All posts tagged: C215

BSA Film Friday: 05.31.13

May 31, 2013

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: Las Calles Hablan : Street Art in Barcelona, RONZO Goes pre-historic with Skatersaurus, SAMO© by Aaron Rose and Thomas McMahan.

BSA Special Feature:
Las Calles Hablan : Street Art in Barcelona

“Las Calles Hablan is a story about discovering a hidden world, an extraordinary subculture and the struggle between an artistic community painting for freedom of expression and an increasingly restrictive dogmatic government,” says Justin Donlon as he speaks about this hour long documentary he made with Silvia Vidal Muratori and Katrine Knauer.

An educational and unpretentious study of the spectrum of Street Artists and techniques currently at play in Barcelona, the team traces  the scene through personal observations and their network of local and international artists, local gallerists, and their connections globally via the Internet.


The film traces the trajectory from the Street Art/graffiti’s emergence at the end of the 70s following the Franco dictatorship and the rise of international hip-hop culture through the 90s into a sort of freewheeling golden era in the early 2000s. It also explains the current unease with the city, the professionalizing of the artists through a growing gallery practice, and the collaborative initiatives of some community leaders with artists.

Taking a straightforward documentary approach, the motivations and inspirations of current artists on the scene are presented without much of the exaggerated myth-making that more commercial hype vehicles often contain. Included in the examination are how community and local citizens and authorities have taken a constructive role in facilitating space and opportunities for some artists here and elsewhere, while the definition and appetite for illegal work ebbs and flows.

Featured artists:Zosen, Mina Hamada, Kenor, Kram, El Xupet Negre, Debens, Fert, Dase, SM172, Ogoch, Kafre, Aleix Gordo, Meibol, Eledu, C215, H101, Miss Van, Btoy, El Arte Es Basura, Konair, Gola, Vinz.

(Image above a screenshot of Vinz © Las Calles Hablan)

RONZO Goes pre-historic with Skatersaurus

A quickie with RONZO, who quickly demos how his latest charactor, the Skatersaurus, is created and installed.

SAMO© – Jean-Michel Basquiat
By Aaron Rose and Thomas McMahan

An electric train switch clicking and collaged short of distressed city clips paying homage to the free floating and cryptic phraseology of Basquiat as his street writing alter ego SAMO© . This new video directed by Aaron Rose and Thomas McMahan is a thrill cut to a New York graffiti era ever more cast in amber, a choppy popping scratching archival image soaked indictment/celebration of conformist chaotic consumerist culture and the struggle to pay the bills, backed by a mechanical nihlist beat you can pop and lock to while name-dropping like Fab Five Freddy.  Don’t push me cause I’m close to the Vogue.

Music by N.A.S.A. featuring Kool Kojak, Money Mark and Fab Five Freddy
Animations by Maya Erdelyi and Alexis Ross

 

 

 

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Images of the Week: 04.21.13

April 21, 2013

Here’s our weekly interview of the street, this week featuring $hota, Armer, bunnyM, C215, Curtis Kulig, DAO, Demian Smith, Essencia, Gyser, Irade, Joseph Meloy, Judith Supine, Love Me, Meres, Monsieur  Plume, Patch Whiskey, Raid Crew, Mr. Blob, Robert Janz, SEN2, Shiro, Smogk, Spagnola, Theo David, and Thomas Buildmore .

Top image > Spagnola (photo © Jaime Rojo)

Brand new Judith Supine on the rocks. (photo © Jaime Rojo)

Sen2 at 5Pointz. (photo © Jaime Rojo)

$howta and DAO (photo © Jaime Rojo)

$howta and DAO. Detail. (photo © Jaime Rojo)

Thomas Buildmore and his homage to Gaugin at Woodward Project Space. (photo © Jaime Rojo)

C215 big cat in Paris. (photo © Théo David)

We’ve seen a lot of fat cats, but never one this big. French Street Artist C215 finished it this week on a wall in the 13th arrondissment of Paris. Demian Smith, founder of Underground Paris, says the chat géant is “part of the neighborhood’s strategy to create an alternative tourism industry in this pretty ugly, working class area in the south of Paris.”  – Not the first time that Street Artists have perked a place up, just usually not on this scale. The strategy has so far included murals by Shepard Fairey, Inti, and Vhils, he says. Special thanks to Théo David for sharing these exclusive shots for BSA readers.

C215 big cat in Paris. (photo © Théo David)

Joseph Meloy (photo © Jaime Rojo)

Ishmael (photo © Jaime Rojo)

This forced collab with bunnyM and Robert Janz has a wild untamed energy, like a group of teens on a train at 3 pm. (photo © Jaime Rojo)

Sort gets right to the point, right? Love Me (photo © Jaime Rojo)

ZMOGK with Shiro overseeing at 5Pointz. (photo © Jaime Rojo)

Essencia (photo © Jaime Rojo)

Esscencia. Detail. (photo © Jaime Rojo)

Armer (photo © Jaime Rojo)

“Ain’t nothin I’m just tryin to get my paper, my paper.” That’s right Mr. Blob is getting paid at 5Pointz. (photo © Jaime Rojo)

Usually catching walls down south, Patch Whisky stopped in at the Bushwick Collective and also hit the En Masse installation. (photo © Jaime Rojo)

French artist Monsieur Plume of Raid Crew give Meres on the left a shout out at 5Pointz. (photo © Jaime Rojo)

Untitled. J Train. Broad Street Sta. April 2013. (photo © Jaime Rojo)

Thank you to Théo David for shooting the C215 wall in Paris for BSA. Visit Théo’s site here for more of his work. 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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Stencil Street Artist C215 Explores Haiti in Full Color

Stencil Street Artist C215 Explores Haiti in Full Color

April 17, 2013 ,

Parisian Street Artist C215 has been traveling again, this time to Port Au Prince in Haiti, where he drew many curious audiences during the week-long visit to watch him create his evocative stencil portraits on columns, in doorways, along narrow walkways, on rooftops, and in streets.

