All posts tagged: New York City Subway

Lee Quinones : The NYC Graffiti Train Storyteller Tells His Own Story

Lee Quinones : The NYC Graffiti Train Storyteller Tells His Own Story

Never Seen Notebook Drawings and Recent Paintings Span 1975-2015

“It was an identity crisis for youth in NYC in the 1970s,” explains Lee Quinones, the whole subway car “bomber” who claims the mantel of aerosol story teller for NYC’s rolling gallery of public art during that nearly dystopian decade. He is sitting on a folding chair before a small crowd of gallery visitors with Glenn O’Brien talking about his youthful creative process during a time when New York was seething with raw emotion, roiling in an identity crisis of its own with social, political, and economic issues all contributing to a perception of pending anarchy.

The occasion is the end of his current show that includes work from two distinct periods: now and 40 years ago. Witnessing one clearly informs your understanding of the other.


Lee Quinones (photo © Jaime Rojo)

“I’m a recovering graffiti artist,” the dynamo LEE likes to say with a wink, and signs of his addiction are framed around the unpolished Chinatown pop-up space to help you see how deep the scars are. Pulled directly from home sketchbooks done in 1975 at the age of 15, these original drawings, some nearly four feet across, belie the level of manic dedication and wizardry his illegal storytelling required in those rusted screeching halcyon days when graffiti tags began to metamorphose into the representational and a certain wilder style.


Lee Quinones (photo © Jaime Rojo)

With personal graffiti influencers on the street like the expressionistic Cliff 159 and the pop-painting Blade lighting his way, LEE says he was searching for a way to break out of the “alphabet soup” of the prevailing lettering and tagging that was enveloping trains and subway stations and burning city walls.

“The small umbrella we were under was too small,” he says as he describes the way he tapped into a superheroes’ courage to fly from the housing projects of Lower Manhattan into social and political themes that took him up and down the number 5 subway line; his own publishing platform that reached thousands, probably millions.


Lee Quinones. Silent Thunder. Whole Car. Detail. 1984 (photo © Jaime Rojo)

“I wanted to create storytelling on the subway. Why not address the civil rights movement?,” he asks and you think immediately of the photos and film you’ve seen of the hand sprayed images and text addressing the Vietnam War, economic inequality, environmental degradation, nuclear annihilation, love, death, longing, community, brotherhood, and Donald Duck. A ninja in the train yards, LEE also was a conscience on the rails.

“I wanted to sarcastically address the doctrine that was being thrown at me,” and he did, often collaboratively with four other writers, forming The Fabulous Five. Over that time he estimates he painted many more than a hundred complete subway cars with characters, scenes and public speeches questioning accepted truths and advocating at least a reexamination of them.


Lee Quinones (photo © Jaime Rojo)

The show is a rare opportunity to see these works in person, an illuminating collection of detailed sketches, marker drawings, possible titles, poetry, crossed out ideas, musings, and paint lists. Even in his youth LEE was showing his undying commitment to his art and it’s expression, wherever it lead.

“I feel comfortable being uncomfortable,” he says of the winding route over four decades that now includes a very strong studio practice and shows in major institutions and work in significant collections. He says it has brought a desire to simplify. “On canvasses now I want to say more with less.”


Lee Quinones. Subway Car Montage. Study #2 1980-1983. (photo © Jaime Rojo)

Coupled with a smaller collection of recent works, one large monochrome stylized wall tag, and his newest painting, Golpe de Suerte that includes his mother’s hand-written recipe cards and lists collaged and spelling out “amor”, this is a personal show not likely to be seen again.

Including his mother and her lettering style completes a cycle; that’s the same ‘mom’ to whom he dedicated in aerosol many of his trains in the late 1970s and early 80s. Considered as a whole, this show captures a passionate imagination that is still on fire, tempered by experience. Looking at it all, free from the hype, this is the kid who you hoped you would find.


Lee Quinones (photo © Jaime Rojo)


Lee Quinones. Crossing Delancy (Basquiat at the Clarinet). 2014. (photo © Jaime Rojo)


Lee Quinones. The Fabulous 5. 1976. (photo © Jaime Rojo)


Lee Quinones. In The Yards. Color palette list. 1982. (photo © Jaime Rojo)


Lee Quinones. Untitled. 1980 (photo © Jaime Rojo)


Lee Quinones. Golpe de Suerte. 2013-2014 (photo © Jaime Rojo)


Lee Quinones. Golpe de Suerte. Detail. 2013-2014 (photo © Jaime Rojo)


Lee Quinones. Golpe de Suerte. Detail. 2013-2014 (photo © Jaime Rojo)


For more information please contact Nicole Klagsbrun Gallery.


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This article is also published on The Huffington Post


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Skin Deep Beauty on the Subway in NYC : Poster Boy Interventions?

The Reality-Show-Industrial-Complex continues to warp everyone’s perception of reality with its brain cell melting fusillade of advertising everywhere you turn. Street billboards, banner ads, barking taxi cab screens, and bone-headed subway posters spill bilious candy coated banality upon bystanders and passersby with entreaties to experience the misadventures of buxom babes and the buff boys who bang them.

You have to wonder how these funhouse images affect the self-perception of girls and boys and women and men who are surrounded daily by them. You will not escape the visual assault as you ride captive on the trains to your job or school or museum or library or the unemployment office – as  the vast tentacles of the entertainment industry reach ever further in search of a market.

Of course, that doesn’t mean that citizenry doesn’t talk back.

brooklyn-street-art-poster-boy-jaime-rojo-04-11-web-3Poster Boy (photo © Jaime Rojo)

From Keith Haring in the 80s to Poster Boy (s) and LUDO and a number of non street artists in the last couple of years, there is an occasional attempt to  steer the conversation, stem the tide and claim the eyeballs and attention on the subway, if just for a minute. Some artists feel that the subways are a fair playground and an instant gallery, to the chagrin of those who see their art interventions as crimes or at least, damaging to profits.


Poster Boy (photo © Jaime Rojo)

Recently we spotted a series of ads with images of the new “celebrity” class marred with the tiniest “interventions” that ring of Jenny Holzer, Barbara Kreuger and even William Burroughs. Whether these are the work of Poster Boy or the Poster Boys he hoped to inspire, the placement short circuits the messaging and questions how women are being portrayed. Ultimately these little interventions are  just a finger in the whole.


Poster Boy (photo © Jaime Rojo)


Poster Boy (photo © Jaime Rojo)


Poster Boy (photo © Jaime Rojo)


Poster Boy (photo © Jaime Rojo)

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