Garrison and Alison Buxton have spent countless hours, elbow grease and their own money to make this huge non-commercial Welling Court Mural Project happen 4 years in a row – giving free walls to a few hundred artist during that time.
Cost to us: Zilch, Zero, Nada
Cultural workers extraordinaire with a Rolodex list as long as the banquet table at an Italian wedding, these two have given more Street Artists artists more free opportunities than a block full of GO-GO bars. Wait, that didn’t sound right. But you get our point.
If not, here’s the point: Go pledge 10 bucks or a hundred bucks to their fundraiser for all the fun and true community spirit they have brought people for the last four years.
After you pledge some money to their Indiegogo come back here and enjoy brand new images of the 4th Annual Welling Court installation. It may be the last time. And then all we will have left are logo-smothered festivals sponsored by cool “urban” lifestyle brands, real estate agents, energy drinks, and/or the Chamber of Commerce and The Daughters of the Revolution. Jeez that’ll be fun, won’t it?
Alec Huxley, Amanda Marie, Anthony Ausgang, Bayo, Craig “SKIBS” Barker, Craww, DevNGosha, Eatcho, Grady Gordon, Hans Haveron, Haunted Euth, Hellbent, J Shea, James Bentley, Jason Hernandez, John Park, JoKa, Joshua Charles Hart, Kid Acne, Kyle Hughes Odgers, L Croskey, Macsorro, Max Neutra, Mear One, Megz Majewski, Muneera Gerald, Nathan Cartwright, Nom Kinnear King, Pure Evil, Randy Norborikawa, Restitution Press, Shark Toof, Sit, Skount, Tatiana Suarez, Tom French, Tom Haubrick, Vinz Feel Free, Walt Hall, Young Chun, Zach Johnsen
In-Studio Visit With the Guy Who Took His Street Name from Richard Hell
“Even Romantics Love Violence”, Hellbent’s first solo gallery show unveils the graffiti / Street Artist doing a new collection in abstraction, “The Mix Tape Series”. With each piece named after a song he was listening to while creating it, the series testifies to his intense love of music (from punk to country to big band and indie rock) and the practice of making custom collections for friends and lovers on blank cassettes.
“Violence” alludes to the concomitant firestorm of emotions, thoughts and ideas that the perfect mixed tape collection can convey, especially when you are 15, or 25, or 35, or ever. While “Mix Tape” is his own nostalgic homage to his high school years in Georgia in the 1990s, for Hellbent this new sharply eye-popping collection is one more refinement to a body of work he’s developed on New York streets over the last 10 years.
“Mix Tape” also refers to his cyclical process; Recording, erasing, recording – he literally saves the tape he uses to create pieces, and creates some more. Here is the thick and sticky masking tape that’s covered in overspray and patterning, now newly arranged and layered and edited into finished abstract compositions, to be used later as a sketch for larger painted pieces.
Included in the show are the “Demos”, the actual tape pieces or sketches now encased in liquid glass.
“The first time I tried to make something with them was when I was in LA doing a big mural and I thought I could try it out on a sketchbook. So at first I started off layering them, building them. I gave myself parameters, you can’t just be all willy-nilly,” he explains. Once marginal, here center-stage, these new vividly patterned pieces vibrate with the same rage and charm one associates with his bared-tooth dogs, hissing snakes and signature Freud jawbone as they lie gently cloaked in delicate lace floral patterns you last saw covering grandma’s end-table, topped with a bowl of plastic fruit.
In studio you can see the violent beauty of a hellish production process as he chops and slices through the distortion and guitars and drums and vocals pounding and vibrating through his thoughts. “The Mix Tape Series” celebrates Hellbents ever-more discordant color palette, the re-aligning and openly opposing shards and shapes that he keeps pushing to reach a level of punk rock splendor. Even so, he says, “I’ve never really studied color theory. I never really think about it.”