“It was a very strong experience for me personally.  I found it to be kind of a mix between the favelas of São Paulo and the suburbs of Dakar,” says the artist known for casting a light on homeless or otherwise disadvantaged citizens in cities around the world with his very personal stencil portraits.

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

While in Haiti meeting new people and learning as much as he could about the culture on the streets, he also was learning about a small new urban art organization that has goals of one day throwing their own festival with invited international artists. “Aude Hulot of the Kasav organization is guiding me in this anarchic city,” he reports as he carries bags full of aerosol paint through a back alley.

Only a few years ago C215 made his name in the Street Art world with one or two colors, white and black. Often he did his work using only white. With some sort of empathy at hand, he developed an uncanny ability to convey part of the essence of the people he depicted simply through a quickly sprayed stencil on a doorway, or on a dumpster. That sort of honesty in depiction, not shrouded by edifice, made his spare figures almost jump from the mottled and rusted surfaces they appeared on. Since he first began there have been many who have observed that his work inspired a number of new Street Artist – each trying their hand at cutting and spraying portraits. It’s not a bad legacy to tell the truth, but you can sometimes guess that the imitation isn’t always interpreted as flattery.

C215. Port Au Prince, Haiti. April 2013. (photo © Viktor Gjengaar)

These days C215 is making some wildly varicolored departures from the single hue  stencil that was once his signature. As he tells us in the interview below, a severe illness a few years ago caused his stark and haunting monochromatic images to suddenly become flooded with life, and without warning they became ebullient, even fantastic, in their audacious color combinations.  Looking at the wide range of people he has just created on these walls in Haiti, you know that C215 is again setting a standard with his ability to communicate personality, emotion, ease, rage, fear, and a true humanity on the street.

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

Brooklyn Street Art: How has your experience been in Haiti and what brought you here?
C215: A young woman living in Haiti, Aude Hulot, came to visit me in my studio one day in Paris and during her visit she asked me to come to Haiti to paint portraits in the streets of Port au Prince. She said she was part of a local arts association, Kasav and their goal is to promote urban art in the city – perhaps eventually to create a festival that attracts street artists to their city.

I was interested in experiencing and learning about the dramatic living situation of people in Port au Prince, and to see what has happened in the three years since the earthquake. Because I did not know if I would find a potentially dangerous environment or not, my good friend Viktor Gjengaar from Norway came along – he also helped to document the trip properly with photos and video.

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

Brooklyn Street Art: Can you talk about how you prepared for the trip with your art materials.
C215: I came with a whole collection of Caribbean portraits, a few hummingbirds and tropical flowers, so that the local people could appreciate my art with local subjects. They all understood that way that what I was painting was a clear tribute to their culture, and not simply a Western marking on their walls.

Brooklyn Street Art: When you are selecting individuals for their portrait, what qualities are you looking for?
C215: I simply need to get inspired. I’m not looking for famous people; Instead I look for anonymous ones who anyone can identify with. I learned that it was important in Haiti that no portrait could be understood as a political or a religious message – to avoid possible arguments or controversy.  Local citizens were also paying attention to my work to insure that none of the persons whom I painted was dead, because of a concern about the ghost’s spirits. This is part of a prevalent belief in Voodooism that is very strong there.

C215. Port Au Prince, Haiti. April 2013. (photo © Viktor Gjengaar)

Brooklyn Street Art: You could simply reprise one of your earlier stencils from other cities on the street here. Why do you make new ones for new locations?
C215: I mixed up old and new ones, but all them were fitting with the island spirit. I did cut two new portraits based on anthropological studies from the very early nineteenth century; the portraits were of a couple to be precise. As a way to evoke the slavery period I painted them next to bars. Haitian culture has deep memories of slavery and I wanted to pay a tribute to this sad memory.

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

Brooklyn Street Art: Can you talk about the portrait of the kid with the gun in his hand?
C215: This portrait is based on an image by the famous photographer, Steve McCurry. I painted it in one of the wealthiest districts of Port au Prince as a way to evoke the economical and physical violence on the island. I hope it might also draw attention to the reality of street kids who are living in Port au Prince.

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

Brooklyn Street Art: You have spoken before about your concept of your work in the street as community service. Do you feel that you have been providing a service to part of the community here?
C215: I participated in a fundraiser for Haiti in 2010 with Brooklynite gallery but I thought that going to paint by myself in the slums of Port au Prince was rather a social, if not political act. As time has passed I sadly see that nowadays street art is less and less dedicated to the “street people” and it is more often created for the possible collectors.

There are no street art collectors in Haiti, so I think that even though my work is represented by the wealthy Opera Gallery I would like to go paint in one of the 10 poorest countries of the world, and in some way this is a kind of a Community Service. Everybody around me was speaking, before my departure and during my stay, about the risks I was taking by going to paint in a city unfortunately famous for tourist’s kidnappings and murders.

I experienced the city as a street painter and nothing else: I stayed there one week, painting in almost all districts and especially the “red zone”, and I can say that nothing happened and that I felt no threat. So without offering too quick of a conclusion about the island, if Haitians are absolutely poor, I can personally say they like art and respect artists. I felt everywhere I was welcome and my art got a very good reception.

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

Brooklyn Street Art: For many people, one mark of a successful street artist is when they pick the right location for their piece, and the context it appears in. What helps you decide where a piece should be?
C215: Instinct, experience, and the vision I have of the final result before beginning to paint. It is somewhere very technical. I am not looking for the best place to advertise, moreover that I usually paint very small portraits to stay discrete. I am looking for the best result.

