All posts tagged: Jesse Hazelip

INDECLINE Mounts “People’s Prison” Inside Trump Hotel

INDECLINE Mounts “People’s Prison” Inside Trump Hotel

An ingenious pop-up installation of politically charged art and performance arrived at a Trump hotel in Manhattan yesterday and departed just as fast, with the anonymous Street Art troupe INDECLINE declaring the exhibition “The People’s Prison”.

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

The clandestine and complex staging inside the belly of the commercial beast was completely legal and very temporary, leaving behind a pristine suite for the next guests to enjoy, but the interim concrete prison was darkly lit and gave off a cool, dank aura.

Open for invited guests for only a short window of time, the full-scale mise en scene gave a sordid and dark view of present and past politics and power, featuring the leader of the free world in a chandeliered prison with McDonald’s fast food wrappers and live rats at his feet.

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

The seated central performer stares out between the bars at the vertical red and white bars of American flags hung as canvasses with new paintings by invited artists like Street Artists Ann Lewis aka GILF!, LMNOPI, and Jesse Hazlip, and studio artists like dark pop queen Molly Crabapple and the multi-disciplinary Panik Collective.

While you take in the completely temporary scene, helpful but quiet INDECLINE members in black ski masks shuffle furtively in your periphery, ready to answer questions or preemptively admonish you not to touch anything. In a time of repeated accusations of “fake news”, demagoguery and disinformation, this real-life fabrication of a dire prison reality is jarring when mounted as it is inside another garishly shiny hotel fabrication of reality.

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

Each painting is a portrait of an outspoken historian, linguist, political scientist, academic, activist, or philosopher of some renown – a group of current and past thinkers and speakers who collectively would blow the roof off a building with their common sense and de/constructively radical ideas.

But these ideas from people like Noam Chompsky, Betty Friedan, Howard Zinn, Erica Garner, and Edward Snowden rarely make it into the White House or are given voice by the infotainment screen media or newspapers. “History is bigger than any given season, and historically, the greatest heroes have stood for something deeper than politics,” say the artists of INDECLINE in a statement.

“Our biggest concerns is that we, as American citizens – but also on an even deeper level, as Global Citizens – not forget that we are all stranded here on this rock together, and that the greatest crime committed by President Trump is his attempt to profit from and exacerbate the kind of divisiveness that safeguards a true and natural democracy, one that attempts to protect all of its members equally, not draw lines that become margins where those least-represented financially can be quietly swept away.”

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

As you have come to expect from this inventive and risk-taking troupe, the execution and attention to detail here is as impressive as the sentiments are powerful. This time the location of their intervention is integral to the message.

We interviewed INDECLINE to understand more about “The People’s Prison”

BSA: You chose a number of influential thinkers and philosophers to highlight in a place where they probably wouldn’t even be recognized. Have the wheels completely come off the cart?

INDECLINE: Some of these celebrated figures will most certainly be recognizable here in America and abroad. We did specifically choose a handful of lesser known activists and freedom fighter, but that was simply to shine the light on their efforts and educate the masses to their existence and fighting spirit.

 

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

BSA: The concept of trespassing is central to Street Art and graffiti practice. In this case you are not illegally trespassing but perhaps culturally or intellectually?

INDECLINE: While the room was booked using the traditional steps, the installation was still completely unauthorized. We’re also pretty sure snuggling rats into the property violated a number of laws.

 

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

BSA: Some say that Trump the man is a Trojan Horse to get these insidious ideas inside the halls of power. Is this project a trojan horse of a different color?

INDECLINE: We would agree with that wholeheartedly. Trump is certainly a Trojan Horse. However, he has waged a war with millions of creative and fearless soldiers who risk everything to practice radical thinking, provocative protest techniques, poetic dissidence and subterfuge. The war started a longtime ago and INDECLINE believe it will be the people, not the powerful who will stand victorious.


The second half of this two-part exhibition will replicate “The People’s Prison” in a Pasadena art gallery next month with the sales benefiting a range of organizations from the Native American Rights Fund to the Southern Poverty Law Center. Organizers say part two of this coast to coast show will open April 11.

More details after the video at the end of this posting.

 

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE. “The People’s Prison.”. Trump International Hotel and Tower in New York City. March 30th 2018. (photo © Jaime Rojo)

INDECLINE: The making of “The People’s Prison”

 

Website: www.thisisindecline.com


Below is a list of the participating artists in “The People’s Prison” show along with the figures they painted and chosen charity information related to the April 11th art show.

