All posts tagged: Jaime Rojo

Images of the Week: 02.03.13

February 3, 2013 Artists

Here’s our weekly interview with the street, this week featuring Astrodub, Bast, Cash4, Droid, Edapt, Enzo & Nio, Hot Tea, Icy & Sot, Kram, Kremen, Pablo Mustafa, Spur, Stikman, and UFO 907.

Top image > Icy and Sot go Commando (photo © Jaime Rojo)

Kremen. Detail. (photo © Jaime Rojo)

Kremen big Cat. With other cats on the roof top Cash4 and Droid. (photo © Jaime Rojo)

UFO 907 (photo © Jaime Rojo)

Stikman camouflages against the city predators. (photo © Jaime Rojo)

Kram at 5Pointz Queens. (photo © Jaime Rojo)

Pablo Mustafa at 5PTZ has a bone to pick with PS1. (photo © Jaime Rojo)

Spud (photo © Jaime Rojo)

Hot Tea re-did his tag on this fence before he left for warmer climates. (photo © Jaime Rojo)

Enzo & Nio drive home a point. (photo © Jaime Rojo)

Bast goes over himself again. (photo © Jaime Rojo)

Astrodub (photo © Jaime Rojo)

Edapt (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Untitled. Park Slope 2012 (photo © Jaime Rojo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Daze Talks About São Paulo’s 2nd Graffiti Biennial

February 2, 2013 Artists

2ª Bienal de Graffiti Fine Art

With an overview of a variety of styles and techniques used in the graffiti scene at the moment, São Paulo is hosting its 2^nd international biennial of graffiti and fine art through February 17th. Along with a number of recognized Brazilian names, Museu Brasileiro da Escultura (MuBE) is hosting international graffiti artists and writers from countries around the world including Angola, Canada, France, Germany, Holland, Italy, Japan, Peru, Portugal, Russia, and the US. With 150,000 visitors per year, you know that a lot of graffiti fans are going to get to see this show this month New York graffiti artist Daze was there to represent and he shares with BSA readers his experiences from the event, as well as some excellent photos he chose to represent some of the works in progress and some of the finished works.

“The museum architecturally is a wonderful place and one is encouraged to roam around the grounds and view sculptural works by various national artists. In existence since 1986, rumor has it a shopping mall was originally intended to be built on this site but, after much protesting, a museum was built instead.

ODeith, Portugal. (photo © Daze)

The biennial is curated by Binho Ribiero, or “Binho”, as he is more commonly known on the streets in Sao Paulo. A catalyst for many group exhibitions and events in the city, Binho is and old-school writer from the scene and his work can be seen everywhere in Sao Paulo. Arguably one of the most famous Brazillian graff writers, he’s a natural in terms of curating an exhibition of this size and scale.

It was really great to be a part of this and I was really impressed by the diversity in the show. Many of the artists have not had much experience showing their work in either galleries of museums but nevertheless the quality level was quite high. I also saw that all of the artists showed a level of camaraderie and respect that I haven’t seen in some time.” ~ Daze

Shalak, Canada. (photo © Daze)

Daze, USA. Process shot. (photo © Daze)

Daze, USA. (photo © Daze)

Cranio, Sao Paulo. (photo © Daze)

Aira, Rio de Janeiro. (photo © Daze)

SWK, Rio de Janeiro. (photo © Daze)

Skorface, Angola. (photo © Daze)

Noe2 at work. (photo © Daze)

Eder Muniz, Salvador Bahia. (photo © Daze)

Eco, Rio de Janeiro. (photo © Daze)

ECB, Germany. (photo © Daze)

Daze didn’t know who this artist was but he liked his work. (photo © Daze)
Update: “It´s me Galo from São Paulo! It was so nice meet Daze here in São Paulo!”

From left to right: Congo, Fumaca and Binho. (photo © Daze)

Our very special thanks to Daze for sharing his words and photos with BSA readers.

2ª Bienal Internacional Graffiti Fine Art is at MuBE – Museu Brasileiro da Escultura from January 22 – Febr 17, 2013.

Admission is free.
Address: Av. Europa, 218. São Paulo
Information: 11 2594-2601, mube@mube.art.br/ www.mube.art.br

See Daze in the video of a local news story on the exhibition below.