Brooklyn Street Art: Your color palette has become so vibrant and full of color in the last couple of years. How has the experience been to using so much color?
C215: Colors became very strong in my works in 2009 after I caught meningitis in Morocco. I lied in complete darkness for one month and when dreaming I had the vision of portraits painted exclusively with very bright colors. I discovered the way to create the images in my dreams and this new palette has had an impact in the streets, making my portraits very eye-catching to people. Using all this color also means I’m taking a greater risk of getting caught that, since it takes longer to paint with many colors than a quick stencil in black or white. I enjoy adrenaline. It was a very good way to turn my works more singular. Now I go painting outside with several cans, but also acrylics, inks and varnishes.

C215. Port Au Prince, Haiti. April 2013. (photo © Viktor Gjengaar)

Also I am using color because I get very quickly bored of repeating the same process, the same technique … I know that many artists on the street like to repeat the same kind of work all their life long but this process could not fit with my personality. I have no idea what I will be painting in the next five years, or even if I will be continuing to paint.

Brooklyn Street Art: Has your line become more relaxed in recent years?  It looks like it has a little more fluidity, perhaps more of a feeling of motion.
C215: It is a natural evolution. I pay a little less attention to realistic details and a little more to style. Colors helped me to go into subtle lining since my work is now less based on contrast and sketch effects. Many stencil artists work now in white or black and white in the style I had from 2007 to 2009, working on the same kind of subjects like old people, homeless or sad kids – from Portugal to Iran. So I am happy that this new colored style has helped me to create a distance from what is now a kind of “stencil school” or a global movement. Maybe one day I will come back to white stencils: I like to contradict myself.

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

Brooklyn Street Art: When we think of the artist Gaugin and the impact that the colors of Tahiti had on his painting, do you think the climate and culture of Haiti influenced your choices of colors?
C215: When I was looking at pictures of the city during my research I was impressed by the vivid palette that Haitians use to decorate shops and buses; Art is almost everywhere in the city. I decided to blend in with the scene by using the same colors that I found in the city. Gauguin was looking for the “good savages” in the Pacific islands, but my research is different: I perfectly know that there are no “savages” anymore in this world, only human beings who are equal to me, but from different cultures.

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

Brooklyn Street Art: You had an audience for many of these pieces while you were putting them up.  Is it difficult to do the work while people are watching and joking and conferring and talking?
C215: I painted more than fifteen pieces in seven days and every piece took me approximately 30 or 40 minutes to complete. Every time a little crowd gathered to watch what I was painting and I tried to stay focused on my job. When finished, I would speak with one of the people watching so that the others could  get an explanation regarding my activity.

Luckily for me Aude Hulot from Kasav always helped to explain to people in their own languages what was the meaning of my work in Port au Prince. I encourage artists who are interested in going to paint there to contact the Kasav association and I am sure they will find them to be a very great help. (http://www.facebook.com/ArtStreetVizyon).

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

C215. Port Au Prince, Haiti. April 2013. (photo © Viktor Gjengaar)

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

C215. Port Au Prince, Haiti. April 2013. (photo © C215)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This article also appears on the Huffington Post

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Cat People and Dog People ; Street Artists Bring Trusted Friends

February 6, 2013

Street Artists are just as attached to their pets as anybody else, and given their reputation for being sort of secretive loners, maybe more. It’s not common but the appearance of cats and dogs on the street without leashes happens once in a while in carefully rendered drawings, illustrations, paintings, stencils, wheatpastes and stickers.

C215 (photo © Jaime Rojo)

Whether it’s the formal portrait studio quality of C215’s cat stencils, Tazz’s red-nosed glowering dog stickers, or the plump and wide eyed feline hunter wheat-pastes of QRST, these animals are an important aspect of the autobiographical nature of today’s Street Art scene.  It is said that observing a pet gives you a good idea about an owners disposition. If so, what would you say about the artist who uses an animal, whether as portrait, amulet, or metaphor – to tell their story on the public thoroughfare?

C215 wiht lil’ brother on the bottom by LMNOP. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

P. S. (photo © Jaime Rojo)

Jaz and Cern collab. (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

QRST (photo © Jaime Rojo)

QRST. Detail. (photo © Jaime Rojo)

Blu Dog (photo © Jaime Rojo)

Raemann (photo © Jaime Rojo)

Elbow Toe cat got some company from KUMA. (photo © Jaime Rojo)

Elbow Toe (photo © Jaime Rojo)

C215 (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Le Raoul (photo © Jaime Rojo)

LNY (photo © Jaime Rojo)

Faile. Detail (photo © Jaime Rojo)

A happy flying kitty at the High Line Park. (photo © Jaime Rojo)

W (photo © Jaime Rojo)

WK  Interact. Detail. (photo © Jaime Rojo)

Red Nose aka Tazz (photo © Jaime Rojo)

Red Nose aka Tazz (photo © Jaime Rojo)

 

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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London Calling : Fresh Art from the Streets

January 28, 2013

London is looking alive and on top of things at mid-winter, with a great variety of materials and techniques, imaginative styles and of course varying results, according to your tastes. During a quick trip on a somewhat blizzardish day, photographer Geoff Hargadon found “tough conditions: snowy, cold as f***, and a camera battery that refused to stay charged.” Tough going for the intrepid Street Art photog you see. Of course the upside of inclement weather is that no one is outside to obscure your shot. Except the falling snow, that is.

Vhils (photo © Geoff Hargadon)

From the comfort of you warmly glowing flatscreen, this selection of pieces looks like Street Art in London is largely mural based, right now, as much of the scene continues to be. The players are more or less familiar to your eyeballs, with a few newbies on the scene.

