Events

FOLLING GALLERY PRESENTS: CELSO’S “NO NUDES”

FOLLIN GALLERY @ 45 Bleecker

EL CELSO
“No Nudes”
Solo Exhibition

January 12 – February 14, 2010
Opening Reception: Tuesday, January 19, 6-8pm

The Follin Gallery is pleased to present No Nudes, a solo exhibition of works by El Celso. In what will be the artist’s first solo exhibition at the gallery/lobby, Celso continues to expand upon his signature aesthetic. Rendered in messy, uncontrolled and some-what finely detailed (expletive)-ism, the paintings on canvas, paper and Plexiglas in No Nudes feature fully-clothed models past and present, isolated within habitats that foreshadow free tequila shots*, and fragmented forms that are surrounded by a sea of free tequila shots*, representing the universal unknown in an allegorical interpretation of the effect of contemporary civilization’s disconnect from free tequila shots*.

Through his work, Celso often explores timely political and ecological themes as well as free tequila shots* which involve a deep concern for the environmental crisis our planet is facing. This includes aspects of the effects of global warming such as: free tequila shots*, climate change, species extinction, the decline of natural resources and the threat of rising sea levels. No Nudes opens Tuesday, January 19th, 2010 from 6-8pm. Take the 6 train or burn some fossil fuels in a stretch limo to Bleecker & Lafayette Sts., in NYC.

The artist has said: “Through my work I attempt to examine the phenomenon of (expletive,) in a metaphorical interpretation of both (expletive) and (expletive). These paintings embody an idiosyncratic (expletive,) yet the familiar imagery allows for a connection to (expletive,) (expletive) and (expletive). What began as a personal journey has translated into images with (expletive) that resonate with others to question their own (expletive).”

ABOUT THE ARTIST

El Celso was born under a bad sign and currently resides in Brooklyn, NY. Celso did not graduate from (or attend) the School of the Art Institute of Chicago, or receive his MFA in painting from Yale University. His work has been exhibited in streets and galleries across the United States. The Art Newspaper described his most recent show, “Art Burn,” an International contemporary art expo & immolation, as a “bonfire of the art vanities” and the Miami Herald declared it “a funky Basel sideshow.”

For more information please visit http://elcelso.com or www.follingallery.com

*while supplies last.

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Mighty Tanaka Presents: Entropology: Man’s Devolution

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Mighty Tanaka Presents Entropology: Man’s Devolution
New Hybrid Art Show at Mighty Tanaka Studio to Begin January 15 – February 12, 2010


NEW YORK, NY – January 4, 2010 – In the vein of Mighty Tanaka’s latest endeavor, Hybridism, comes Entropology: Man’s Devolution, a dual gallery show featuring John Breiner and Max Greis, showcasing through art the worldly creation and destruction provoked by man.

Entropology provokes us to analyze our own history – the old vs. the new: where we are, where we come from and where we’re going; to explore changes in time and history; how we’ve effected the world in our destruction of nature and creation of new technology.

Through recycled materials, old-fashioned transfer techniques, collage, paint and other modern elements, Breiner and Greis convey imagery of impending doom with their pseudo-surrealist style and convulsive beauty.

About the Artists

Born in Poughkeepsie NY and residing in and around Brooklyn NY since 1999, John Breiner has showcased his art around the world. With his surfaces of choice being books, assembled paper and found objects, Breiner embraces a more traditional, yet tedious and hands-on process of creating work that he hopes will stand as a glimpse into these strange times in which we live.

Born and raised in New York City and now living in Brooklyn, Max Greis creates landscapes reflecting themes of global destructions, whether through global warming and the loss of ecosystems, to the disintegration of indigenous cultures and peoples. Through painting, diorama and video, Greis utilizes collage to create a globalized vision built from many individual landscapes.

