Herakut
Herakut (© Jaime Rojo)
Press release and additional information for this show to follow.
September, 18 2010
7:00 t0 10:00 pm
6023 Washington Blvd.
Culver City, CA 90232
310 558 0200
Contact@lebasseproject.com
Guy Denning
Guy Denning "Behemoth"
Serious momentum is building in anticipation of the long awaited Guy Denning ‘Behemoth’ show at The Gallery in The Crypt , St Martin in The Fields in Trafalgar Square, London, opening 3rd September.
With an interview in ‘The Independent’ last week – Click here to read Guy Denning interview in ‘The Independent’ it looks like Guy Denning is getting the recognition that he truly deserves – a great affirmation that Red Propeller and all who sail on her know great talent when they see it!
A beautiful new TRXTR print is on site this week ‘War Rugs Don’t Fly’ check it out now Click here to see new TRXTR print
Keep an eye on our blog for future developments and breaking news – get insight into and the true story behind TRXTR’s print this week and see Angel 41 as never seen before!
VISIT OUR BLOG
by Jayne McGinn
images by Jenna Duffy
Ripo and Remed finished their mural for Living Walls on Dekalb Ave Tuesday night.
Working sunburned through the unforgiving Georgia heat and rain, the two international artists unified the wall by using the same vibrant colors; Ripo and Remed hand painted alternating letters in the two artists’ styles to spell out “Poem Rider,” an anagram of their two names.
© Jenna Duffy
It was amazing to watch them work, how they could eyeball off sections of the wall to make the letters even and create a wall with so much movement and depth by hand; they are both have amazing attention to detail and were able to see things that I was blind to. The artists utilized the entire wall, even manipulating an expired White Brothers Auto Parts sign for their signature. Ripo and Remed then continued to flow their artwork on to the adjacent wall, completely transforming the neglected area.
As art institutions gear themselves continually to remain (or become) relevant to Gen Net patrons, all manner of incarnations will likely continue to parade before you. Yes, Picasso still draws a crowd but in the last decade, as Boomers began retiring and their media-drenched progeny grew more distracted by one million apps of eye candy, even blue chip and gray ladies of the art world started hosting DJ’s, indie bands, and endless jazz cocktails to get the booties in the house and the eyeballs off the little blue screens, if only for a second.
The size of the opening night crowd as well as it’s relative youth at Viva La Revolución at MCASD was a clear indicator of a much wider interest in Street Art as contemporary art than has been seen before in the US. (photo © Geoff Hargadon)
One way to make sure you are grabbing the attention of Millenials is to embrace that which they have already identified as culturally important and begin to make sense of it as it evolves. Pedro Alonzo, guest curator of Viva La Revolución at the Museum of Contemporary Art San Diego (running until January 2) understands that a wide embrace of an evolving movement is important right now until the field winnows itself. More importantly, he recognizes that “high-minded” culturally no longer requires the confines of a museum and, along with associate curator Lucía Sanromán, he leaves the door ajar to acknowledge the continuum between street and museum in this largest exhibition of the modern global Street Art movement yet in the US.
Curator Pedro Alonzo shows Jeffrey Deitch the indoor exhibition of the newly opened show. (© Geoff Hargadon)
The truth is that buck-wild artists have been making the streets a gallery in earnest for a little while now, preferring to take the more direct route to admirers and detractors alike. Billed as “a Dialogue With the Urban Landscape”, Viva goes beyond the initial infatuation with graffiti and so-called “Urban” art that institutional interests expressed in 1980s and 1990s. For some reason that new-found love eventually turned tepid and measured in the embrace. Maybe that’s why nervous nellies in academia shuddered when the New York impresario, art dealer and gallerist Jeffrey Deitch, a champion of selected Street Artists among other vocations, was named director of Los Angeles Museum of Contemporary Art this year. Indeed a revolution of some sort is afoot.