Enjoy these exclusive shots just for BSA readers. And special thanks to Geoff for his heroism and for sharing these scenes with us.

Shok-1 with RemiRough (photo © Geoff Hargadon)

Local favorite Stik shows what may be a lady in a burka in this coupling. (photo © Geoff Hargadon)

Stik (photo © Geoff Hargadon)

Stik, simple, and effective. (photo © Geoff Hargadon)

Calm (photo © Geoff Hargadon)

This sculptural installation appeared during the London Olympics, the arrows of the gods falling like rain and piercing the side of this building. The installations around the city included javelins, shot puts, bows and arrows and is called “Gifts of the Olympic Gods”.(photo © Geoff Hargadon)

Nasa . Milo Tchais (photo © Geoff Hargadon)

Obey looking completely graphic while the snow falls. (photo © Geoff Hargadon)

This dude doing a head spin is by Run. (photo © Geoff Hargadon)

finDAC (photo © Geoff Hargadon)

Jimmy C (photo © Geoff Hargadon)

David Walker (photo © Geoff Hargadon)

El Mac (photo © Geoff Hargadon)

The Frenchman C215 is in the window (photo © Geoff Hargadon)

Phlegm brings one of his creatures into the street dimension, looking like he is ready to inspect somebody’s backpack.  (photo © Geoff Hargadon)

Phlegm (photo © Geoff Hargadon)

Excellent use of the front of this bus by Phlegm. Might mess up the visibility though. (photo © Geoff Hargadon)

ROA’s prickly friend looks startled. Could be excited about the new super sewer for London.  (photo © Geoff Hargadon)

D*Face crushes a car . Invader . Obey (photo © Geoff Hargadon)

Burning Candy is awfully monochromatically romantic in a digital sort of way.  (photo © Geoff Hargadon)

Burning Candy and a sliced screen series from BomK Liliwenn (photo © Geoff Hargadon)

Canvaz. Sort of like Warhol portraits of Darger’s Vivian girls, but that’s just me. (photo © Geoff Hargadon)

Amigo . Malarky . Milo Tchais (photo © Geoff Hargadon)

 

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Shooting Gallery Presents: Winter Group Show. (San Francisco, CA)

January 7, 2013

Shooting Gallery is pleased to present the last Winter Group Show to be held in the current gallery at 839 Larkin, before our big move to a newly renovated building. Helping us go out with a bang will be a great lineup of many of our beloved artists, including Ferris Plock, Casey Gray, APEX, Michael Page, Aaron Nagel, John Felix Arnold, Hugh Leeman, Jet Martinez, C215, Ernesto Yerena, Morgan Slade, Spencer Keeton Cunningham, Lauren Napolitano, Adam Rozan and Bryan Schnelle.

https://www.facebook.com/events/402304229850922/

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Fun Friday 12.14.12

December 14, 2012

Hey bro and sis! Here are some of our favorite picks for the weekend around the global way as we head into the final holiday and New Year beauty that we hope everyone is surrounded by. Happy 7th night of Hanukkah to the Jews, and Happy ongoing holidayz to the Christmas and Kwanzaa and Solstice people.

1. 215 “Orgullecida” (Barcelona)
2. “Kids Eat For Free” at Tender Trap (BKLN)
3. Fresh Low-cost Original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)
4. “Graffuturism” at Soze Gallery (LA)
5. “Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)
6. “Snap Back…” Rime and Toper at Klughaus (Manhattan)
7. New2 at White Walls (San Francisco)
8. Dave Kinsey “Everything at Once” at Joshua Liner (Manhattan)
9. Brett Amory at 5 Pieces (Switzerland)
10. RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)
11. Swoon’s Konbit Shelter in Haiti (VIDEO)

215 “Orgullecida” (Barcelona)

French Street Artist C215 has a new solo show titled “Orgullecida” at the Montana Gallery in Barcelona, Spain. The artist has been for awhile using a lot of color with his multilayered stencil work – expanding his established vocabulary bravely in a way that most artists are too afraid to do. His portraits are placed well, are individually hand-cut, and sprayed with a sense of the humanity he’s always giving center stage.  This show is now open to the general public.

A one color stencil from an earlier period by C215 on the streets of Brooklyn, NY. (photo © Jaime Rojo)

A detail from a more recent C215 (© and courtesy the gallery)

For further information regarding this show click here.

“Kids Eat For Free” at Tender Trap (BKLN)

A phrase lifted from restaurant franchises that serve food like you are livestock at a trough, “Kids Eat For Free” is a mini survey of train riders who know the back sides of the country well. Under the moniker of The Superior Bugout, curator Andrew H Shirley continues to explore fresh talent from the emerging margin, and this group exhibition features work by North Carolina’s NGC Crew. Now open, and don’t forget the kids!

For further details regarding this show click here.

Fresh Low-cost original Silkscreens at “First Worldwar in Silkscreen” Group Show (BKLN)

The best way to support your local artist is to give their stuff as a Christmas/Hanukkah/Kwanza/Soltice present. No kidding. Everybody wins. Tonight a show of original silkscreens at totally reasonable prices is at Low Brow Artique in Bushwick. For tonight’s opening of their silk screen print show where you’d be able to purchase prints for $20…yes you read it right $20 bucks buys you art from 25 artists – many of them with work on the street – from Sao Paulo, Brooklyn, Buenos Aires and Berlin. Participating artists include: Selo, Markos Azufre, Hellbent, El Hase, ND’A, XOXU, Daniel Ete, Salles, Baila, Anderson Resende, DOC, SHN, XILIP, Serifire, Vero Pujol, Marquitos Sanabria, Diego Garay, Desastre, and Head Honcho.

Head Honcho. (photo © Jaime Rojo)

Salles (photo © Jaime Rojo)

For further information regarding this show click here.

