BROOKLYN STREET ART LOVES YOU MORE EVERY DAYInspired by the Book Of Revelation’s story of the Four Horsemen of the Apocalypse, Brooklyn based Street Artist Tristan Eaton has been laboring with bloody hatchet in one hand and eye-smiting aerosol can in the other for the past three weeks to complete his latest street mural, a heroic tribute to the end of the world. Biblically based work doesn’t hit Brooklyn too much but Tristans’ trysted twist on fantastical End Times titillation might make you think of the interior of a cathedral or of flying buttresses and pointed arches in a revelatory way.
Tristan Eaton (photo © Jaime Rojo)
Comic books and science fiction, particularly the work of Brooklyn native artist and master fantasy creator, Frank Frazetta, are heavy influences on Eaton, who has spent hours pouring over Fazetta’s copious and heroically buffed warrior–goddesses and Keltic conquerors embattled with monsters and space aliens on album covers, book covers, movie posters, and in graphic novels.
Tristan Eaton (photo © Jaime Rojo)
By delving into the mythical worlds of Mr. Frazetta, Tristan found that the already fantastic centerpiece story from the last book in the Bible need not be literally interpreted in his mural. Using the palette established by his neighbors How & Nosm, Eaton uses red, white, black and pale horses to symbolize Conquest, War, Famine and Death, giving the main roles of ushering apocalypse to the ladies instead of the typical males. While there is still work to be done in this grand undertaking, it is evident from Eaton that hot women on horseback will be the harbingers of the Last Judgment. Repent while there still is time.
Tristan Eaton (photo © Jaime Rojo)Tristan Eaton (photo © Jaime Rojo)
By delving into the mythical worlds of Mr. Frazetta, Tristan found that the already fantastic centerpiece story from the last book in the Bible need not be literally interpreted in his mural. Using the palette established by his neighbors How & Nosm, Eaton uses red, white, black and pale horses to symbolize Conquest, War, Famine and Death, giving the main roles of ushering apocalypse to the ladies instead of the typical males. While there is still work to be done in this grand undertaking, it is evident from Eaton that hot women on horseback will be the harbingers of the Last Judgment. Repent while there still is time.
Mural updates and much gnashing of teeth to follow.
Tristan Eaton (photo © Jaime Rojo)
Tristan Eaton (photo © Jaime Rojo)
Tristan Eaton (photo © Jaime Rojo) Tristan’s piece is next to How and Nosm’s piece created for Contra Projects during Armory Week.
Tristan Eaton. Sketch for the mural (photo © Jaime Rojo)
Tristan Eaton (photo © Jaime Rojo)
Tristan Eaton (photo © Jaime Rojo)
Tristan Eaton (photo © Jaime Rojo)
Tristan Eaton (photo © Jaime Rojo)
Other Articles You May Like from BSA:
WOOL Urban Art Festival 2024: Celebrating a Decade of Street Art in Covilhã
The WOOL Urban Art Festival, held annually in Covilhã, Portugal, is a renowned celebration of street art that has been transforming the city walls since its inception in 2011. This festival, sponsore...
BSA Images Of The Week: 02.26.17
Always good to get to Berlin to see what waves of text and pattern and outrage and snark and myriad metaphor are more-or-less relentlessly rippling across buildings and empty lots. The rippling ...
Elfo's Neo-Dada Butchering Diagram in Turin
Elfo’s furtive and artful wanderings can veer off into the neo-Dadaist fields at times, sometimes wittily so, and textually. The Italian graffiti writer and street artist uses the simplest of devices...
BSA Images Of The Week: 11.02.14
Marathon Day in NYC today with people running in the streets more than usual, the time clock moved back an hour today, mid-term elections are this Tuesday, and New York's first ebola patient is fe...
DOT DOT DOT: Wishes And Hopes For 2018
As we draw closer to the new year we’ve asked a very special guest every day to take a moment to reflect on 2017 and to tell us about one photograph that best captures the year for them. It’s a...