Brooklyn Street Art: Some of the color combinations – the seafoam green next to hot pink – they vibrate and I can’t get them to stop. Hellbent : So some of them, because of the clashing of colors, some of them want to come up and some of them want to drop back. So I’ve been trying to add depth. I’m trying to create depth through flatness. Everything is super flat but they are layered on top of one another. And the colors create optical effects.
Like an uninhibited and pissing fire extinguisher slicing across complacent suburban vinyl siding, Hellbent forces dark colonial blue death and blaring orange fluorescence to lie uncomfortably next to one another, making the eye push and pull the shapes to the fore- and back ground, an optical effect caused purely by their nearness to one another.
Hellbents’ pattern play has gotten sophisticated too; trompe l’oeil evokes printed wallpaper even when achieved with aerosol. As he rocks through new printed motifs and razor sharp shapes he likes to alternately calm and jolt, forcing the painting to pop for a fraction of a second, the snapping life of an impulse. With this new sharpened geometry and these comforting patterns and these challenging color choices the pieces rise above the canvas as they lay upon, slam against, and step on top of one another.
“Music is the ultimate teacher,” prophesied Vasily Kandinsky, and the blank cassette tape onto which the Russian painter and art theorist would have recorded his mix would probably have included Richard Wagner, assisting his movement from landscape or portraiture to embrace pure abstraction. The music stories told of sound poems and Stravinsky at the MoMA show this spring, Inventing Abstraction, 1910–1925, has inspired Hellbent as well, furthering his own fascination with this abstract route on the street, even as he curated the Geometricks show with Brooklyn Street Art last fall.
His own recent mural and street works mirror a direction found in other movements popping up on streets in Europe and on America’s coasts and Hellbent happily name checks San Francisco’s Poesia (and his blog Graffuturism), Agents of Change in London, and a growing list of alternate abstract avenues for street based art now sometimes described as post-graffiti. No longer reliant on text or tags or even imagery, Hellbent continues to mix his favorites in search of something new.
Here is a short list of some of the songs and titles of Hellbents’ new pieces for “The Mixtape Series”. In addition to sighting everybody from Lollapalooza 1, 2, and 3, his references can include early British shoe gaze, 90s indie rock, early and contemporary rock n roll, country music and Bob Dylan.
As museums continue to look for ways to bring in the kids, they are finding that one way to do it is to go outside and play with them.
Last year The Brooklyn Museum had a really successful GO at engaging people with community-curated programming that put people in touch with the young artist scene that has transformed the BK in the last decade or so. Similarly the New Museum Ideas Cityis making extensive outreach to connect the disconnected phone-poking Millenials and X’ers to the brilliant and quirky creative community that makes Manhattan the live breathing beautiful beast that it is. This is the kind of meaningful museum programming that can make the city feel inclusive, asking you to participate with your own snapping synapses and probing inquiries about the nature of things.
When it comes to encouraging personal participation in the public sphere, nothing is more democratizing for an event than to bring it directly into the street. This is an exhibition that is not roped off, doesn’t charge an admission fee, has no dress code, has no gate keepers. It actually invites you to engage, to converse, to consider, question, and decide merit on your own. – Not to mention the transformative affect it all has on public space and our perception of our place in it.
For us the second installment of the Ideas City really hit its peak this weekend as the culmination of more than a hundred independent projects and public events spilled into the street and onto walls. For the sunny Saturday Streetfest set along the sidewalks and in nearby park space in the refreshingly dirty, loud, and un-tony Bowery section of Manhattans Lower East Side, people celebrated the public aspect of citizenry and interacted with projects and tested the ideas of artists, architects, poets, technologists, historians, community activists entrepreneurs, and ecologists. And there were some street artists around too.
Here are some of the scenes that caught the eye of our favorite BSA photographer, Jaime Rojo, who was feeling pretty inspired by the events.
Opening on Friday, May 10th, is our first solo show with acclaimed NYC street artist, Hellbent. He has created a new and bold body of work for this show that expresses his new deconstructed approach to his artwork. Utilizing a variety of techniques, this show will keep you hooked as his pieces have a natural draw. We hope to see you at the opening!
