A large installation in the center of Urvanity by Street Artist Isaac Cordal went up and came down while we were in Madrid this past week, and we were fortunate to see how such a vision is realized in the midst of a modern school of architecture campus. We also witnessed the responses of guests who circled the ex-urban tale of with cocktails in hand, or in the case of sunny afternoons, reclining alongside it on the artificial green turf.

At a commercial art fair of this caliber it was thrilling, chilling, to see this large scale courtyard installation depicting absurd and psychologically dire scenarios playing out in the wake of crises. This is the kind of discourse that gives a place gravitas, and may provide a route to go forward.

But Cordal doesn’t regale us with color and vividly drawn character studies that some how charm us into a Dantean vision of circles and layers of hell. His dimly illuminated and apocalyptic tale is heavy and grey and in such slow motion you may not realize it is moving.
Here finally are the Business Class, climbing as ever, now also sinking into the toxic soil they created, the world translated as one continuous privatized prison complex.












Other Articles You May Like from BSA:
The Street Art world was shaken this week by the announcement and group action by BLU and friends in Bologna buffing/chipping away his street pieces in reaction to the opening of a new show there ...
Dang! The birds are singing! Why do birds suddenly appear every time you are near? An uptick in politically based street art in New York and elsewhere as people are waking up to the reality that ...
What are you celebrating this season? We’re celebrating BSA readers and fans with a holiday assorted chocolate box of 15 of the smartest and tastiest people we know. Each day until the new yea...
The Majority of lawmakers in Congress are millionaires. Nancy Pelosi? She's worth $115 million. Mitch McConnell? $34 million – his wife Elaine Chow has $30 million. Republicans or Democrats...
Newly re-mixed and sampled soulful works by Augustine Kofie are featured in the “Inventory” show that just opened here in New York at Jonathan Levine this weekend. No, he’s not looking through his sto...