“Graffuturism” at Soze Gallery (LA)

This is like an exclamation point for the end of the year. No kidding.

POESIA, founder of Graffuturism, the term and website, continues to explore the depths of “Progressive Graffiti” or, as it was previously known, “Abstract Graffiti”. With great intelligence, passion and an acute eye for detail, POESIA brings to the forefront the importance and beauty of this emergent new direction that is impacting the Street Art and graffiti scene (with ramifications for others).

“Graffuturism” opening tonight at Soze Gallery in Los Angeles and promises a smart-headed visual feast of shapes, patterns and color from a mini-galaxy of talent from all over the world. Perhaps more significantly, it’s a bit of a decentralized movement that has been centralized for you. The artists list includes: 2501, Aaron De La Cruz, Augustine Kofie, Boris “Delta” Tellegen, Carl Raushenbach, Carlos Mare, Clemens Behr, Derek Bruno, Doze Green, Duncan Jago, DVS 1, El Mac, Eric Haze, Erosie, Franco “Jaz” Fasoli, Futura, Gilbert 1, Greg “Sp One” Lamarche, Graphic Surgery, Hense, Hendrik “ECB” Beikirch, Jaybo Monk, Joker, Jurne, Kema, Kenor, Lek, Marco “Pho” Grassi, Matt W. Moore, Moneyless, O.Two, Part2ism, Poesia, Rae Martini, Remi Rough, Samuel Rodriguez, Sat One, Sever, Shok-1, Sowat, Steve More, West and Will BarrasSoze Gallery in Los Angeles .

Also New York chronicler and enthusiastic lover of the graff/street art scene  Daniel Feral will be there with a  special edition of the Feral Diagram in glicee prints, and a couple other formats (salivate). An ambitious exhibition like this is rare and not easy to come by so if you are in Los Angeles you must go.

El Mac on the streets of NYC. (photo © Jaime Rojo)

For further information regarding this show and to read a great essay for the show written by Daniel Feral click here.

“Dark Corners, Savage Secrets”, Photography by Imminent Disaster (BKLN)

Self-appointed moral custodians (mostly white men) have traditionally hampered the exploration of sexuality in formal art history and the academic canon of what gets celebrated and revered continues to evolve more quickly now. The sea change that modern social liberation that was once revolutionary is now a given, but the debate of the appropriate role of sex and sexuality in the arts is far from over. We may have just quashed one Trojan horse of social conservatism in the White House, but the radical right wing has pulled the center pretty far in the last decade and some have even said there was a war on women launched legislatively throughout 2012. So we are pleased to tell you about fine artist and Street Artist Robyn Hasty AKA Imminent Disaster, who has a new show in collaboration with Alex Pergament entitled “Dark Corners, Savage Secrets”. Furthering her exploration of photography Ms. Hasty has semi-retired her now well known hand cut paper pieces and lino prints on the street and traded the cutting knife for the camera. With this show of photographs, sculptures and performance art she’s aiming to tear apart the inhibitions associated with the  sexual act. “Dark Corners, Savage Secrets” opens tomorrow at Weldon Arts Gallery in Brooklyn.

Imminent Disaster and Alex Pergament (exclusive photo for BSA © courtesy of the artist)

For further information regarding this show click here.

“Snap Back…” Rime and Toper at Klughaus (Manhattan)

Freshly snapping back to New York from their successful truck trip to Miami, Klughaus Gallery brings Brooklyn natives RIME and TOPER for their new exhibition titled “Snap Back – Dangerous Drawings About New York”. The storytelling show features illustration and painting inspired by personal stories. Says RIME. “This show aims to tap into our life experience coming up in New York.” Show opens Saturday.

Rime and Toper shown here with Dceve in NYC. (photo © Jaime Rojo)

For further information regarding this show click here.

New2 at White Walls (San Francisco)

The White Walls Gallery in San Francisco are fortunate to host Australian artist New2 with his solo show titled “In One Hand a Ghost, The Other an Atom”. New2’s work on the streets is complex and dynamic with aerosol, but his handcut collage work for the gallery is moreso somehow – maybe because of a painstaking process of arranging thousands of hand cut pieces of paper. This show opens on Saturday.

New2. Detail of one of his hand cut paper pieces. (photo © courtesy of the gallery)

New2 on the streets of San Francisco. (photo © courtesy of the gallery)

For further information regarding this show click here.

Also happening this weekend:

Dave Kinsey with “Everything at Once” at the Joshua Liner Gallery in Manhattan. This show is now open to the general public. Click here for more details.

Brett Amory at the 5 Pieces Gallery in Berne, Switzerland opens on Sunday with his solo show “Lil’ Homies”. Click here for more details.

RISK: The Skid Row Mural Project by Todd Mazer (VIDEO)

Art in the Streets from MoCAtv

 

Swoon’s Konbit Shelter in Haiti (VIDEO)

Street Artist Swoon is looking to return to Haiti to build more shelters for people in the rural part of the country. This video gives a great look at the families and community who are helped. You also can participate by donating to the Kickstarter campaign to help Swoon make it happen.

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Best Miami Street Art: BSA Picks Awesomest for Basel ’12

December 5, 2012 , , ,

BSA Recommends: Where to Hit for the Best Street Art

Art Basel is set to whip Miami into a sea-foamy art-star laden froth this weekend, but art on the street is the unofficial engine that will be keeping it real. No one can doubt that the wave of Street Art, this first global grassroots peoples art movement, is sort of everywhere now, haters be damned.

The ugly streets of the Wynwood District easily get as much traffic as the big commercial art fairs even though there is no guest list or ticket price. It feels remarkably different to see the marbled horde exploring art in the public realm, posing for photos with each other in front of pieces, talking with the artists as they paint, sharing their favorite discoveries on Instagram.  This is the art of this moment, and there is just something more democratic about it all.