Mexican-American artists Date Farmers combine pop, folk, and political in this charged raw screed. (photo © Geoff Hargadon)
Admittedly museums must be followers as well as leaders (Guggenheim/YouTube anyone?) and the grassroots nature of this new surge of Street Artists circumvents the structures and curatorial practices of the established gallery and museum world. It also cuts across race, class and socioeconomic lines and maybe that’s part of the slow uptake. But like so many aspects of our current era, the foundations are melting before our eyes. When you consider the democratizing force of internet/social networking communications and the fact that many of these artists come with a built-in fanbase as a result, it is a no-brainer that major and minor institutions are taking a fresh look at the new Street Art scene.
French Street Artist JR and his assistant Youssef doing a bit of Skyping before the show (© Geoff Hargadon)
That said, Viva La Revolución is a bold undertaking that presents some of the biggest names on the scene right now and a variety of them. Under Mr. Alonzo’s guidance and audacity, it also thoroughly involves the street in the exhibition, making the city of San Diego quite literally part of the show. To pull this off and keep the respect of the artists intact is an accomplishment itself. By all accounts, he has. Having curated shows successfully including iconic street artists like Faile and last year’s Supply and Demand show by Shepard Fairey at ICA in Boston, Alonzo has easily established a rapport with a scene that is rapidly evolving.
Brooklyn Street Art: How has the response since the show opened?
Pedro Alonzo: The response has been great. The museum has had tons of calls about the exhibit and many visitors. The age of the average visitor also appears to have dropped. We are getting a younger crowd.
BSA: You have a number of installations all around the city. Was it easier to work with private owners rather than the city to secure building walls?
Pedro Alonzo: Although there have been people who work for the city who have been very supportive and instrumental in securing walls, all of the walls we used are privately owned. It was way too complicated and bureaucratic to secure city or state owned walls.
Brazillian Street Artists Os Gemeos in front of two of their pieces (photo © Geoff Hargadon)
BSA: Can you talk about the name “Viva la Revolución” and it’s significance to you historically?
Pedro Alonzo: The title of the exhibition is significant on many levels, from the fact that this year marks the 100th anniversary of Mexico’s revolution to the street in Tijuana, “Avenida Revolucion” where many under age southern Californians, like myself back in high school, spent the weekends drinking and dancing. The title also refers to street art’s defiant posture towards the arts establishment in being an art that is populist, intended to be understood by most people, not just the art world elites, as well as being a form of expression that references popular and/or urban culture. This show is about an artistic revolution, art that appeals to a wider audience.
Calma on the ladder doing last minute touch ups. (© Geoff Hargadon)
BSA: Experts, particularly the jaded ones, have been forecasting the death of Street Art periodically for years, yet we feel like New York has an ongoing explosion of it. Do you feel like street art is experiencing a revolution?
Pedro Alonzo: There are those who have stated that painting is dead and they were wrong. From my perspective, street art is finally being looked at by the art world. If anything the hoards of people who want to see street art are a clear indication of the vibrancy of the genre.
BSA: Can you talk about the street artist you have from Mexico? Is there a Street Art movement south of the border?
Pedro Alonzo: There is definitely street art in Mexico. Stenciling and graffiti are visible in many cities. The most vibrant examples I have seen are in Oaxaca, where the art often responds to social and political issues.
Mexican tattoo and street artist Dr. Lakra is a blur (© Geoff Hargadon)
BSA: What has been the most surprising part of this experience for you?
Pedro Alonzo: More than surprised, I am amazed at how quickly these artists work and adapt to the environment. Both inside the museum and on the street, the artists created amazing works for the exhibition in a very short period of time. Some of them even had time to go to the beach. We had a lot of fun. I am very proud and grateful to all of the artists for their hard work and stunning achievements. The city is responding accordingly.
In fact, the biggest surprise about the show was the response from many San Diegans of sincere gratitude at having this type of exhibition in their city. Some loved the fact that they did not have to drive to LA or fly to NYC to see it. Others felt that their interest in art was finally being acknowledged. It is a wonderful experience to have this kind of feedback in my home town.