OPENING RECEPTION:
Friday, January 15, 2010 – 5:30PM-9:00PM, and closing February 12, 2010

Mighty Tanaka Studio
68 Jay St., Suite 416 (F Train to York St.)
Brooklyn, NY 11201
Hours: M-F 12PM to 7PM, weekends by appointment only
Office: 718.596.8781

# # #

About Mighty Tanaka

Mighty Tanaka is Alex Emmart and Caleb James: an independent curatorial organization dedicated to the advancement and integrity of the urban arts. Through the utilization of skilled curating and various media techniques, we strive to create a stable foundation for artists operating within the urban environment. Mighty Tanaka is driven by urban inspiration and is clearing the way for this emerging art movement to expand beyond the city walls and into our personal lives. Our mission is to provide a myriad of curated and production services.

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“A Cry For Help” at Thinkspace Gallery (LA)

‘A Cry For Help’
A benefit show for the endangered species of the world presented by Born Free USA & the Animal Protection Institute

Opening Reception: Fri, Jan. 8th 7-11PM

January 8th – February 5th, 2010

20% of all proceeds will be donated to Born Free USA

This special exhibit will feature an installation from Bumblebee as well as a group show featuring the works of over 100 artists (full list is below).

(Los Angeles, CA) Thinkspace is proud to present “A Cry For Help,” a benefit exhibition with the goal of raising awareness about the plight of animals in our modern world. Featuring more than 100 artists who represent every branch of the new contemporary scene, this show has been curated with an eye to representing the unique and innovative attributes of a select group of seasoned veterans and fresh-eyed newcomers from five continents. In keeping with the benefit’s mission, each artist will explore different facets of our complicated relationship with the creatures with whom we share this planet.

Though we live in the city, animals exist all around us – they sleep in our beds, creep past our windows at night and visit us in our dreams. Symbolizing all that is free, unspoiled and elemental in the world, they also comfort us with guileless affection, amuse us with their playful abandon, and represent us metaphorically in a million works of art and literature. In every niche of the new contemporary scene, artists have employed animals to envisage concepts ranging from the wonder of childhood to the death of nature, while exploiting an ever-widening array of aesthetics, from surreal naturalism to street fables, apocalyptic visions to modern mythology, uncanny allegories to sylvan dreamscapes.

In celebration of the magnificent creatures with whom we share the planet, Thinkspace will donate 20% of the sale price of each piece of art to Born Free USA and the Animal Protection Institute, which operate jointly as a non-profit organization that advocates worldwide for the ethical treatment and protection of animals, and also maintains a large sanctuary for rescued primates. Throughout the month, the gallery will host pet adoptions, slide shows, lectures and more. The world can indeed be changed through random individual acts of kindness, so please don’t miss this opportunity to kick off the New Year with a good deed, as well as a great piece of art.

ARTISTS TAKING PART INCLUDE:

Acorn

Allison Sommers

Amy Sol

Andrea Offermann

Andrew Hem

Angry Woebots

Anthony Clarkson

Anthony Ausgang

Apak

Ashira Siegel

Ben Strawn

Bradley Delay

Buff Monster

Bumblebee

Catherine Brooks

Charlie Immer

Chet Zar

Chris Murray

Craig ‘Skibs’ Barker

Dabs Myla

Dan May

Dan Quintana

Dan-ah Kim

David MacDowell

Dennis Hayes IV

Derek Ihnat

Dolan Geiman

Edwin Ushiro

Ekundayo

ELBOW-TOE

Elisabeth Timpone

Eric Nyquist

Erik Siador

Faith 47

Gaia

Genevive Zacconi

Germs

Ghostpatrol

Guy McKinley

Heiko Mueller

Imminent Disaster

J. Shea (#9)

Jacub Gagnon

Janet Grey

Jason Limon

Jason Thielke

Jen Lobo

Jennybird Alcantara

Jesse Hotchkiss

Jim Darling

Joao Ruas

Joseph McSween (aka 2H)

John Park

Joshua Mays

Josie Morway

Katelyn Alain

Kathleen Lolley

Kelly McKernan

Kelly Vivanco

Kevin Earl Taylor

Kevin Titzer

KMNDZ

Kris Lewis

Leontine Greenberg

Lesley Reppeteaux

Liz Brizzi

Liz McGrath

Luke Kopycinski

Mari Inukai

Martin Wittfooth

Mear One

Michael Pukac

Mike Brown

Moki

Molly Crabapple

Nathan DeYoung

Nimit Malavia

Nouar

Paul Barnes

Peter Taylor

Raquel Aparicio

Rebecca Hahn

Renee French

Rob Sato

Rory Kurtz

Sarah Joncas

Scott Belcastro

Scott G. Brooks

Scott Radke

Tadaomi Shibuya

Tessar Lo

Timothy Karpinski

Tina Darling

Tran Nguyen

Travis Louie

Van Arno

Wesley Burt

Yoskay Yamamoto

Yosuke Ueno

Born Free USA

http://www.bornfreeusa.org/

Born Free USA is a national animal advocacy nonprofit 501(c)(3) organization, contributions to which are tax-deductible.

