All posts tagged: Jaime Rojo

Panmela Castro In The Bronx Highlights Women’s Rights

Panmela Castro In The Bronx Highlights Women’s Rights

Brazilian muralist and graffiti writer Panmela “Anarkia” Castro has just begun painting four expansive walls in the Bronx and today we bring you a few images of the first one commenced in March in recognition of Women’s Month.

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Panmela Castro. Detail. (photo © Jaime Rojo)

Known for her advocacy of women’s rights, the prevention of domestic violence, and issues of gender inequality, we think that today – “Equal Pay Day” – is a good day to feature Anarkia’s work and to remind us all that in the US women make 79 cents for every dollar a man does. Still. In 2016.

In a social-consciousness irony of sorts, these walls in the Bronx surround the grounds of what was once a retirement home for rich families who had lost their wealth, the Andrew Freedman House.

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Panmela Castro. Detail. (photo © Jaime Rojo)

Walter Puryear, director of the Freedman House chose Ms. Castro to paint the four walls facing the Bronx museum after her successful mural within the complex. In a press release she is quoted, “With so many artists producing work at the mansion, it is an honor to have my work selected to occupy all four walls surrounding the mansion.  This is a particularly special honor, given the fact that I am a foreigner and a woman.”

Castro will return to complete the remaining walls during visits in June and September.

Read more on the Freedman House project on The Huffington Post by BSA here: “Poorhouse for the Rich” Revitalized By The Arts

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Panmela Castro . Sonic Bad. Detail. (photo © Jaime Rojo)

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Panmela Castro. Detail. (photo © Jaime Rojo)

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Panmela Castro (photo © Jaime Rojo)

 

 
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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!
 
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Pyramid Oracle Alights New Seers and Sorcerers for Spring

Pyramid Oracle Alights New Seers and Sorcerers for Spring

When last we touched base with Pyramid Oracle he told us that he was creating new mythologies and his parents were neither bankers nor hippies. Examining these four new fellas on the streets of NYC the seer, the sorcerer, the frustrated sanitation worker and the angry landlord all come to mind.

And that is the grand gift of subjective analysis – we have the ability to ascribe characteristics and intentions to the work of an artist, frequently a projection of our own psychological/spiritual/social/political worldview. These pieces appear here without additional description and ready to accompany you on your springtime errands.

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Pyramid Oracle (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

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Pyramid Oracle (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Images Of The Week: 04.10.16

BSA Images Of The Week: 04.10.16

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Our weekly interview with the street, this week featuring 3rd World Pirate, A Pill NYC, Anglo, Augustine Kofie, Balu, CB23, City Kitty, Icy & Sot, Jerk Face, Jetski, LX One, Solus, Swiz, and WK Interact

Our top image: A warring door by WK Interact. Detail. (photo © Jaime Rojo)

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WK Interact (photo © Jaime Rojo)

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This dude lived in Williamsburg before all this happened. Balú (photo © Jaime Rojo)

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And this dude lived in Williamsburg only two summers ago. The wifi still has his name on it. Balú (photo © Jaime Rojo)

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Artist Unknown. Subway ad take over. (photo © Jaime Rojo)

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That’s one way to shine his buttons. 3rd World Pirate (photo © Jaime Rojo)

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Augustine Kofie in Marrakech, Morocco. (photo © Jaime Rojo)

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Solus looking up for guidance. (photo © Jaime Rojo)

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LX ONE in Marrakech, Morocco. (photo © Jaime Rojo)

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CB23 (photo © Jaime Rojo)

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Swiz in Marrakech, Morocco. (photo © Jaime Rojo)

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Swiz in Marrakech, Morocco. (photo © Jaime Rojo)

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Swiz in Marrakech, Morocco. (photo © Jaime Rojo)

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Swiz in Marrakech, Morocco. (photo © Jaime Rojo)

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Icy & Sot offers some words of comfort to Stikman. (photo © Jaime Rojo)

