All posts tagged: Jaime Rojo

Culture Jamming Street Artist COMBO Stages Topless Spectacle in Paris

A Femen Revolution with French Street Artist COMBO

In the face of 21st Century misogyny and a general discomfort with public nipples of the female variety, a male street artist named COMBO just staged a high profile half naked protest with wheat-paste, brushes, and breasts in Paris on July 14.  Reinterpreting the painter Delacroix’s Liberty Leading the People that commemorated the July Revolution of 1830, COMBO brought the famous topless symbol of Liberty into the streets of 2013 by way of tribute to a brash new feminist movement that is appearing more often across Europe.

COMBO. “Femen Leading The  People (or the street’s tribute to feminism)”. Detail. Paris, France. July 2013. (photo © and courtesy the artist)

“By hijacking such an iconic piece of art,” says the twenty something art director cum Street Artist, “I want to denunciate the discrimination and other misogynistic behavior that women still suffer too often and to pay a tribute to the activists’ fight.” The activists in this case are people like Inna Shevshenko, the Gen Y leader of Femen, a theatrical and warrior-like group of women who advocate in public displays of power and bare chests to address issues like sexism, misogyny, homophobia, religious hypocrisy, and sex trafficking.

COMBO. “Femen Leading The  People (or the street’s tribute to street feminism)” Paris, France. July 2013. (photo © and courtesy the artist)

Sure, breasts of young women are naturally attention grabbers and they’ve been accused of cheap manipulation to sell an idea but they contend it is on par with the same objectification that is used to sell shampoo or cars and this time women are the decision makers regarding message.

“A woman’s naked body has always been the instrument of the patriarchy,” Shevshenko is quoted as saying in The Guardian, “they use it in the sex industry, the fashion industry, advertising, always in men’s hands.” Rather than presenting the allegorical goddess-figure of 19th century painters, these women are not striking a pleasant, pleasing and pliant pose, but rather one of power in their efforts to champion rights for women and girls.

COMBO. “Femen Leading The  People (or the street’s tribute to street feminism)” Paris, France. July 2013. (photo © and courtesy the artist)

It’s traditional for the President of France to unveil a new version of the heralded Marianne on July 15 to be used on an official stamp, and COMBO may have intended to upstage the unveiling by a day.  And in a matter of uncanny timing, this little bit of wheat-pasting presaged the news that the actual inspiration for this years model was none other than Inna Shevshenko.

According to Reuters “A postage stamp depicting France’s cultural symbol Marianne has touched off a flurry of controversy after one of its creators revealed it was inspired by a topless feminist activist who hacked down a Christian cross in Kiev last year with a chainsaw.”

Which leads us back to the Street Art installation and photo op – COMBO tells us that his new piece stayed complete for only one day until it was smothered by graffiti.

Well, not the top half.

COMBO poses with members of Femen before their just completed installation in Paris.  (photo © and courtesy the artist)

La Liberté guidant le peuple (Liberty Leading the People) by Eugène Delacroix, 1830

COMBO. “Femen Leading The  People (or the street’s tribute to feminism)” Paris, France. July 2013. (photo © and courtesy the artist)

COMBO’s installation today as graffiti takes over the lower portion. (photo © and courtesy the artist)

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Street Art of the Subtler Sort in Denmark

New Danish Street Art / Public Art Festival Retains the Simplicity of “Play”

In the past few years major cities have begun to sport Street Art festivals that boast and blare themselves with branding, t-shirts, press releases and 90 second video trailers touting the event like an Olympics with spray cans; hosted in the city center with declarations by officials and featuring live DJs, face painting, urban dance troupes, hashtags and corporate sponsorship.

Then there are the quieter ones. These invite you to think and discover your town in an integrated way, conjuring the  meandering route of the creative spirit as expressed upon walls dispersed among streets in town and around it’s periphery in a manner that might strike you as cleverly sane. A recent one just completed in Denmark reminds us of the latter approach that somehow challenges you with its lack of the obvious.