Opening Friday, May 10th, 6pm – 9pm. Mighty Tanaka presents:Even Romantics Love Violence
A Solo Show by Hellbent
What happens when you take a step out of your comfort zone and explore something new? Do you get excited and filled with adventure? Or perhaps you grow frustrated, trying to find your way back to familiar surroundings? We all react differently in the face of adversity. Therein lies the challenge of adapting to untested techniques in order to create a fresh and bold style of artwork. This sort of personal struggle ushers in a period of mental evolution, where one sheds away a tried process and adapts to something more profound and relevant. Mighty Tanaka is excited to bring you our next show, Even Romantics Love Violence, featuring the deconstructed abstractions by NYC Street Art powerhouse, Hellbent. Over the years, he has honed a distinct style on the streets of New York City, however now he looks to spread his wings and share the dynamic new directions he is taking his art.
ART CART NYC PRESENTS HELLBENT AT IDEAS CITY ON MAY 4, 2013
Art Cart NYC is proud to announce its participation in the New Museum’s Ideas City Streetfest, taking place on May 4, 2013 from 11 am- 6 pm on Houston and Chrystie St. on the Lower East Side.
For this year’s festival, Art Cart will present the latest iteration of Hellbent’s Mix Tape series. A continuation of the artist’s desire to incorporate craft and folk culture into urban art, this body of workis characterized by vibrant colors and complex patterns that slash across the surfaces they cover, from paper to public walls. It plays with the conventions of traditional color theory in the way pure pigment and decorative markings are fashioned in electric geometric arrangements. The mesmerizing designs are a contemporary nod to the practice of trompe l’oeil; though the configurations appear to be collaged wallpaper, the ornamental lace motifs are in fact painted to give the flat surface a sense of depth and history.
NY weather remains cold/rainy/crappy on the streets still but we actually saw a Street Art tour guide plodding through Williamsburg yesterday pointing out Os Gemeos, El Sol 25, Mr. Toll, and COST paste-ups and telling stories about “beefs” to a handful of cellphone snapping Street Art fans, so Spring must be coming!
By the way, in case you were interested, “The Splasher” identity apparently applies to anyone who splashes paint anywhere today. Remember that dude who was the first “Splasher” and who enlivened many a PBR cocktail party conversation in the late two thousandzies? Remember the outraged manifestos about Street Art years ago – weren’t those wheat-pasted with shards of broken glass? Did he move on to other things? Teaching art therapy? Training sea lions? People magazine should do a “where are they now” story about “The Splasher” right?
Here’s our weekly interview of the street, this week featuring Bast, Blacksheep, Centrifuge, Daan, FRYMS, Hellbent, JM, Joe Iurato, Matthew Deston Burrows, Meer Sau, ND’A, Olek, Saane, Skount, and Young and Sick.
Meer Sau. “Real World”. Salzburg, Austria. (photo Meer Sau)
A lot of advertisers have used QR codes on the street to guide you to more “content” if you simply scan them off the poster or billboard with your cellphone. That’s exactly where Street Artist Meer Sau hopes to meet people in this new conceptual piece on the street that ponders how everyday life is completely infiltrated by digital, and how it’s winning our attention from the physical. “I often catch myself walking around and just looking at my f-ing smartphone, checking office mails, typing text messages or just seeing what´s new…instead of keeping my eyes open for the real world – the weather, the people around me, nature … simply everything,” explains Sau.
“But when I raise my eyes I just see everyone else is doing the same thing – especially the youth – Sitting next to each other, not talking to each other, but using Facebook to contact each other. They are hunting “likes” and judging their friends by their popularity on Facebook, Tumblr, Twitter, Instagram and so on. I’m interested in seeing how far this is gonna go. Actually, I don´t wanna know.” – Meer Sau
Hey bro and sis! Here are some of our favorite picks for the weekend around the global way as we head into the final holiday and New Year beauty that we hope everyone is surrounded by. Happy 7th night of Hanukkah to the Jews, and Happy ongoing holidayz to the Christmas and Kwanzaa and Solstice people.
