All posts tagged: Bentonville Arkansas

Spidertag Glows Larger Than Ever in Bentonville with JustKids – ‘INM#16’

Spidertag Glows Larger Than Ever in Bentonville with JustKids – ‘INM#16’

Spidertag. INM#16 in collaboration with Justkids and Oz Art NWA. Bentonville, Arkansas. (photo © Justkids)

Bentonville, Arkansas is more known for Crystal Bridges Museum of American Art, The Momentary, the Ozark Mountains, hiking/biking, cosmopolitan amenities, luxury homes, millionaires (and a couple of billionaires), – than it is for being a vibrant organic street art scene. Nonetheless, art dealer and curator Charlotte Dutoit and her team at Justkids have been bringing street art names to do public installations here for a decade or so, and the dynamism of the works adds the influence of ‘the street’ to the city while preserving its scrubbed wholesome whitebox sensibility.

Here we have the newest public art installation from Spidertag from Argentina, who BSA showed to readers more than a decade ago when he was creating artworks with string and nails. At the time, he was sharing a studio at an alternative art spot in Madrid called La Tabacalera and creating unpermissioned, uncommissioned, works that wended their way through small streets – one nail to the next. Later he disrupted his own public art practice with experimental, electrified, glowing results that became more permanent than temporary.

Spidertag. INM#16 in collaboration with Justkids and Oz Art NWA. Bentonville, Arkansas. (photo © Justkids)

His newest captivating creation artfully combines technology, design, and artistic ingenuity, interactivity, and playful energy to the city. Curated by Justkids and made possible through the support of OZ Art NWA, this permanent public art piece, named Interactive Neon Mural 16 (INM#16), shines brightly in the heart of the Downtown square. Encompassing 4,700 square feet, this monumental masterpiece represents Spidertag’s most ambitious project to date, inviting viewers to actively engage with the artwork by manipulating the light and motions with their phones.

Spidertag. INM#16 in collaboration with Justkids and Oz Art NWA. Bentonville, Arkansas. (photo © Justkids)

It is not usual to see a fusion of art and technology within the realm of muralism, but examples do exist in many cities we’ve traveled. Spidertag continues his of extensive research and experimentation, honing in on cutting-edge components that allow him to construct luminous murals, defy traditional techniques, and surprise viewers. INM#16 is a complex maze composed of 77 harmoniously arranged geometric shapes, including circles, triangles, waves, lines, and rectangles, mounted on aluminum mesh panels. This composition actively engages the audience, enabling them to alter the colors of the shapes through a dedicated app, ensuring a distinctive and dynamic viewing experience with every interaction.

Spidertag. INM#16 in collaboration with Justkids and Oz Art NWA. Bentonville, Arkansas. (photo © Justkids)

“Creating art that is accessible to everyone is incredibly rewarding for me, which is why INM#16 was designed to generate a unique experience for each viewer,” says Spidertag. According to Justkids, the project spanned over a year from conceptualization to installation, with the team managing technical aspects, logistics, lighting, and electronic elements, to ensure the successful realization of Spidertag’s vision.

“We are thrilled to collaborate once again with Oz Art NWA and enrich Bentonville’s remarkable public art collection,” says Charlotte Dutoit. “He brilliantly merges the spectacular and the playful, and the artwork truly comes alive at sunset!”

Spidertag. INM#16 in collaboration with Justkids and Oz Art NWA. Bentonville, Arkansas. (photo © Justkids)
Spidertag. INM#16 in collaboration with Justkids and Oz Art NWA. Bentonville, Arkansas. (photo © Justkids)
Spidertag. INM#16 in collaboration with Justkids and Oz Art NWA. Bentonville, Arkansas. (photo © Justkids)
Spidertag. INM#16 in collaboration with Justkids and Oz Art NWA. Bentonville, Arkansas. (photo © Justkids)
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OUIZI: Summer Always Blooms Peonies (and Black Eyed Susans)

OUIZI: Summer Always Blooms Peonies (and Black Eyed Susans)

We hope that “Summer Always Blooms” – and so far so good this year. If you follow the order of flowers blooming in Brooklyn you’ll know that we are in the middle of the peony explosion that happens every year just after the lilacs and just before the roses. Perhaps that’s what was on muralist Ouizi’s mind when she painted this new soft brush portrait of coral charm peonies in Bentonville, Arkansas.