Pøbel. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

The name “Public Art Horsens” is not about horses. You would be forgiven for flinching at the thought of one more beating of that near dead “Public Art” trope from the last 20 years where identical statues of apples or pigs or ardvarks are used as canvasses by all manner of artists and scattered around a city in a big cheerful way.  No, this Horsens is the name of a mid-sized waterside town in Denmark of about 55,000 that didn’t really have much of a reputation for most of the last century aside from it’s prison and the convicts who lived there, according to Henrik Haven, who co-organized and co-curated this art event with his good friend Simon Caspersen.

Portrait of Pøbel with a “No Tresspassing” sign across the channel from his piece. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

“Horsens State Prison housed some of the worst criminals since it opened in 1853 and the released population had a tendency to stay in the city when they got out jail,” says Haven of one of the factors that soured outsiders to the idea of Horsens. “People linked Horsens with social problems, violent people and crime,” he remembers as he recounts some rough years in the 1980s and 90s. But that is all behind Horsens since the prison closed in 2006 and Haven says the city began a cultural rehabilitation of the city’s reputation by putting a strong focus on music, art and cultural events.

Pøbel. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

As far as art in the street goes, the newly completed series of walls and installations for “Public Art Horsens” is one of the least flashy and most conceptual, almost understated – you may have to focus your efforts to see it and appreciate it but you are rewarded for the effort. Check out the work of American public artist Brad Downey, who uses a circular saw to switch chunks of public pavement with one another. You won’t see his work unless you are looking down at the street, and Mr. Downey is satisfied that you will enjoy the discovery of bricked patches swapped and recontextualized. Have a look at Sam3 from Spain, who incorporates the heaping steaming pile of garbage at a dump into a one-color portrait he completes on its retaining wall.

 

Pøbel. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

So subtle and integrated is the nature of “Public Art Horsens” that you may never discover the birdhouses by Thomas Dambo or the mind-tricking duplication of a pizzeria façade right next to the original.  Less subtle fare is available of course; you will probably slow down to contemplate Pøbel’s stencil of a moose mating with a unicorn, or the be struck by the gentle environmental activism of his lounging fisherman at the industrial waterside who appears to be catching a mutated fishbottle.

Pøbel. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Pøbel. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Spains Escrif is similarly cryptic in a big way with his depiction of figures demonstrating techniques of self-defense that are humorously old-fashioned, while Örnduvald simply installs a quite oversized and glittering GPS map pin on the side of an impressive example of Danish historical architecture.

In a way, the scope and the tenor of the “Public Art Horsens” is refreshing because of it’s lack of hype. You can also see the roots of the D.I.Y. movement that spawned much of the modern Street Art scene at play here – particularly with Brad Downey sifting through the refuse to construct a waving wall of found canisters or swinging off a crane while messing around with some objects on a concrete lot. When it comes to the public sphere at Horsens, the experimental nature of Street Art still feels like play.

Örnduvald. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Örnduvald. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Brad Downey sifting through the refuse for material to create one of his installations. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Brad Downey. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Brad Downey gets carried away with his experimentations with a crane. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Brad Downey. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

A temporary installation by Brad Downey. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Brad Downey removes a square of pavement, and rotates it, and places it back into its original spot. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Brad Downey. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Here the artist Brad Downey replaces a sample of bricked walkway with one from a nearby neighbor. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Brad Downey. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Incorporating a temporary configuration of garbage, Sam3 imagines it as contiguous with a larger art piece. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Sam3. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Sam3. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Sam3. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Sam3. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Thoma Dambo. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Thomas Dambo. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Escif. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Escif. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Escif. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

Escif. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

This Turkish pizzeria looked so nice they created it twice.

Escif. Horsens, Denmark. June, 2013. (photo © Henrik Haven)

“Public Art Horsens” features Pøbel, Escif, Sam3, Thomas Dambo, Örnduvald and local talents.