1. 215 “Orgullecida” (Barcelona)
2. “Kids Eat For Free” at Tender Trap (BKLN)
3. Fresh Low-cost Original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)
4. “Graffuturism” at Soze Gallery (LA)
5. “Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)
6. “Snap Back…” Rime and Toper at Klughaus (Manhattan)
7. New2 at White Walls (San Francisco)
8. Dave Kinsey “Everything at Once” at Joshua Liner (Manhattan)
9. Brett Amory at 5 Pieces (Switzerland)
10. RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)
11. Swoon’s Konbit Shelter in Haiti (VIDEO)
215 “Orgullecida” (Barcelona)
French Street Artist C215 has a new solo show titled “Orgullecida” at the Montana Gallery in Barcelona, Spain. The artist has been for awhile using a lot of color with his multilayered stencil work – expanding his established vocabulary bravely in a way that most artists are too afraid to do. His portraits are placed well, are individually hand-cut, and sprayed with a sense of the humanity he’s always giving center stage. This show is now open to the general public.
For further information regarding this show click here.
“Kids Eat For Free” at Tender Trap (BKLN)
A phrase lifted from restaurant franchises that serve food like you are livestock at a trough, “Kids Eat For Free” is a mini survey of train riders who know the back sides of the country well. Under the moniker of The Superior Bugout, curator Andrew H Shirley continues to explore fresh talent from the emerging margin, and this group exhibition features work by North Carolina’s NGC Crew. Now open, and don’t forget the kids!
For further details regarding this show click here.
The best way to support your local artist is to give their stuff as a Christmas/Hanukkah/Kwanza/Soltice present. No kidding. Everybody wins. Tonight a show of original silkscreens at totally reasonable prices is at Low Brow Artique in Bushwick. For tonight’s opening of their silk screen print show where you’d be able to purchase prints for $20…yes you read it right $20 bucks buys you art from 25 artists – many of them with work on the street – from Sao Paulo, Brooklyn, Buenos Aires and Berlin. Participating artists include: Selo, Markos Azufre, Hellbent, El Hase, ND’A, XOXU, Daniel Ete, Salles, Baila, Anderson Resende, DOC, SHN, XILIP, Serifire, Vero Pujol, Marquitos Sanabria, Diego Garay, Desastre, and Head Honcho.
For further information regarding this show click here.
“Graffuturism” at Soze Gallery (LA)
This is like an exclamation point for the end of the year. No kidding.
POESIA, founder of Graffuturism, the term and website, continues to explore the depths of “Progressive Graffiti” or, as it was previously known, “Abstract Graffiti”. With great intelligence, passion and an acute eye for detail, POESIA brings to the forefront the importance and beauty of this emergent new direction that is impacting the Street Art and graffiti scene (with ramifications for others).
“Graffuturism” opening tonight at Soze Gallery in Los Angeles and promises a smart-headed visual feast of shapes, patterns and color from a mini-galaxy of talent from all over the world. Perhaps more significantly, it’s a bit of a decentralized movement that has been centralized for you. The artists list includes: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West and Will BarrasSoze Gallery in Los Angeles .
Also New York chronicler and enthusiastic lover of the graff/street art scene Daniel Feral will be there with a special edition of the Feral Diagram in glicee prints, and a couple other formats (salivate). An ambitious exhibition like this is rare and not easy to come by so if you are in Los Angeles you must go.
For further information regarding this show and to read a great essay for the show written by Daniel Feral click here.
“Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)
Self-appointed moral custodians (mostly white men) have traditionally hampered the exploration of sexuality in formal art history and the academic canon of what gets celebrated and revered continues to evolve more quickly now. The sea change that modern social liberation that was once revolutionary is now a given, but the debate of the appropriate role of sex and sexuality in the arts is far from over. We may have just quashed one Trojan horse of social conservatism in the White House, but the radical right wing has pulled the center pretty far in the last decade and some have even said there was a war on women launched legislatively throughout 2012. So we are pleased to tell you about fine artist and Street Artist Robyn Hasty AKA Imminent Disaster, who has a new show in collaboration with Alex Pergament entitled “Dark Corners, Savage Secrets”. Furthering her exploration of photography Ms. Hasty has semi-retired her now well known hand cut paper pieces and lino prints on the street and traded the cutting knife for the camera. With this show of photographs, sculptures and performance art she’s aiming to tear apart the inhibitions associated with the sexual act. “Dark Corners, Savage Secrets” opens tomorrow at Weldon Arts Gallery in Brooklyn.