Lucía Sanromán and Pedro Alonzo at the opening of Viva (© Geoff Hargadon)
Jenna and Jayne spent the whole weekend working their phones, chasing after artists, getting soaked in the rain, dancing and taking in the Hotlanta air – which was filled with laughter, art, spray fumes and joy. They couldn’t resist the charms and the energy of New York native street artist Gaia. Here Jayne explains, in her own words how she was inspired by watching Gaia enjoy the festivities and by seeing him busy at work. Jenna captured with her lens the product of all that creativity.
When I first met Gaia he was tearing the dance floor a new one. With all the charisma and energy of the three Beastie Boys wrapped into one, Gaia is a force of nature. He is a captivating story teller and has my vote for “best person to get locked up with”.
Equally as brilliant, but on the other side of the spectrum, is Gaia’s artwork. Where he is a lightning bolt of spontaneity, his artwork is thoughtful and serious. His mural for Living Walls is a beautiful homage to Atlanta and the people who once lived here and to the Indian land this once was. Jayne McGinn
Currently, Eyedrum, home of the Living Wall’s Gallery Show, and the adjacent loft where the artists are staying, has transformed into what one artist called “a summer camp meets a wedding, meets a reality show”. Street artists from around the world blew up air mattresses and slept slumber party style, painting, working, and hanging out into dawn with a collective of volunteers.
The long white hallway in Eyedrum became the artists’ free-for-all, each given pick and creative freedom to stake claim on any spot not taken. The enormity of Living Walls is evident here; once an eyesore, it is now almost completely covered with pieces large and small. Gaia, Greg Mike, Chris Bakay, Marcos Sueno, Never, Nasdaq, Hugh Leeman and other artists have thrown up murals and wheat pastes. The ultimate goal to cover the hallway is awe-inducing, but when executed the collage of local and international street artists will be an ocular feast.
To learn more about Living Walls go HERE:
Bast: “Botulism”
Bast "Read My Lips" Image Courtesy of the Gallery
Lazarides is delighted to announce Botulism, the first solo exhibition of Brooklyn’s infamous collagist Bäst at the Rathbone Gallery. Bäst will present a collection of new works, developing past preoccupations in an exciting new direction.
Bäst’s work is inspired by the early punk flyers of London and New York, playing with a variety of 21st Century icons and appropriating imagery from a variety of media. From advertising to comic book characters, Bäst subverts the familiar and recognisable into distorted counterparts. His collages, wheat-pasted posters and paintings morph Mickey Mouse, Pinocchio and Papa Smurf into multi-eyed sexually charged portraits of their former selves. Food packaging, 50’s newspaper clippings and brand logo’s all feature as the backdrop to his vibrant, brilliantly coloured works.
Whether appearing in the doorways of downtown New York or on the walls of a gallery, Bäst’s graphic language translates into prints, paintings, collages and mixed media sculptures. His latest acrylic paintings on wood have developed the colourful repetitive patterns so often present in his collages. For Botulism expect myriad unprecedented works with that classic Bäst flavour.
Bäst recently exhibited with longtime collaborators Faile in the Greek Street gallery space, the acclaimed Deluxx Fluxx Arcade showcasing a groundbreaking display of customised arcade games pasted with a collage of the artists’ unique imagery and paired with tunes composed by post-punk art rock band Les Savy Fav.
Lazarides Rathbone is open Tuesday to Saturday, 11am – 7pm. pm. Admission is free. For more information visit www.lazinc.com
Bast "Pork Pie" Image Courtesy of the Gallery
Bäst
Bäst has been an intricate part of the street art scene for the past 10 years throughout New York and Europe gaining cult status and recognition from fellow street artists. Hailing from Brooklyn, Bäst is an elusive character whose work centralizes around the art of collage.
