Labrona and Troy Lovegates Paint Everyday Pillars of Toronto

Labrona and Troy Lovegates Paint Everyday Pillars of Toronto

If you ever wonder who the government actually is, take a look under the highway of Toronto. You’ll see there that it is the people, as in We The People, who are holding up the roads in Underpass Park – thanks to Street Artists Labrona and Troy Lovegates (a.k.a. OTHER).

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Troy Lovegates in Toronto, Canada. (photo © Labrona)

“OTHER did portraits of local residents and I did a crowd of people,” he tells us of the new spate of painting that measures 180 feet (55 meters) and 83 people. Friends since they were about 8 years old, the guys have each developed solid art careers at least tangentially reflected through their mutual love for graffiti and hopping freights across the massive and wooly North American continent.

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Labroba in Toronto, Canada. (photo © Labrona)

So it is no surprise that idiosyncratic figures and their interpersonal dynamics have figured strongly into the distinctly different styles of painting over three and a half decades. Now more often illegal work is turning more often into legal mural work, as in the case of these portraits on these “Legacy Pillars” in Underpass Park, located between Cherry Street and Bayview Avenue, under the Eastern Avenue and Richmond/Adelaide overpasses. That is not to say that they have stopped hopping freights, graffiti gods forbid.

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Troy Lovegates and Labroba in Toronto, Canada. (photo © Labrona)

The area itself used to be industrial wasteland where kids like he and Labrona used to hang out, so it is significant to OTHER that the new project is beautifying and that there are shiny new condos nearby.

“I used to come down here for raves in the early 90’s in damp old brick warehouses,” he says on his Facebook post about the project.

He looks at a portrait of a balding chap in a short blue jacket walking with aplomb, eyes cast downward at his route. “I thought I would paint a working class Dude down here in remembrance of what was … a lot of the oldies come for walks to see all the shiny new aluminum condos and duck ponds and to play in the park with their grandchildren.”

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Troy Lovegates and Labroba in Toronto, Canada. (photo © Labrona)

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Troy Lovegates and Labrona in Toronto, Canada. (photo © Labrona)

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Troy Lovegates in Toronto, Canada. (photo © Labrona)

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Troy Lovegates and Labrona in Toronto, Canada. (photo © Labrona)

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Troy Lovegates and Labrona in Toronto, Canada. (photo © Labrona)

 

Legacy Pillars from Path TV on Vimeo.


Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

 

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BSA Images of the Week 11.13.16

BSA Images of the Week 11.13.16

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After absentee voting last week in NYC it was a quick trip to Germany this week to see new stuff in Berlin and Dresden and to find that it’s autumn there too, and getting cold. Of course it was zero sleep election night because of the time differnce it was 6 am Wednesday before the Electoral College pushed Trump into the win zone.

Can’t even.

It’s getting harder and harder to explain things to people when we travel, let’s just say that much.

It was crisply chilly, rainy, and windy and the shop keepers were putting up Christmas trees in the windows, but the streets of Berlin were in bloom with new Street Art. Here is a very abbreviated autumn bouquet picked fresh from Berlin for your splendid review.

It’s our weekly interview with the streets, this week featuring A Squid Called Sebastion, Adele Renault, Bailon, Dainel Nehaus, Nafir, and Snik.

Our top image: Adele Renault for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

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Bailon and Ricardo AKN for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

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Nafir for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

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A Squid Called Sebastian for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

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Snik Arts for Urban Nation Museum For Urban Contemporary Art. Berlin. 11.16. (photo © Jaime Rojo)

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Okay this lady has lazer beams coming out of her eyes. Seriously. Lister in Berlin for Urban Nation Museum For Urban Contemporary Art. Berlin. (photo © Jaime Rojo)

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Daniel Neuhaus. Berlin. 11.16. (photo © Jaime Rojo)

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Untitled. Berlin. November. 2016. (photo © Jaime Rojo)

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Racing Character : Jim Avignon in Palestine, Greece, Italy, Germany, Peru

Racing Character : Jim Avignon in Palestine, Greece, Italy, Germany, Peru

A constantly accelerating world is hard to document in a static mural, but Berlin’s Jim Avignon has been racing around the world to do it for quite a while. His bending neo-pop-comic illustration style cleverly points to his concerns about social, political and behavioral ills, as well as the communication and the technological race that appears to be outstripping our ability to adjust to it.

