All posts tagged: The University of California

Fun Friday 08.24.12

DUUUUUUUDE, it’s Fun Friday! We changed the sign today. Looks fresh right?

1. ICY & SOT “Made in Iran” (NYC)
2. Barry McGee at Berkeley (CA)
3. BORF Solo in Newcastle (UK)
4. “Klimpt Illustrated” at Lazarides (London)
5. Lush Does “Shitty Drawings in New York City”
6. Shepard Fairey Does “Americana” (LA)
7. Dabs & Myla: Artists Driven (VIDEO)
8. CYRCLE “Beautiful Disaster” (VIDEO)
9. ALL STYLES Dance Battle at Postmasters Gallery in NYC (VIDEO)

ICY & SOT “Made in Iran” (NYC)

Two Street Art brothers, Icy & Sot, born in Iran and encouraged by their parents to pursue their dreams and aspirations have ventured outside their country and landed in New York, their first foreign trip, their first international city, their first art show in which they were able to attend. “Made in Iran” is now open to the everybody at the Open House Gallery in Manhattan.

Icy & Sot (photo © Jaime Rojo)

For further information regarding this show click here.

Barry McGee at Berkeley (CA)

The University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA) mid-career survey of San Francisco based artist Barry McGee.  From the press release: “Using a visual vocabulary that borrows elements from comics, hobo art, sign painting, and other sources, McGee’s work addresses a range of issues, from individual survival and social malaise to alternative forms of community”. This exhibition is now open to the general public.

Junior, what up with the car? Barry McGee in Miami for Primary Flight 2009 (photo © Jaime Rojo)

For further information regarding this exhibition click here.

BORF Solo in Newcastle (UK)

Detroit native BORF has traveled to England for his solo show “Walls Are Two-Sided” at The Outsiders Newcastle. With this new body of work, Borf illustrates the derelict aspect of Detroit and elevates the decay to art by zeroing in on a detail of the building’s peeling and corroding facade and transporting that vision on to the canvas. The result in the words of the press release is: “Rothko talked about wrestling with opposing and competing elements to eventually discover an equilibrium, what he called a pocket of silence” says BORF. “For this show I was fighting through layers of ambivalence and opposites: graffiti as youth expression and Rothko as adult expression; the art market and property rights; education and improvisation, youth and adulthood.” This show is now open.

Borf on the streets of Brooklyn C. 2007 (photo © Jaime Rojo)

For further information regarding this show click here.

“Klimpt Illustrated” at Lazarides (London)

Gustav Klimt the famous Austrian painter is turning 150 years old and The Vienna Tourist Board has teamed with The Lazarides Gallery in London to give Klimt street creed in the hopes that younger audiences will start following him on Twitter to gain knowledge on the secrets of his longevity and hopefully on his craft as well. To this effect curator Sydney Ogidan tapped nine international artists to take inspiration from some of the master’s most iconic masterpieces and create their own paintings. The opening reception for this show “Klimt Illustrated” is tonight at Lazarides Gallery in SOHO.

For further information regarding this show click here.

Lush Does “Shitty Drawings in New York City”

We thought we noticed a change in the air when the Australian storm called LUSH landed on these shores. Well here he is, likely to offend a few uptight prone-to-nose-bleeds stiffs and even more likely to amuse a lot more of us loose New Yorkers. LUSH has been madly working on a series of drawings/illustrations for his show “Shitty Drawings In New York City” opening Saturday night at the Klughaus Gallery in Manhattan. Half political cartoons/ half comic book with a blunt appreciation of the mechanics of the male and female reproductive organs, LUSH’s commentary on social, political and popular culture can be right on the spot. Dimwits need not apply.

LUSH (photo © Jaime Rojo)

For further information regarding this show click here.

Shepard Fairey Does “Americana” (LA)

Shepard Fairey needs no introductions at this point in his career or this point in our dang blog. One can always be certain to find him busy at work and getting involved in as many projects as he can humanly fit in his schedule. Mr. Fairey is constantly looking for inspiration and finding it often in popular culture that is around and accessible to all of us. For his new show “Americana” opening tomorrow at the Perry Rubestein Gallery in Los Angeles the artist has created a new body of work inspired by the songs of the great artist-musician Neil Young.  Shepard has found material for his canvases in the songs of Mr. Young new album “Crazy Horse”.

Shepard Fairey in Miami for Wynwood Walls 2009. (photo © Jaime Rojo)

For further information regarding this show click here.

Dabs & Myla: Artists Driven (VIDEO)

CYRCLE “Beautiful Disaster” (VIDEO)

ALL STYLES Dance Battle at Postmasters Gallery in NYC (VIDEO)

You gotta give it up peoples! These are some of the best kids doing their thing right now. BSA Love to all of y’all.