Anna van Schaap – Betty Friedan – The Sasha Center

Ann Lewis – Erica Garner – Young New Yorkers

Anthony Aspero – Edward Snowden – National Suicide Prevention Lifeline

AWARE – Noam Chomsky – Help International

Bandit – Rodolfo “Corky Gonzalez” – Children’s Center for Cancer

Danny Green – Hunter S. Thompson – Alexandria House

Gabe Larson – Muhammed Ali  – Southern Poverty Law Center

Jesse Hazelip – Cornel West – Indigenous Environmental Network

LMNOPi – Lyla June Johnston – Red Willow Farm

Molly Crabapple – Angela Davis – New Sanctuary Bond Fund

The Panik Collective – Howard Zinn – Common Cause Education

Randy Janson – Leonard Peltier – Native American Rights Fund

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Images of the Week 10.28.12

Here is our weekly interview with the street, this week featuring Avoid, BAST, Cruz, Dain, Dark Clouds, EKG, Hanksy, JC, Jesse Hazelip, JM, Jonathan Matas, MUDA Collective, Judith Supine, LNY, Luv1, Poke, Sheepman, Whisbe, XAM, and Zach Rockstad

Street Artist XAM is directing eyes to fly across the sky again throughout Brooklyn with a new flock of birds on a wire. Check us out tomorrow for a new collection of bird shelters from XAM we just found and shot before the Frankenstorms came. Hopefully some birds found them too.

XAM. We welcome XAM back on the streets of NYC. (photo © Jaime Rojo)

Jonathan Matas . Zach Rockstad . Poke (photo © Jaime Rojo)

Cruz (photo © Jaime Rojo)

Cruz. Detail. (photo © Jaime Rojo)

Cruz. Detail. (photo © Jaime Rojo)

Dain sidebusts El Sol 25 in this piece that makes both of them more unusual than usual (photo © Jaime Rojo)

Dain (photo © Jaime Rojo)

Bast (photo © Jaime Rojo)

WhIsbe (photo © Jaime Rojo)

Sheepman (photo © Jaime Rojo)

Sheepman. Detail. (photo © Jaime Rojo)

Gilf! at Bushwick Five Points (photo © Jaime Rojo)

JM (photo © Jaime Rojo)

Remember when your aunt Millie told you not to point at somebody because when you point one finger at them you are actually pointing three back at yourself?  JC (photo © Jaime Rojo)

Luv 1 at Bushwick Five Points (photo © Jaime Rojo)

Hanksy imitates Street Artist Chris Stain to try a pop culture reference at Bushwick Five Points. (photo © Jaime Rojo)

LNY (right) has been so horny lately as he completes his collab with Overunder (left) at Bushwick Five Points. Also interesting to note the OU urban architectural language melding into the LNY cityscape. (photo © Jaime Rojo)

One more off-kilter collab between Judith Supine and Jesse Hazelip. (photo © Jaime Rojo)

EKG and Dark Clouds in Bushwick Five Points with Avoid’s blessings. (photo © Jaime Rojo)

Architect/Designers The MUDA Collective were in town from Rio De Janiero and left some of their custom tile work. (photo © Jaime Rojo)

Untitled (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Face Tattoo Cholo Style – Judith Supine Inked by Jesse Hazelip in BK

Here are some hot new shots of stuff on the streets by Judith Supine that seem perfect for startling New Yorkers this week on their way to the haunted house.  Characterized by putrid hot color, recombined body parts of various proportions, a contorted focus on maquillage, it looks like Supine is in full effect for Halloween (or Day of the Dead) this year, and with help from a couple of collaborations.

Judith Supine on the streets of Brooklyn next to Anthony Sneed’s colorful bar codes. (Photo © Jaime Rojo)

The first “collabo” is really just about placement next to the colorful geometric colorplay patterning of Anthony Sneed– which on a normal day look bright but next to Judith can appear dimmed in comparison. The second collabo is more of the roughneck kind – bringing more of the west coast SoCal flavor of cholo tattoo – with patterns inked directly on the face by Street Artist/fine artist/illustrator Jesse Hazelip. Given their inherent visual punch, we never really thought of Supine works as a canvas and never really thought the portraits could evoke more evil pranksterism – but seeing these tattooed symbols on the fluorescent faces is going to scare some of the kids next week as they walk by with plastic pumpkin buckets of treats.