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City Kitty and friends. (photo © Jaime Rojo)

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Anglo . Jetski (photo © Jaime Rojo)

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A Pill NYC is just frothing at the mouth to see the consumers move in. (photo © Jaime Rojo)

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Jerk Face (photo © Jaime Rojo)

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Untitled. SOHO, NYC. April 2016. (photo © Jaime Rojo)

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Spring Time With Stikman

Spring Time With Stikman

Saturday! Time to go out for a walk around the neighborhood to stretch your legs, say hello to old friends, and to look for some new ones.

Along with the blooming Magnolia, Dogwood and Wisteria in the cold/hot/windy/rainy/sunny spring we have in Brooklyn, some new Stikman pieces have been popping up through the aerosol tags and stickers in doorways and elsewhere. Here’s a handful for you to regard as you marvel at the promise of spring.

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Stikman (photo © Jaime Rojo)

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Stikman (photo © Jaime Rojo)

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Stikman (photo © Jaime Rojo)

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BSA Film Friday: 04.08.16

BSA Film Friday: 04.08.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. VHILS: Debris in Hong Kong . NOWNESS
2. “Shiny” from Daniel Cloud Campos
3. 108 + Eleuro
4. Pøbel and Donald Trump in Hollywood

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BSA Special Feature:VHILS: Debris in Hong Kong . NOWNESS

Vhils has made a high quality short movie based in Hong Kong that asks many of the existential questions of workers in the developed world in 2016. Crisply told with an attenuated attention level, VHILS walks you through his creative endeavors while revealing the conflicting feeling that accompany the frequently soulless existence of a capitalist race. The tightly clapping soundtrack is also soulfully sexy, the layers are blasted away with punishing style, and there is plenty of debris.

“Shiny” from Daniel Cloud Campos

Eye candy for the animation set, you may never toss your clothes on the floor thoughtlessly again. There is a story line here, but you may lose it while marveling at the creativity flying around the room.

Written & Directed by – Daniel Cloud Campos & Spencer Susser
Edited by – Daniel Cloud Campos & Spencer Susser
Produced by – Daniel Cloud Campos & Spencer Susser
Production Company – Blue Tongue Films
Director of Photography – Spencer Susser
Lead Animation by – Daniel Cloud Campos
Additional Animation by – Spencer Susser
Composer – Michael Yezerski
Sound Design/Re-recording Mix by – Derek Vanderhorst
Sound Effects Editor – Marc Glassman
Sound Editor – Jacob Houchen
Color by – Trevor Durstchi
Original song “It’s So Shiny” Written & Performed by – Paul Musso
Visual Effects by – Spencer Susser & Daniel Cloud Campos
Voices by – Daniel Cloud Campos, Spencer Susser, Tamara Levinson-Campos & Stormi Henley
Special Thanks – Michael Gracey, Gavin Millette, Dineh Mohajer, Liinda Garisto, Aaron Downing

108 + Eleuro

A simple homemade video of 108 + Eleuro going out to the country to paint a wall in an abandoned factory space. The atonal soundtrack makes you think that something profound or frightening will happen, but its just a couple of friends painting.

 

Pøbel and Donald Trump in Hollywood

Pøbel took a walk down Hollywood Boulevard to make a political statement in Donald Trump’s star. The valley girls took one second to look up from their phones and like oh my god surreeusslaay they like so freaked out I am not even kidding.

Also, what is the criterion for getting a star exactly?

 

 

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“Young New Yorkers” Auction to Feature Jaime Rojo and 100 More

“Young New Yorkers” Auction to Feature Jaime Rojo and 100 More

BSA has been supporting and donating to the organization Young New Yorkers and many of the participating artists who are in tonight’s auction for a long time through our work for a number of years. This year BSA Co-founder and editor of photography Jaime Rojo is also donating something else – his own photography.