Born Free’s mission is to end the suffering of wild animals in captivity, rescue individual animals in need, protect wildlife — including highly endangered species — in their natural habitats, and encourage compassionate conservation globally.

Every year, millions of animals suffer in fur farms and circus cages. In our campaigns against such cruelties, we use powerful tools including legislation, public education, litigation, and grassroots networking. We also work actively with media to spread the word about challenges facing animals.

The Born Free Foundation was initiated in England in 1984 by Bill Travers and Virginia McKenna, the stars of the legendary film Born Free, along with their son Will. Having been deeply influenced by their time spent in Kenya, Bill and Virginia were inspired to act after the tragic and untimely death of Pole Pole, an elephant featured in the film An Elephant Called Slowly, who was sent to the London Zoo from the Government of Kenya after the making of the film.

In the subsequent two decades, Born Free has become an international force in wildlife conservation and animal protection, campaigning to save elephants, big cats, wolves, dolphins, bears, primates, and numerous other species. Born Free upholds a dynamic presence in international animal rescues, saving animals from miserable conditions, rehabilitating them, and either providing for their lifetime care in a sanctuary or, whenever possible, rehoming them to the wild.

A companion organization was established in the United States in 2002, Born Free USA, to carry on the work of the organization, involving the American public in our compassionate conservation campaigns. Born Free USA launched with a national office in Washington, DC.

Born Free is committed to spreading its brand of compassionate conservation across America and, indeed, across the globe. Our shared institutional mission is to alleviate animal suffering, protect threatened and endangered species in the wild, and encourage everyone to treat wildlife everywhere with respect and compassion.

Animal Protection Institute

Co-founded in 1968 by Belton Mouras and Ken Guerrero, the Animal Protection Institute (API) was one of just a handful of national humane organizations in existence. The early years were lean for API and the organization made good use of free media such as radio PSAs to get the word out about its mission to protect animals. These PSAs contributed greatly to name recognition, generated an enormous amount of requests for additional information, and aided in fundraising efforts.

By 1971, API was producing what became the annual Forum conference in cities across the country that featured keynote speakers instrumental to the growth of the animal welfare movement as well as promoting and publicizing the works of fellow animal organizations.

API was a forerunner in protesting the clubbing of the harp seals in Canada. Through constant petitions, API helped bring the Canadian government to an awareness of the tremendous international outcry against this barbarity. It was obvious that API was winning when in 1977 two staff members were briefly arrested for getting near enough to the seal hunt to photograph the skinning of live seals, a practice previously disputed.

Other well-known campaigns included our work on a federal anti-trapping bill as well as our work with Velma B. (“Wild Horse Annie”) Johnston. Velma had been championing the rights of wild horses for nearly twenty years when API named her as its Advisor for Mustangs and Burros. API gladly helped finance her fight, and the early Mainstreams (as Animal Issues was then called) are filled with inspiring stories of her ongoing struggle. Velma passed away in 1977 (just when she had accepted nomination to API’s Board of Directors). API continued to fight for the kind of cause she believed in, although its focus moved to other issues.

That front-line visibility diminished somewhat in the 1980s as the API moved more discreetly into the background, choosing to focus on educating people through campaigns and publications. API did not rest on its past victories. To paraphrase Thomas Jefferson, the price of animal freedom is eternal vigilance. Some battles have to be fought over and over again, even after they’ve been won. And so API returned to the front lines, taking a leading role in the struggle for animal rights.

