All posts tagged: NY

BSA Images Of The Week: 07.20.14

BSA Images Of The Week: 07.20.14

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Here’s our weekly interview with the street, this week featuring 907 Crew, Ainac, Aero, Afrodoti Galazios, Blanco, Bleeps, Cash4, Daek, Dasic, Elbow-Toe, Fecks, Icy & Sot, IDT Crew, Mike Makatron, Miss 17, Mr. Penfold, Overunder, Seth, Sheryo, Smells, Sonni, Sweet Toof, The Yok, Tripel, UFO 907, Wolftits, and You Go Girl!.

Top Image >> IDT Crew. Detail. (photo © Jaime Rojo)

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IDT Crew. IDT is a Chinese Crew. It reads on the background “5ive” to celebrate their 5th anniversary piece. Miss 17 on top was a later addition. (photo © Jaime Rojo)

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You Go Girl (photo © Jaime Rojo)

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Sweet Toof. Smells. Cash4. UFO907. Please help ID the rest of the tags. (photo © Jaime Rojo)

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Mike Makatron with an assistant at work on his recent mural in Williamsburg. (photo © Jaime Rojo)

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Mike Makatron  (photo © Jaime Rojo)

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Elbow Toe. The stencils below are by Ainac and Tripel. (photo © Jaime Rojo)

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Icy & Sot (we think) (photo © Jaime Rojo)

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Bleeps new piece in Athens, Greece. (photo © Afroditi Galazios)

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Blanco new piece in Saratoga Springs, NY. (photo © Blanco)

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Blanco. Detail from the piece above. (photo © Blanco)

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The Yok, Sheryo, Daek and Fecks for Zoetic Walls in Cleveland, Ohio. (photo © Pawn Works)

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DAEK for Pawn Works/NY (photo © Jaime Rojo)

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Sheryo with Sonni on the background for Pawn Works/NY  (photo © Jaime Rojo)

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Sonni for Pawn Works/NY. (photo © Jaime Rojo)

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Mr. Penfold for Pawn Works/NY (photo © Jaime Rojo)

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Aero for Pawn Works/NY (photo © Jaime Rojo)

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Dasic (photo © Jaime Rojo)

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Wolftits is even more Art Brut than ever. 907 Crew. (photo © Jaime Rojo)

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Rarf! Seth in Baton Rouge for The Museum Of Public Art. (photo © Overunder)

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Untitled. Gowanus Canal. NYC. July 2014 (photo © Jaime Rojo)

 

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Tagging Somebody’s Painting : Two Walls Interrupted

Tagging Somebody’s Painting : Two Walls Interrupted

Whose voice gets to be heard, and at what cost? It’s an ongoing battle with companies and politicians and citizens fighting to control the radio airwaves, broadcast television, cable providers, news outlets, the Internet. In the conversations that take place on walls in public, the struggle is just as strong and often as vehement. We just aren’t happy when somebody else gets the mic if we can’t grab it and rock it too.

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Maya Hayuk. Detail. Houston Wall, NYC. (photo © Jaime Rojo)

A couple of recent visual disruptions of Street Art installations have us thinking about the need to be heard at the expense of an artist’s work mostly because we learned about them both within a few days of each other.  Maybe it was the amount of time and labor that went into the walls, or maybe it’s because it can still be shocking even when you know it goes along with the rules of the street.

It’s always been part of the game; once you put it on the street you must be prepared to let it go, even though you secretly hope it will ride a while. Without doubt it will be buffed, slashed, ripped, taken, crossed out, tagged over, and deteriorated by the elements. If you’re going to play, you might get played and most artists know it and accept it.

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Maya Hayuk. Houston Wall tagged while the artist was in the process of completing her work. (photo © Jaime Rojo)

The Houston Street wall in Manhattan has become a touchstone for many a graffiti and Street Artist over the last few decades thanks to its early beginnings as a canvas for artists like Keith Haring and Kenny Scharf and because as Soho and the Bowery gentrified most available walls disappeared. Now its an honor to get chosen to do your thing on the wall, even as it often provides a stage for the the still breathing battle between some graffiti writers and the rest of the Street Art making world.

Before the latest painter finished her piece last week, Maya Hayuk found her eye crossing color jam geometry had some unexpected collaboration. It’s not the first time Street Artists have been hit by graffiti on this wall; Shepard Fairey’s installation famously got hit so heavily that holes were literally punched into the wall, and Swoon’s community collabo with the Groundswell kids got wrapped with a thick belt of throwies last fall.

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Maya Hayuk. Completed and restored. Houston Wall. Manhattan, NY (photo © Jaime Rojo)

Hayuk tried to shrug it off like a champ and uttered a few terse words – but ultimately recovered her poppy patterning and finished the wall victorious.

The new tagging on Hayuk’s wall brought a fussilade of opinions, wizened philosophical observastions and bromides on social media, including this sampling from Instagram:

“Ever since Banksy month these toys having been running rampant” @phillip_s

“We love your work. Forget the jealous ones” @christianguemy

“It sucks that the work wasn’t even finished buuuut you paint something on the street you run the risk of it getting dissed/painted over. End of story” @jaackthebeard

“That’s too bad, but sadly part of the life of a work on the street. Still an absolutely beautiful piece though.” @denverstreetart

“Someone who wants pristine work that persists is always free to paint privately on canvas. The chaos and struggle of the image on the street is part of what makes graffiti awesome. This doesn’t strike me as a spoiler bomber and their throwie looks great on the piece. There are no tears in street art. I know what its like to have someone hit up your piece. You can get good with it, go over it, or move on.” @zoharpublishing

“Wow. What is wrong with people” @erromualdo

“So rude! It’s just takes one a/hole. Looking great anyway” @lisakimlisakim

After completing the new wall and taking a bow, it was hit again. This time harder.

