpreted.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

We often say that Street Art and Public Art are a mirror; a reflection of a society back to itself. Our extensive experience observing art in the streets has taught us that certain images are allowed by the greater culture to stay up while others are destroyed quickly. It is a fair measuring device for the opinions, mores, political leanings, and popular tastes of a locality.

Spanish passersby at this transit hub do not appear to find objection with this mural, but Hyuro might have to think twice about a mural like this in many American cities, where reports of shaming and bullying of breastfeeding mothers are still common.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

Not surprisingly perhaps, the candidate for the highest office in the US this year whom has not been a mother reportedly told an attorney that she was “disgusting” for requesting a break to breast-pump milk for her baby. She also may have been “nasty“.

Whether the female form is entirely sexualized in your mind or not, for the record, US federal law permits breastfeeding in any public area where you happen to be when your baby gets hungry and laws in cities like New York actually permit women to be topless in public at any time. It may take a while for popular tastes in art to reflect this in certain areas, and when it comes to legal mural festivals visiting artists are always wise to consider the audience.

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Hyuro. BCN Transit Walls Festival. Barcelona, Spain. September 2016. (photo © Lluis Olive Bulbena)

 


 

Our sincere thanks to photographer Lluis Olive Bulbena for sharing his images with BSA readers.

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Barlo Blossoms a Head in Shenzhen with “Jardin Orange” and CEET

Barlo Blossoms a Head in Shenzhen with “Jardin Orange” and CEET

We talked to the Italian painter Barlo back in June when he was upside down in his current hometown of Hong Kong and now we see he is in Shenzhen with Ceet and the newly created Jardin Orange Art Residency.

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Barlo.  Jardin Orange Art Residency. Shenzhen, China. October 2016. (Photo © Jesus Salazar)

His two-story headless figure drew plenty of stares as he hand painted for two days in a rapidly developing neighborhood full of new construction.

“For me it was a chance to continue my recent exploration regarding Chinese patterns and traditional objects but most importantly to try to paint completely freestyle using only an extension pole,” he tells us. “Surely the influence of some Taoist readings I have been doing lately is quite evident – both in the subject and in the choice of going freestyle with a technique that doesn’t allow a high level of detail.”

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Barlo.  Jardin Orange Art Residency. Shenzhen, China. October 2016. (Photo © Jesus Salazar)

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Barlo.  Jardin Orange Art Residency. Shenzhen, China. October 2016. (Photo © Jesus Salazar)

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Barlo.  Jardin Orange Art Residency. Shenzhen, China. October 2016. (Photo © Jesus Salazar)


Check out this video of Barlo in the Bronx recently with TAG Public Arts Project Inc. (SinXero Art and his wife Skyra) to get an idea how he works.


If you are in New York you can also check out CEET at Wallworks December 10th in the Bronx! You don’t want to miss it.

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Jumping Salmon! Louis Masai is in Sacramento. “The Art Of Beeing” Tour

Jumping Salmon! Louis Masai is in Sacramento. “The Art Of Beeing” Tour

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Sacramento is next on the list for Louis Masai and his “Art of Beeing” US Autumn 2016 tour. And something smells fishy.

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Louis Masai The Art Of Beeing. Coho Salmon. Endangered. Sacramento, California. October 2016. (photo © Louis Masai)

“Lame Uncle” Joke, sorry. God, you kids are so critical! Go back to your phone! Wait, you are on your phone.

Anyway, the Coho Salmon is losing seriously. They’ve gone from 300,000 to 10,000 in the last 65 years, and the population trend is decreasing. You used to find them spawning in Southern Oregon and Northern California, but we’re going to kill them off soon if you just stand by and do nothing. One thing we can be sure of ; someone else is taking care of it.

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Louis Masai The Art Of Beeing. Coho Salmon. Endangered. Sacramento, California. October 2016. (photo © Louis Masai)

So how’s the trip been, Mr. Masai?

“We drove through snowy mountains from Reno to Lake Tahoe, and then descended a continuous downwards road for 6000 feet – which took about an hour to get into Sacramento,” he says. “What an incredibly diverse landscape! It’s just mind-blowing.”

Hosted by a collector of his artwork, Louis says their relatives own a restaurant where he painted this image of the Coho Salmon. Do they have salmon on the menu?

“These guys were aware of the issues surrounding the salmon and a few years ago they made the decision not to serve salmon,” he says. “I salute a business that can take even the smallest changes to accommodate for the environment.”