Our list, in no particular order, doesn’t even include the main fair actually. Hit the streets!

1. Wynwood Walls
2. Fountain Art Fair
3. The Factory Art Show
4. Scope Fair
5. Pulse
6. Miami Project Art Fair
7. Context
8. Primary Projects
9. BLADE at Adjust Gallery
10. A Box Truck Caravan from Klughaus
11. Snyder “Urban Pop Up Gallery”

We have sifted through the offerings in Miami for 2012, and made some selections to help you see Street Art inside and outside, by brand new artists and some with 40 years in the game.  Take your camera, take your sneakers, and take your love of the creative spirit.

Wynwood Walls

Arguably one of the main reasons that Street Artists began pouring into Miami in the late 2000s, Wynwood Walls opened the streets to the gallery world and increasingly galleries are opening doors to these artists from street. Wynwood Walls founder Tony Goldman would have wanted it that way and is credited by many artists as the first guy to give their art a chance to be seen.

WW doesn’t stop this year even as the recently departed real estate developer will be on many minds, not the least because of the huge wall installation by Shepard Fairey honoring him as a benefactor of the arts.

A well mixed list of internationally known and emerging names are featured on a slightly shorter list this year including: How & Nosm, MOMO, DAZE, Shepard Fairey, Jesse Geller (Nemel, IRAK), Faith47, Daleast, Santiago Rubino, POSE and Kenny Scharf. The out door walls are complemented with an indoor exhibition featuring new works on canvas by AIKO, Logan Hicks, How & Nosm and Futura.

How & Nosm. Wynwood Walls 2011. (photo © Jaime Rojo)

For more information about wall locations and all the artists click here.

Fountain Art Fair

A loosely spun ball of misfits and future art stars, Fountain Art Fair always flies just under the radar of it’s more tony neighbors with its somewhat haphazard staging and the kind of unpretentious collaborative punk flophouse environment that gives rise to many Street Artists on the scene today. If you don’t need your art spoon-fed, you’ll find a link to the future here in the motley D.I.Y. parade. Also, a few really strong talents. As usual Fountain is making certain to spill outside the white box, onto the streets and onto the walls. This year line up of Street Artists painting the Fountain Wall include:

Rone, Australia | LNY, New Jersey | PLF, Atlanta | Trek Matthews, Atlanta | Jaz, Argentina | Elian, Argentina | Ever, Argentina | Dal East, China | Faith 47, South Africa | Molly Rose Freeman, Tennessee | Dustin Spagnola, North Carolina | Pixel Pancho, Italy | Never 2501, Italy | Sam Parker, Atlanta | GILF!, NYC | EnMasse, Canada | Lauren Napolitano, Oakland CA | Joe Iurato, NJ | Anne Preece, LA | Nobody, NYC | Pastel, Argentina | Hec One Love, Miami.

RONE. Wynwood Arts District, Miami 2011 (photo © Jaime Rojo)

For more information and schedule of events for Fountain Art Fair click here.

The Factory Art Show

A little more on the commercial tip, Juxtapoz Magazine and its minion are leaders in blasting open minds to help you enjoy delicious tattoo art, graffiti art, Street Art, pop surrealist and dark pop, erotic art, and of course hypnotically animated gifs. Here Jux teams up with Mixed Media Collective to bring you an indoor and outdoor exhibition featuring a left coast imbued view of the street with national and international artists including: 131, Abstrkt, Alex Yanes, Myla (of Dabs & Myla), DALeast, Evoca1, Faith47, Jose Mertz, Lebo, Tatiana Suarez, Toofly, and La Pandilla among others.

Tatiana TATI Suarez at The RC Cola Factory in The Wynwood Arts District of Miami, 2009. (photo © Jaime Rojo)

For more information about THE FACTORY art exhibition click here.

Scope Fair

Scope Art Fair is a few steps removed from the street, even as it deeply mines that vein and packages it for sale. Big sale. Usually high quality and undoubtedly commercial, the fair aims for deeper pockets and the art trade while still trying to maintain the accessible, challenging works that accomplished GenX collectors are looking for.  Not surprisingly, artists once known exclusively as Street Artists are all up in there too.

Scope’s roster of galleries includes many that represent Street Artists from around the world including:  Cory Helford Gallery from Culver City, CA will be presenting D*Face and Buff Monster. Galerie Swanström from NYC will be presenting Gilf!  White Walls Gallery from San Fransico, CA. will be presenting C215, Herakut, Augustine Kofie, Logan Hicks and Niels Shoe Meulman. Andenken Gallery / The Garage from Amsterdam, Spoke Art Gallery from San Francisco and Thinkspace from Culver City, CA will also have booths at Scope. Scope Art Fair includes a large variety of programs along with their main exhibition including Red Bull Curates with artists Cosbe and Claw Money among others and Anthony Spinello curates TYPOE.

Buff Monster at Wynwood Arts District, Miami. 2011 (photo © Jaime Rojo)

For a full listing of exhibitors, programs and other details click here.

Pulse

Pulse Art Fair insists on paring works on canvas with art installations as a way to engage the public and make the art viewing experience (and hopefully the art buying experience) far less clinical and more accessible. Detailed, immaculate, and approachable, Pulse is always a must to visit if you are doing the fair circuit. This year as in previous years Pulse has included some of the most important art galleries representing and promoting the work of internationally established Street Artists. Some examples: LeBasse Projects from Culver City, CA will be presenting Herakut, The Joshua Liner Gallery from NYC will be presenting Stephen “ESPO” Powers, and The Jonathan LeVine Gallery from NYC will be presenting a solo exhibition by French Street Artist and tilest INVADER.