The tags are mostly unreadable to the average public passerby, but it is not those people who these additions are usually speaking to but rather to their peers. So the collaboration is insistent, and in some way perfectly New York.

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Maya Hayuk. Houston Wall tagged once more after the original was restored and completed. (photo © Jaime Rojo)

The other sanctioned wall we’ve been thinking about is in Rochester – still in New York State, but close to the border of Canada and near Lake Ontario. Faring Purth took a long time to finish this long limbed lady throughout the autumn months, enduring wayward comments, praise and  sometimes harsh words from this upstate community who liked yelling things out their car (and school bus) windows as they drove by. “I received equally supportive and hostile attention from the public while I was painting her. It was a new experience in more ways than I can count,” she says of the mural that measures 12 feet high by 125 feet long,

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Faring Purth. Detail. Wall Therapy. Rochester, NY. (photo © Faring Purth)

Ultimately the religious contingent who had badgered previous visiting artists in Rochester over perceived thematic threats to family values tagged the face of her “Etty” and put a rudimentary cross in her hand when Faring had gone a way. This was a different sort of diss. It wasn’t a turf battle, it was a theological one and more broadly, it was about community norms. As in the case of Hayuk, the aerosol writer may not even have been addressing the artist or even known who she was. They may have been just striking a victory for the Lord against the evil of the art. Who knows?

Also like Hayuk, Ms. Purth decided to repair her work.

“I fixed her. Or rather, changed her, before hitting the road. She’s different now, it taught me a great deal. So finally, stitches and all, here she is.”

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Faring Purth. Restored. Detail. Wall Therapy. Rochester, NY. (photo © Faring Purth)

There is no real end or summation to this story and these two recent examples are merely a fraction of the works that get tagged or crossed out every day. It is interesting to note that although the motivations were different for the people who defaced the mural art, the aerosol tool used to express their opinion was the same.  Additionally let’s all recognize the sublime irony that we are perilously close to using the word “vandalism” in this article.

But in a way, it is still about having a voice and using it, however edifying or injurious. The continuous cycle of constructive and destructive, adorning and scarring, speaking and silencing, is likely to continue as long as artists create in the street.  As long as people have a need to be heard, they are going to find a way to get their voice out there.

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Faring Purth. Detail. Wall Therapy. Rochester, NY. (photo © Faring Purth)

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Faring Purth. Restored. Detail. Wall Therapy. Rochester, NY. (photo © Faring Purth)

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The complete piece Faring Purth for Wall Therapy in Rochester, NY. (photo © Faring Purth)

For more on Faring’s wall please see

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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This article also appears on The Huffington Post
 
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Faring Purth Repairs “Etty” In Rochester for Wall Therapy

Faring Purth Repairs “Etty” In Rochester for Wall Therapy

Street Artist Faring Purth is in many places and none of them as she likes to travel and paint and couch surf a bit – whether its Boston and Rochester or places further away like Uraguay, Argentina and California. Her slim and tapered figures and longly distorted portraits have character and sometimes symbolism, but usually they reflect her personal relationships and imagination.

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Faring Purth. “Etty” Detail. Wall Therapy, Rochester, NY. December 2013 (photo © Mark Deff)

In contrast with the hyper sensual or sexualized depictions of the female perhaps more common in graffiti or street art, Purth wraps and unwraps the layering and complexities of character in the humans she depicts. She takes her time to create, sometimes painting over days or even weeks in a public space, where the work usually remains untouched by more than the sun, wind, rain, snow.

In the case of Etty, her piece completed in December in Rochester, New York for Wall Therapy, it was damaged almost immediately, and the act caught her by surprise, but maybe it shouldn’t have.

Etty created some waves. As you know, a lot of my work involves blatant female nudity. With the tension Roa’s Sleeping Bears and Faith 47’s piece caused last year, they asked me to refrain from having her completely nude. So, I tried,” she says of the long figure lying (or floating) parallel to the sidewalk in an underpass. In fact the figure is not nude, at least not in any conventional sense, but it bothered someone enough for them to spray religious references in aerosol across the artwork. The birds are unclothed, maybe that was what upset them.

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Faring Purth. “Etty” Detail. Wall Therapy, Rochester, NY. December 2013 (photo © Mark Deff)

It is not often that you hear of Street Art festivals having problems with the reaction of people to bringing talented globally recognized artists in to adorn walls – in fact developers, city agencies, and arts organizations from Montreal to Lima to Baltimore to Łódź to Paris are now routinely dreaming up similar festival schemes to reinvigorate the cityscape and enliven public spaces.

Rochester for some reason isn’t having it, and this incident is just one more to add to those publicized in the press and privately related among some participants that certain locals aren’t always going to open their arms to you, regardless of your abilities or intentions.

 

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Faring Purth. “Etty” Detail. Wall Therapy, Rochester, NY. December 2013 (photo © Mark Deff)

Etty was created for Wall Therapy, but unlike most of the other artists involved I took my time with her while going back and forth to Boston and South America,” Purth says of the lengthy period for her installation of Etty which spanned some months. “I received equally supportive and hostile attention from the public while I was painting her. It was a new experience in more ways than I can count,” she says of the mural that measures 12 feet high by 125 feet long, her biggest yet.

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Faring Purth. “Etty” Detail. Wall Therapy, Rochester, NY. December 2013 (photo © Mark Deff)

Finishing it in early December, she left her temporary home base in Rochester and travelled south to Buenos Aires to do some more painting with Street Artist EVER and to enjoy the warmer weather. But what awaited her when she got back was a surprise. “When I finally returned to Rochester, Etty had been defaced with the word “JESUS” and a red crucifix over her hand- a hand that was, in fact, feeding a bird,” she relates about the discovery, which left her cold.