‘Public Art Horsens’ was created by the Municipality of Horsens along with organizer Simon Caspersen from ArtRebels, photographer Henrik Haven and the local creative community called ‘Stormsalen’.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Phlegm at Boombarstick Brings a Theatre/Church Alive in Croatia

Sheffield, England-based Street Artist, fine artist, and illustrator Phlegm took part in the zero edition of Boombarstick in Croatia last month, and today we have some images of his new work there. Now abandoned, the building previously held a cinema and was originally a church. Many Street Artists pine for this sort of architectural opportunity, a pre-built stage with just enough existing detail to play foil for their work.

Phlegm. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

As is usual for the meticulous Phlegm, the facade was well played as an exterior staircase leading up to the bellfry – presumably where a bat or two may come flying out. A good example of working within the context of the locality, the five day transformation was an intensive public display of the dedication to the imagination of one artist, and an opening to the inner world of many who would care to travel there with him.

See Hitnes on our posting about Boombarstick last week, and special thanks to Swen Serbic for sharing his photos here for BSA readers.

Phlegm. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

Phlegm. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

Phlegm. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

Phlegm. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

Phlegm. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Film Friday: 07.12.13

 

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Neighborhood Love in Brooklyn by Serringe, Isaac Cordal: The Family, and The Lurkers go to Bulgaria for Summer Fun.

BSA Special Feature:
Neighborhood Love in Brooklyn

A new film by Serringe that celebrates the magical mix of sun and aerosol and a group of artists/writers/graff dudes all getting up in the neighborhood. The flows are nice, the movements a little hypnotic, the soundtrack allows you to travel, the love is there. Fall in.

Featuring HOACS, SEGE, ELSE, ZIMER, SEN TWO, OWNS, OKUDA, 4SAKN and SEBS.

Isaac Cordal: The Family

Street Artist Issac Cordal has been installing his small cement sculptures in staged scenes ever since Spain began suffering the brunt of the global financial crisis and he saw his country as having been dragged into an an economic, environmental and socialized purgatory. This new gallery show installation caught on video imprisons the organizational man and the entrepreneurial exec alike in much the same way as animals in our factory farms, with similar lighting but more room.  A conceptualist by nature, his message is heavier than cinder blocks some times, yet you won’t deny the devastating effect that his installations can have on your psyche as the camera pans and you see the effects of socialization on a mass level, evocative of cubicled offices and prisons, and may even cause a viewer to question things. Till the next video.

 

The Lurkers go to Bulgaria for Summer Fun

A self-described “movement” that makes urban exploration a spectator tagging sport, Lurkers may be a small club of skinny London boys in their 20s who like to spraycation through tunnels and abandoned monuments with their model girlfriends, discovering the hidden pockets that time forgot. Or Lurkers may be a well-positioned semi-chaotic lifestyle brand that is accumulating original content to help move product once you are hooked. One can envision the anonymity that these hilarious cartoon heads allow also being a way to extend a franchise once these rascals get old or get bored and need to be replaced. Either way, some of the sequences in their newly begun video series are alternately mundane, raw, soaring, or smartly sly.

It’s so difficult these days when true counterculture is swallowed whole by lifestyle brands and you can’t tell the real thing from the Coca-cola intervention but this is sort of Vice meets Monty Python meets reality show meets Polo with aerosol cans. The touchstones of rebelliousness and tomfoolery appear in a cheerfully non-political context but just as we we start to think that, we learn about world history on this trip, don’t we kids?  What really is lurking beneath the surface? Stop worrying and start adventuring.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Hitnes at Boombarstick: Street Art in Croatia

50 points awarded for the name: Boombarstick !

Also, baby goats in your promo video melts even the meanest graff writers heart, so another 25 points for that. (see adorable video below)

In fact, if you look through all the walls and materials and listen to the voices of the organizers, you find a serious consideration of humor as a force for creativity, so we’re pretty close to a perfect score of 100 with this original and inviting concept for a city Street Art festival.

Mercifully, the art is also good.