Invader. South Beach, Miami. 2010 (photo © Jaime Rojo)

For a full listing of exhibitors, programs and other details click here.

Miami Project Art Fair

One to watch, The Miami Project Art Fair originates from peeps in Williamsburg, Brooklyn and has about 70 galleries in its inaugural showing with contemporary and modern art offerings.  We expect this fair to provide the already charged air with an extra bolt of energy. One worth hitting is the Cooper Cole Gallery from Toronto, Canada will be presenting Brooklyn’s own Maya Hayuk.

Maya Hayuk. Monster Island, Brooklyn, NYC. November, 2009. (photo © Jaime Rojo)

For a full listing of exhibitors, programs and other details click here.

Context

Context is one of the newest fairs, and will feature French Street Artists RERO and Speedy Graphito, represented by the Fabien Castanier Gallery from Studio City, CA.

Speedy Graphito “Urban Dreamer” (photo courtesy of the gallery)

For a full listing of exhibitors, programs and other details click here.

Primary Projects

Honorable mention here for the originators of the Wynwood outdoor graffiti (and Street Art) exhibitions that pre-date the official Wynwood Walls and were run on a shoelace budget and lots of hustle, Primary Flight. This year as a gallery project they have refocused their scope and present a full installation by multidisciplinary artist Kenton Parker. He is planning to bring his “Taco Shop” to the 8th floor of the Soho Beach House in Miami Beach.

Kenton Parker. “Las Lucky’s” Taco Shop. (photo © Peter Vahan)

From the Primary Flight press release: “How do you encapsulate the underground, past-midnight culture of Los Angeles into a single structure? For multimedia artist Kenton Parker, his establishment stationed outside the fashionable Las Palmas nightclub brings the beautiful people back to their basic needs; everyone pays the same dollar for the same after-party, hangover fare. Sharply crafted from tile mosaic, Parker’s standalone shop offers patrons everything from sodas to recovered fake Louis Vuitton wallets, from spray paint to Nerds candy boxes”

For a full listing of Primary Projects exhibitions and other details click here.

ALSO HAPPENING IN MIAMI THIS WEEKEND:

In addition to the perhaps 100 or so Street Artists participating this year in the established art fairs and galleries, there will be dozens of installations outside the sanctioned venues. So far Miami is still in love with it all – both legal and illegal installations provide the essential ethos of an art world invasion. Without these artists and independent stagings away of the glitzy openings and glare of cameras, these art fairs and  just feel like “commerce”.  Some other gigs to check out :

BLADE at Adjust Gallery

Adjust Gallery in Miami will be hosting an exhibition of legendary Graffiti New York artist BLADE. Vernissage: December 6 from 4:00 p.m. to 9:00 p.m. at Adjust Gallery Miami, 150 NW 24th Ave (305) 458-2801.

Blade in MoCA Los Angeles for Art in The Streets. (photo © Jaime Rojo)

A Box Truck Caravan from Klughaus

Klauhhaus Gallery has been mounting some of the best graffiti/Street Art/tattoo/low brow shows in NYC since the gallery opened in Chinatown in 2011. We give it up for these ruggedly smart idea people who will be making their inaugural trip to Miami. With a caravan of box trucks parked strategically in the Wynwood Arts District their artists will be live painting on the trucks and the trucks will parade around showcasing a mobile gallery as the trucks will in fact be moving canvases. The trucks will feature art by: RIME, TOPER, DCEVE, WANE, SP, CES, OBLVN, STAE2, GOREY among others.

Rime . Dceve . Toper (photo © Jaime Rojo)

For more information about live painting schedule and locations click here.

Snyder “Urban Pop Up Gallery”

And finally there is Snyder, who is just one of the intrepid D.I.Y. artists who inspire you with their will to succeed – even without being plugged in to the scene. From the artist’s press release: “Snyder, a Southern California based street artist, will be installing his ‘Urban Pop Up Gallery’ in the streets of Miami. With no contacts, no pre-arranged walls, no assistants and in a city never previously visited, Snyder attempts to install 30+ pieces of art in the streets of Miami over a 7 day period, ultimately curating his 2nd large scale ‘Urban Pop Up Gallery”.

 

 

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Montana Gallery Presents: C215 “Orgullecida” (Barcelona, Spain)

November 28, 2012 , , , , , ,

C215

C215 (Francia)

Inauguración Miércoles 12 de Diciembre del 2012.
Exposición del 13 de Diciembre al 02 de Febrero del 2013.

“Trato de interactuar con lo que me rodea, motivo por el cual intervengo la calle aportando elementos y personajes que tienen una estrecha relación con las calles. Me gusta enseñar ciertos aspectos y personas que la sociedad trata de mantener ocultas, como la gente sin techo, los fumadores, los granujas buscavidas, o la peña del barrio en los parques, por ejemplo.”

Christian Guémy, también conocido como C215, es un artista callejero parisino cuyo trabajo gira entorno al stencil graffiti. Nació en 1973, empezó a pintar en 2005 y se podría decir que, a día de hoy, es uno de los stencil artists más productivos dentro de la escena del street art .

Cada una de sus plantillas, con las que te has podido cruzar en las calles de ciudades tan diversas como Nueva Delhi, Londres, Estambul, Roma, Barcelona o Paris, tienen un significado especial por el sitio en el que han sido realizadas. Un singular estilo que nos ofrece impactantes retratos de gente corriente, representados con un aire digno y orgulloso, cargados de expresividad y que inciden por este motivo en el particular hecho de que se trata de individuos a los que la sociedad ha dado la espalda.

Montana Gallery presenta ahora la primera exposición en solitario de C215 en la ciudad de Barcelona, y en la que nos muestra una serie de instalaciones con objetos reciclados y pintados, en un intento de explorar el amor a través de la feminidad.

