All posts tagged: Martin Mazorra

Barnstormers Coming to Joshua Liner in March

BarnStormers! Yee Hawwwww!

Famed Barnstormers!

Famed Barnstormers!

I first saw an iteration of this collective at their 2001 installation at SmackMellon in Dumbo, Brooklyn in an old spice factory – think David Ellis was doing a residency there...  Anyway, the roster and locations and breadth of projects that the Barnstormers were involved in has evolved over the last decade, but the wild-eyed no-holds-barred inventive quality stays solid. This is a show I’m not missing.

The new group exhibition at Joshua Liner Gallery will feature works in a variety of mediums: painting, photography, video, mixed media works and installation.  Here’s a half hour presentation, or rather, performance piece from 2005.   An actual barn is involved.

Artists exhibiting at Joshua Liner will include:
Alex Lebedev, Alice Mazorra, Bluster One, Che Jen, Chris Mendoza, Chuck Webster, David Ellis, Dennis McNett, Doze Green, GION, Guillermo Carrion, James Lynch, Joey Garfield, Jose Parla, Kenji Hirata, Kiku Yamaguchi, KR, MADSAKI, Manny Pangilinan (WELLO), Martin Mazorra, Maya Hayuk, Mikal Hameed, Mike Houston, Mike Ming, Miyuki Pai Hirai, Naomi Kazama, Pema Brush, Romon Kimin Yang (Rostarr), Shie Moreno, SWOON, West One, Yuri Shimojo and more.
Joshua Liner Gallery
548 W 28th St. 3rd Floor
New York, New York 10001

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Willoughby Windows presented by Ad Hoc

Ad Hoc Art presents Willoughby Windows

Friday, July 10th, 2 – 7pm = Ad Hoc Art presents “Willoughby Windows”

An ambitious creative venture featuring 14 storefronts on an entire block of downtown Brooklyn which will highlight installations by 15+ artists. The opening will be a street party on Friday, June 19th, from 2-7pm. Some of New York’s artistic finest will be representing to the fullest.

Confirmed participating artists include:

Cannonball Press (Mike Houston & Martin Mazorra)
Chris Stain
Dennis McNett
Ellis G
Greg Lamarche
John Ahearn
Josh MacPhee
Lady Pink
Logan Hicks
Carlos Rodriguez {Mare139}
Michael De Feo
Morning Breath
Nathan Lee Pickett
Tom Beale

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C.Damage & the Bear Dude on the Brooklyn Block

C.Damage & the Bear Dude on the Brooklyn Block

You’ve seen him, sometimes in a vest and tie, sometimes with polkadot pajamas, a fireman’s uniform, or a formal tuxedo;

The bear dude is on stickers all over the place. At first C.Damage was pretty quiet and maybe a little reserved, like the bear, but with time and practice the style quotient has evolved and now the real style is taking off.

Coming up this Friday at Ad Hoc you can see a new wood block of this bear at the Brooklyn Block Party, a strong show concentrating on one specific technique really popular among many Brooklyn street artists right now.

The First Generation (photo C.Damage)

The First Generation (photo C.Damage)

Brooklyn Street Art: When was this little bear Dude born?

C.Damage: He was born in Chicago, around 2004. He went through many transformations in his process to becoming the bear you see today. For a long time, he didn’t have feet! I couldn’t figure out what his lower half looked like, so he was a waist-up character. But he’s finally comfortable with himself.

Brooklyn Street Art: What is this bear saying?

C.Damage: The conversations he has with other people are usually private. Every once in a while, I’ll overhear someone say positive things (about the bear) – that is, that it makes them feel good. I am more concerned with eliciting a response than the type of response. Some people like him, some people might not like him. But on the whole I think he’s a pretty likable character. He’s a jokester – he doesn’t take himself too seriously.

I'm a real big celebrity. I'm this megastar. (photo C.Damage)

I’m a real big celebrity. I’m this megastar. (photo C.Damage)

Brooklyn Street Art: One time in Williamsburg I saw one of your bears in Hasidic garb. Does Mr. Bear like costumes?

C.Damage: Now that he’s comfortable with himself, he’s been playing around with different personas. I think the first costume he ever put on was a viking hat and giant clock chain as Flava Flav. He also likes to wear t-shirts – the “I love NY” one is his favorite – and suits. And there are usually holiday versions – Santa, a pilgrim, a mummy, Uncle Sam, the Easter Bunny. There are a lot of variations. Some of them last longer than others. There’s some one-of-a-kinds up out there too.

Brooklyn Street Art: Now that cold weather is settling in over Brooklyn, will he be hibernating or looking for warmer climates?

C.Damage: He’ll still be around to face the New York winter, but he is also taking a trip to Los Angeles to spend January 9 to February 6 at the From The Streets of Brooklyn show at thinkspace gallery. The show is curated by Ad Hoc Art in Brooklyn. It’s a pretty amazing way to start the new year, after wrapping up 2008 with the Brooklyn Block Party at Ad Hoc Art.

Brooklyn Street Art: The work that you are showing at Ad Hoc is definitely your style, but it’s different from the stickers and paintings that people know you for. Have you made blocks much in the past?

Bear-bot Army (photo C.Damage)

Bear-bot Army (photo C.Damage)

C.Damage: Yeah, I’ve done small block cuts for stickers in the past, which is how I got into this show, but doing a larger print was definitely new. This was a completely different scale for me, which is funny because if you look at the show, the size of the other artists work blows my piece away. I’m not known for my print work, or for doing giant prints for wheat pastes, so people might not be expecting to see me in this show. But when people see it, they’ll make the connection to my stickers and paintings. I think it’s a good new direction for my work, but not too far from where I was before.

C.Damage displayed a new range of approaches at the Brooklyn Street Art party in May '08 (photo C.Damage)

C.Damage displayed a new range of approaches at the Brooklyn Street Art party in May ’08 (photo C. Damage)

Brooklyn Street Art: How did you get to this point and how does it fit your artistic style?

I have been putting up work for a few years, mostly unnoticed, but somewhat consistently. I think I got to this point by just doing my thing, regardless of other people’s opinions or popular trends. I have a long way to go until I get to where I want to be, with solo shows and a more complete body of work. But I think I’ll get there through persistence. There’s no time limit for me to get there, so I’m just enjoying the ride.

Ho! (photo C.Damage)

Ho! (photo C.Damage)

Brooklyn Street Art: Hmmm. Beary interesting. What’s up for 2009 for C. Damage?

Well, 2009 starts with the From the Streets of Brooklyn show in L.A. and a cool show I’m in around Valentine’s Day that is still coming together. I think some of my work will be published in the near future too; not too long ago, I had the pleasure of talking with Martha Cooper, and she took some great photos of some of my stickers that will be shown in her next book, released soon. I’m doing a few more blocks for prints to work on my style, so maybe you’ll see some prints up in the street at some point. Beyond that, I’m not sure what’s next, but I’ll take it as it comes.

C.Damage’s Flickr Site

Check out C.Damage’s new block print as well as those of many others at the Brooklyn Block Party this Friday at Ad Hoc.

“Brooklyn Block Party”

Richard Mock, Swoon, David Ellis, Mike Houston, Martin Mazorra, Dennis McNett,

Judith Supine, Elbowtoe, Gaia, c.damage & Imminent Disaster

December 12th – January 4th 2009

Opening Reception: Friday, December 12th, 7-10pm

An exhibition of original hand cut blocks, both wood and lino, along with the prints pulled from each block.

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