Little is known of his work outside of what the public sees throughout New York’s urban environment but since 2003 his work has evolved and been exhibited in various exhibitions: Faile Bast Deluxx Fluxx Arcade at Lazarides, London (2010), Graffiti at Galerie du Jour – Agnes B, Paris (2009), Beach Blanket Bingo at Jonathan LeVine Gallery, New York (2009), This is China at BLVD Gallery, Seattle (2008), Ridiculousnessofitallshow at New Image Art, Los Angeles (2005) and Fancy Faile and Bast at Galerie Neurotitan, Berlin (2003).
Apart from showing in Japan, LA, Colorado, New York, London, Paris and Berlin, he’s also released a limited edition book, Revolucion De Papel, the only publication to bring his many works on the streets of New York together.
Bast. Detail (Photo © Jaime Rojo)
Bäst: Botulism
Lazarides Rathbone, 11 Rathbone Place, London, W1T 1HR
20 August – 1 October 2010
Preview: Thursday 19 August 6-9pm
Lazarides
Working outside conventional practice and the contemporary art system, Lazarides welcomes a broad audience to an extensive exhibition programme, off-site projects and online exhibitions and collectives. Lazarides supports and develops the work of a group of artists who collectively, defy categorization.
Founded in 2006 by Steve Lazarides, Lazarides represents some of the most exciting and innovative artists working today including Antony Micallef, David Choe, JR, Vhils, Faile, Jonathan Yeo, Charlie Isoe, Conor Harrington, Ian Francis, Stanley Donwood, 3D, Invader, Kelsey Brookes, Mode 2, Todd James /Reas, Blu, Paul Insect and BAST.
The exhibition programme runs across spaces in London and Newcastle: Lazarides Rathbone, presents seven solo and group exhibitions each year, while The Dungeon on Greek Street, Soho and The Kitchen in Newcastle provide a platform for emerging talent and experimental projects by Lazarides artists.
Recently launched in July 2010, THE OUTSIDERS will become the home of publications, limited edition prints and collectable artistic ephemera as well as smaller presentations and screenings. Incorporating the online shop and the spaces on Greek Street and in Newcastle, THE OUTSIDERS will continue to welcome over ten thousand visitors annually and provide a one-stop-shop for all things outsider.
In addition to their extensive programme, Lazarides has also presented numerous exhibitions outside the UK most notably Banksy’s Barely Legal in Los Angeles (2006), Antony Micallef’s Impure Idols in Los Angeles (2007) and The Outsiders group show, New York (2008) along with the current successful 4-month exhibition programme in Beverley Hills showcasing a variety of group and solo exhibitions including the talents of David Choe, JR, Vhils, Conor Harrington, and Jonathan Yeo.
ERIC FIRESTONE GALLERY PRESENTS:
I wanted to invite you to the launch of DOWN BY LAW: New York’s Underground Art Explosion, 1970s–1980s, a new exhibition I am co-curating, which opens at the Eric Firestone Gallery in East Hampton on Saturday, August 14.
The exhibition surveys the originators and innovators of the graffiti and street art movements, looking at where they have been and where they have come over the past 40 years. Highlights include:
Featured artists include Charlie Ahearn, Jean-Michel Basquiat, Blade, Henry Chalfant, Coco 144, Joe Conzo, Martha Cooper, Cope 2, Daze, Jane Dickson, Dr. Revolt, John Fekner, Cousin Frank aka Ghost, Michael Halsband, Keith Haring, Eric Haze, Keo, Eric Kroll, LA2, Lady Pink, Greg LaMarche, Michael Lawrence, Chris Pape aka Freedom, Rammellzee, Carlos “Mare 139″ Rodriguez, Anita Rosenberg, Sharp aka Aaron Goodstone, Jamel Shabazz, T-kid 170, Dondi White, and Zephyr.