Hitnes. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

All things considered, this ZERO edition (not 1st) of the Croatian festival that features a solid selection of international (mostly European) Street Artists along with local and regional musicians was very successful. The city is called Vodnjan/Dignano situated in the peninsula and county of Istria. It prides itself on its multicultural patrimony and the festival was meant to convey the artistic and cultural point of view that it has. Says Marco Contardi, one of the volunteer organizers, “The festival stands as a link between Istria and Europe, encouraging a reciprocal fruitful connection.”

Hitnes. Detail. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

So we’ll be bringing you some exclusive images of the pieces that Street Artists completed during Boombarstick. The first here is by Rome’s Hitnes, who completed this flight of imagination among the strong and well worn roots of the old city. He uses aerosol, brush, pencils, and whatever else brings out the detail in his alternate reality, which often meditates on the animal kingdom and a sense of magic.

Look forward in coming days to new exclusive photos of the completed pieces on BSA from some of the participants in this unique festival who include Franco Manzin, Phlegm, OKO, Sam3, Giorgio Bartocci, Hitnes, Eme, Ufocinque, Interesni Kazki, NeSpoon, Miron Milic, and Liqen.

Hitnes. Boombarstick. Vodnjan, Croatia. (photo © Swen Serbic)

 

Click HERE for more information about Boombarstick.

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Specter Brings the Beauty of Decay to a Pristine Brooklyn Pool

Specter’s Inversion of the “Broken Window” Theory Makes a Splash

The news that the average apartment price is over $3,000 dollars a month in New York was blasted across many channels yesterday and we told you two weeks ago that our own informal survey of 1-bedrooms in Williamsburg showed the median price is now $3,150. That’s about twice the price from around 2000. Is it any wonder why artists and workers who have contributed for years to the lifeblood of the city are saying they feel like they are literally being chased from it?

Specter (photo © Jaime Rojo)

In that context it’s one of those rich ironies that can be hard to verbalize yet increasingly cannot be overlooked; Street Artists who once were chased from a neighborhood by high rents sometimes are being invited back to create commissioned work to make it feel “real”. You could say the neighborhood is experiencing a Re-Billyburg-ification at the moment even as new construction and zoning rules continue to demolish all signs of the old quirky artist bohemia. Drawn by an “edgy” creative culture, promises of lower rents, and maybe the fun sport of some derisive “hipster” bashing while chugging a brew with yer buds and watching your team on the big screen, it appears that pockets of BK may be now re-skinning with the arty types to prolong the myth.

Specter (photo © Jaime Rojo)

And so it’s a semi-sweet experience to see many of these same Street Artists who were hitting these same streets and looking over their shoulder while doing it are now invited to do it and are getting paid for their effort. This week for example Cern just finished his Bruce Lee piece for a martial arts studio on North 8th, LNY is finishing his mural on North 6th Street for a new movie release, Ron English is reported to be working on a similar arrangement, and Icy and Sot just finished the facade of a new nightclub on the southside. Further down the street on North 6th where Faile used to be able to afford a studio space, an alcohol brand has sponsored a block-long installation that includes an amazing crochet installation by OLEK, an incendiary fire extinguisher piece by KATSU, and a large monochromatic painting by RoStaar, among other artists. For the big promotion, each artist spent much of the day doing installations while invited visitors on the street snapped photos and posed with the work. Of the brand sponsored event, a local TV station reporter says, “The goal is to promote art in the community while giving emerging artists exposure.”

We’ve been shooting and publishing and interviewing and getting walls for and telling the stories of many Street Artist here for years and now we receive press releases in the old email box from PR agencies who tell us that they are offering us to “receive a VIP tour” “in Brooklyn where artists’ visions explode onto streets in the heart of Williamsburg.” We are now invited to come and see “artists working street side to complete their pieces, while visitors can experience the creative process in motion.”

Gulp.

It sort of goes without saying, but in case you missed this – most artists cannot afford to live here anymore and they are only visiting the area to participate in the days’ events.