Side question: Why is the “L” in salmon silent? Anyone?

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Louis Masai The Art Of Beeing. Coho Salmon. Endangered. Sacramento, California. October 2016. (photo © Louis Masai)


Want to help? Sign a CREDO petition. Also learn more about species extinction, the historical era of killing off thousands of species that we are currently living in, at www.psf.ca . Your kids and nieces and nephews will thank you. Or not. Depending.

Click http://louismasai.com/projects/the-art-of-beeing/ to learn more about the project.

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BSA Images Of The Week: 10.30.16

BSA Images Of The Week: 10.30.16

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We haven’t had such a frightening Halloween in years! – and we know we speak for many readers as well while we all look at the monstrous tabloid TV parade that is scaring the electorate. Boo!

Luckily we found some treats on the street! And a few tricks, but those are for our paid site, wink wink.

So here’s our weekly interview with the streets, this week featuring Bifido, Buff Monster, City Kitty, Dee Dee, Disto, Droid, Flood, Myth, Nychos, R2, REVS, RODA, Rusk, See True Fame, Sipros, Smells, Smith, Sweet Toof, and Texas.

Our top image: City Kitty is ready for Halloween(photo © Jaime Rojo)

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Buff Monster’s Mister Melty playing Narcissus with great aplomb. Detail. (photo © Jaime Rojo)

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Buff Monster for Mana Urban Arts Project in Jersey City, NJ. (photo © Jaime Rojo)

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REVS and friends. (photo © Jaime Rojo)

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Roda . Droid . R2 (photo © Jaime Rojo)

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RUSK . DROID (photo © Jaime Rojo)

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SMELLS (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Myth (photo © Jaime Rojo)

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Dee Dee (photo © Jaime Rojo)

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Nychos for Mana Urban Arts Project in Jersey City, NJ. (photo © Jaime Rojo)

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See True Fame in Long Island City, Queens. (photo © Jaime Rojo)

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The more times change, the more they stay exactly the same. Unidentified Artist (photo © Jaime Rojo)

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Bifido has a new work in Dugenta, Italy that alludes to the harsh living conditions for some that creates wealth for certain industries. The name of the work borrows from the Beatles song: “Lucy in the Sky with Diamonds” (photo © Bifido)

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Sipros gives a ride to Stan for Mana Urban Arts Projects in Jersey City, NJ. (photo © Jaime Rojo)

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Texas. Disto (photo © Jaime Rojo)

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Disto. Gane (photo © Jaime Rojo)

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Unidentified Artist (photo © Jaime Rojo)

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Sweet Toof (photo © Jaime Rojo)

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Flood (photo © Jaime Rojo)

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Flood (photo © Jaime Rojo)

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Unidentified Artist (photo © Jaime Rojo)

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Untitled. Hudson River, NYC. October 2016. (photo © Jaime Rojo)

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Flowers Growing Out of Your Eyes: Skount Finds Fertile Soil in Ruins

Flowers Growing Out of Your Eyes: Skount Finds Fertile Soil in Ruins

A lot of people like to go hiking and exploring this time of year in the Northern Hemisphere. The weather is cooler, the leaves are turning colors, and because of our proximity to Halloween, many abandoned houses and factories seem haunted with their former inhabitants.

It’s also the end of the growing season, the harvest –  and even in urban areas you have a sense of your connection to the earth.

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Skount. Almagro, Spain. (photo © Skount)

In his hometown of Almagro in Spain, Street Artist Skount went urban exploring and found a wall recently upon which he painted a piece about our relationship to nature, if through metaphorical device.

“This mural depicts a surreal connection between humans and the natural environment that surrounds us, creating a relationship between environment and entity,” he says of the piece called “Inner Flowering”.

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Skount. Almagro, Spain. (photo © Skount)

The philosophical and spiritual Skount also draws the connection between nature, nurture, and how each individual is developed. “The area around us nourishes us and gives form, comforting who we are and in turn fuses our inner selves with the space and the development of the environment around us,” he says.

“So in my opinion, it is very important to carefully select where to develop as an individual, because this is extremely linked to the environment around us.”

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Skount. Almagro, Spain. (photo © Skount)

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Skount. Almagro, Spain. (photo © Skount)

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BSA Film Friday 10.28.16

BSA Film Friday 10.28.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Louis Masai: The Art Of Beeing. New York City
2. “BILLS” from InDecline
3. The All-Seeing Trump in an NYC Park from The Dusty Rebel
4. Erik Vestman & Nils Petter: Up On The Roofs

 

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BSA Special Feature: Louis Masai: The Art Of Beeing. New York City

He’s doing it! The cross country trip/tour of painting murals that draws attention to the entire species that we are killing off. Louis Masai calls it “The Art of Beeing,” and here’s the first city of the tour, NYC.