Judith Supine. Detail. (Photo © Jaime Rojo)

Judith Supine. Detail photo of different version of the above street piece taken during our recent Studio Visit with the artist. (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine . Jesse Hazelip. Detail (Photo © Jaime Rojo)

Judith Supine. A recent studio shot features carved patterns and symbols. (Photo © Jaime Rojo)

To read our recent interview and studio visit with Judith Supine click here.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Young New York: Silent Art Auction and Fundraiser at White Box Gallery (Manhattan, NYC)

Young New York

 

YOUNG NEW YORK At Risk Youth Being Seen, Heard, and Known | youngnewyorkers.org
SILENT ART AUCTION & FUNDRAISER
We are pleased to announce Young New York: A Silent Art Auction & Fundraiser, Tuesday May 29, 2012 at White Box in the Lower East Side.  This one night event will benefit Young New York (YNY), an art focused social justice program working with 16 and 17 year olds who, legally classified as adults, have been thrown into New York State’s adult criminal justice system.
The funds from the silent auction will help build the first stage of the program – a series of cutting edge creative workshops with fifteen young New Yorkers. The young New Yorkers will work closely with a team of successful artists, designers, teachers and social workers to responsibly and creatively develop their message around their own experiences with, and hopes for, the treatment of youth in New York State’s criminal justice system.
The evening will feature the works of Steven Holl and Steve Powers ESPO along with many other established and emerging international artists whose work touches on the realm of the social in urban space, thereby creating a dialogue with the work being developed in the YNY workshops.
The space for the event has been provided by White Box, food provided by Maimonide of Brooklyn, and drinks provided by Bomb Lager.  Additional support has also been provided by Loci Architecture and gopro.
Young New York is supported by the Goodman Fellowship at Columbia University and Brooklyn Defender Services.
For more information visit http://youngnewyorkers.org/
YNY SILENT ART AUCTION & FUNDRAISER
Featuring Artists: Steven Holl, Steve Powers ESPO, NohjColey, Joe Iurato, Miguel Ovalle, Overunder, Gaia, Rodolfo Diaz, Marissa Paternoster, Ian Kuali’i, LNY, Blackmath, Doodles, Feral Child, Cake,ND’A, QRST, Sean 9 Lugo, Radical!, C215 from the Vandalog collection, Gilf, Beau Stanton, Rachel Hays, SUE works, Clown Soldier, Jill Cohen, Yulia Pinkusevich, Alyse Dunn, NEVER, Shane Nash, Jesse Hazelip, Sheryo,the YOK, ASVP, Labrona,Then One,Tom Smith, Day Le, Danielle Riechers,  Jon Burgerman, Darnell Scott, Nathan Pickett, Joseph Grazi, John Breiner, Anne Grauso, SMURFO, Beau Stanton, Jamie Bruno, Luna Park, Sam Dylan Gordon, Fay Ku, Michael Bilsborough, NANOOK, Felipe Baeza, Sam Fleichner and more!
Curated by Natalie Trainor & LNY
Auction & Reception: Tuesday, May 29, 2012, 6-10 PM
Auction called at 9 PM
At White Box, 329 Broome Street NY, NY
Supporter Tickets: $50.00
General Admission: $25.00
Purchase Tickets here: youngnewyork.eventbrite.com/
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“Wall & Frames”, Today’s Street Artists, Tomorrow’s Masters

There is an uneasy reluctance among some artists in the graffiti and the Street Art community to let themselves be seen hanging with art collectors or even entering galleries sometimes because they might lose credibility among peers for not being ‘street’ enough. Seeing well manicured men in pinstripes and shrieking birdberry women with tinted/straightened/plumped everything looking at your shit hanging on a wall and asking vaguely patronizing questions about it like you are an exquisite curiosity could make you go out and slice their tires after downing a few white wines.  Not surprisingly, “keeping it real” sometimes translates to keeping it out of private collections.

Even as there is an every-growing recognition of art and artists who work sometimes illegally in the street, it’s a sort of high-wire act for anyone associating with art born in margins, mainly because it forces one to face the fact that we marginalize.