“It was a profoundly difficult experience for me; That after giving so much to a single piece of work, she could, with one cheap can of Rustoleum, be so grossly wounded.”

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Faring Purth. “Etty” Wall Therapy, Rochester, NY. December 2013 (photo © Lisa Baker)

These are the “rules” of the street of course, and anyone working in the public sphere doing approved or unapproved work fully knows that their labors are up for crossing out, additional commentary, or outright destruction.  So no tears were shed.

Intrepidly, Faring says she made her piece whole again. “I fixed her. Or rather, changed her, before hitting the road. She’s different now,” Faring describes the repairing she did like a surgeon. “(With) stitches and all, here she is.”

So have a look at the progress shots of Etty, the before and the after repair work. As she keeps moving and painting – just now she was in Kentucky – Faring Purth is still thinking about her experiences in the cold north. “It taught me a great deal,” she says.  No word on how Etty looks now, a month later.

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Faring Purth. “Etty” Detail of her defaced face. Wall Therapy, Rochester, NY. January, 2014 (photo © Faring Purth)

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Faring Purth. “Etty” Restored. Wall Therapy, Rochester, NY. January, 2014 (photo © Faring Purth)

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Faring Purth. “Etty” Detail of her defaced hand. Wall Therapy, Rochester, NY. January, 2014 (photo © Faring Purth)

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Faring Purth. “Etty” Restored. Wall Therapy, Rochester, NY. January, 2014 (photo © Faring Purth)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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13 from 2013 : Bob Anderson “Watching the Process Unfold with Phlegm”

13 from 2013 : Bob Anderson “Watching the Process Unfold with Phlegm”

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Happy Holidays to all you stupendous and talented and charming BSA readers! We thank you from the bottom of our socks for your support this year. The best way we can think of to celebrate and commemorate the year as we finish it is to bring you 13 FROM 2013 – Just one favorite image from a Street Art or graffiti photographer that brings a story, a remembrance, an insight or a bit of inspiration to the person who took it. For the last 13 days they will share a gem with all of us as we collectively say goodbye and thank you to ’13.

December-27

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Today we go to New York State’s capital Albany to hear from photographer and occasional BSA contributor Bob Anderson whose intense love for photography is usually expressed through natural beauty and  domestic scenes but occasionally he can indulge in a true passion; street art photography. In 2013 Bob had the opportunity to meet the illustrator and street artist Phlegm who was visiting from Sheffield, a city in South Yorkshire, England. While he caught some excellent shots for BSA readers during that marathon of painting, this one stood out as his favorite of 2013.

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Phlegm. Albany, NY 2013. (photo © Bob Anderson)

Watching the Process Unfold with Phlegm

~ Bob Anderson

Whether it’s a sticker, a tag, or a mural, the streets are the judge of what will stand the test of time. Sometimes it is the aesthetic or the message, or simply the placement that weighs in an efforts favor. The end result will garner a cover, a buff, or appreciation.

Not to distract from the work itself, but I find more appreciation in both the process and the artist. Yes, I want to see new work, but viewed from a computer or in real life after it’s completed, it does not carry the intensity as watching it unfold. Maybe in a completely selfish way, it’s to learn the process. Everyone has their own technique. It’s not something one is willing to share in an email or to a passer by. But if you’re willing to lug paint & ladders, stay out all night, hop fences, or sit in a dirt lot all day – you will learn something.

As for the photos. It’s easy to walk up to a finished wall and frame a nice photo – but it can still feel empty. Photos of the actual process show the evolution and effort behind the work. Creativity comes by working with whatever gear you may be able to pack in, the time and lighting given (which will never be ideal) and shooting around faces that can not be shown.

Lastly, the most important part is the people.

Well known names with no associated faces come together with random strangers.

During those countless hours late at night or under the sun in a dirty parking lot, drinks are shared, hilarious stories are told, and friendships are made.

And a wall is left standing.

Photos document the party that only a few were privileged to attend.

Get out, and get up!

Thanks to all!

 

Artist: Phlegm

Location: Albany, NY. 2013

 
#13from2013

Check out our Brooklyn Street Art 2013 Images of the Year by Jaime Rojo here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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ROA Gets Up With New Animals In Tow

ROA Gets Up With New Animals In Tow

BSA travels with ROA to Austria, Canada, Great Britain, Norway, Poland, Portugal, Spain, Sweden, and the US.

Today we visit with Street Artist, urban naturalist, and globe trotter ROA to see what walls he has been climbing since we last checked in with him and his traveling curious circus of animals. Alternating between the cuddly and the killing, the endoskelton and the excrement, the pugnacious, playful and the putrefying, this Belgian world citizen is no romantic with his subjects and he isn’t asking for you to be either necessarily.

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ROA. Lagos, Portugal 2013. (photo © Roa)

If you consider the brutal natural and man-made world that animals have to survive in and the ruthless depravity of humans throughout the ages (including right now), perhaps ROA’s depictions of these regionally based creatures are a healthy counterbalance to the fictional storytelling we customarily see in large public depictions of animals. Rotting Big Bird, anyone?

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ROA. Lagos, Portugal 2013. (photo © Roa)

In one instructive example, a local town meeting in Chichester in Great Britain erupted into a heated debate this spring and a vote was called over whether to remove one of ROA’s fresh paintings from public view. The aerosoled portrait  featured a rotting badger lying belly up and pock-marked across the front of a neglected building.

“It’s not appropriate, it’s grotesque and I hope it will be removed,” said the district and parish councilor who was outraged at the factual representation of a dying animal, according to a local website. The article does not mention if she was equally outraged at the culling of badgers locally, which ROA was drawing attention to, or if she would call the culling of undesirable animals “grotesque”.