 

“BILLS” from InDecline

Modern anti-hero artists named InDecline have produced this new rage-filled art film full of action, violence, politics, and even comedy.

The All-Seeing Trump in an NYC Park from The Dusty Rebel

A new video this week features Trump as a fortune teller – until the city evicts him.

Here’s how The Dusty Rebel describes it:

“A mysterious Donald Trump fortune-telling machine has been popping up all over New York City. In Tribeca Park, dozens gathered around to hear the automatic Trump list off his various visions for America’s future. One of the dozens of misfortunes was: ‘Not every woman is a dog – only the fat, disgusting ones. And don’t worry: in the future, when I am president, I’ll do something about it. We are gonna make America SEXY again!’ After the Zoltar-like Trump finished, the machine dispenses a paper fortune, which states things like, ‘The future is not to be feared, unless you are Black, Mexican, or Muslim.’

The Tribeca Park installation lasted a short time before a man, who never identifies himself, demanded the All-Seeing Trump machine be removed. Quickly the press ask him who he is and what authority he has to ask for the machine to be removed. While he never answers, the people with him are from the NYC Park Department. At one point, things getting a bit tense between the press and the Parks Department workers.”

More from The Dusty Rebel

Erik Vestman & Nils Petter: Up On The Roofs

“Sometimes, I’ve believed as many as six impossible things before breakfast.”
– Alice’s Adventures in Wonderland, Lewis Carroll

Swedish duo Erik and Nils want to be higher than the birds, up on the rooftops. It is a simple spark for your imagination, delivering you back to storybooks and children’s stories with a silhouette on the roof against the sky. With the right  inspiration, you can add your own story.

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Chip Thomas’ New Mural, Indigenous People, and #NoDAPL

Chip Thomas’ New Mural, Indigenous People, and #NoDAPL

Street Artist and activist Jetsonorama (Chip Thomas) saw his work pull together a number of people in Durango, Colorado on October 10th as the city and the college celebrated their first ever “Indigenous People’s Day”. His photograph of an indigenous youth named JC Morningstar swinging and kissing her dog was chosen by a group of students from Fort Lewis College, where 24% of the population is indigenous.

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Chip Thomas. Indigenous People’s Day at Fort Lewis College. Durango, CO. (photo © Chip Thomas)

The unveiling ceremony for the mural began with a traditional pow wow prayer by a drum circle and Chip says “the highlight of the day for me was having JC, her dog and her family travel 4 hours to Durango to attend the unveiling before going to the Tribe Called Red show that evening.”

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Chip Thomas. The original photograph of JC Morningstar holding her dog on a swing. Indigenous People’s Day at Fort Lewis College. Durango, CO. (photo © Chip Thomas)

Included in the days’ events were speeches, poetry readings and a demonstration addressing social and indigenous issues including police brutality and solidarity with #NoDAPL in Standing Rock, North Dakota. In fact so many small and large communities and demonstrations have been showing their support with the Standing Rock Sioux Tribe in its battle against the $3.78 billion Dakota Access Pipeline, that on a recent September day a map showed 100 demonstrations in 35 states and 5 countries.

Clearly Indigenous communities are eager to have their voices heard and their issues addressed. Jetsonorama says he hopes his mural helps.

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A real pow wow, and a prayer. Chip Thomas. Indigenous People’s Day at Fort Lewis College. Durango, CO. (photo © Chip Thomas)

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Chip Thomas’ mural of JC and her dog on the wall with JC’s family on the stage to take a bow. Indigenous People’s Day at Fort Lewis College. Durango, CO. (photo © Chip Thomas)

 

 

 

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Los ALCÁZARES in Murcia, Spain – Murals by the Mediterranean

Los ALCÁZARES in Murcia, Spain – Murals by the Mediterranean

“Los Alcazares has a population of about 16,000 inhabitants, next to the Mediterranean Sea -in fact it is on the edge of an inland sea called Mar Menor,” says photographer Luis Olive Bulbena of this recent trip he took to Murcia to see the ALCÁZARES festival of mural art by primarily urban artists.