BSA Film Friday 02.01.13

February 1, 2013 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: JOSEF KRISTOFOLETTI: The Atlas Detector, FAITH 47 – Fragments of a Burnt History, and THE KLUB7: ABC 2013

BSA Special Feature:

JOSEF KRISTOFOLETTI: The Atlas Detector

This video documents the making of an art project commissioned by the ATLAS Experiment at CERN, the European Organization for Nuclear Research.

FAITH 47 – Fragments of a Burnt History

THE KLUB7: ABC 2013

Sneak Peek: How & Nosm “Late Confessions”

January 31, 2013 Artists

Twin Street Artists How and Nosms’ new solo show titled “Late Confessions” with the Jonathan Levine Gallery opens tomorrow at a pop-up show in Manhattan. This exhibition, painstakingly executed in their now iconic style is a watershed moment in their transformation into contemporary artists with stellar street DNA.

How & Nosm (photo © Jaime Rojo)

The temporary Chelsea venue was under five feet of water in November because of Hurricane Sandy, and it is a fitting metaphor as the murky storm waters had to be laboriously pumped out and damaged walls replaced before the brothers could reveal this confessional journey through interconnecting storylines of personal history, subconscious, and memory.

A visitor is free to travel through four unique installations; A white chapel with shelved books and three dimensional walls, a red memorabilia room that includes framed stencils used on myriad walls, a spare dark alley with a glowing light box at the end, and an expansive room showcasing a glistening contemporary rococo sculpture lacquered in black paint. Compartmentalized and open, the show invites you to be intimate and stand back with graphically sharp, cheerful and dark, canvases and objects of varying size and complexity.

Self-constrained by a palette of red, white and black, the brothers show their athleticism and abundant confidence here, pushing themselves and their fans to expand and explore together. Give them space and they know how to go big across a wall or a gallery; give them a quiet minute and they’ll tell you a couple of secrets you would not have guessed.

See our studio interview as they prepared for this show “How & Nosm Studio Confessions”

How & Nosm (photo © Jaime Rojo)

Click here to read our studio visit for more confessions.

How & Nosm’s pop-up exhibition “Late Confessions” with the Jonathan Levine Gallery opens on February 1st. at 557 West 23rd Street, New York, NY 10011. Click here for more details.

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

FAILE’s Towering Night at the Ballet

January 30, 2013 Artists, Interview

The dance of high and low art lifts 40 feet into the air as Brooklyn Street Art duo Faile unveil their repertoire of ironic pop imagery at the New York City Ballet this week. As street artists in the then-industrial wasteland of Williamsburg at the turn of the century, Patrick Miller and Patrick McNeil would have not sought such attention but ducked the bright lights as they aerosol sprayed their stencils on street walls in the late hours.

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Now in this most unusual high/low hallelujah junction, NYCB’s Peter Martins brings Faile’s towering visual vocabulary, rising and spilling out at the base, into this hallowed Phillip Johnson designed atrium at the modernist Lincoln Center. Like a painted wooden fountain, Faile’s recombinant cultural appropriations reach a new height; their 5-month study of NYCB’s printed archives producing newly entwined storylines and inflections mirroring those they once imagined only for the street.

Faile. Detail. Studio Visit (photo © Jaime Rojo)

As you walk around its base and view it from the tiered balcony gallery, you can see Faile is messing with stuff again: the re-imaginings of dancers with half-sleeve tattoos as Faile brings in skater culture, the remixing of bodega signage and graffiti writing with art-deco showbill refinement, and even the sly dark humor of a ballerina flying through the air past an appreciative viewer as she sunnily gleams out her high-rise New York apartment window. This is the visual vocabulary that unfolds in your manège around the base; the imagery, symbols, and pop witticisms that Faile layers deliberately into this one-column retrospective. For their hardcore fans, there are of course the Mao, the Prince Charles, the horse-headed surfer and monkeys in dresses. And 1986.

Faile. Detail. Studio Visit (photo © Jaime Rojo)

How did it get here, a soon-opening exhibit “Les Ballets de Faile”? Not a typical gig for Street Art, true, but ballet as an art form has a sort of thinning crowd of fans while Street Art has a sort of exploding one – one that is capturing the imagination of many of the same people these seats have been missing.

“It is such an institution,” says Faile’s Patrick McNeil as he describes the New York City Ballet, “You have people who have been coming for 30-40-50 years to see performances.” Precisely. Quick tangential math inspired by that statement helps explain the necessity of bringing in artists like Faile and coaxing in the Millenials, who will hopefully pry themselves from the glowing blue little screens in their laps long enough to watch the live show onstage. Well perhaps they could send one discreet Tweet about it – #faileballetisawesome . One additional benefit will be that the dancers will see at least some people their own age when the lights come up.