EAST COAST SPACE
4 NEWTOWN LANE
EAST HAMPTON, NY 11937
631-604-2386
Pandemic Gallery Presents
“AMALGAMATIONS”
a solo show by Eddie Ochoa
A Texas native, Ochoa has previously exhibited at Fl!ght Gallery in San Antonio; since relocating to New York, Ochoa also participated in a group show at 21LUDLOW in the Lower East Side.
The Herbert Gallery and Museum
Image Courtesy of the Gallery
MEDIA RELEASE
Banksy comes to the Herbert …
Herbert Art Gallery & Museum will host the UK public premiere of
Street Art: Contemporary Prints from the V&A a new touring exhibition
including works by celebrated street artist Banksy…
The Herbert Art Gallery & Museum, Coventry will be taking inspiration from the street this autumn as it showcases work from some of the best, freshest and most controversial street artists around. The UK premiere of the new temporary exhibition Street Art: Contemporary Prints from the V&A opens on 9 October, 2010 and is completely FREE to see.
This brand new touring exhibition explores the ways street art has moved away from the painted wall into the medium of printmaking, creating distinctive, exciting visuals along the way. Drawn from the Victoria and Albert Museum’s internationally renowned collection of prints, Street Art: Contemporary Prints from the V&A showcases established and emerging street artists, both British and international, including names such as Banksy, D*Face, Eine, Miss Tic, Swoon and Shepard Fairey. A piece of Eine’s work was recently gifted to Barack Obama from David Cameron.
The Herbert has commissioned six emerging artists on the UK street scene to create new works of art that will be displayed in a second complementary exhibition Fresh Paint. Pahnl, SPQR, Lucy McLauchlan, Ben Slow, AsOne and Newso have all created pieces that have not been seen before, and will not be seen together again.
Contextual images showing street art in its original settings have been provided by Very Nearly Almost magazine.
Dominic Bubb, Exhibitions Officer at the Herbert Art Gallery & Museum said “Being the first venue to show the V&A’s exhibition is amazing for us especially with the Banksy pieces. We wanted to add an extra element to make this exhibition unique to Coventry so we’ve commissioned six works from up and coming Fresh Paint artists. Add to this the street images supplied from the VNA Magazine and you’ll see that this is a wholly exclusive exhibition that will never be seen anywhere else again.”
Street artists produce work in a variety of media, including the works on paper seen in this exhibition. Street art prints offer the opportunity to collect and preserve this otherwise ephemeral art form, which now moves between the street and the gallery. Street art prints are an interesting development, both within the medium of printmaking and within urban art. Although street artists produce work for exhibitions and galleries, most still continue to work outside the gallery system, or in some cases, creating galleries of their own. This exhibition explores the recurring themes within the genre, such as historic and current subjects, traditional methods of image-making and styles familiar from art history.
The art will also be heading out of the gallery and spilling over onto the street through a range of special events, activities and unique artworks hidden around Coventry. Shoppers in the city centre and the bus station should keep their eyes open and look out for miniature scenes and artworks which can then be photographed and shared on the Herbert’s Flickr site.
Between 11:00am and 4:00pm, on Saturday 11 September visitors can meet some of the artists taking part in the exhibition and see demonstrations of live spraying, painting, pasting and stencilling at Street Art Saturday, they will then have the opportunity to walk away with a FREE new and unique artwork in Take it, it’s yours.
Street art is a growing world-wide phenomenon where artists have taken their art outside of the traditional galleries and exhibitions and created a new platform with which to showcase their work. Walls, doors, derelict buildings, pavements, rivers and railings have all been used creatively to display an artist’s work.
Whilst most street art is produced illegally and without permission, it is a movement which has developed into recognised art form with street artists becoming well-known and respected among their peers and within the art world.
For further information on these and other FREE family events, exhibitions, talks and activities visit www.theherbert.org or join our family mailing list at www.theherbert.org/mailing-list.