For further information regarding this show click here.
“Snap Back…” Rime and Toper at Klughaus (Manhattan)
Freshly snapping back to New York from their successful truck trip to Miami, Klughaus Gallery brings Brooklyn natives RIME and TOPER for their new exhibition titled “Snap Back – Dangerous Drawings About New York”. The storytelling show features illustration and painting inspired by personal stories. Says RIME. “This show aims to tap into our life experience coming up in New York.” Show opens Saturday.
For further information regarding this show click here.
New2 at White Walls (San Francisco)
The White Walls Gallery in San Francisco are fortunate to host Australian artist New2 with his solo show titled “In One Hand a Ghost, The Other an Atom”. New2’s work on the streets is complex and dynamic with aerosol, but his handcut collage work for the gallery is moreso somehow – maybe because of a painstaking process of arranging thousands of hand cut pieces of paper. This show opens on Saturday.
For further information regarding this show click here.
Also happening this weekend:
Dave Kinsey with “Everything at Once” at the Joshua Liner Gallery in Manhattan. This show is now open to the general public. Click here for more details.
Brett Amory at the 5 Pieces Gallery in Berne, Switzerland opens on Sunday with his solo show “Lil’ Homies”. Click here for more details.
RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)
Art in the Streets from MoCAtv
Swoon’s Konbit Shelter in Haiti (VIDEO)
Street Artist Swoon is looking to return to Haiti to build more shelters for people in the rural part of the country. This video gives a great look at the families and community who are helped. You also can participate by donating to the Kickstarter campaign to help Swoon make it happen.
Here’s our weekly interview with the street, today featuring AVOID, Dart, EKG, FKDL, Hellbent, How & Nosm, Ian McGillivray, ICH, Phlegm, Pop Mortem, See One, Veng from Robots Will Kill, Werds, Willow, and You Go Girl!
One note as we mark Veterans Day today in the US and this week had the re-election of a President, nothing can be more patriotic than helping out your neighbor in a time of need – and many of our neighbors here in New York still need your help. Please do what you can, whether it’s to donate food or supplies, offer a hand, or send money. Thanks.
Here are shots of the new GEOMETRICKS show as installed and opening this evening in Red Hook, Brooklyn at Gallery Brooklyn. These images look so austere and crisp, unlike the wildness on the canvasses, and nothing like the visual cacophony of the streets, where so much of this new abstractionist movement is happening. Guess that’s why they call this the “fine art” portion of the story, right?
Congratulations and thanks to all the artists, the gallery, the interns, and our Vandal/Visionary curator for this show, Hellbent. GEOMETRICKS runs for 6 weeks so if you would like to see it in person you are more than welcome.
Yo Yo what’s up all the Brooklyn peepuls and the New Yorkers and the LA’ers and the Chicago’ers and the Stavanger Norway buddies and shout out to Martha as she hangs in Johannesburg today and to everybody who’s brave enough to tap into the creative spirit. Today in Brooklyn it’s sunny and bright and there’s a bird singing on the chain link fence outside my house. As usual the place to be is where you’re at. Also, we’d be really happy to meet you tomorrow at our show in Red Hook if you can fly by.