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Jim Avignon. Ramallah, Palestine. (photo © Jim Avignon)

Travelling to Ramallah with the Goethe Institute last month, Jim created walls that are metaphorical, including one figure holding his own brain painted on the Separation Wall. Examine the figures and the symbols – sometimes they are simply attractive, while other times they have more developed meanings. With ongoing rhetoric in many countries about building walls to keep people in or keep people out – while business and trade walls continue to evaporate, Avignon may soon be lampooning walls on a wall.

Here are some more recent walls painted by artist Jim Avignon.

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A collaborative piece by Jim Avignon and Sabea Senftenborg. Ramallah, Palestine. (photo © Jim Avignon)

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Jim Avignon. Athens, Greece. (photo © Jim Avignon)

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Jim Avignon. Lima, Peru. (photo © Jim Avignon)

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Jim Avignon. Marina di Ravenna, Italy. (photo © Jim Avignon)

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Jim Avignon. Berlin, Germany. (photo © Jim Avignon)

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Jim Avignon. Tagesspiegel, Berlin. (photo © Jim Avignon)

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BSA Film Friday: 11.11.16

BSA Film Friday: 11.11.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. Panmela Castro: “Porquê?”
2. Louis Masai: The Art Of Beeing – Detroit. From Wheres-Kong
3. Low Bros from their #sweet15s series. Episode 8
4. Low Bros from their #sweet15s series: Episode 7


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BSA Special Feature: Panmela Castro: “Porquê?”

“Porque?” is a question that many people have asked in the wake of this years’ presidential election – and Panmela Castro’s performance captured here addresses a few of the fundamental assumptions about women’s roles in society, the artifice of fashion, the debilitating, disfiguring power of fashion that defines gender.

“Why are there still cultural and legal constraints on women to enjoy their right to sovereignty of their lives?,” asks Castro.

We do not want to overlay our interpretation of the presentation and performance because the artist deserves to let the work speak for itself.

Louis Masai: The Art Of Beeing – Detroit. From Wheres-Kong

Checking in with the touring master of beeing, Mr. Louis Masai. Be sure to follow him on BSA as we continue to follow him through more American cities on the “Art of Beeing” tour.

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Low Bros from their #sweet15s series. Episode 8

And now here are sweets from the chocolate box to remind you about the Low Bros and their latest work. Have two, you never know what’s in them.

Low Bros from their #sweet15s series: Episode 7

 

 

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The Singular Voice Retains Power : Small Stencils on the Street

The Singular Voice Retains Power : Small Stencils on the Street

The small singular voice.

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

Contesting public space only takes a modest act of conscience or creativity, or both. Hand cut one color stencils can have as much impact as a large colorful mural. Well chosen words scrawled with a marker can have the intensity and impact greater than that of a massive missive, but requires less resources or bombast.

BSA has always made sure to listen for that small singular voice on the street to see what is being said. Often it is an indicator of our collective state of mind or a direction that we are going in, here brought to our attention on a small scale by often anonymous authors.

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

While it can be thrilling an exhilarating to see the huge murals and large installations by the international Street Art names that travel from festival to festival, we always remember the emerging and the unidentified, the scrawler, stencillist, hand-rendered wheat-paster.

Here are some recent small stencils found in Dresden Germany and some from the US. Clearly there is much to say on the street today.

 

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. This of course isn’t a stencil but it accompanies the sentiment on the stencil above. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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Unidentified Artist. Dresden, Berlin. (photo © Jaime Rojo)

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A. Jersey City, NJ. (photo © Jaime Rojo)

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Crisp. Welling Court, Queens. NYC. (photo © Jaime Rojo)

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#IFEELLIKEHILLZ. Brooklyn, NYC. (photo © Jaime Rojo)

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Unidentified Artist. Brooklyn, NYC. (photo © Jaime Rojo)

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Asalto 2016 In Zaragoza

Asalto 2016 In Zaragoza

For the 11th annual Asalto Festival in northern Spain’s Zaragoza the public art portion of cultural celebration is anything but assaulting in its content and style. In fact, the works can be compelling, and agreeable.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

The juried selection from a large number of applicants is carefully chosen and more integrated in the architecture and the city’s environment than most “Street Art” themed festivals. The murals are often designed to be site specific, appear far removed from the concepts of activism or protest and from accounts in local media, make people very happy.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

For example the remarkable mural by Aryz and SAN (Daniel Muñoz) on a historic chapel transforms its appearance while carefully staying within the bricked perimeters of other framing aspects of the original design, Elian’s conversion of steps into colorful abstract shapes is very decorative and agreeable, and Erica con C. Asalto’s “Rhinos in Love” piece is gently cute and completed with a heart.