Sociological considerations aside, over the last decade there is a less traditional definition of Street Artist entering the fray. The graffiti scene originally boasted a sort of grassroots uprising by the voiceless and economically disempowered, with a couple of art school kids and the occasional high-minded conceptualist to mix things up. It’s all changed of course – for myriad reasons – and art in the streets takes every form, medium, and background. Now we see fully formed artists with dazzling gallery careers bombing right next to first time Krinks writers, graffiti writers changing gears and doing carefully rendered figurative work, corporations trying their hand at culture jamming (which isn’t a stretch), and all manner of Street Art referred to as an “installation”.

A new book by Maximiliano Ruiz called “Walls & Frames”, just released last month by Gestalten, presents a large collection of artists who have traversed the now permeable definitions of “street”, gallery, collector and museum. Admittedly, this may be a brief period of popularity for Street Art, if the 1980s romance with graffiti is any indication, but there is evidence that it will endure in some form.  This time one defining difference is that many artists have already developed skill, technique, and a fan base. Clearly the street has become a venue, a laboratory for testing and working out new ideas and techniques by fine artists, and even a valued platform for marketing oneself to a wider audience.

A spread of work by Conor Harrington in “Walls and Frames”.

The resulting work, whether hanging on a nail inside or painted on a street wall, challenges our previously defined boundaries. The current crop of street art stars and debutantes, many of the strongest whom are collected here by Ruiz, continue to stay connected with the energy of the street regardless of their trajectory elsewhere. Some are relatively new, while others have been evolving their practice since the 70s, with all the players sliding in and off the street over time. The rich and varied international collection is remarkable and leaves you wanting to see more work by many of the artists. All considered, “Wall and Frames” is a gorgeously produced book giving ample evidence that many of today’s artists in the streets are tomorrow’s masters, wherever they practice.

Augustine Kofie in “Walls and Frames”.

 

Sixe in “Walls and Frames”.

Remed in “Walls and Frames”.

Anthony Lister in “Walls and Frames”.

Judith Supine in “Walls and Frames”.

Alexandros Vasmoulakis in “Walls and Frames”.

D*Face in “Walls and Frames”.

Interesni Kazki in “Walls and Frames”.

Jorge Rodriguez Gerada in “Walls and Frames”.

M-City in “Walls and Frames”.

 All images © of and courtesy of Gestalten and Maximiliano Ruiz.

Artists included are Aaron Noble, AJ Fosik, Alexandre Farto aka Vhils, Alexandros Vasmoulakis, Alëxone Dizac, Amose, Andrew McAttee, Anthony Lister, Antony Micallef, Axel Void, Basco-Vazko, Base 23, Ben Frost, Blek le Rat, Bom-K, Boris Hoppek, Boxi, C215, Cekis, Conor Harrington, D*Face, Dan Witz, Daniel Muñoz aka San, Dave Kinsey, Der, Dixon, Docteur Gecko, Doze Green, Dran, Duncan Jago aka Mr. Jago, Eine, Ekundayo, El Mac, Evan Roth, Evol, Faile, Faith 47, Fefe Talavera, Gaia, George Morton-Clark, Herakut, Herbert Baglione, Interesni Kazki, Jaybo, Jeff Soto, Jeremy Fish, Jesse Hazelip, Johnny “KMNDZ” Rodriguez, Joram Roukes, Jorge Rodriguez Gerada, Josh Keyes, JR, Judith Supine, Katrin Fridriks, Kevin Cyr, Kofie, L’Atlas, Lightgraff, Logan Hicks, Ludo, M-City, Mark Jenkins, Mark Whalen aka Kill Pixie, Maya Hayuk, Medo & Demência, Meggs, Miss Bugs, Miss Van, Morten Andersen aka M2theA, Mr. Kern, Mudwig, Nicholas Di Genova, Okuda, Patrick Evoke, Paul Insect, Pedro Matos, Peter Owen, Pose, Pure Evil, Remed, Remi/Roughe, René Almanza, Retna, Ripo, Ródez, Sam3, Sat One, Shepard Fairey, Sixe, Smash 137, Sowat, Sten & Lex, Stephan Doitschinoff, Tec, Tilt, Troy Lovegates aka Other, Turf One, Vitché;, Wendell McShine, Will Barras, and Zosen.

 

The launch; “Walls & Frames” will be presented at Gestalten Space Berlin on December 15th.

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