A psychedelia of this moment, the modulated visual liquid was produced by the artists use of digital copies made of shiny aluminum papers. Printed on vinyl, she transformed this exterior into a trippy grid of lenswork that allows passersby to see fields that instantly challenge imaginations.
Vieux says she enjoys stretching beyond limits of data and physical space, a description analogous for some with cinema itself.
“In this piece, I wanted to disrupt the solid geometries of the architecture with a hyperreal fluid painting placed in the landscape,” she says, and something in the description makes it conversant with the chaos and surrealist quality of US life today.
“I reflected on these ideas in a cultural/political context,” says Vieux, “thinking that a larger takeaway of this piece is that through disrupting and dissolving boundaries we can create a fluid open space where there’s room to unite.”
Graffiti has spent decades being chased off trains, scrubbed from walls, prosecuted in courtrooms, and occasionally welcomed into museums with …Read More »
TRIPL a.k.a. Furious. Repainting Subway Art. Ruyzdael Publishing. The Netherlands, 2024. Reprinted from the original review. Before opening this book, …Read More »