Borondo’s multi-framed poolside piece really opens the conversation and imagination of viewers and invites you to imagine what he is seeing through those open doors.

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Borondo. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Erica con C. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Elian. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz . San. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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San. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

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Aryz. Asalto 2016. Zaragoza, Spain. (photo © Lluis Olive Bulbena)

 

We thank photographer Lluis Olive Bulbena for sharing these recent photos from Lluis Olive Bulbena for BSA readers.

For more on the Asalto Festival see http://www.festivalasalto.com/

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Opiemme, The Alphabet, Migrants and a Kindergarden Mural

Opiemme, The Alphabet, Migrants and a Kindergarden Mural

Yup, that’s what kids need to help them learn their ABC’s – a mural that combines a poem inside a hybrid of flamingo, stork, crane, heron, and cormorant.

Also, it is good to have smaller animals carrying letters across the wall to the door one at a time.

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Opiemme. L’Apperto 2016. Roccavignale, Italy. October 2016. (photo © Opiemme)

The mural is in Roccavignale, a small village in the mountain between Piedmonte and Liguria with 750 inhabitants and hosts 20 migrants. Like many Street Artists these days, immigration is a theme that has captured Opiemme’s attention and has always been in love with the written word, with the the majority of her works spread across Italy.The outlines of this multi-bird body contain a poem about migration outside the main entrance of this Kindergarden/nursery school in Fenigruottero Cirogna,

“I am a migrant, I don’t have a nation, I don’t feel borders.

I follow the moon, I live between sky and lands, between trees and stars”

~ Opiemme

The mural is part of a public poetry project called L’Aperto and is courtesy of  Comune di Roccavignale, Sv (Italy)

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Opiemme. L’Apperto 2016. Roccavignale, Italy. October 2016. (photo © Opiemme)

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Opiemme. L’Apperto 2016. Roccavignale, Italy. October 2016. (photo © Opiemme)

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Opiemme. L’Apperto 2016. Roccavignale, Italy. October 2016. (photo © Opiemme)

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Louis Masai: Onward Ho! To San Francisco with “The Art Of Beeing”

Louis Masai: Onward Ho! To San Francisco with “The Art Of Beeing”

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Onward Ho! We are Bioneers of the brave new world!

The “Art of Beeing” Tour has made it to San Francisco, and London muralist and Street Artist Louis Masai has met some bee keepers, painted some Island Foxes, and talked at the Bioneer Conference. He also held a “Bee Hotel and Seed Bomb Workshop”, as you do…

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Louis Masai The Art Of Beeing. Honey Bee. Painted for Ko the beekeeper at Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

“It was amazing for the opportunity to meet really interesting powerful and provocative thinkers,” he tells us. That news is not surprising considering the conference website says that organizers are interested in “growing this movement of movements for ecological restoration, justice and social transformation to turn them into lasting systemic change.”

If this sounds somewhat ethereal, euphoric, suspiciously emotionally touching and outlandishly possible, that’s because you have landed in San Francisco, people, so relax. There’s still “hippie” DNA here, it’s just small-batch brewed and slow dripped and costs 3 times what it should.

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Louis Masai The Art Of Beeing. Honey Bee. Painted for Ko the beekeeper at Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

“We learned a lot at this conference about how fragile the environment really is and the power that my images can have as a way to communicate with a whole demographic of people that might not be so willing to accept information from scientists,” Louis says. We agree. Art has the power to transform situations, people, and lives and art on the street is having a big impact on communities – including the illegal stuff.

Although not all of his previously agreed on walls came through, he did get to paint a few bees and some Island Foxes. These foxes, as you may have guessed, are facing extinction. Good news is their numbers have been increasing due to human efforts, so that is something to cheer for. Check out Friends of the Island Fox to learn more.

Overall, San Francisco appears to have blown Louis’ mind a little bit, which is reassuring to know.

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Louis Masai The Art Of Beeing. Honey Bee. Ko the beekeeper at Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

“We met some amazing beekeepers in San Francisco that really opened up this idea that nature and the engagement with nature can definitely start to generate a sense of love for oneself and the environment,” he says.

“Bees really are the planets’ little helpers, maybe they can cure depression too, who knows?”

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Island Fox. Near Threatened / California Channel Islands. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Honey Bee. Jetty extracts Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Honey Bee. Jetty extracts Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Honey Bee. Jetty extracts Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

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Louis Masai The Art Of Beeing. Honey Bee. Jetty extracts Oakland. San Francisco, CA. October 2016. (photo © @lmnotree)

Click http://louismasai.com/projects/the-art-of-beeing/ to learn more about the project.