Faile. Detail. Studio Visit (photo © Jaime Rojo)

“So we had a meeting with Peter Martins, who is the Ballet Master in Chief,” says the other Faile, Patrick Miller, as he talks about the new art series the ballet is sponsoring, “and we just kind of showed him our work and all the things we had done – it was amazing actually. He was so enthusiastic. And when we heard of all the artists who have been involved with them before we were just like, “Alright, just tell us when you are ready to say ‘go’!” – A completely understandable response when you realize you’ve just joined a list of artists that include Warhol, Noguchi, Clemente, and Lichtenstein, among others.

Faile. Detail. Studio Visit (photo © Jaime Rojo)

During a recent visit to the duo’s studio in Brooklyn, Patrick and Patrick showed a number of the works that will be on display on the tower, as well as some of the variations on the ballet themes that may not. Because they believe strongly in their process of discovery, the end results, however precise, can be sort of surprising to them. Not that they didn’t do their homework.

Brooklyn Street Art: So you gained access to the archives of visual materials from the New York City Ballet…
Patrick Miller: Yeah so they opened up the archives – they were way underground some place in the Wall Street area – all their old programs, ephemera, – and we kind of took a lot of that in… (he gestures to a wood painting) this body of the dragon is in a perfume ad in one of the playbills and after seeing the ballet I liked the idea of seeing lightning bolt legs for the ballerinas, so…

Faile. Detail. Studio Visit (photo © Jaime Rojo)

The two Faile nights at the ballet quickly sold out because of this marrying of high and low, and possibly because the $29 ticket price also came with a 2” x 2” wooden Faile block made especially for the occasion. For the guys, it looks like a sweet and entertaining fusion of disparate elements – like they are accustomed to. “We were not into ballet, and we didn’t really know much about ballet,” says McNeil about their experience at the outset, “Our work is from the street and something that is not really from that world at all. We felt a little out of place just going there, you know.”

After many conversations, studies, sketches, paintings, screen prints, and nights stacking wood blocks, they don’t have any doubt that Faile belongs at the ballet. After their opening February 1st, few will.

Faile. Detail. Studio Visit (photo © Jaime Rojo)

The Faile Tower installed in the atrium for the New York City Ballet, Lincoln Center for the Performing Arts. (photo © Jaime Rojo)

The Faile Tower. Detail. (photo © Jaime Rojo)

The theater will hold open hours for one week beginning Sunday, February 10 so you can stop by and view the new Faile exhibit. “Les Ballets de Faile” will remain installed on the promenade of the theater from January 15 – February 24, 2013.

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Blog Spotting: Old Walls in Milan Italy

January 29, 2013 Artists

Here’s a new site we found that speaks of peoples’ long-time personal relationship with graffiti and walls, modern urban archaeology, and even the ephemeral nature the art you see on the street today. Alberto Boido was just a kid in Milan in the early nineties when he started taking photos of walls because he liked the graffiti he saw. Two decades later, he’s back to the same walls and shooting them again. The process became a project, and he’s just launched OldWalls to “pay tribute to all the people who gifted colors to Milan.”

Old Walls (photo © Alberto Boido)

Says Boido, “When I was 12 years old I started to ride my bike around Milan looking for the walls on which new amazing graffiti had started to appear. I was used to taking photos and then I spent my free time drawing sketches and trying to reproduce something with the same style and colors.

“Year after year Milan has lost the places I have loved so much – replaced by glass buildings, abandoned areas or grey walls. I had to do something: the same I had done years ago. I take my bike, which is new and bigger, a camera (now digital and more expensive) and because of my passion for graffiti I go to the same place and take pictures from the same point of view, the same angle.

I’m hoping to give everyone the chance to discover the colors and shapes hidden for years or to help remember some forgotten places.”

Old Walls (photo © Alberto Boido)

To see more of Alberto Boido’s project click here.

London Calling : Fresh Art from the Streets

January 28, 2013 Artists

London is looking alive and on top of things at mid-winter, with a great variety of materials and techniques, imaginative styles and of course varying results, according to your tastes. During a quick trip on a somewhat blizzardish day, photographer Geoff Hargadon found “tough conditions: snowy, cold as f***, and a camera battery that refused to stay charged.” Tough going for the intrepid Street Art photog you see. Of course the upside of inclement weather is that no one is outside to obscure your shot. Except the falling snow, that is.