 

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ROA. Ibex at the harbor in Linz, Austria 2013. (photo © flap.at)

You wouldn’t cheapen the spray-painted monochromatic realism of ROAs work as activism per se, or even moralizing. Sometimes a bear is just a bear.

But sometimes the poses and positions and selectively illustrated details are more pronounced than one may see in nature, so clearly his desire is to draw attention to them. And why not try to give a voice to them? Otters don’t do email and bison hooves are too clunky for texting and nary a narwhal has his own Facebook page. If they have been displaced, marginalized, or are suffering, you won’t see a cluster of clamoring squirrels arrayed before a bank of microphones and cameras issuing a press conference.

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ROA. Detail. Linz, Austria 2013. (photo © flap.at)

But slowly and gradually and almost systematically the former graffiti artist has been raising the awareness of even the dullest among us bipedal primates that the animals we are sharing the world with are plausibly pissed about that whole “dominion over nature” clause that pious Pulcinellas spout when justifying treating some animals like trash even while their blue-blooded poodles are having pedicures. Now that you think of it, this may not be exclusively about the animal kingdom.

Certainly we have all learned from ROAs travels that nature isn’t pretty – and can possibly be very alarming – and he won’t likely let you forget it.

So start trotting, galloping, swimming, scurrying, slithering, and scurrying! We have a lot of catching up to do with ROA as this year he’s been in Austria, Canada, Great Britain, Norway, Poland, Portugal, Spain, Sweden, and the US.

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ROA. Linza, Austria 2013. (photo © flap.at)

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ROA. Linz, Austria 2013. (photo © Roa)

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ROA. Mural Festival. “Still Life With Bison and Bear” Montreal, Canada 2013. (photo © Roa)

This wall was featured in our coverage this summer of the MURAL festival, where we wrote;

“For his first visit to Montreal, the Belgian Street Artist named ROA says that he had a great time creating this ‘still life’ with a bison and a bear. When talking about his inspiration, ROA says that he was impressed with the history of the so-called American bison, which was incredibly abundant in the early 19th century, numbering more than 40 million. After being hunted almost into extinction with a population of 200 a century later, the bison slowly have reestablished their numbers in Canada to 700,000. He decided to add a bear laying on top because it tells a similar story of a native mammal in the region.”

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ROA. “Catch of The Day” Open Art. Örebro, Sweden 2013. (photo © Roa)

“This is the first time I actually painted a narwhal,” says ROA about the curiously speared whale that lives year-round in the Arctic.

“Their tusks make them a unique example of a species; in a way the narwhal is a mythical sea creature; The unicorns of the sea,” explains ROA about this Swedish piece.  “The young male narwal that I painted here is unfortunately caught in a fishing line. I wanted to draw attention to how they and many other species become a victim of hunting and pollution.”

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ROA. “Catch of The Day”. Deatail. Open Art. Örebro, Sweden 2013. (photo © Roa)

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ROA. Vienna, Austria 2013. (photo © Roa)

At the start of July ROA opened his second solo show – this time with Inoperable Gallery in Vienna.

The exhibition was called “PAN-ROA’s Box” and it was an animal curiosity focused show.

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ROA. Detail. Vienna, Austria 2013. (photo © Roa)

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ROA. Wall Therapy. Rochester, NY 2013. (photo © Roa)

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ROA. Wall Therapy. Rochester, NY 2013. (photo © Roa)

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ROA. “Two Blue Tits” in Chichester, Great Britain 2013. (photo © Roa)

ROA was there as part of his invitation to participate at the Chichester Street Art Festival in May.

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ROA. Chichester, Great Britain 2013. (photo © Roa)

Here is the painting referred to above that upset a number of people in Chichester and called for a vote to take it down (it was 50/50 so they’ve left it up).

Regarding the Badger Cull 2013

“After several emails from Louise Matthews about the upcoming badger cull in GB, I painted a badger to support their efforts to save the badgers,” says ROA. The controversial practice in Britain has gained a number of very adamant foes, including Brian May from the rock group Queen.

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ROA. Bethenal-Green London 2013. (photo © Roa)

As a guest of Griff from Street Art London, ROA did this piece in Bethenal-Green.

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ROA. Nuart 2013. Stavanger, Norway. (photo © Roa)

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ROA. Malaga, Spain. (photo © Roa)

As part of his invitation to the Maus Festival, ROA painted this in Calle Casas De Campos, Malaga, Spain.

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ROA. Malaga, Spain. (photo © Roa)

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ROA. “Fighting Squirrels”, Southbank, London 2013. (photo © Roa)

“If you have ever witnessed a squirrel fight, you might recognize the action,” says ROA of these two enraged fellas in mid air.  He explains that when the North American Eastern Grey squirrel (top) was introduced it caused the red native Squirrel (bottom) to lose habitat and population, so now the red one is protected by conservation laws.

ROA would like to thank the Southbank Centre at the canal.

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ROA. Dulwich, London 2013. (photo © Roa)

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ROA. Baroque The Streets Festival. Dulwich, London 2013. (photo © Roa)

Regarding the dog above, ROA says :

” It took me a detailed search into the Dulwich Picture Gallery to find an animal expression that was involved with the daily life of the time and express on it’s own a fragment of the ordinary life. My eye was caught by a pooping dog in a large scale hunting scene; I found that an interesting detail. The people of the museum told me they have more hunting scenes with this same curious detail, but those were currently not exhibited.”

Dulwich:  ‘Baroque The Streets: Dulwich Street Art Festival’ May 10-19, 2013. The festival was organized by Street Art London & Dulwich Picture Gallery

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ROA. Urban Forms Festival. Lodz, Poland. 2013. (photo © Roa)

Roa wishes to extend his most sincere thanks to the following people:

In Southbank, London he sends thanks to the Southbank Centre at the canal.