 

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BSA Images Of The Week: 11.06.16

BSA Images Of The Week: 11.06.16

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Today is Marathon Day in New York City and the leaves on the trees have turned to oranges and reds and yellows to welcome the 26,000 people running through all five boroughs.  In two days right here in New York City both Donald J. Trump and Hillary Clinton will wait at their campaign headquarters to see the results of the longest and slimiest presidential campaigns most of us can remember, with many of us reporting that it made us sick.

There is plenty of blame to go around, and hopefully these are simply the fitful growing pains of a fighting, evolving society and not the stabbing spasms of a dissolute, dying republic.

So here’s our weekly interview with the streets, this week featuring Amanda Wong, Atomik, Boa Mistura, BK Foxx, Cash4, Giver, Kobra, Lexi Bella, Moter, Olek, Rambo, Reverend, Rocko, Ruben Sanchez, Sheryo, Sokar Uno, Wolftits, and You Go Girl.

Our top image: Kobra’s new monumental mural of David Bowie in Jersey City, NJ. (photo © Jaime Rojo)

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Kobra at work  on his mural of David Bowie. (photo © Jaime Rojo)

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Lexi Bella portrait of Frida Kahlo for JMZ Murals. (photo © Jaime Rojo)

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OLEK on the roof of the Ice Factory in Jersey City, NJ in collaboration with Mana Urban Arts Project. (photo © Jaime Rojo)

We asked Olek about this brand new crocheted billboard she and a small team installed this week in New Jersey. We publish her reflections and statement here for BSA readers.

“This crocheted billboard is my uncommissioned letter to Hillary Clinton, a letter from a woman, an artist, and a naturalized US citizen.

This election has been fueled by hate and negativity. Initially, I did not want to make overtly political art. But then I realized I must, as too much is at stake. I could either make a negative statement about the other candidate or a positive one about Hillary.  When a piece of art has 1000 hours of hand labor invested in it, I’d rather it be a positive statement.

Hillary might not be cool, but she is qualified, experienced and competent. I don’t want to hang out with her. I don’t want to drink beer with her. I don’t want to go dancing all night with her. I want her to be our president. I want her to run this country!

This is history happening in front of you, incredible and groundbreaking. The first African-American president will pass the most important job in the USA to the first woman president. No one would have imagined this just 50 years ago. So yes, these are amazing times.

Look at what is happening in Europe. Countries are returning to a conservative stance and people’s rights are being trampled and revoked. Few believed Brexit could take place, but indeed it did. We should learn from this mistake. Hate crimes are escalating. Immigrants, and especially Polish citizens, are being beaten and even killed. We cannot let this happen here in USA.  We cannot go down this path of destruction in The United States of America.

I involved people across the USA to help me with this project. It was about a community working together and making a statement. We had two main groups crocheting – one in Virginia Beach and one in NYC. The excitement was tangible as we worked together to realize this vision. Each day we gathered in my tiny studio, those outside of NYC would join via Skype, as we all crocheted around the clock, talking to each other about our commitment to this piece and to Hillary Clinton, listening to music, podcasts, and audiobooks.  Everyone involved jumped on this project because they believed in it.

We are happy that we have achieved it.

I am an artist.  I am a woman.  As both I must make a statement.  I cannot remain neutral or silent.  I wish more people would find a way make positive statements.  Unfortunately, negativity sells much better these days.

It is imperative for the future of our country that we succeed in electing Hillary Clinton as President of The United States of America this November 8th.” – OLEK

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Sokar Uno (photo © Jaime Rojo)

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BK Foxx for JMZ Murals. (photo © Jaime Rojo)

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An Amanda Wong Love Letter to her man in Detroit, Michigan. (photo © Jaime Rojo)

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Boa Mistura spreadin’ some love. It’s the Brooklyn way. (photo © Jaime Rojo)

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Boa Mistura (photo © Jaime Rojo)

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Atomik in Detroit, Michigan. (photo © Jaime Rojo)

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Sheryo in Detroit Michigan. (photo © Jaime Rojo)

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REVEREND at Lincoln Park in Detroit, Michigan. (photo © Jaime Rojo)

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Reverend . You Go Girl . Giver and a couple of tags we can’t ID in Detroit, Michigan. (photo © Jaime Rojo)

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Wolf Tits in Detroit, Michigan. (photo © Jaime Rojo)