Vhils (photo © Geoff Hargadon)

From the comfort of you warmly glowing flatscreen, this selection of pieces looks like Street Art in London is largely mural based, right now, as much of the scene continues to be. The players are more or less familiar to your eyeballs, with a few newbies on the scene.

Enjoy these exclusive shots just for BSA readers. And special thanks to Geoff for his heroism and for sharing these scenes with us.

Shok-1 with RemiRough (photo © Geoff Hargadon)

Local favorite Stik shows what may be a lady in a burka in this coupling. (photo © Geoff Hargadon)

Stik (photo © Geoff Hargadon)

Stik, simple, and effective. (photo © Geoff Hargadon)

Calm (photo © Geoff Hargadon)

This sculptural installation appeared during the London Olympics, the arrows of the gods falling like rain and piercing the side of this building. The installations around the city included javelins, shot puts, bows and arrows and is called “Gifts of the Olympic Gods”.(photo © Geoff Hargadon)

Nasa . Milo Tchais (photo © Geoff Hargadon)

Obey looking completely graphic while the snow falls. (photo © Geoff Hargadon)

This dude doing a head spin is by Run. (photo © Geoff Hargadon)

finDAC (photo © Geoff Hargadon)

Jimmy C (photo © Geoff Hargadon)

David Walker (photo © Geoff Hargadon)

El Mac (photo © Geoff Hargadon)

The Frenchman C215 is in the window (photo © Geoff Hargadon)

Phlegm brings one of his creatures into the street dimension, looking like he is ready to inspect somebody’s backpack. (photo © Geoff Hargadon)

Phlegm (photo © Geoff Hargadon)

Excellent use of the front of this bus by Phlegm. Might mess up the visibility though. (photo © Geoff Hargadon)

ROA’s prickly friend looks startled. Could be excited about the new super sewer for London. (photo © Geoff Hargadon)

D*Face crushes a car . Invader . Obey (photo © Geoff Hargadon)

Burning Candy is awfully monochromatically romantic in a digital sort of way. (photo © Geoff Hargadon)

Burning Candy and a sliced screen series from BomK Liliwenn (photo © Geoff Hargadon)

Canvaz. Sort of like Warhol portraits of Darger’s Vivian girls, but that’s just me. (photo © Geoff Hargadon)

Amigo . Malarky . Milo Tchais (photo © Geoff Hargadon)

Images of the Week: 01.27.13

January 27, 2013 Artists

Here’s our weekly interview with the street, this week featuring 4 Burners Crew, Bast, Billi Kid, Bunny M, Doug Nox aka the Harlequinade, El Sol 25, Entes y Pesimo, How & Nosm, JMR, Kobra, Rubin, and Stikman.

Top image > KOBRA (photo © Jaime Rojo)

KOBRA. Detail. (photo © Jaime Rojo)

Rubin . 4 Burners Crew (photo © Jaime Rojo)

JMR in Dallas ( yes that Dallas). (photo © JMR)

How & Nosm covered the windows for their big pop-up show opening this week with Jonathan Levine Gallery. (photo © Jaime Rojo)

Click here to read How & Nosm Confessions.

Stikman continues to flirts with dangerous dames. (photo © Jaime Rojo)

El Sol 25 has a new batch of off-kilter kollage. (photo © Jaime Rojo)

Intro at Buswhwick Five Points (photo © Jaime Rojo)

Intro at Bushwick Five Points (photo © Jaime Rojo)

Doug Nox AKA The Harlequinade (photo © Jaime Rojo)

Bast (photo © Jaime Rojo)

bunny M (photo © Jaime Rojo)

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Lister Gives You a Look in Snowy London

January 26, 2013 Artists

Brooklyn by way of Austrailia Street Artist and fine artist Anthony Lister continues to communicate with the eyes. His disembodied faces and features appear on walls and corrugated surfaces on the streets, like these recent London installations, without context and full of expression. At turns mythic, gothic, and comic, the true intentions may not be clear but the (multiple) eyes say it all.

A new snow in the city blanketed and quieted clattering, chattering public spaces last week, giving a distilled quiet arena to quickly pass through. For the intrepid urban explorer, it can be a quiet city all your own to discover while others huddle inside cooking a winter stew, doodling in a journal, or maybe playing “catch me catch me” with a playmate. The newly pristine coating keeps the public away, but these Listers continue to grapple, grip, and clutch at you who walk by, giving you a look.