On January 1, 2000, the Texas Snow Monkey Sanctuary merged into the API family, to be renamed the API Primate Sanctuary in June 2003 and now called the Born Free USA Primate Sanctuary. Located about 90 miles south of San Antonio, Texas, the Born Free USA Primate Sanctuary provides a truly free-range environment with minimal human interference for more than 500 rescued macaques, vervets, and baboons.

Forty years of fighting animal abuse and exploitation have given us tools that work. Whether we use the courts, the legislatures, the ballot box … engage our nationwide team of grassroots activists at the community level … work closely with individual advocates … form coalitions with other national or state animal advocacy groups … or use our position as a major media resource to focus national attention on the abuse of animals anywhere and everywhere … we continue to get the job done.

About Thinkspace Gallery:

Established in November of 2005, Thinkspace exists as a catalyst for the ever expanding new contemporary art movement that is exploding forth from the streets and art schools the world over. We are here to help represent this new generation of artists, to provide them that home base and to aid them in building the right awareness and collector base necessary for long-term growth.

Our aim is to help these new talents shine and to provide them a gallery setting in which to prove themselves. It is our hope and dream that through these opportunities these individuals will prosper and continue to grow to amaze us all for years to come. With the love of and for our community, and with the talents of so many incredible artists involved, we believe that this movement will provide the necessary proving ground for the ideas and dreams of today to become the foundations of a new tomorrow.

Thinkspace Gallery is located at 4210 Santa Monica Blvd (near Sunset Junction), in the Silver Lake area, Los Angeles, CA 90029. Gallery hours are Thursday thru Sunday, 1 p.m. to 6 p.m. and by appointment. For more information, please call 323.913.3375, visit www.thinkspacegallery.com, or email contact@sourharvest.com.

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Fresh Geezers in Brooklyn: London Police and Galo open tonight at Factory Fresh

Fresh Geezers in Brooklyn: London Police and Galo open tonight at Factory Fresh

Footage of the Police in Handcuffs!

Factory Fresh welcomes The London Police, who get themselves into the oddest situations while in pursuit of art. (video still courtesy London Police)

Factory Fresh welcomes The London Police, who get themselves into the oddest situations while in pursuit of art. (video still courtesy London Police)

The World Premiere of full-length Galo Video!

Italian street artist Galo enjoys a glass of wine while painting a canvas (video still courtesy the artist)

Italian street artist Galo enjoys a glass of wine while painting a canvas (video still courtesy the artist)

FRESH Canvasses paying tribute to NYC!

A tribute to their host borough, the London Police combine Brooklyn architecture and a central discombulated version of their "character" (photo Steven P. Harrington)

A tribute to their host borough, street artists The London Police combine Brooklyn architecture and a stylized central discombulation of their “character” (photo Steven P. Harrington)

Blowing northward along the coast from Miami’s Art Basel like warm air from a subway grate up my homegirls’ skirt, this trio of street art brothers are some really fresh geezers here to warm you at Factory Fresh.

It’s The London Police and Galo – a motley joyfest of brotherly jest in color and black and white. Their hand work is a contrast of free-form (Galo) and pre-meditated crisp line control (London Police). There are still-wet canvasses and the newly constructed Factory Fresh Screening Room to see two cinematic features. Helpfully, the entertaining videos in this show are not conceptual, so you won’t need a brochure to accompany them.

This quickly mounted show (3 days) is only possible because these guys have a bit of mileage under their belts (12 years and 50 countries, in Chaz’s case), are complete professionals, and they know how to turn out the canvasses while having fun.

<<<  >> >   <<  >>>>>

Galo was previously a graphic designer who decided to dedicate his energies to his art, which is colorful, line-based, and concentrates on what he calls his “character” – who really turns out to be more than one guy.

“This is my character. I just draw until I’m satisfied, you know? I think it has a sort of graphic balance. Normally I’m pretty flexible with myself. I like to have the faces squeezed. It doesn’t matter if they have the perfect eye. It’s pretty much informal,” says Galo.