Ouizi. “Summer Always Blooms”. In collaboration with Justkids and OZ Art. Bentonville, Arkansas. (photo © Justkids)

Curated by Charlotte Dutoit of Justkids, the piece coincidences with the new Georgia O’Keeffe exhibition at Crystal Bridges, and you can see that the full pulsating expanse of natural blooms thrills Quizi as much as it did the mother of American modernism.

“I have thoroughly enjoyed being back in Arkansas for this project,” says Ouizi, “and I have heard nothing but positive responses about the mural. I even got to see the dogwoods start to bloom in real life!”

Ouizi. “Summer Always Blooms”. In collaboration with Justkids and OZ Art. Bentonville, Arkansas. (photo © OZ Art)
Ouizi. “Summer Always Blooms”. In collaboration with Justkids and OZ Art. Bentonville, Arkansas. (photo © OZ Art)
Ouizi. “Summer Always Blooms”. In collaboration with Justkids and OZ Art. Bentonville, Arkansas. (photo © Justkids)
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Anne Vieux on View in Arkansas Psychedelic Public Space

Anne Vieux on View in Arkansas Psychedelic Public Space

What can you see in Arkansas? 

If you are in Bentonville you can see Anne Vieux’s “captivating illusion of a hyper-fluid space” at the Skylight Cinema building.

Anne Vieux. Justkids/ARkanvas for OZ Art. Bentonville, Arkansas. (photo © Justkids)

A psychedelia of this moment, the modulated visual liquid was produced by the artists use of digital copies made of shiny aluminum papers. Printed on vinyl, she transformed this exterior into a trippy grid of lenswork that allows passersby to see fields that instantly challenge imaginations.

Vieux says she enjoys stretching beyond limits of data and physical space, a description analogous for some with cinema itself.

Anne Vieux. Justkids/ARkanvas for OZ Art. Bentonville, Arkansas. (photo © Justkids)

“In this piece, I wanted to disrupt the solid geometries of the architecture with a hyperreal fluid painting placed in the landscape,” she says, and something in the description makes it conversant with the chaos and surrealist quality of US life today.

“I reflected on these ideas in a cultural/political context,” says Vieux, “thinking that a larger takeaway of this piece is that through disrupting and dissolving boundaries we can create a fluid open space where there’s room to unite.”

Now you can see, right?

Anne Vieux. Justkids/ARkanvas for OZ Art. Bentonville, Arkansas. (photo © Justkids)
Anne Vieux. Justkids/ARkanvas for OZ Art. Bentonville, Arkansas. (photo © Justkids)
Anne Vieux. Justkids/ARkanvas for OZ Art. Bentonville, Arkansas. (photo © Justkids)

This project is curated by Charlotte Dutoit of ​Justkids​, and commissioned by ​Oz Art. The piece is part of ARkanvas.

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Nina Chanel Abney Mulls It Over In Arkansas

Nina Chanel Abney Mulls It Over In Arkansas

“It can’t be unity unless everyone is respected equally,” says contemporary artist and occasional muralist Nina Chanel Abney as she talks about her new four panelled installation in Northwest Arkansas.

Nina Chanel Abney. “Mull It Over”. In collaboration with Justkids / ARkanvas by OZ Art. Bentonville, Arkansas. December 2020. (photo courtesy of Just Kids)

In bold graphic style and unshaded color shapes Abney has to state the obvious – “Don’t Kill”, because, well, because you have to start somewhere. The peeling back of the initial layers of American racist history began in earnest in 2020 across the country and in the streets. Ground rules for meaningful exchange are slowly, intermittently, painfully, taking form.

Also, love.

Nina Chanel Abney. “Mull It Over”. In collaboration with Justkids / ARkanvas by OZ Art. Bentonville, Arkansas. December 2020. (photo courtesy of Just Kids)

“Mull it Over”.  That’s the title she has given to the piece that she finished last month along the Bentonville Razorback greenway trail, opposite the recently inaugurated art space The Momentary. It’s a great way to end the year, this year, as the artist continues to find ways to present thorny topics ranging from race, politics, religion, sex, identity, justice, and history using a modern language – complete with its non-sequiturs and jump-cut story-telling.

Organizers include the women-led curator group Justkids with Charlotte Dutoit and the Bentonville art organization OZ Art.

Nina Chanel Abney. “Mull It Over”. In collaboration with Justkids / ARkanvas by OZ Art. Bentonville, Arkansas. December 2020. (photo courtesy of Just Kids)
Nina Chanel Abney. “Mull It Over”. In collaboration with Justkids / ARkanvas by OZ Art. Bentonville, Arkansas. December 2020. (photo courtesy of Just Kids)
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