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Jaime Rojo. Untitled. Tawana and Miriam. Brooklyn, NY. August 31, 2003 (photo © Jaime Rojo)

YNY provides 16 and 17 year old people in New York State who have had the unfortunate occurrence of being arrested an opportunity to re-see themselves and society through an art-based program. The state has the unfortunate distinction of being particularly harsh with our youth, treating them as adults in some circumstances where other perspectives can and should come into play. It’s a mature and nuanced position that great societies can muster when we dig deep and we’re proud of the staff and volunteers who put in the huge amounts of effort to make YNY successful.

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Shepard Fairey. Natural Springs. Print. (photo courtesy of YNY)

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Joe Russo. Shepard Fairey, NYC 2010. Print. (photo courtesy of YNY)

This program is an opportunity to short-circuit a potentially harmful cycle of crime and incarceration because it recognizes the whole young person, not just a narrow aspect. If they qualify and graduate from the court-appointed program, graduates’ cases are dismissed and sealed, leaving them free of the collateral consequences of an adult criminal record.

Not surprisingly, graffitti and Street Artists and others familiar with the scene recognize the value of this kind of work and have given great pieces to the auction. Please consider the works here and go online to bid and attend the public auction in New York tonight!

 

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Daniel Albanese. Larry The Bird Man. Print. (photo courtesy of YNY)

“I wholeheartedly support Young New Yorkers; not only as an art program and constructive alternative to teens being incarcerated, but it is also highly therapeutic. It builds problem solving skills that can boost self confidence and allow participants to feel more empowered to pursue their dreams as well as deal with their realities.”—Shepard Fairey

Fairey has generously donated a number of prints for tonight along with works by an array of artists you’ll recognize such as Ben Eine, Swoon, Cern, Pure Evil, Icy & Sot, Robert Janz, Know Hope, Daniel Albanese, Hellbent, Greg LaMarche, Joe Russo, LMNOPI, Li Hill, Dan Witz and many others for tonights’ event. Your support will actually help keep our young people out of jail and contributing in a positive way.

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Swoon. Haiti Sketch (Older Man Collar). (photo courtesy of YNY)

This year’s YNY benefit auction show is curated by Lunar New Year, Ann Lewis, and Maya Levin.

Here is a small sample of the works being offered up for auction. To see the whole collection, bid and for more details on the actual works of art please go to: Paddle8 Young New Yorkers benefit auction.

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Ben Eine. See No Evil. Print. (photo courtesy of YNY)

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Brittany Williams. Blooming Mind. Painting. (photo courtesy of YNY)

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Li-Hill. Dive. Work on paper. (photo courtesy of YNY)

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QRST. In The House Of The Coyote. Work on paper. (photo courtesy of YNY)

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Dan Witz. Container Study (Green). Mixed Media. (photo courtesy of YNY)

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Jetsonorama. Stephanie on JR ‘s House. Print. (photo courtesy of YNY)

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Mataruda. Verso, Perla, Pluma y, Flor. Giclee Print. (photo courtesy of the artist)

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Resurrecting the Church with Air Sculpture by Edoardo Tresoldi

Resurrecting the Church with Air Sculpture by Edoardo Tresoldi

Soaring Architectural Sculpture Recalls a Long Lost Holy Place

An astounding display of the volume and spatial relations defined by the built environment is now rising in Siponto, Italy thanks to the imagination of street artist/public artist Edoardo Tesoldi, and thousands of cubic feet of wire.

“I imagined being able to draw in the air, while keeping a direct relationships with the context,” says Edoardo Tresoldi, the artist of this ethereal holy host. On this soil and in this context the sculpture is an epic interpretation of an early Christian church that at one time rose from this site not far from the ocean in Southern Italy.