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RAMBO in Detroit, Michigan. (photo © Jaime Rojo)

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Class War…Cash4 in Detroit, Michigan. (photo © Jaime Rojo)

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Moter…train spotin’ (photo © Jaime Rojo)

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Rocko (photo © Jaime Rojo)

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Ruben Sanchez in Jersey City, NJ for Mana Urban Arts Project. (photo © Jaime Rojo)

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Untitled. The Little Red Lighthouse on the Hudson River. NYC. October 2016. (photo © Jaime Rojo)

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AdHoc Arts 10th Anniversary : Highlights From the Show

AdHoc Arts 10th Anniversary : Highlights From the Show

Many cornerstone figures of the current New York Street Art scene passed through AdHoc Gallery during its heyday and many came to celebrate the community-based AdHoc Arts that they developed into at a 10th Anniversary show recently held at 17 Frost in Brooklyn.

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John Ahearn. Portrait of Smith (photo © Jaime Rojo)

A family reunion of graff and Street Art fans and practioners kept the flexible show space full all night while photographer Luna Park held court at her table for the inaugural event for the launch of her first book “(UN)Sanctioned : The Art on New York Streets

Here are few of the selections on offer at that show and some of the guests who came through. We start above with this cheery welcome by New York Street Art institution and man of the street, John Ahearn, with his portrait of NY graffiti writer Smith.  It’s followed by the ever stellar street social psychologist NohJColey advising to use your head.

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NohJColey (photo © Jaime Rojo)

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Cake (photo © Jaime Rojo)

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Joe Iurato (photo © Jaime Rojo)

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Swoon (photo © Jaime Rojo)

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Specter (photo © Jaime Rojo)

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Luna Park (photo © Jaime Rojo)

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Dan Witz (photo © Jaime Rojo)

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Icy & Sot (photo © Jaime Rojo)

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Cern (photo © Jaime Rojo)

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Don Leicht . John Fekner (photo © Jaime Rojo)

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Hellbent (photo © Jaime Rojo)

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Gaia (photo © Jaime Rojo)

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Rubin415 (photo © Jaime Rojo)

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Peter Carroll (photo © Jaime Rojo)

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John Breiner (photo © Jaime Rojo)

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The crowd… (photo © Jaime Rojo)

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The crowd… (photo © Jaime Rojo)

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The group shot in reverse… (photo © Jaime Rojo)

 

The art works for the AdHoc’s 10th Anniversay Art Exhibition will be offered for sale on-line. More information to follow.

 

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BSA Film Friday: 11.04.16

BSA Film Friday: 11.04.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :
1. OFICIO: Short Documentary. Kosovo Gallery. Cordoba, Argentina
2. Kris Kim Takes a Walk Along Tracks in Washington, DC.
3. Bebo in Oaxaca for the 2nd Stencil Festival

 

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BSA Special Feature: OFICIO: Short Doc from Cordoba, Argentina

This week we have a short documentary showing the development of an artists residence in the city of Cordoba, which housed several artists from different cities. Done in cooperation with Kosovo Gallery, the mural projects objective is to develop a series of murals in two districts of the city. Here in Spanish the artists talk about their experiences and the interaction with the communities that they are working within – whom will live with the works once the artists have departed.

Artists who participated in OFICIO: Zosen, Mina Hamada, Elian, Pedro Perelman, Pum Pum, Joao Lelo, Pesk, Martin Ferreyra, Mariano Antedoménico and Pixel Pancho.

 

 

Kris Kim. Aerosoul 16′. Washington, DC.

New Yorker Chris Kim takes a walking adventure to see what kind of wild and wooly art works are growing along the CSX railroad scene outside the DC area and he documented what he saw there with his camera. “I really enjoy the scenic walk in the woods with just a train track to help me not get lost.”

A home made video sure, and the up close captures of graffiti on a passing train can be taxing in the quick blur, but the videographer also does some playful cuts and overlays a large portion of the graffiti discovering with a soundtrack of apocalyptic dread. Enjoy with us the sounds of MF Doom featuring Charles Bukowski adding cheerful narrative interludes like, “there will be open and unpunished murder in the streets” and “radiated men will eat the flesh of radiated men” against a backdrop of random shots of railside graffiti.

Also, a surprise ending.

 

Bebo in Oaxaca

In the Mexican state of Oaxaca the experimental stencilist Bebo furtively sketches his strokes with an aerosol can through the hand cut cardboard to create his new mural for the second annual Stencil Festival there.

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