Specter (photo © Jaime Rojo)

Which brings us to the posting of today – the opening of Street Artist Specter’s new installation that is literally inspired by the street, now on display poolside alongside a 4,800 square foot deck at a new Williamsburg hotel. Known for his painstakingly hand-painted recreations of street facades and street people, this quiet wall is so realistic that most observers wouldn’t guess it was painted over the course of a number of weeks this spring in Specter’s studio.

The rusted panes, the overgrown ivy, the pockmarked wall, the mismatched mottled patterns of a now silent industrial sector; Specters’ new glorious façade could possibly appear so genuine that some chic hotel guests reclining by the rippling three-season saltwater pool and sipping a cocktail may peer over their sunglasses and wonder when the hotel is going to get around to finishing the renovation of the backyard.

Specter (photo © Jaime Rojo)

Here it is, the broken windows theory thoroughly and pleasingly inverted by the brain of the artist, complete with a couple of quick graffiti tags, in this neighborhood where most of the actual graffiti and Street Art has been “cleaned up”.  Who knew that decay would be such a sight for sore eyes.

You’re invited to check out the new wall tonight from 7-10 at King and Grove. Bring your swimsuit and cocktails will be served.

Specter (photo © Jaime Rojo)

Specter (photo © Jaime Rojo)

Specter (photo © Jaime Rojo)

Specter (photo © Jaime Rojo)

Specter (photo © Jaime Rojo)

Specter (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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LNY, Gaia, Nanook and RAE in Cleveland for Zoetic Walls

New stuff from Cleveland today gives us a look at a project in the Waterloo District called Zoetic Walls that includes Street Artists LNY, Nanook, RAE and Gaia.

RAE. Detail. Zoetic Walls. Cleveland, Ohio. June 2013. (photo © Pawn Works Gallery)

“You are doing awesome stuff for our neighborhood – keep it up!” says Cleveland resident, Linda Zolten Wood on the Zoetic Walls Facebook page.

Nanook. Zoetic Walls. Cleveland, Ohio. June 2013. (photo © Pawn Works Gallery)

Organizer Nick Marzullo explains the new piece by Nanook that is firmly rooted in local history and politics.

“Nanook worked closely with the neighborhood on the development of his piece depicting a portrait of Carl Stokes, the former Cleveland Mayor and first Black mayor of any major city in US,” says Nick. Other symbols include the hand of city planning practitioner Norman Krumholz as he guides a car along a modernized highway system, something Krumholz is credited with bringing through the City of Cleveland.

LNY. Zoetic Walls. Cleveland, Ohio. June 2013. (photo © Pawn Works Gallery)

LNY used a local hero of sorts ‘Doug’ as his model for this Atlas inspired piece. LNY. Zoetic Walls. Cleveland, Ohio. June 2013. (photo © Pawn Works Gallery)

GAIA. Zoetic Walls. Cleveland, Ohio. June 2013. (photo © Pawn Works Gallery)

GAIA. Zoetic Walls. Cleveland, Ohio. June 2013. (photo © Pawn Works Gallery)

Gaia’s barbershop pieces came out great and Mike from the barbershop is pretty psyched for the facelift in an old-skool airbrush style. Now if they can just fix that canopy, the 10th anniversary of Mike n Syd’s will be officially slammin’!

GAIA. Zoetic Walls. Cleveland, Ohio. June 2013. (photo © Pawn Works Gallery)

GAIA. Zoetic Walls. Cleveland, Ohio. June 2013. (photo © Pawn Works Gallery)

Special thanks to Pawn Works for sharing these images with BSA readers.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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UNO: “Don’t Care, Obscure This”

“When I received the invitation to take part in a street art festival in Athens I thought I would try to paint a wall speaking about the problems of Greece and in particular to speak about the consequences of the crisis they are experiencing,” says UNO of his invitation to participate in the first Athens Street Art Festival. Ironically, he says, the piece he had in mind never made it onto the actual street, but we’re bringing it to you here since he made the effort.