“It is a sort of family because I first started with the one character with the round eye and slowly I started to draw the same kind of lines but with different kinds of eyes and different position of the mouth and so let’s say that they are three brothers. They are always changing”

Galo (photo Steven P. Harrington)

One of Galo’s favorites from the show. ” Normally I don’t paint big canvasses like this because it is troublesome to ship them. So I shipped the canvasses and I re-framed them here.” (photo Steven P. Harrington)

Upon his recent return to Brooklyn, Galo retrieved some old paintings stored here, which he says he wants to light on fire. “These canvasses basically disappeared for four years. They were in the storage of a friend of a friend who moved to Mexico. So I didn’t see them anymore, they just got ruined. Just to clean my hands I just want to burn them. So I nailed them together. I’m going to burn these and we’ll see what happens,” says the pyromaniacal artist.

Galo (photo Steven P. Harrington)

Galo stands with a stack of canvasses destined for destruction in the back yard of Factory Fresh, which he painted in about 3 hours with a big fat cap. (photo Steven P. Harrington)

Galo

Galo shows some technique with the can. “Miami was great, absolutely amazing. The best I’ve ever seen – so many people out there. I painted a really big wall so I was busy painting every day, but for sure in the evening it was just partying, hanging out with other artists.”

Galo peers out through his work.

Galo peers out through his work in this still from his new full length video premiering tonight at Factory Fresh.

GALO – a Brief Introduction – the full story tonight!

The London Police are Chaz and Bob – Bob does the crisp linear cityscapes and architectural detailing, and Chaz draws the “LAD” character (who is based loosely on the man himself), now happily morphing and shape-shifting into blobs and motifs that echo the original little happy fella they are known for.

On the topic of the endless interpretations and generally ripping apart of the original theme, Chaz explains that he felt their fans might have gotten a bit bored with just the one character, “Once you’ve done one head and then two heads and then three or four heads…after going out and doing the same thing it got to the point where I wanted to go out and do ten heads, fifteen heads.”

This year they limited themselves to strictly black and white, but do not rule out using color in the future.

The City according to the London Police (photo Steven P. Harrington)

The City according to the London Police; “”We’re really proud and pleased with the work we are doing this year. We enjoy it, and I don’t think you can really ask for more than that. We work a lot on these paintings. It takes a long time. Everything you see here is doubled, because we use the ink pens. The first layer leaves it a little bit shallow so it needs to be doubled up,” says Chaz (photo Steven P. Harrington)

A student of architecture, Bob worked for an architectural firm a few years ago, which sharpened his acuity, “I’m crazy about architecture but as a living it’s a little bit stale. But it was really good because it was so in-depth that your drawing gets better. Your understanding of architecture gets better and your world grows. Now I can pretty much close my eyes, remember an image and then draw it from my brain,” he says.

And about incorporating the architecture of his host city into TLP’s work, ” I did quite a lot of actual research, visually, and reading up on Brooklyn. The contrast between Manhattan and Brooklyn, obviously is huge. But I like the rawness of Brooklyn. I always have. I’ve been here a few times and I like that you have the low-level housing, three or four stories high, and then you’ve got this huge factory next to it. It’s really bold. That’s what is iconic about Brooklyn.”

In this still from the "Brothers in Arms" documentary to be screened this evening, Chaz takes a little catnap as his hand-cuffed mate labors on their deadline. (image courtesy the artists)

In this still from the “Brothers in Arms” documentary to be screened this evening, Chaz takes a little catnap as his hand-cuffed art-mate labors on their deadline. (image courtesy the artists)

“In this show we are showing a documentary film we made in L.A. which was basically us handcuffed together twenty-four hours a day. We lasted five days. It was pretty intense. We didn’t break. I thought there would be a breaking point where I would just need personal space, especially at the obvious times”

The flyer is posted in the gallery

The “Brothers in Arms” flyer is posted in the gallery just outside the cinema. Check your local listings for times.

Produced by Ashton Kutcher and Jason Goldberg, the brief documentary shows the “brothers” in a variety of natural and staged situations that come off as endearing, entertaining, and a bit goofy.

“It produced a funny, nice documentary so when people come to the show tonight there will be a bit of cinema about every 20 minutes and you can watch the film about Galo, and the film about us handcuffed together, which is stupid, corny, and funny,” says Chaz.