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Edoardo Tresoldi (photo © @theblindeyefactory)

Like an anthropod that has left its skin, the church is no longer here, but the exact replica, an exoskeleton that commands space stands hollow. The scale reminds you of the power the building and the institution had, the wind reminds you of its lack of staying power. The overall effect is as classical in its detail as it is post-modern in its digital-blur ephemerality.

Working in concert with the Ministry of Cultural Heritage and Activities and the Archaeology Superintendence of Puglia, ancient meets contemporary here and actually gives us pause to think of the relative meaning historically assigned to massively impressive architecture that one day soon may be recreated by pressing “print” on your enormous 3-D printer.

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Edoardo Tresoldi (photo © @theblindeyefactory)

Curator Simone Pallotta speaks of this work by Tresoldi as “majestic”. He says that the axiometric installation, which continously changes as you walk around and through it, is “able to tell the volumes of existing early Christian Church and at the same time is able to vivify, updating it, the relationship between the ancient and the contemporary.” This is “a work that, breaking up the secular controversy of the arts primacy, summarizes two complementary languages ​​into a single, breathtaking scenery,” and you will agree with his observations.

 

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Edoardo Tresoldi (photo © @theblindeyefactory)

Departing from the pure aesthetics here, one wonders if this translucent work doesn’t also vilify the institutional Church for its daunting network of massive edifices that rise to the skies but do not rise to the occasion of serving the needs of the increasing number of poor who are desperate to be housed, clothed, fed. Interestingly, a couple of wire human forms are included in this installation, presumably to show scale, and they are ghost-like, unmoving.

A mirage of architecture and architectural history, the computer-modeling aspect of the experience makes it seem like the viewer is interacting with a hologram. Reduced to its elemental geometry the new sculpture could be interpreted as a fitting critique of the hollow  institutions that set themselves quite apart from the people, behind majestic walls.

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

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Edoardo Tresoldi (photo © @theblindeyefactory)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article is also published on The Huffington Post

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Opiemme: Poetry Hanging Among Cherry Blossoms in Bologna

Opiemme: Poetry Hanging Among Cherry Blossoms in Bologna

Like so many chinese firecrackers strung together and hanging from bus stops, street signs and cherry tree limbs, individual poems dangled overhead Bologna people as they walked through the city center on March 21st. The installations are an unsponsored freewill campaign to give away poetry on small scrolls, part of a festival called DIALOGARTI where artists and poets work together for three days on various projects to engage people with the art of words.

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Opiemme and Gruppo 77 in Bolgna, Italy (photo © Lisa Di Battista)

Opiemme’s street work is often a sort of visual poetry and this method of sharing the printed word via scrolls was first created by the Street Artist Opiemme in 2003. For 2016 the Street Artist collaborated with the Gruppo 77 poets lead by Alessandro Dall’Olio and the words and poetry of many were shared and distributed on the streets.

More about World Poetry Day here.

 

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

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Opiemme (photo © Opiemme)

 

 

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Dan Witz Paints Skinheads, Slam Dancing, Erotica

Dan Witz Paints Skinheads, Slam Dancing, Erotica

Because you can’t get your fill of angry white men from all the Donald Trump rallies this spring, painter and Street Artist Dan Witz is presenting Mosh Pits, Raves and One Small Orgy at Jonathan Levine Gallery in New York. The paintings further capture the freneticism of clan-like gatherings of nearly entirely caucasian youth in the “hardcore” subcultures of punk and alternative music.

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Dan Witz. Jonathan LeVine Gallery. (photo © Jaime Rojo)

Rebellious, provocative, warm, sensual, rhythmic, chaotic and violent dancing as depicted in these hormone-infused scenes are easily as erotic as the de-clad coitus-seeking scene makers in the Bosch-Bruegelian mass of bodies. Ecstacy abounds often and which view is more orgiastic depends entirely on you.

One question among many; if this is a small orgy, how many participants are in a large one?