UNO “Don’t Care, Obscure This”. Athens, Greece. July 2013 (photo © UNO)

“A few weeks before my departure I heard the news about the closing (obscuring) of Greek public TV, so I decided to paint a wall with the words ‘obscure this’ as a provocation,” says UNO of his original plan to paint a large scale wall addressing the sudden shutdown in June that many journalists in Europe have charged is a form of censorship. Unfortunately when he arrived he learned that the wall he had planned could not happen because of logistic problems, he says, so he did this version inside the School of Fine Arts before heading back to Italy.

UNO “Don’t Care, Obscure This”. Athens, Greece. July 2013 (photo © UNO)

UNO “Don’t Care, Obscure This”. Athens, Greece. July 2013 (photo © UNO)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Images Of The Week: 07.07.13

Here’s our weekly interview with the street, this week featuring A Dying Breed, B.D. White, Chris (RWK), Cost, El Niño de las Pinturas, Jilly Ballistic, Pose, Revok, Rime, Rimx, Robert Janz, Vers, and Zimer.

Top image RIME MSK (photo © Jaime Rojo)

RIME MSK. Detail. (photo © Jaime Rojo)

RIME MSK (photo © Jaime Rojo)

Don Rimx and Sex did this new impressive piece with the help of a certain niño. Maybe that is why it is entitled  “El Niño de las Pinturas”. The Bushwick Collective (photo © Jaime Rojo)

Don Rimx And Sex “El Niño de las Pinturas“. Detail. (photo © Jaime Rojo)

This dude has the keys to summertime fun. Chris RWK. Detail.(photo © Jaime Rojo)

The full four panel tribute to “Summer Daze” by Chris RWK at Woodward Project Space. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Artist Unknown. Detail. (photo © Jaime Rojo)

But they are both the same party. B.D. White and Jilly Ballistic (photo © Jaime Rojo)

Robert Janz (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

REVOK . POSE . RIME . MSK (photo © Jaime Rojo)

Okay, I’m listening. Artist Unknown. COST (photo © Jaime Rojo)

VERS. The Bushwick Collective (photo © Jaime Rojo)

Zimer . A Dying Breed. (photo © Jaime Rojo)

Zimer . A Dying Breed. The Bushwick Collective (photo © Jaime Rojo)

Zimer . A Dying Breed. (photo © Jaime Rojo)

Untitled. New York City. June, 2013 (photo © Jaime Rojo)

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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GAIA In Cleveland, Landscapes and Coalmines

“Straight up, this is too thoughtful and too amazing, we are speechless,” says Nick Marzullo of Pawn Works as he looks at this newly aerosoled wall by Gaia in Cleveland.

The large hand holds a gilded framed painting as if it is a snapshot, superimposing his ode to Yosemite Valley, the 1866 painting by German/American landscape painter Albert Bierstadt, over a 1952 coal mining scene called The Early Shift by celebrated Cleveland native realist Carl Gaertner.  The New York Street Artist continues to explore and incorporate cultural touchstones as he is influenced by them, leaving large pages from his travelogue sketchbook on walls in cities he visits.

Gaia. Zoetic Walls. Cleveland, Ohio. ( photo © Pawn Works Gallery)

This new piece is a part of a larger curated show but even on his unpermissioned walls Gaia takes you on his trip, conveying the truths and history and meanings he is uncovering, then uniquely recombining their elements to contrast their relative meanings and test their strength perhaps.  This new wall may be interpreted as commentary on the 19th/20th century industrialization of the country that once boasted breathtaking natural beauty idealized by painters. Undoubtedly the Gen Y Gaia also may have in mind the fracking industry in this day that threatens to destroy even more of the beauty and natural resources for his generation and the next.

Gaia appears here at “Zoetic Walls” in conjunction with Arts Collingwood and curated by Pawn Works, who will be showing us more from their new Midwest project as it evolves in Cleveland, Chicago, and even parts of Wisconsin.