In Linz, Austria he says thanks to Bubble Days Festival in Linz, and thanks to Poidle.

In Montreal, he says thanks to MURAL for all their good care and for the retreat in Quebec. Thank you also to Yan, Andre, Alexis and Nico!

In Malaga, Spain he says thank you very much Fer.

In Rochester he says thank you to Ian, Steven, Dan and Wise, who “made my stay excellent as usual.”

In Lagos, Portugal he says thanks to LAC Laboratório Actividades Criativas.

In Stavanger, Norway he extends his thanks to the NUART festival.

In Lodz, Poland he says thanks to Michael and the crew.

And we here at BSA say thank you to you all, and of course to ROA for sharing all his travels with BSA readers.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
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GAIA Evokes “Artemis” to Promote Healthcare with O+ Festival

GAIA Evokes “Artemis” to Promote Healthcare with O+ Festival

Obamacare is rolling out, and the greedy are pissed so they’re stabbing us in the government. In the meantime, musicians and artists of all types need routine dental and medical care. The O+ Festival in upstate New Yorks’ Hudson Valley is providing music, art, and medical care this weekend at their 4th annual cultural and community event in Kingston. Street Artist Gaia took on a big wall to help promote the event and today we bring you exclusive shots of his new Artemis, the Greek goddess of the hunt and of fertility.

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GAIA for O + FESTIVAL. Kingston, NY (photo © Andy Milford)

“The O+ Festival is a great energy exchange where dentists, massage therapists, chiropractors, acupuncturists, optometrists, energy healers and other wellness providers donate their skills and knowledge to artists and musicians who, in exchange, contribute their creative skills to the local area with performances, exhibits, public art installations and other means,” says the promotional text that describes the grassroots festival that will also be mounted for three November days in San Francisco.

Of his experience here Gaia says he can attest to the sincerity, dedication, and professionalism of the organizers and medical care providers there – calling them “wonderful, wonderful people”. If you are looking for a place to put your energy to build community and make a difference as an artist – and get some help in return – this is a fine example of people putting their money where their mouths are.

 

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GAIA for O + FESTIVAL. Kingston, NY (photo © Andy Milford)

Health care services are still entirely out of reach and unaffordable for a startling number of Americans right now and the ethic of the festival embraces a barter approach. They estimate that last years headlining musician alone received $700 worth of dental care “free” for his performance. These are the kind of creative solutions that bridge the gap in caring for one another these days as wolves are attempting to savage the body politic.

“Artemis is a powerful female figure,” says Gaia, “and I thought it would be evocative to have a marble statue personifying such power, emerging from an exhausted quarry, a hole within Mother Earth,” he explains of the central figure he created over the course of a week in Kingston. “Given that marble, bluestone, cement and other elements mined from the Earth have defined so much of upstate New York’s early economy and history, I thought it would be pertinent to have a statue made of that material emerging from the past – a past that helped build New York City and this nation through the exploitation of a resource rich valley.”

Special thanks to photographer Andy Milford for sharing his considerable talent here with the BSA readers.

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GAIA for O + FESTIVAL. Kingston, NY (photo © Andy Milford)

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GAIA for O + FESTIVAL. Kingston, NY (photo © Andy Milford)

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GAIA for O + FESTIVAL. Kingston, NY (photo © Andy Milford)

To learn more about O + FESTIVAL click HERE

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Phlegm Flees With a Marauding Animal Exodus in Albany

Exclusive Photos of the Wildly Charging Herd by Phlegm

As the global geopolitical-econo-social storms continue to swirl us into and out of oil wars and natural disasters and disease and pestilence and famine – or at least the threat of them, you may rightly feel as if you are living inside a comic book or a late summer blockbusting thriller.

 

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Phlegm (photo © Bob Anderson)

The gift of an illustrator like Sheffield-based Street Artist Phlegm is that he can, at will, play the master of chaos in a Dionysian drama, creating the horror afoot, and he can as well create the salvation. It is up to his imagination and his hand/can. Today we look at a new installation of exodus, the stretching and contorting competition of man and animal to flee imminent disaster. Or maybe they’re headed to the Apple store.

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Phlegm (photo © Bob Anderson)

The New York State capital of Albany hosted an extensive series of walls across many neighborhoods two years ago this month, but has since been relatively quiet, as local Street Art fan and photographer Bob Anderson can attest. But for the longest time Bob says, “I have had my eye on an 85′ wall of Earthworld Comics, the oldest comic book store in town.” As luck would have it, Phlegm was in Bushwick BK finishing up a wall just as this one opened up north, and the floodgates of exodus were let loose across the expanse of brick.

Not a bad venue for an outsized illustrator like Phlegm, who is as adept at small hand-rendered drawings as he is of this happily hellish scene of a rumbling and frenzied herd charging forward. It helps that the wall is shot by an artist behind the camera and augmented by the invisible hand of the god of light and shadow.

If this is a film still, it is still moving. If this is a painting, may it never stop. Long live Phlegm.

Our special thanks to Bob Anderson for capturing and sharing these images with BSA readers.

 

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Phlegm (photo © Bob Anderson)

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Phlegm blending with his characters as he makes progress on the wall. (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

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Phlegm (photo © Bob Anderson)

 

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images of The Week: 08.04.13

Here’s our weekly interview with the street, this week featuring 2Easae, Alana Dee Haynes, ASVP, Dain, DALeast, ECB, Faith47, Jason Wilder, Jeice2, Lea Rizzo, Missy, ND’A, and SKI NYC.