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Dan Witz. Brite Nite 2, Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Dan Witz. Byronesque 3, Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Dan Witz.  Mosh Pit Study (Jets), Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Dan Witz. Sick of It All, Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Dan Witz. Small Orgy, Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Dan Witz. Scrum 3 (System of a Down), Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Dan Witz. Scrum 1 (King of Hearts), Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Dan Witz. Scrum Study (The Flash), Jonathan LeVine Gallery. (photo © Jaime Rojo)

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Dan Witz. Very young “collectors” spotted on opening night… Jonathan LeVine Gallery. (photo © Jaime Rojo)

 

Dan Witz solo exhibition “Mosh Pits, Raves and One Small Orgy” is currently on view at the Jonathan LeVine Gallery in NYC. Click HERE for more information.

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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BSA Images Of The Week: 04.03.16

BSA Images Of The Week: 04.03.16

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Dang! The birds are singing! Why do birds suddenly appear every time you are near?

An uptick in politically based street art in New York and elsewhere as people are waking up to the reality that Donald Trump is an actual contender for the presidency. Also New York, which tends to vote for the Democrat is now being targeted by former senator Clinton and Brooklyn native Bernie Sanders for New York’s April 19 primary, with both candidates appearing here this week.

Meanwhile a worldwide corruption scandal that was revealed this week about Unaoil and major oil corporations like Dick Cheney’s Halliburton is expanding to include corruption in the (gasp!) banking industry as well. What’s next? Revelations about 9/11 and the war in Iraq? Is it just us or do many of the figurative images on the street look alternately docile, frightened and/or angry?

Here’s our our weekly interview with the street, this week featuring A Pill NYC, Anarkia, CASH RFC Crew, Crummy Gummy, Damien Mitchell, DKF, El Sol 25, Gold Loxe, Monsh & Grey, Nick Walker, Riner, Sac Six Art, Stray Ones, Thomas Allen, and Twazzo.

Our top image: Never get __________– discouraged, a fake tan, seafood in a land-locked state, health advice from a drug dealer, fooled. From Thomas Allen… you fill in the blank… (photo © Jaime Rojo)

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Sac Six Art (photo © Jaime Rojo)

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Sac Six Art (photo © Jaime Rojo)

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Damien Mitchell (photo © Jaime Rojo)

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A cat and mouse game from Stray Ones (photo © Jaime Rojo)

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Stray Ones (photo © Jaime Rojo)

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Monsh & Grey (photo © Jaime Rojo)

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Loser (photo © Jaime Rojo)

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DKF (photo © Jaime Rojo)

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A Pill NYC (photo © Jaime Rojo)

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Crummy Gummy in Mexico City. (photo © Crummy Gummy)

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Twazzo (photo © Jaime Rojo)

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Riner…or so we think. The signature could actually spell something else… (photo © Jaime Rojo)

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Riner (photo © Jaime Rojo)

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CASH RFC Crew (photo © Jaime Rojo)

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Anarkia (photo © Jaime Rojo)

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Anarkia (photo © Jaime Rojo)

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Nick Walker (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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Gold Loxe (photo © Jaime Rojo)

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Untitled. Brooklyn, NYC. Spring 2016 (photo © Jaime Rojo)

 

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MP5: “Millennials” Holding Up the Future and Past in Rome

MP5: “Millennials” Holding Up the Future and Past in Rome

“I wanted to go back to the millennial roots of public and monumental art,” MP5 tells us about the inspiration for the new intervention in Torpignattara entitled “Millennials”. The Naples born Roman artist draws upon contemporary themes as well as classical in their 2D black and white iconic paintings, always with a hint of theatrical scene-making.

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MP5 “Millennials” for Wunderkammern in Rome. March 2016. (photo © Nino Russo)

In reference to the new pillars that appear to be holding up the roof on this building, MP5 tells us that the inspiration came from the carved female forms of the The Caryatid Porch at the Athens’ Acropolis around 400 BC.