Gaia. Zoetic Walls. Cleveland, Ohio. ( photo © Pawn Works Gallery)

Gaia. Zoetic Walls. Cleveland, Ohio. ( photo © Pawn Works Gallery)

Pawn Works would like to thank Callaloo Café in Cleveland for their support (Kelvin, Nico), and Amy Callahan at Arts Collinwood.

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BSA Film Friday: 07.05.13

 

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: ATEK84 Transforms Fast Food Joint into Church of TV, XAM and the Urban Habitat Project, KLUB7 painting Strangeways, Element Three making of “Wolf”, and Articulate Baltimore by Stefan Ways.

BSA Special Feature:
ATEK84 Transforms Fast Food Joint into Church of TV

Street Artist Atek84 wins the award for best concept by staging this full immersion public installation/renovation of a junk food joint into a church where junk television is worshipped 24/7. He says it is a “modern church” where the philosophy that TV is the new god. Over the period of months he slowly transformed the property in his hometown in Belgium into a high profile critique of the power of the almighty television on the perceptions and behaviors of society – especially the degrading effect that junk television has on our minds and spirits. To drive home his message of the omnipotence of the big screen, he created an installation on a wall about 9 meters high with a real working flatscreen TV on it, playing day and night.

XAM – Urban Habitat Project

A new video follows Street Artist XAM through his process for imagining, creating, and installing his new campaign of homes for birds in Lower Manhattan.

KLUB7 painting Strangeways:

A minimalist modern monochromatic sketch on shape, texture, and touch from KLUB7 as they paint clear glass and the camera plays with light, shadow, and environmental factors. It’s far more visually stimulating to watch than for us to describe.

Element Three: No Mercy In The Heart Of A Wolf

Return with us now to the joys of the neighborhood wall. This New Jersey crew suffered some dissing of their previous piece that featured the bare breasts of a woman in it’s metaphorical representation and despite numerous repairs to their work, ultimately had to abandon the composition because of one dork in the neighborhood who kept protesting the horrible breasts. From the ashes of their collective disappointment, the team decided to use it as inspiration to created something else and come back and wreck the wall. This video is a record of the creation of the new piece “No Mercy in the Heart of a Wolf”.

Language alert – the first musical accompaniment contains vulgarity that may offend some of the kiddies.

 

Articulate Baltimore by Stefan Ways

A thoughtful retracing of certain elements and textural emotions in the making of murals for Articulate Baltimore, a district improvement mural program that featured the work of peeps like Pixel Pancho and locals Billy Mode and his homeboy Chris Stain, and of course head of the ship Stefan Ways, among others.  Articulate Baltimore is also co-founded by Jesse James.

 

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New Street Art From Athens, a Birthplace of Democracy

As the USA is celebrating the anniversary of it’s declared independence from Great Britain today we bring you a few shots of new Street Art from that city widely held as the birthplace of democracy around 508 BCE, Athens. They have just completed their first Street Art festival ever, which organizers say is a non profit attempt to promote social conscience and action through art, and French artist FKDL was a part of it. Here are a few photos from the streets of Athens for BSA readers.

The Athens festival included these participating artists:
Fred Le Chevalier (F), Milo Art (F), Bastek (F), Icks (It), Uno (It), Kashink (F), Losotros X Mj Tom (GR), Btoy (SP), Gregos (F), Kouka (FR), Rabea Senftenberg (Berlin), Thom Thom (FR), Franck Duval (FR). Special thanks to Franck Duval for these images.

Franck Duval (photo © Franck Duval)

Btoy (photo © Franck Duval)

Kouka (photo © Franck Duval)

Gregos portrait here is comprised of a multitude of smaller cast faces. (photo © Gregos)

Gregos. Detail (photo © Gregos)

Thom Thom (photo © Thom Thom)

Franck Duval . Senftenberg (photo © Franck Duval)

Senftenberg. Detail (photo © Franck Duval)

An image of the front page of of an Athens newspaper celebrating their first Street Art Festival features a work by FKDL.

More examples of Athens street art can be seen on this Flickr page for Athens Street Art Festival 2013.

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