Special thanks to photographer and BSA contributor Geoff Hargadon for sharing these exclusive photos with BSA readers. Stayed tuned on Monday for more from London.

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

BSA Film Friday 01.25.13

January 25, 2013 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Voice of Art – Migration is Beautiful with Favianna Rodriguez, Project Brave with WK Interact,We Will Know When We Are Home with Creepy, and Innerfields: DIY in Berlin.

BSA Special Feature:

Voice of Art – Migration is Beautiful

“Art has the power to shape our laws, change society, and to speak truth to power, “ says Favianna Rodriguez in this new documentary that quickly traces the relationship between immigration law and greed and what is effectively a new system of slavery. In an upbeat way. HOW does she do it?

WK Interact: Project Brave

“A way of giving back to the city,” is how Street Artist WK Interact talks about the inception and development of “Project Brave” – an incredible distillation of the chaos of the events in New York on September 11, 2001.

Kyle Hughes-Odgers: “We Will Know When We Are Home”

A visually rich video showing the Street Artist Creepy as he wanders Port Hedlund Australia through fields and weathered abandoned industrial carcasses in search of surfaces.

Innerfields: DIY in Berlin

Started as a graffiti crew, Innerfields continued to perfect their craft and apply it to commercial work very successfully. But they still love the street.

I Love Paris In The Winter… New Street Art Dans la Rue

January 24, 2013 Artists

La neige! C’est romantique!

It is snowing in many city Street Art spots this time of year – transforming the evolving visual conversation on the street to something more. It may make you walk faster past it on your way to school or office or apartment, but for Demian Smith, editor at Alternative Paris, it is a source of inspiration, even romance. Today he shares these latest snowy Parisian Street Art scenes exclusively with BSA readers along with his ruminations.

The cradle of the French revolutions, a steep and hilly area in north-east Paris known as Belleville, was covered in snow just a day or so ago, and my first thought was to withdraw from this beautiful, dangerous spectacle.

Why expose myself voluntarily to the heart-rending and often precarious trials of seeking out artwork displayed in the streets without censure? Was I going to see an old masterwork? —No.*

However, after reflection, I overcame my repugnance. I had, in my excursions, noticed, among the multifarious artistic creations, so many heterogeneous elements; that is to say, dozens of artists and respondents of all social positions and of so many nationalities, that I began to think it would perhaps be useful to my compatriots at Brooklyn Street Art to view photographs by and by a sincere recital, photographed with a Canon 350D, of the events that are ever more frequently taking place in this part of Western Europe.

All photos were all taken in Belleville in north-east Paris, currently the most active zone for street art and graffiti anywhere in France.

* Text is adapted from a passage in the 1871 publication, ‘The Insurrection in Paris, by an Englishman: An eye witness account of that frightful war and of the terrible evils which accompanied it’ (1871), on the author’s impressions of Belleville. -Demian Smith

Demian Smith is editor at Alternative Paris, which reports on Paris’ street art, graffiti and fringe culture. Our special thanks to him for sharing this with BSA readers.

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

The Sol Still Shines: El Sol 25 Hand Paints New Remixes

January 23, 2013 Artists

Street Artist El Sol 25 is back on the street with riveting visually displaced droids as he hand paints and wheat-pastes the future past on abandoned walls and construction lots through certain parts of New York. Looking at this evermore integrated fusing of limbs, torsos, and heads, you can imaging that the studio of El Sol 25 is a warehouse piled high with the anatomical spare parts of modern and historical figures and everyday people that he mischievously welds into remixed robots wandering the street.

<<>>><><<>BSA<<>>><<<>><><BSA<<>>><><<>BSA<<>>><<<>><><BSA

Photos of BSA 2025 # 4
December 31, 2025
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of BSA 2025 # 5
December 30, 2025
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »
Photos of BSA 2025 # 6
December 29, 2025
It's not all doom and gloom, but sometimes you may get that impression. In New York—like everywhere else—economic stress, global …Read More »
Photos of BSA 2025 # 7
December 28, 2025
Somewhere along the King’s Road, punk hardened into a classic ‘look’ - or dictionary of ‘looks’. Stripped of its insurgent …Read More »
Photos of BSA 2025 # 8
December 27, 2025
“When I watch people holding their smartphones, I often ask myself: are they holding their phones because they want to, …Read More »
Photos of BSA 2025 # 9
December 26, 2025
This was the year that rappelling from high places tipped the balance in New York graffiti. No matter the style …Read More »
Merry Christmas 2025 From BSA
December 25, 2025
We’re celebrating the end of one year and the beginning of the next by thanking BSA Readers, Friends, and Family …Read More »