Top image is by Missy. (photo © Jaime Rojo)

Faith47 has a new piece in Brooklyn (photo © Jaime Rojo)

Faith47. Detail (photo © Jaime Rojo)

Faith47. Detail (photo © Jaime Rojo)

Faith47 in Toronto, Canada. (photo © Kevin Bryan)

Alana Dee Haynes (photo © Jaime Rojo)

ECB (photo © Jaime Rojo)

Jeice2 in Sevilla, Spain. (photo © Jeice2)

Jeice2 in Sevilla, Spain. (photo © Jeice2)

ND’A (photo © Jaime Rojo)

DALeast. Detail (photo © Jaime Rojo)

A new piece by DALeast in Brooklyn proves to be a perfect backdrop for lovers. Detail (photo © Jaime Rojo)

DALeast (photo © Jaime Rojo)

Here’s a new collaborative with a popsicle floating in front of Dain (photo © Jaime Rojo)

Lea Rizzo. WALL/THERAPY 2013. Rochester, NY. (photo © Jason Wilder)

Lea Rizzo. WALL/THERAPY 2013. Rochester, NY. (photo © Jason Wilder)

BEAT EM’ All, if not then at least some of them. (photo © Jaime Rojo)

URNewYork . SKINYC . 2ease (photo © Jaime Rojo)

ASVP (photo © Jaime Rojo)

Untitled. Brooklyn, NYC. August 2013. (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Wall \Therapy : Street Art Final Shots From Rochester

Diagnosis One: America’s deflated rustbelt cities can expect a deteriorated dust bowl demeanor until bankruptcy, followed by tumbleweeds.

Diagnosis Two: Street Art and graffiti are inextricably entwined with and contributing factors for broken windows, societal disarray, economic and moral decay of the aforementioned cities.

Both are failed and need to be re-examined.

Francey. Detail A. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

For the record, Rochester tops lists in terms of liveability, investment in new technology sectors, and has 91% of it’s citizens covered by health insurance – before Obamacare even kicks in. It has lost jobs and population due to stumbling giants like Xerox and Eastman Kodak and recent annual budgets have had significant shortfalls, but Rochester is putting up a good fight in the healthcare sector.

Dr. Ian Wilson should know. Which brings us to the second diagnosis. Ask the former Brooklyn graff writer now radiologist at the University of Rochester Medical Center if Street Art is synonymous with crime and disorder, and he’ll tell you all about the healing power of Wall\Therapy and murals.

The just-concluded community art project he spearheaded landed local and international graffiti/urban/street artists in Rochester for 10 days of painting – bringing certain parts of the city alive with curious locals hanging out in empty lots and hanging out of slow moving car windows, watching artists with cans as they bob up and down on cherry pickers.

Francey. Detail B. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

 

Co-curated this year with lead organizer Erich Lehman, Wilson has pulled off a stylistically wide-ranging collection of nearly 30 walls this year that go from aesthetically sweet to academically rooted. An apt balance, if you think of Ian.

It’s also been a balancing act to please all constituencies and manage to pull off something fresh; he’s dealt with a handful of outspoken critics who question every turn he’s made, yet the festival has been buoyed by a curious and enthusiastic under-30 youth culture whose minds explode with excitement at the thought of the global Street Art scene hitting their own city.

Lady Pink. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

“Mural art can enhance the life experience – an arguable effect of the arts in general,” the doctor says only a little didactically. All week during Wall\Therapy locals and visitors were taking tours on the El Camino Trail, watching walls going up in the South Wedge, and discussing art and the ideas that the artists are working with – whether it’s a portrait of Trayvon Martin in a piece by New Jersey’s LNY, a gentlemen’s fist fight by Ireland’s Conor Harrington, or a tribute to the influence of Xerox on the city by Baltimore’s Gaia.

Add the local talents, a cadre of volunteers and photographers and some serious old-skool big graffiti names from NYC rocking styles that started it all, this year there was more action than a Saturday night ER.

Lady Pink. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Finally, Wall\Therapy is Wilson’s balancing act of bringing art to the people, and medical care to communities in need. Working with a group of colleagues, he has also embarked on a fundraising program to bring diagnostic equipment to people in the developing world who lack access – and he is now talking about cloud-based diagnoses by a pool of volunteer doctors around the world who can interpret the teleradiology scans remotely.

Can he get all the funding and the equipment and the artists and the walls all together at once? “Realistically, this will have to be done in stages or phases, like some of the procedures that I perform,” he says. If you’ve witnessed this years committed volunteers and organizers at Wall\Therapy, it is a fair assumption that these dual goals of art and healing will happen on a growing scale.

“There is no hope without inspiration. The two travel simultaneously, sharing the same bandwidth,” explains Wilson.

ROA. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

ROA. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Jessie and Katey. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

FreddySam. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Gaia. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Faith47. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Mr. Prvrt. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Mr. Prvrt. WALL\THERAPY. Rochester, NY. July 2013. (photo © Alex Stuart)

Mr. Prvrt. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Freedom. WALL\THERAPY. Rochester, NY. July 2013. (photo © Matt De Turck)

Freedom. WALL\THERAPY. Rochester, NY. July 2013. (photo © Matt De Turck)

Wise2. Detail. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Smith. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Range. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

 

Thievin Stephen. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Thievin Stephen. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Daze. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

DALeast. Detail A. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

DALeast. Detail B. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Conor Harrington. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Conor Harrington. WALL\THERAPY. Rochester, NY. July 2013. (photo © Alex Stuart)

Binho. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Binho. Detail A. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Binho. Detail B. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

 

Change. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Chris Stain. WALL\THERAPY. Rochester, NY. July 2013. (photo © Chris Stain)

Pose2. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

 

BSA gives a shout out for the valuable contributions to the Wall\Therapy over the last ten days by the artists, organizers, volunteers, and talented photographers. Special thanks to John Magnus Champlin, Erich Lehman, Ian Wilson, Matt DeTurck, Jason Wilder, Alex Stuart, Mark Deff, Lisa Barker, Mark Deff, and Josh Saunders. Shout out to Instagrammers @WallTherapyNY , @heliosunphoto , and @shotbywilder .