Exhibition Extras
| Street Art Saturday – FREE
Saturday 11 September 11.00am – 4.00pm Meet some of the artists taking part in our Street Art exhibition. For one day only we will have live spraying, painting, pasting and stencilling taking place in the University Square, just outside the Herbert |
It’s Yours, Take It – FREE
Saturday 11 September 12.30pm The Herbert is giving visitors the chance to take part in a worldwide phenomenon. It’s Yours, Take It is a great way for people who wouldn’t generally think about owning art to get a piece for FREE, from the artists taking part in Street Art!
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| Street Art Launch – FREE
Thursday 7 October 7.00pm – 10.00pm Be the first to see this exhibition from the V&A alongside new works from amazing regional artists , DJing, live animation projection and a serious live art battle, where locals will take on outsiders, and the audience help decide the winner.
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10 Minute Tour – FREE
Every Tuesday from 12 October – 11 January 12.30pm An informal, drop-in tour with a member of our exhibitions team bringing history, context and a little insider information to the exhibition. |
| Exit Through The Gift Shop – £5
Thursday 21 October 7.00pm – 8.30pm Exit Through The Gift Shop is the groundbreaking film from Banksy – the world’s most famous graffiti artist; a global phenomenon with a fiercely guarded anonymity. An eccentric Frenchman tries to film and befriend Banksy, only for the artist to turn the camera back on its owner with spectacular results.
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Our Street – FREE
Monday 25 October – Friday 29 October 10.30am – 12.30pm and 1.30pm – 3.30pm Hands on drop-in workshops inspired by the area that we live and some of the fantastic techniques used in the Street Art Exhibition. Suitable for all ages but particularly 5+ and their adults. |
| Contemporary Arts Conversation – FREE
Thursday 28 October 6.30pm – 7.30pm Love it or loathe it most people have an opinion on Street Art, and it often comes down to the contentious issue of graffiti. Councils spend thousands of pounds a year removing graffiti, stickers and paste-ups but they are fast becoming one of the greatest forms of modern art. Join us to tackle the thorny issue of art v vandalism. Arrive at 6.00pm for tea and coffee. |
Against the Wall – FREE
Wednesday 3 November 12.30pm – 1.30pm A talk by acclaimed journalist and photographer William Parry about his stunning book of photos which captures the graffiti and art that has transformed Israel’s wall into a living canvas of resistance and solidarity. Featuring the work of other artists including Banksy, Ron English, Blu and others, as well as Palestinian artists and activists, the photos express outrage, compassion touching humour, and illustrate the wall’s toll on lives and livelihoods.
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| Our Street Workshop and Mural Day – FREE
Saturday 6 November 12.00pm – 4.00pm Using the creations made at today’s and Friday 29 October’s Our Street workshops, families can contribute to a fabulous 3D street scene in a workshop led by local artist Ben Sanderson. |
Herbert Illuminations: Street Art – FREE
Tuesday 16 November 12.30pm – 1.30pm British street artists Eelus and Lucy McLauchlan offer an insight into a project they are involved in to transform a rural village in The Gambia through art workshops and street painting. They aim to bring art to a community the survives through farming, and ultimately encourage tourism and development. |
| Whole Train – FREE
Thursday 9 December 7.00pm – 9.30pm Whole train’s edgy editing, pulsating soundtrack and exploration of the secret universe of the graffiti scene make it a film experience not to be missed. The four protagonists observe the hierarchies, values, rules and codes of this rarely documented scene. But as another crew appears on the scene, and the four feel challenged and a creative battle ensues. The Director will be available after the performance in person or via Skype to answer questions about how he made the film and its content!
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If you want any further information, images or interviews please contact Sally Johnson on 024 7629 4735 or email sally.johnson@theherbert.org
NOTES TO EDITORS
MEDIA RELEASE
WANTED: ART
Herbert Art Gallery & Museum seeks artist donations for
Coventry’s First It’s Yours, Take It event
Donations of art works are being sort by the Herbert Art Gallery & Museum for a one-off event taking place on Saturday 11 September at 12:30pm. It’s Yours, Take It gives visitors to the museum the opportunity to leave with a piece of artwork for FREE.