1. Kit Kat Flex Dancer in Brooklyn (VIDEO)
2. GEOMETRICKS Opens Saturday (BKLYN)
3. Shai Dahan “Broken Window” (Sweden)
4. Fall Group Exhibition at C.A.V.E (LA)
5. Sydney curates a show on the Street (Australia)
6. “Luchadores” by El Hase is now open to the public at One Art Space in Manhattan.7. Ricky Powell is “Back in BK” and you can catch him tonight at Mishka in Brooklyn
7. PUBLIC WORKS PART I By Jason Wawro (VIDEO)
8. PUBLIC WORKS PART II By Jason Wawro (VIDEO)
9. Narcelio Grud: “Spiral” Invention and Graffiti (VIDEO)
10. TEJN Has a lock on Street Art (VIDEO)
11. Don John in Copenhagen by Alexander Lee (VIDEO)
Let’s start Friday by getting inspired by KitKat – a Brooklyn flex dancer who knows her stuff. (VIDEO)
GEOMETRICKS Opens Saturday (BKLYN)
Of course we had to put this one first because we have 11 cool artists showing work that collectively illustrates one of the major new directions that Street Art and Graffiti are going in right now.
The Red Hook neighborhood is where the fun will be this Saturday as the opening of “GEOMETRICKS”, curated by Hellbent, takes place at Gallery Brooklyn. With a FREE shuttle from the G/F Trains on Carroll St to the Gallery courtesy of local Brooklyn Crab restaurant, a Young Collectors Wall with dope pieces by the artists in the show all priced at $200 each (you must have valid student ID for these pieces), and music provided by Sleptember, you are going to see a slice of community we’ve all grown to love.
Support the inaugural show of “Vandal or Visionaries” Series by BSA and enjoy the beautiful art works by: Augustine Kofie, Chor Boogie, Drew Tyndell, Feral Child, Hellbent, Jaye Moon, Maya Hayuk, MOMO, OLEK, OverUnder, See One. Then join us at Brooklyn Crab to hang after the show – and the restaurant will be offering a FREE shuttle back to the G/F Trains. So what’s there not to like? And we thank our local Red Hook based sponsor, SixPoint Brewery.
For further information regarding this show click here.
Sydney curates a show on the Street (Australia)
It looks like the Australians’ love affair for Street Art continues strong. Ambush Gallery has teamed up with Darling Quartet, Sydney’s new precinct and public arts space to mount an outdoor exhibition opening to the public today. The works of art on view are by a handful of well known and respected Street Artists working today including: Anthony Lister (Bris/NY), Beastman (Syd), Shannon Crees (Syd) and Hiroyasu Tsuri/TWOONE (Melb). The exhibition is FREE, open 24/7 and it will be illuminated at night.
For further information regarding this show click here.
Also happening this weekend:
“Luchadores” by El Hase is now open to the public at One Art Space in Manhattan. Click here for more details on this show.
Ricky Powell is “Back in BK” and you can catch him tonight at Mishka in Brooklyn. Click here for more details on this show.
PUBLIC WORKS PART I By Jason Wawro (VIDEO)
PUBLIC WORKS PART II By Jason Wawro (VIDEO)
To learn more about LALA Arts Public Works Project with the participation of Ron English and Shepard Fairey, as well as How & Nosm, Insa, Push, Revok, Risk, Seen, Trustocorp, WCA Crew, Uglar and Zes click here.
Narcelio Grud: “Spiral” Invention and Graffiti (VIDEO)
TEJN Has a lock on Street Art (VIDEO)
Sculptor TEJN from Copenhagen broadens our conception of what street art and public art and sculpture are with his installations that he chains and locks and leaves. Basically, he’s just giving you his art, and if you really want it probably you will need a blow torch.
The show is looking great! And we’re happy to make a few new announcements below. We sent this out to the email list with an incorrect photo for the Kofie Augustine image below so if you got one of those in your email box we apologize.
JUST ANNOUNCED – FREE SHUTTLE BUS SERVICE courtesy Brooklyn Crab! Service from F/G train at the Carroll Street Station to the Gallery and crab house and back to the train, free.
Brand new gallery work from 11 Street Artists, including Augustine Kofie, Chor Boogie, Drew Tyndell, Feral Child, Hellbent, Jaye Moon, Maya Hayuk, MOMO, OLEK, OverUnder, See One.