Check out excellent Wall\Therapy coverage by Rebecca Rafferty on the Rochester City Newspaper

Check out our previous posts on WALL\THERAPY:

WALL\THERAPY 2013 Starts With FREEDOM in a Tunnel

WALL\THERAPY 2013 Daily Checkup and Scan of Founder Ian Wilson

Wall\Therapy 2013 Tuesday Update 7.22.13

Sarah C. Rutherford Flies High at Wall\Therapy

Wall \ Therapy 2013 Friday Update 07.26.13

To learn more please visit:

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Brooklyn Street Art is proud to be the Media Partner of Wall Therapy 2013

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Wall \ Therapy 2013 Friday Update 07.26.13

Skunk in the tunnel. ROA is back in Rochester.

But he’s not alone – a number of new artists arrived mid week to get the aerosol festivities reinvigorated. Not that they were flagging.

WALL\THERAPY has been up on a record number of walls all week – a rolling panoply of artists and organizers and volunteers and paint and sandwiches and water bottles and cherry pickers and neighbors stopping to watch and ask questions, offer opinions, and send it out on Instagram. Wednesday night was a meet and greet and panel talk with some of the artists and last night was a full on party at a local club. The wide variety of installations is providing entry for a lot of conversations online and in the street about the art and the artists – which is always good for building engagement with public space.

Here are new process photos from the last couple of days from Binho, Cern, Chris Stain, DALeast, Ever, Faith47, Gaia, Mr. Prvrt, Range, ROA, Siloette, Thieven Stephen, and Wise2.

Special thanks to photographers Sara Czernikowski, Jason Wilder, Alex Stuart, Josh Saunders, Lisa Barker, and Mark Deff, for sharing these great process images with BSA readers.

Image above: ROA at the old abandoned subway tunnels. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Thieven Stephen. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Mr.Prvrt. WALL\THERAPY. Rochester, NY. July 2013. (photo © Alex Stuart)

DALeast. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

DALeast. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

EVER. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

EVER. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Sara Czernikowski)

EVER. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Sara Czernikowski)

A 2 a.m. shot of a brand new piece by Chris Stain of the artists son. WALL\THERAPY. Rochester, NY. July 2013. (photo © Chris Stain)

Chris Stain got started earlier in the week and didn’t really like his original piece, so he regathered his ideas to do this brand new piece derived from a photo he took of his son Kesh this spring. Combining an urban cityscape from Queens with the portrait, Chris explains, “Lately I’ve been inspired by double exposure photography and I wanted to explore those possibilities in my own work.”

RANGE. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Wise2. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Sara Czernikowski)

Cern. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Alex Stuart)

Cern. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Sara Czernikowski)

Silouette. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Silouette. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Sara Czernikowski)

Binho. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Alex Stuart)

Binho. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Sara Czernikowski)

Faith47. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Lisa Barker)

LNY. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Lisa Barker)

GAIA. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Alex Stuart)

 

Take your phone and hit the road! Shoot your own pics and tag them @WallTherapyNY and @BKStreetArt – we’ll send them round the world! Click image above or HERE for the updated Google map.

Check out our previous posts on WALL\THERAPY:

WALL\THERAPY 2013 Starts With FREEDOM in a Tunnel

WALL\THERAPY 2013 Daily Checkup and Scan of Founder Ian Wilson

Wall\Therapy 2013 Tuesday Update 7.22.13

Sarah C. Rutherford Flies High at Wall\Therapy

To learn more please visit:

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Brooklyn Street Art is proud to be the Media Partner of Wall Therapy 2013

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Sarah C. Rutherford Flies High at Wall\Therapy

One criticism leveled at Street Art events around the world (and they are around the world now) is that sometimes the invited artists work is stylistically or thematically so foreign to the local taste that the piece does not resonate, or worse, it rattles nerves. A seamless cultural match is not likely when you are bringing someone from, say, Belgium, to say, Rochester, and the fact that an artists style or content causes a friction of opinions is a fair critique, although not specifically a disqualifying one.

By its lineage, Street Art (or Urban Art as its known across the Atlantic) was at least in part spawned from the rather anti-authoritarian practices and ruminations of graffiti and its snotty little brother, vandalism. So you’re bound to get somebody roiled at some point with your art. Actually, if you are not pissing somebody off then you’re probably not trying hard enough.

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

The act of doing your work in the public sphere puts it into a new category of considerations than hanging it quietly inside on a private wall and, by George, every person is entitled to their God-given opinion about it. And there are the children to consider after all. To be fair, there can be a modicum of “fear of the invader” for any city that is suddenly swooped in on by visiting weirdo artists from foreign lands like Argentina, Ireland, South Africa, and Newark. There may also just be unhappy people who are sort of bored. But we digress.

Local Street Artists and graffiti artists who have been toiling for years and who actually know the flavor of the city very well sometimes can similarly get the impression that they’ve been overtaken and overlooked in favor of the imperial aerosol forces, even if they are happy they came.  That’s why it’s a smart organizer who takes pains to make sure that at least a few local talents are fully in the mix. It makes the whole feast richer, a great way to synthesize community, a positive way of evoking a host/guest dynamic among the artists and the organizers, and while the styles and interests are definitely going to be varied, the formula encourages a more genuine sense of cultural exchange.