Reinterpreting classical mythology with an eye on contemporary political and cultural crises and developments has driven much of MP5s work in public murals in many cities in countries such as Spain, France, Germany, Italy, Croatia, Slovenia and Sweden.

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MP5 “Millennials” for Wunderkammern in Rome. March 2016. (photo © Nino Russo)

With “Millennials” the artist has just finished in Rome as part of her exhibition “Of Changes” at Wunderkammern Gallery, MP5 says they enjoyed the interaction the folks from the neighborhood while she painted. “Some sounded enthusiastic. Others asked me lots of questions about the meaning of it. In the end everybody was very nice and people from the neighborhood brought me food and treats all the time – or they would just pass by to check if everything was ok.”

Our special thanks to Wunderkammern for these exclusive images to share with BSA readers.

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MP5 “Millennials” for Wunderkammern in Rome. March 2016. (photo © Martina Ruggeri)

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MP5 “Millennials” for Wunderkammern in Rome. March 2016. (photo © Martina Ruggeri)

 

MP5 painted this wall in conjunction with his exhibition at “Of Changes” currently on view at Wunderkammern Gallery in Rome. Click HERE for further information.

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BSA Film Friday 04.01.16

BSA Film Friday 04.01.16

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening :

1. Herakut: Masters Of Wrong from Eric Minh Swenson
2. Shark Toof by Koncrete
3. HM Heads – Copenhagen. Spray Daily
4. Gary Stranger. The London Wall. Global Street Art

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BSA Special Feature: Herakut: “Masters Of Wrong”

HERA + AKUT=HERAKUT – a back-to-basics introduction to Herakut today, since new fans are joining the fold and need to become acquainted with a duo that has been on the street around the world for years and has been moving into galleries for a while also.

Here at the white box Corey Helford Gallery in Los Angeles for their “Masters of Wrong” show it is a different view entirely from the street surely, including paintings evenly spaced across white walls as well as an area for a more immersive environment.

Outside, “The wolf that wins is the one you feed” is the Cherokee wisdom they paint on the side of the local high school, and in the commercialization of the Street Art world, we see this enmeshed dichotomy more daily.

Let the softly kinetic paddling of the marimba escort you through their political and social commentary, now more overt and obvious and  satirical than ever, as they show you their new show and their new works for exhibition and for sale.

 

Shark Toof by Koncrete

Good to hear the story directly from the LA artist about the deliberations that go on when creating the image. It is interesting to see what the construction is, and how skillfully Shark Toof integrates his formal painting training into the vocabulary of graffiti and the street. His sharks are pleasantly realistic and scary and comical all at once – how is that possible?

 

HM Heads – Copenhagen. Spray Daily

And for those of you who are bored with the legal walls, here is a collection of videos of aerosol train pieces that appear to be largely illegal and immense. HM Heads in Copenhagen lead the tale with stealthy crawling through the weeds on hands and knees up to the locomotive over a dramatic/thoughtful guitar duo of anxious plunking and low wailing. After finding a suitable location between parked trains and some testing of the aerosol valves, the outlining begins in a deliberate and planned lay of lines and fills. The lyrics begin and within the first few lines the vocalist says “I have lost the will to live”.

Shortly thereafter a wall of scourging guitars builds and the camera shot gets shakey – and the shot quiets down again for some smooth linework and polka dots. Aside from the blurred faces and the jaunty, somewhat tentative movements of the painting crew, you would not have reason to think that this is done without permission. Is it? The video ends with a very long sequence of trains pulling into stations – crisp modern cars with colorful outcroppings of characters and letters, sometimes complete cars. The volume hikes upward, the Prodigy starts talking about smacking their bitch up, corks are popped and the furtive busting through fences increases as the unfettered aerosol continues.

 

Gary Stranger. The London Wall. Global Street Art

And we end this weeks collection with Gary Stranger from the MSK Crew doing this completely legal mural on something called The London Wall, a rotating art gallery that has works related to, you guessed it, London.

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