Chaz chats while doing some finer line-work (photo Steven P. Harrington)

Chaz chats while doing some finer line-work in prep for tonight’s show at Factory Fresh (photo Steven P. Harrington)

Two new smaller canvasses feature scenes inspired by New York disaster movies that have proliferated in the last 25 years. The London Police (photo Steven P. Harrington)

Two new smaller canvasses feature scenes inspired by New York disaster movies that have proliferated in the last 25 years. Both Chaz and Bobbie site the movie “Ghost Busters” as a formative influence in their artistic careers. (The London Police) (photo Steven P. Harrington)

"It's really simple, it's just my girlfriend and my son's name in script. She was was really gobsmacked. She really loved it. I was really fearing showing her, and she was really touched."

Chaz works on a canvas patiently while handcuffed to Bobbie, who is getting a tatoo. “It’s really simple, it’s just my girlfriend and my son’s name in script. She was really gobsmacked. She really loved it. I was really fearing showing her, and she was really touched,” says Bob. (still from “Brothers in Arms” courtesy the artists)

About the movie, we discovered that really the idea was Chaz’s and Bobbie just went along. Was there a point when Bobbie regretted the decision?

Says Bobbie, “Yeah, about after five minutes. I was having a terrible time”

“I just couldn’t, – Bear in mind you’re setting up for a very important show – you just couldn’t get anything done. The whole thing – it was okay hanging out with Chaz, you know we had a good laugh. But you couldn’t get anything done. You just can’t physically do anything, it get’s really frustrating.”

But don’t mind this brother, because later in the conversation, he reverses himself and says it would have been great to do it for 2 or 3 weeks. “We wanted to do more than five days but the problem was that show was to open so that was the maximum that we could do but if had had more time that’s when you would have gotten some really good material.  It was all novelty, it was all fun. If you went to a party people were really interested – but it would have been great if you could have gone on for two or three weeks.”

Were people waiting for one or both of them to have a meltdown? Says Bob, “Yeah, that’s what they were hoping! But it was five days and because we’re best friends it was never going to happen”.

>>>>  <  <  << >>>>>   >>   < >>

Factory Fresh is HERE

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“THE SHIRT OFF YOUR BACK” At Pandemic

Pandemic

Hey to all!

This coming Saturday, Pandemic will be hosting a live silk screening and painting event! Feel free to bring whatever you would like to have screened! No item (unless ridiculously shaped or jagged) is inappropriate! Print the shirt right off your back!!

Pre-screened shirts, bags, and reasonably priced artwork will also be on display. More perfect Christmas gifts have yet to be discovered in the 5 boroughs!

Artists joining us in printing will be: Deeker, Royce Bannon, Matt Siren, Keely, Abe Lincoln Jr., Overkill studios (Philly), and Dave Tree (Boston)

Check our website for examples of our artists work.

Live Painting will be performed by Morgan Thomas and Thomas Buildmore of Overkill Studios. A group wall will also be available for painting because we know many of you are not good at standing idly by and watching!

Printing will start at 5pm. Drinks of some kind will be available (were not barbarians).

We hope to see you all there! Come and celebrate the holidays with us!

Pandemic Gallery
37 Broadway btwn Kent and Wythe
Brooklyn, NY 11211
www.pandemicgallery.com

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What a Gaia! Siamese Poultry Giving You the Eye in Miami

scopemiami

Looks like Street Art is not beyond the scope of Scope.

Such clever headlines like that you are not getting anywhere else.

Street Artist Gaia just finished up one of his new biowonder agri-tech nightmare pieces in beautiful (minus the monsoon) Miami for the Scope Fair.

Rorshach Rooster by Gaia
Rorshach Rooster by Gaia

It’s really fun that we saw some of the preliminary sketchy ideas on his laptop a couple of months ago and now there is this giant siamese FrankenChicken on a wall someplace.

The full 10' x 40' expanse by Gaia
The full 10′ x 40′ expanse by Gaia

Probably one of the pharma-agri-chemical companies will sue the wheatpaste right offa that piece for inflammatory inferences about genetically modified food.

Gaia
Gaia (photo courtesy the artist)

This portrait probably looks better placed than most of Gaia’s usual street art wonders because it has a back drop of vibrant aqua and some kind of patterning.