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

At BSA we always value the courageous person who dares to engage the creative spirit and to bring it out to be seen by others, and we are happy to introduce you to a talent who has called Rochester home for seven years and who has been hitting up a wall this week alongside her visiting guests like the total pro she is.

Illustrator and fine artist Sarah C. Rutherford says, “This event often feels like a dream for me as an artist and community leader. I look around at the talented people who are visiting us and those from our city and I feel the power of our voices collectively shaping walls around Rochester.” Modest, too, but the girl’s no slouch.

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Over the past few years Rutherford has contributed her line drawing talents for a brewing company, a school of music, a cookbook, the Rochester City Newspaper and the New York Times Magazine. An urban explorer who trudges in the rubble like the best of them, she’s admired the work of Street Artist Swoon for many years and has left her own mark on decayed walls in hidden places and has constructed installations with found materials. She also recently nailed a three month painting gig with her friend Lea Rizzo that included seven flights of stairs and 28 walls in the Highland Hospital, so she can handle a brush.

Yet WALL\THERAPY has filled her with a gratitude, she says. “I am so humbled and grateful to have been included as an artist in this event.”

BSA asked Rutherford to talk about her wall.

“My piece involves a familial scene based around peregrine falcons. Here in Roc, we have a falcon cam that was established on the Kodak tower and now has been moved to the Times Square Building.

I also included fragmented pieces of the Rochester logo, as well as magnolias – a popular flower in this area.

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Finally, I loved this wall for the broken up canvas it provided me – an interesting frosted window with bars, a wood panel amidst the concrete. I included a wooden installation element, something else I am quite fond of doing. I have built this structure in 3-D form before, but it was fun to include it in this manner.  I’m hoping to experiment more with this in the future.

Overall, this mural is about the ones we love – the fierceness in which we protect them and the beautiful worlds we create for this love to dwell.”

Sarah says she wanted her mural to be rooted in this city as a matter of local pride, and because of her strong feelings of alliance with it. She sites as inspirational figures the co-curators of this years festival, Ian Wilson and Erich Lehman, as well as the rest of the Wall\Therapy crew and all the many volunteers.

We want to give special thanks to photographer Lisa Barker for sharing this photo essay with BSA readers.

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Sarah C. Rutherford for Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Sarah C. Rutherford at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Sarah C. Rutherford. Her completed piece for Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Top image Sarah C. Rutherford. Work in progress at Wall\Therapy in Rochester, New York  (photo © Lisa Barker)

Take your phone and hit the road! Shoot your own pics and tag them @WallTherapyNY and @BKStreetArt – we’ll send them round the world! Click HERE for the updated Google map.

Check out our previous posts on WALL\THERAPY:

WALL\THERAPY 2013 Starts With FREEDOM in a Tunnel

WALL\THERAPY 2013 Daily Checkup and Scan of Founder Ian Wilson

Wall\Therapy 2013 Tuesday Update 7.22.13

Wall\Therapy 2013 Wednesday Update 7.24.13

To learn more please visit:

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Brooklyn Street Art is proud to be the Media Partner of Wall Therapy 2013

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Wall\Therapy 2013 Wednesday Update 7.24.13

POWWWWW!

Conor Harrington’s right hook is emblematic of the impact that the huge number of artists are having on Rochester right now for WALL\THERAPY. “It’s been a very well organized event and painting side by side with this line up of artists has been a blast,” says NYC graffiti veteran and globetrotter DAZE as he improvises his piece.

Meanwhile Martha Cooper is watching/shooting “Mike Ming about to attack his super colorful wall”, Lady Pink is talking to some neighborhood youth about her work, and EVER from Argentina is showing off his international collection of paint brushes to Deb Vanwert while Jason is snapping photos of him. And the weather is great since these are the two weeks a year when Rochester gets above 60 degrees. We’re up north yo! Just kidding.

Our update today contains fresh stuff from Mike Ming, Cern, Faith47, Gaia, EVER, Pose2, St. Monci, WiseTwo, Siloette, LNY, Binho, Change, Conor Harrington, DAZE, FreddySam, Lady Pink, and Range.

Special thanks to photographers Jason Wilder, Alex Stuart, Josh Saunders, Lisa Barker, and Mark Deff, for sharing these great process images with BSA readers.

Image above of Conor Harrington in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Conor Harrington. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

St. Monci. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Binho. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Siloette. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Josh Saunders)

Range. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Cern. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

LNY gets some helpful input. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Lisa Baker)

EVER. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Mike Ming. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Alex Stuart)

Gaia. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Lisa Baker)

Gaia. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Pose2. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

Pose2. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Change. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Faith47. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Jason Wilder)

South Africa’s FreddySam in the zone. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

Daze. Work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

” The painting I’m working on is a bit improvisational in that even though I had made many provisional sketches for it before hand all that changed once I was in front of the wall. At least part of my inspiration for the painting is coming from my experience here in Rochester – The center of the wall features the Rochester skyline as seen from Hyland park. Everything in the painting is drawn to this center,” explains Daze.

Lady Pink takes a moment out to speak with local youth about her work in progress. WALL\THERAPY. Rochester, NY. July 2013. (photo © Mark Deff)

 

Take your phone and hit the road! Shoot your own pics and tag them @WallTherapyNY and @BKStreetArt – we’ll send them round the world! Click image above or HERE for the updated Google map.

Check out our previous posts on WALL\THERAPY:

WALL\THERAPY 2013 Starts With FREEDOM in a Tunnel

WALL\THERAPY 2013 Daily Checkup and Scan of Founder Ian Wilson

Wall\Therapy 2013 Tuesday Update 7.22.13

To learn more please visit:

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

 
Brooklyn Street Art is proud to be the Media Partner of Wall Therapy 2013

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Read more