Kremen. Detail. (photo © Jaime Rojo)

Kremen big Cat. With other cats on the roof top Cash4 and Droid. (photo © Jaime Rojo)

UFO 907 (photo © Jaime Rojo)

Stikman camouflages against the city predators. (photo © Jaime Rojo)

Kram at 5Pointz Queens. (photo © Jaime Rojo)

Pablo Mustafa at 5PTZ has a bone to pick with PS1. (photo © Jaime Rojo)

Spud (photo © Jaime Rojo)

Hot Tea re-did his tag on this fence before he left for warmer climates. (photo © Jaime Rojo)

Enzo & Nio drive home a point. (photo © Jaime Rojo)

Bast goes over himself again. (photo © Jaime Rojo)

Astrodub (photo © Jaime Rojo)

Edapt (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Untitled. Park Slope 2012 (photo © Jaime Rojo)

ODeith, Portugal. (photo © Daze)

Shalak, Canada. (photo © Daze)

Daze, USA. Process shot. (photo © Daze)

Daze, USA. Process shot. (photo © Daze)

Daze, USA. (photo © Daze)

Cranio, Sao Paulo. (photo © Daze)

Aira, Rio de Janeiro. (photo © Daze)

SWK, Rio de Janeiro. (photo © Daze)

Skorface, Angola. (photo © Daze)

Noe2 at work. (photo © Daze)

Eder Muniz, Salvador Bahia. (photo © Daze)

Eco, Rio de Janeiro. (photo © Daze)

ECB, Germany. (photo © Daze)

Daze didn’t know who this artist was but he liked his work. (photo © Daze) Update: “It´s me Galo from São Paulo! It was so nice meet Daze here in São Paulo!”

From left to right: Congo, Fumaca and Binho. (photo © Daze)

See Daze in the video of a local news story on the exhibition below.

JOSEF KRISTOFOLETTI: The Atlas Detector

FAITH 47 – Fragments of a Burnt History

THE KLUB7: ABC 2013

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

How & Nosm (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

Faile. Detail. Studio Visit (photo © Jaime Rojo)

The Faile Tower installed in the atrium for the New York City Ballet, Lincoln Center for the Performing Arts. (photo © Jaime Rojo)

The Faile Tower installed in the atrium for the New York City Ballet, Lincoln Center for the Performing Arts. (photo © Jaime Rojo)

The Faile Tower. Detail. (photo © Jaime Rojo)

The Faile Tower. Detail. (photo © Jaime Rojo)

The Faile Tower. Detail. (photo © Jaime Rojo)

The Faile Tower. Detail. (photo © Jaime Rojo)

The Faile Tower. Detail. (photo © Jaime Rojo)

The Faile Tower. Detail. (photo © Jaime Rojo)

Old Walls (photo © Alberto Boido)

Old Walls (photo © Alberto Boido)

Old Walls (photo © Alberto Boido)

Vhils (photo © Geoff Hargadon)

Shok-1 with RemiRough (photo © Geoff Hargadon)

Local favorite Stik shows what may be a lady in a burka in this coupling. (photo © Geoff Hargadon)

Stik (photo © Geoff Hargadon)

Stik, simple, and effective. (photo © Geoff Hargadon)

Calm (photo © Geoff Hargadon)

This sculptural installation appeared during the London Olympics, the arrows of the gods falling like rain and piercing the side of this building. The installations around the city included javelins, shot puts, bows and arrows and is called “Gifts of the Olympic Gods”.(photo © Geoff Hargadon)

Nasa . Milo Tchais (photo © Geoff Hargadon)

Obey looking completely graphic while the snow falls. (photo © Geoff Hargadon)

This dude doing a head spin is by Run. (photo © Geoff Hargadon)

finDAC (photo © Geoff Hargadon)

Jimmy C (photo © Geoff Hargadon)

David Walker (photo © Geoff Hargadon)

El Mac (photo © Geoff Hargadon)

The Frenchman C215 is in the window (photo © Geoff Hargadon)

Daze didn’t know who this artist was but he liked his work. (photo © Daze)
Update: “It´s me Galo from São Paulo! It was so nice meet Daze here in São Paulo!”