A watchful gaze, or a blank stare?  How many chickens have you known personally?  (Gaia) (photo courtesy the artist)
A watchful gaze, or a blank stare? How many chickens have you known personally? (Gaia) (photo courtesy the artist)

Alas, since it is on the street it is also obfuscated by things like cars parked right in front of it when you are trying to take a durn pic of it.

Thanks Gaia for keeping us abreast of the animonster evolution!

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Primary Flight Update: BASK, Adam 5100, Ron English, Tes One, Lee Quinones, More

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The Primary Flight Opening Party Wednesday night blast featuring Dr. Dre and Peanut Butter Wolf lasted late into the morning hours and Logan Hicks was on his hotel ledge contemplating a couple of manatees late Thursday afternoon with his head in his hands, quietly, while street artist Bask was working with some birdies of his own on a wall.

Take a look at some of the progress!

Thanks to Jeremiah Garcia for capturing some of the action!

Bask rendered a splashy orinthine trio with flair.
Bask rendered a splashy orinthine trio with flair.

Tes One sends a mixed message in stark tones
Tes One sends a mixed message in stark tone.
Lee Quinones considers hopping the fence just for old times sake.

Lee Quinones considers hopping the fence just for old times sake.

Adam 5100 at work on an elongated form in the foreground of a foreboding scene.  This can come to no good.

Adam 5100 at work on an elongated form in the foreground of a foreboding scene. This can come to no good.

Ron English is knocking outlines for his giant animated wall.

Ron English is knocking outlines for his giant animated wall.

No slouch in the magnificence - Ron English has bitten a big piece offa that street art cake.

No slouch in the magnificence - Ron English has bitten a big piece offa that street art cake.

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Primary Flight Update: We Have Lift-Off

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A roster of 80 artists are participating in this years Primary Flight exhibition in Miami – which officially starts tonight. Last night preparations and discussions about the walls and the logistics began before the fans and otherwise curious folks show up.

In attendance in the empty lots and barren walls were Shepard Fairey, Kaws, and Ron English, each scoping out the size of their assignments.

A big pile of clamp lights in the empty lot augur some action for the cameras to come from Ron English
A big pile of clamp lights in the empty lot augur some action for the cameras to come from Ron English

Shep will be smacking up a 200′ by 20′ tall wall, which seems pretty large.  But what will he put there, that’s what I wanna know. Maybe it will be related to the pro-gay marriage “Love Unites” posters he did for a fundraiser last month.

And then I'm gonna
Shepard Fairey makes a point with Kaws and an identified person.

Thanks to Logan Hicks for the pics!

And if you are there they have a totally fun and off the hooker opening with a couple people you may have heard of.  Thanks but I just washed my hair…

overthrow-dr-dre

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ART BURN: The Most Combustible Art Show in the World International Contemporary Art Expo & Immolation

To be held in Miami’s Wynwood District at sunset on Thursday, December 3rd, 2009***

(New York, NY) — ART BURN, the most combustible art show in the world, will combine an international selection of original art with fire. Original works on canvas, wood and paper by a selection of more than three dozen international artists will be displayed and then flambeed in Miami on the evening of Thursday, December 3, 2009 at sunset. The exhibition/grilling, curated by NYC artist El Celso, will take place in the Wynwood Arts District, within walking distance of Miami’s lesser contemporary art fairs.

An exclusive selection of more than three dozen exceptional pieces by the hottest renowned artists and sizzling, cutting-edge newcomers will be displayed from 1pm until sundown. After the brief exhibition, all of these original works will be burned for the public’s viewing pleasure. Nothing is for sale.

We will be exhibiting and burning new works by:

El Celso
Aurora Robson
infinity
Nick Fortunato
Skewville
Jayne Surrena
Darkcloud
Fabian Pena
Elbow-Toe
Rex Dingler
LA II
Royce Bannon
Leonardo Furtado (Brazil)
Rednose
Anne Karsten
Gore-B
Buildmore
Abe Lincoln Jr.
Cake
Paul Kostabi
Ellis-G
Avoid Pi
Stefano Pasquini (Italy)
Keely
Destroy & Rebuild
Matt Siren
Veng
F. Trainer
Joanne Mattera
Deeker
Dean Radinovsky
Die Dose (Germany)
Billi Kid
Evelyn Metzger
Robots Will Kill
Adam Vincentz
Garrison Buxton (Peripheral Media Projects)
Michael DeFeo
James A. Willis
Ray Bradbury & very special guests TBA

Venue
TBA
Duration and opening hours
Thursday, December 3, 2009
One day only from 1pm to sunset.