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Pichi & Avo. Detail. (photo © Lluis Olive Bulbena)

Begun only a couple of short years ago by a consortium of about 70 artists, friends, and local business people, the festival is transforming the small town with murals, and according to most people it is pretty popular.

With community involvement, music, and other programming, the central tenets stem from one cultural association called “The Company of Mario”.

You can learn more about them from their Facebook page here.

Read an interview in Spanish with Carmen Minuca, the Vice President of LACDM, about the genesis of the organization and festival here.

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Pichi & Avo. Detail. (photo © Lluis Olive Bulbena)

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Pichi & Avo (photo © Lluis Olive Bulbena)

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Jorge Pina Abiétar (photo © Lluis Olive Bulbena)

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Willy Arenas (photo © Lluis Olive Bulbena)

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Willy Arenas & Goyo203 (photo © Lluis Olive Bulbena)

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XAV (photo © Lluis Olive Bulbena)

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Dan Ferrer (photo © Lluis Olive Bulbena)

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Sabotaje Al Montaje (photo © Lluis Olive Bulbena)

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Pachucho (photo © Lluis Olive Bulbena)

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Dulk (photo © Lluis Olive Bulbena)

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Gripe & D Juez (photo © Lluis Olive Bulbena)

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Wesr (photo © Lluis Olive Bulbena)

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Hamgeo (photo © Lluis Olive Bulbena)

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Jorge Pina (photo © Lluis Olive Bulbena)

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El Niño De Las Pinturas (photo © Lluis Olive Bulbena)

 

Our sincere thanks to BSA contributor Lluis Olive Bulbena for sharing his photos exclusively for us.

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Vlady Art: Gossiping Sicilians and “Old School CCTV”

Vlady Art: Gossiping Sicilians and “Old School CCTV”

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Vlady Art. Agata. Old School CCTV. Sicily, Italy. October 2016. (photo © Vlady Art)

A prankster and social critic in his public manifestations of art and installation, Vlady Art is one of a few artists whom we can think of in Europe today who consider their efforts an important catalyst for public dialogue. At times high-minded and conceptually sophisticated, at other times more obvious, the body of work thus far is often experimental with flashes of brilliance that engage.

Without a doubt, Vlady Art wants you to be involved in questioning your baseline assumptions about the foundations of society – and to observe your role in it. Heavy work, but not as confrontational as it sounds. Last year at the Emergence, an international urban actions festival in Giardini Naxos he even went as far as creating Rorschach tests on walls last year with a small clean tagline saying “you see what you want to see.”

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Vlady Art. Concceta. Old School CCTV. Sicily, Italy. October 2016. (photo © Vlady Art)

A new project on selected balconies of the Sicilian city of Catania is memorable for its shock and humor value, but beyond that the viewer will need to make their own evaluation of its possible meanings. The figures are mannequins posed on balconies, their bodies in attractive floral printed house dresses, the head of each figure supplanted by a surveillance camera that is looking down to the street.

The artist himself tells us that “An anthropological and social explanation is a must to understand the background of this artwork.” With many possible interpretations possible, the best outcome will be some open debate on the street. The worst would be that few see it.

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Vlady Art. Antonia. Old School CCTV. Sicily, Italy. October 2016. (photo © Vlady Art)

For the sake of brevity, we condense the extensive description that he gave us this series of installations called “Old School CCTV” as a commentary of the intrusive surveillance type observation practices of senior women and homemakers who exert an underestimated amount of social control over the population.

While this is a comical satire and the replacement of heads with electronic cameras could also be seen as derisive in the view of some, the greater critique is of a limited and limiting patriarchal system that gives Sicilian women few roles or options in society aside from serving their families and gossiping with one another.

He blames the lack in social mobility and opportunity on many culprits; chauvinism, a vertical hierarchy that is rigid, power vacuums filled by organized crime and the church, and conservative clan-based structures. It’s not just the limitation of women’s roles or access to power that is affected, he says, “any liberal, secular and open-minded concepts have always found plenty of obstacles here.”

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Vlady Art. Giuseppina. Old School CCTV. Sicily, Italy. October 2016. (photo © Vlady Art)

Vlady kindly describes for BSA readers more the background for “Old School CCTV” :

So why the mannequins? This is what you will see once you visit Sicily or the south of Italy; lots of signora cleaning, chatting or chilling out on their balconies and secretly (or not so) spying/staring at you. Is it still like this, like in the old days? Yes, it is an undeniable fact, at least, in the popular, inexpensive and working-class areas.