The Herbert is asking for artists to take part in the worldwide phenomenon of It’s Yours, Take It by donating a piece of their work to the event. Works can be produced on any material including canvas, reclaimed wood and cardboard, they can be of any style, shape or inspiration but need to be of a quality standard.
Work has already been donated by up and coming street artists Pahnl, Newso and AsOne, and has been sent in from as far as St Louis, Missouri and Tehran in Iran.
Donated items will be included either during this one-off day, or, it may be hidden somewhere in Coventry during the Street Art exhibition for passers by to pick up and take home. By submitting pieces of work, artists will be given the opportunity to have their work and name seen by everyone visiting the Herbert on that day.
Work needs to be sent to Dominic Bubb, Herbert Art Gallery & Museum, Jordan Well, Coventry, CV1 5QP by Friday 10 September.
It’s Yours, Take It is a great way for people who wouldn’t generally think about owning art to get a piece for FREE.
Jamie Perry Head of Marketing and Communications at the Herbert commented ‘This is a great opportunity for local people to get involved with the Herbert, see some ground breaking art and have the chance of walking away with a piece to hang on their walls. The kind and generous donations of artists worldwide ensures that everyone has the chance to become a collector, appreciator and owner of truly inspirational art. I would urge everyone to take advantage of this unique opportunity’.
It’s Yours, Take It has been organised to complement the Herbert’s new exhibition Street Art: Contemporary Prints from the V&A which opens on 9 October. Street Art: Contemporary Prints from the V&A explores the ways street art has moved away from the painted wall into the medium of printmaking, creating distinctive, exciting visuals along the way. Drawn from the Victoria and Albert Museum’s internationally renowned collection of prints, this exhibition showcases established and emerging street artists, both British and international, including names such as Banksy, D*Face, Eine, Miss Tic, Shepard Fairey and Swoon.
As an addition to the V&A exhibition, the Herbert Art Gallery & Museum has commissioned six emerging artists on the UK street scene to create new works of art that will be displayed in Fresh Paint. Pahnl, SPQR, Lucy McLauchlan, Ben Slow, AsOne and Newso have all created pieces that have not been seen before, and will not be seen together again.
Contextual images showing street art in its original settings have been provided by Very Nearly Almost magazine.
For further information other FREE family events, exhibitions, talks and activities visit www.theherbert.org or join our family mailing list at www.theherbert.org/mailing-list.
The Lost Ones
"The Lost Ones"
Living Walls Atlanta
A GRASS ROOTS COLLOQUIUM
An exhibition and conference focused on street art and its role in engaging public space.
We are bringing in the works of an international selection of artists who typically make use of the streets to showcase their work. We have also sought artists that re-appropriate the public realm, attempting to take charge of their media space.
Artists will be asked, along with submitting artwork, to present some form of documentation of their other works as well as their process in order to illustrate via pictures, video, sketches, words, etc, the scale and context in which the artist typically works in public space.
| Swampy |
| Miso |
| Chris Stain |
| The $tatus Faction |
| Know Hope |
| Gaia |
| Faber |
| Feral Child |
| The DotMasters |
| OX |
| Xomatok |
| Indigo |
| Drone |
| Ever |
| Nadie |
| Sakristan |
| Olivia |
| Dr. Case |
| Jerm IX |
| The Paper Twins |
| Doodles |
| Tereza De Quinta |
| Urka |
| Loaf |
| yoyoBruno |
| Shaun Thurston |
| Jason Kofke |
| Flix |
| Weak Hand |
| Michi Meko |
| Clown Soldier |
| Mad One |
| Yema |
| cin4ski |
FKDL
 |
BROOKLYN STREET ART LOVES YOU MORE EVERY DAY