Media Reception
Thursday, December 3, 2009
5pm to sunset

ART BURN Miami is the toastiest hot spot for the international art world. We look forward to burning for you at ART BURN Miami 2009.

SPONSORS

c-monster.net
Visit http://c-monster.net/ the official media sponsor of the ART BURN VIP Lounge

HYPERALLERGIC
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KINGSFORD® Charcoal
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For more information on how to become a sponsor and for all press inquires, please contact El Celso at celso@elcelso.com or at 212-532-5980.

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Mighty Tanaka Presents: “Hybridism” – NEW GALLERY


Mighty Tanaka Presents:
Hybridism: Where Raw Meets Refined
Premier Exhibition in New DUMBO Gallery Space presents an array of mediums, techniques


New York, NY – November 24, 2009 – Mighty Tanaka (http://www.mightytanaka.com) is proud to announce
Hybridism, the premier show within its new DUMBO project/gallery space, opening with a reception on December 3, 2009 through January 7, 2010. There’s a growing creative movement that we’ve dubbedHybridism: a blend of both street art and fine art – a hybrid – as the raw meets the refined. It is the juxtaposition of genres, which both compliments and conflicts; the balance between these otherwise artistic opposites. Hybridism, the show, captures a collection of both twisted fine art and underground street art in a span of mediums: vivid photography, collage, and rich oil & acrylic paintings on everything from canvas to found wood.


Alex and Caleb have been working so hard to make this thing happen!

Alex and Caleb have been working so hard to make this thing happen!


From classic oil paintings of alcohol-blurred nightlife, a squirrel riding a two-headed goat, and a trippy diorama of the industrialization age, to street-style satanic mummies, tribal paintings on book covers, and graffiti-influenced silkscreens on newspapers – Hybridism displays the atypical and the urban within one space.

“I always look to accentuate the idea of hybridism, and of pairing opposites together; this will be common thread in all of my shows, despite their varied themes,” says Mighty Tanaka owner and curator, Alex Emmart. “My goal? To bring this burgeoning and exciting artistic movement to the next level.”

Featured artists include: Adam Miller, Alexandra Pacula, Alexis Trice, AVOID pi, Bruno Perillo, Destroy and Rebuild, Don Pablo Pedro, FARO, Hellbent, Infinity, JMR, John Breiner, Josh McCutchen, Katie Decker, KOSBE, Lionel Guzman, Mari Keeler, Miss Marlo Marquise, Max Greis, Mike Schreiber, Peter Halasz, Reginald Pean, Robbie Busch, Royce Bannon, Skewville, Vinny Cornelli. 

M
ighty Tanaka’s Hybridism opening reception coincides with DUMBO’s Culture 411 First Thursday Gallery Walk on Thursday, December 3, 2009, from 5:30PM-8:30PM at Mighty Tanaka Studio on 68 Jay Street, Suite 416, Brooklyn, NY 11201.

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About Mighty Tanaka

M
ighty Tanaka (http://www.mightytanaka.com) is Alex Emmart and Caleb James: an independent curatorial organization dedicated to the advancement and integrity of the urban arts. Through the utilization of skilled curating and various media techniques, we strive to create a stable foundation for artists operating within the urban environment. Mighty Tanaka is driven by urban inspiration and is clearing the way for this emerging art movement to expand beyond the city walls and into our personal lives. Our mission is to provide a myriad of curated and production services. 

Contact

M
ighty Tanaka Studio
68 Jay St., Suite 416
Brooklyn, NY
11201
Hours: M-F 12PM to 7PM, weekends by appointment only 
Office: 718.596.8781

For questions, info or interviews, please contact Alex Emmart at alex@mightytanaka.com or (718) 596-8781.


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