Women, while at home, are in control of the house: Nothing can happen around the premises without their acknowledgment. The other people’s life is being constantly under monitoring. Most of the old condominiums have a central yard called a cortile: this is exactly like a public arena or a modern Facebook, where women exchange useful or useless information.

The petty talks are here called “cuttigghi”, from word cortile. The cuttigghiare (the petty, small talkers) can be chatty and loud at times. They are relaxed and jovial on one hand, always arguing and complaining on the other. If you want to know if something has happened, you better ask a signora.

 

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Vlady Art. Nunzia. Old School CCTV. Sicily, Italy. October 2016. (photo © Vlady Art)

To be in somebody else’s affair (“not to mind your own business”) is both an indisputable characteristic and a strong prejudice about women and it persists today. As in the most of petty talks, the core subject is people. This can sound apparently funny and trivial but in reality it is a negative social control system in which many cannot live their own life without intrusions and in complete freedom without judgments.

In small towns youngsters and women are often under tight control and undergo strong criticism from their parents, relative, neighbors; for being different or simply looking “unusual” is perceived as a threat or a disappointment for the group.

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Vlady Art. Rosa. Old School CCTV. Sicily, Italy. October 2016. (photo © Vlady Art)

Sicilians, who were farmers for much of the last century frequently use dogs for the safety of their own premises, rather then installing CCTV. Fences are ridiculous high, considering that people aren’t rich. People stare at you more, much more than anywhere else, except possibly for some Arabic countries or those in Latin America. They control anything that moves and that is not “normal”.

The clan (or better, the herd) mentality is unfortunately very strong in some closed and archaic communities. The authority is not the major, the president or the prime minister, but the boss of the neighborhood, the father or the elder brother. Retired, widow or housekeeper ladies from the quartieri (neighborhoods, not the central or wealthy areas) are spending their existence on balconies, watching life from a window or throughout a railing. This custom or this routine isn’t unusual even in the main cities, such as Palermo or Catania.

Ignorance, sexism, prejudices, superstitions, wrong beliefs, the gender gap and a lack of know-how are still an evident setback that condemns the land to an eternal stagnation.

“Old school CCTV”, while being an apolitical, surreal and even hilarious artwork, is meant to include an activist and social message, quiet evidence for those who live or lived in this specific cultural background.  –  Vlady, 2016

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Vlady Art. Grazia. Old School CCTV. Sicily, Italy. October 2016. (photo © Vlady Art)

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Cutthroat Trout & “The Art Of Beeing” in Reno, Nevada

Cutthroat Trout & “The Art Of Beeing” in Reno, Nevada

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“After 4 days of driving from Detroit to Reno we felt empowered by the incredible landscapes we had driven through, from salt lakes to deserts and the Rockies, not one part of the trip was unexciting,” says Louis Masai of the journey. “Well perhaps the 7 hours of corn fields.”

But The Art of Beeing Tour has buzzed into Reno, Nevada for some extinction talk in this lawless land. The English travelor is taking in all of the details of this next American city and remarks that there are plenty of casinos, indoor smoking is legal, and motorcycle helmets are for wimps.

Here he is painting a trout – the Lahontan Cutthroat Trout, to be exact.

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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © Emil Walker)

“A trout is a moment of beauty known only to those who seek it,” the co-founder of Esquire and author of The Fishing in Print: A Guided Tour Through Five Centuries of Angling Literature Arnold Gingrich once said.

Unfortunately for the fisherpeople and the Earth, this trout found in the Lahontan basin of northern Nevada, eastern California, and southern Oregon, is in serious decline due to pollution from logging, mining, and urbanization, among other things.

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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © TeeByFord)

The Art of Beeing continues to spotlight local endangered species in whatever region Louis and his compatriots visit and the trout is now jumping into Reno’s attention. He says the people are very welcoming and he’s been swimming around the metal and hippy cultural cityscape and describes a desert bohemia now peppered with “quirky coffee shops, bars and restaurants.”

Next stop, Sacramento!

Want to help the trout population? Donate directly to the Western Association of Fish and Wildlife Agencies. Also please check out the species foundation Western Native Trout.

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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © Emil Walker)

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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © TeeByFord)

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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © TeeByFord)

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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © Emil Walker)

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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © Mia Hanak)


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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © Louis Masai)

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Louis Masai The Art Of Beeing. Lahontan Cutthroat Trout. Endangered. Reno. Nevada. October 2016. (photo © Emil Walker)

 

Click http://louismasai.com/projects/the-art-of-beeing/ to learn more about the project.

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