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BAM/PFA Presents: Barry McGee: His First Midcareer Survey. The University of California, Berkeley Art Museum and Pacific Film Archive (Berkeley, CA)

Barry McGee

Barry McGee. Detail of The Houston Wall in NYC. (Photo © Jaime Rojo)

Berkeley, CA, May 14, 2012 — The University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA) proudly presents Barry McGee, the first ever midcareer survey of the San Francisco–based artist. This exceptionally comprehensive exhibition explores his work from the late 1980s to the present, and gives the artist an opportunity to produce new work. Including rarely seen early etchings, re-creations of large-scale installations, vibrant abstract paintings, animatronics, photographs, painted surfboards, and an intervention on the building exterior, Barry McGee provides a much-anticipated opportunity to experience and assess the broad scope of the artist’s multifaceted career and practice in a single exhibition.

“Barry has influenced a generation of international artists, with the Bay Area as the welcoming and appreciative center for his dynamic, engaged, and progressive approach to art-making,” says BAM/PFA Director and Barry McGee co-curator Lawrence Rinder. “So it is with a sense of privilege and special responsibility that we present this first midcareer survey of his work.”

McGee, who trained professionally in painting and printmaking at the San Francisco Art Institute, began sharing his work in the 1980s, not in a museum or gallery setting but on the streets of San Francisco, where he developed his skills as a graffiti artist, often using the tag name “Twist.” Using a visual vocabulary that borrows elements from comics, hobo art, sign painting, and other sources, McGee’s work addresses a range of issues, from individual survival and social malaise to alternative forms of community. His extraordinary skill as a draughtsman is balanced by a passion for pushing the boundaries of art: his work can be shockingly informal in the gallery and surprisingly elegant on the street.

McGee commands a staggering array of media to bring his art into being, including empty liquor bottles, spray-paint cans, tagged signs, televisions, wrenches, scrap wood, and metal. His installations don’t so much occupy space as they engulf it. Dizzying color patterns pour into corners and seep into adjacent rooms; walls packed with clusters of framed illustrations and images bubble out as if to touch viewers; and the interiors of overturned vans become viewing spaces of their own.

McGee will be in residence for the installation of the exhibition from mid-June through late August. Barry McGee is organized by Rinder, with Curatorial Assistant Dena Beard, and is accompanied by a major catalog featuring texts by Alex Baker, Natasha Boas, and Germano Celant as well as nearly three hundred images, many of which have never before been published. The exhibition will travel to the Institute of Contemporary Art, Boston in April 2013.

Public Programs

Thursday, August 23, 2012
Opening Celebration
5:00 VIP Opening
6:00 Member Opening

Wednesday, August 29, 2012
12:00 Curators’ Gallery Tour
Lawrence Rinder and Dena Beard
Join the exhibition curators, Director Lawrence Rinder and Curatorial Assistant Dena Beard, as they share their insights into the work of Barry McGee, touching on key themes from the late 1980s to the present.

Barry McGee will be inspiration for a series of fall 2012 L@TE: Friday Nights @ BAM/PFA events, including performances by Devendra Banhart, T.I.T.S, and Clare Rojas. Other programs include a conversation with Rinder and Jeffrey Deitch, director of the Museum of Contemporary Art in Los Angeles; an illustrated lecture about the history of graffiti by photographer Jim Prigoff; a stencil-making workshop with David Anthony King; and a zine-making workshop with V. Vale. As full details for these events are still forming, a comprehensive Barry McGee public programs press release will follow later this summer.

Guided tours of the exhibition with UC Berkeley graduate student tour guides will be offered on selected Thursdays at 12:15 p.m. and selected Sundays at 2 p.m. See the museum’s online calendar for the schedule: www.bampfa.berkeley.edu/events/education

Related Materials

Barry McGee
Edited by Lawrence Rinder and Dena Beard with contributions by Alex Baker, Natasha Boas, and Germano Celant.
Published by the University of California, Berkeley Art Museum and Pacific Film Archive in association with D.A.P./Distributed Art Publishers, Inc.
Hardcover, 450 pages
$49.50
BAM/PFA ISBN 978-0-9719397-0-7
Publication date: August 2012
DAP ISBN 978-1-935202-85-1
Publication date: September 2012

Tour
UC Berkeley Art Museum and Pacific Film Archive
August 24–December 9, 2012

Institute of Contemporary Art, Boston
April 5–September 2, 2013

Support
Barry McGee
is made possible by lead support from The Andy Warhol Foundation for the Visual Arts and presenting sponsor Citizens of Humanity. Major support is provided by the National Endowment for the Arts, Ratio 3, Cheim and Read, the East Bay Fund for Artists at the East Bay Community Foundation, The Robert Lehman Foundation, Prism, and Stuart Shave/Modern Art. Additional support is provided by Rena Bransten, Gallery Paule Anglim, Jeffrey Fraenkel and Frish Brandt, Suzanne Geiss, Nion McEvoy, and the BAM/PFA Trustees.

Special thanks to Citizens of Humanity for their additional support of BAM/PFA’s grade-school art experience programs.

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