Montana Gallery
Barcelona

Carrer Comerç, 6
08003 Barcelona
T/F: (+34) 932 680 191

gallery@montanacolors.com

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Fun Friday 10.12.12

October 12, 2012

Looks like the Yankees could have used Joe Biden last night. “Who is this grandpa man?”, said my homey Ikbar behind the counter at the news stand, irritated that the Vice President has to hog half the cover of the New York Post from Derek Jeter. Guess the Scranton Slugger was knocking them out of the wrong park for some New Yorkers last night.

Also, anybody know why there are 10 TV vans with their saucers rotating on top and kleig lights at the end of their extended electronic probes blinding innocent semi-sleeping commuters walking by the Marcy projects in Brooklyn this morning? Saw Blondy McBlonderwig with perfect teeth and fishbowl eyes shrieking in a trench coat in front of the camera on the way to the M train, safely behind all the “crime scene” tape.  Think the news has decided to do a story on the class war?

And now LIVE, here are the important up-to-the-minute stories we’re following for you this hour on WBSA.

1. Bedlam in London
2. Jaye Moon Breaks the Code (NYC)
3. Moniker 2012 (London)
4. John Breiner at Mighty Tanaka (Brooklyn)
5. “Good Guys” in Chicago
6. "Street Art Live" in Da Bronx All Day Sunday
7. SANER "Catharsis" From The Cinema (VIDEO)
8. I Love Paris Volume 5 by kouettv (VIDEO)

Bedlam in London

If you are in London this weekend and are feeling spooky and wild, nevermind that tame Madame Tussard – turn your GPS to “BEDLAM”, Lazarides new group exhibition underground in the Old Vic Tunnels. With artists including Antony Micallef, Artists Anonymous, ATMA, Conor Harrington, Dan Witz, Doug Foster, Ian Francis, Karim Zeriahen, Kelsey Brookes, Klaus Weiskopf, Lucy McLauchlan, Michael Najjar, Nachev, Tessa Farmer, Tina Tsang, Tobias Klein, War Boutique and 3D all of them working on the theme of pandemonium. Inspired by the infamous mental hospital, we were expecting to see Boris Karloff popping around the corner while appreciating scary art that experiments on your brain. Welcome.

Dan Witz on the streets of Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

Jaye Moon Breaks the Code (NYC)

She’s been constructing on the streets for a year or two, but her main tricks have been in the gallery for about a decade. Street and Fine Artist Jaye Moon has a new solo show titled “Breaking the Code” at the Newman Popiashvili Gallery in Manhattan so you can see where some of this Lego madness came from. Study the numbers and the text and break the code. And don’t forget to hit up Red Hook Brooklyn because Jaye Moon is also an artist in GEOMETRICKS currently on view at Gallery Brooklyn.

Jaye Moon on the streets of Manhattan. (photo © Jaime Rojo)

For further information regarding this show click here.

For further information regarding GEOMETRICKS click here.

Moniker 2012 (London)

MONIKER ART FAIR is in full swing and open for business until this Sunday. Take a trip to The Village Underground in Shoreditch if you are interested on seeing original works of art by some Street Artists who are moving the conversation on the streets right now. Remi Rough, Penny, Niels ‘Shoe’ Meulman, Ludo, Jorge Rodríguez-Gerada, Hush, C215, Ben Slow are all represented with installations and new works of art.

HUSH on the streets of Manhattan. (photo © Jaime Rojo)

For further details and a full list of artists and schedules click here.

John Breiner at Mighty Tanaka (Brooklyn)

Not a Street Artist but seemingly always in the street mix – maybe he has a lot of Street Art friends or something because Jon Breiner has been at a lot of events over the last couple of years and we’ve had the opportunity to see his studio work evolve so here’s a shout out. Breiner might be one of those definitely underrated fine artists that you don’t pay much attention to and then BAM!, where the hell did this kid come from? A curator of shows and DJ, Breiner goes deep below still waters; Fastidious in his craft Mr. Breiner’s work gets close and personal, meticulously drawn and painted, portaits with weight intricately real and occasional surreal little stories with plots that are off center. His new show titled “Sooner or Later We All Make the Little Flowers Grow” opens tonight at the Mighty Tanaka Gallery in DUMBO.

John Breiner. Detail. (image courtesy of the gallery)

For further information regarding this show click here.

“Good Guys” in Chicago

Wanna know who “The Good Guys” are? Head over to 2381 Milwaukee Ave. in Chicago where The HOTBOX MOBILE GALLERY new group show will open tomorrow showcasing local talent of Chicago born and raised Street Artists including, Left Handed Wave, Brooks Golden, Clam Nation, Don’t Fret, Espir, Nudnik, Lucx and Nice-one.

Nice One on the streets of Brooklyn. (photo © Jaime Rojo)

For further information regarding this show click here.

“Street Art Live” in Da Bronx All Day Sunday

This Sunday the Sermon is at The Bronx and the Minister is SinXero.

Showing brotherly love New York style, a group of Street Artists including Army of One/JC2, Fumero, ADAM DARE, TONE TANK, Elle Deadsex, ENX, Choice Royce, Royce Bannon, See One & Danielle Mastrion, VEXTA, Mike Die, KID Lew, & ZIMAD, as well as, SinXero (SX) & colleague Bayoan will gather at Graffiti Universe for “Street Art Live”. An event to honor Iranian brothers and Street Srtists Icy & Sot.

It’s a Sunrise Service so just stay up Saturday night >> The event begins at 5:00 am until the whole block at Graffiti Universe is completely painted.

Icy & Sot (photo © Jaime Rojo)

For further information regarding this event click here.

Also happening this weekend:

The Kosmopolite Art Tour in Amsterdam, brought to you by Aerosol Bridge Club began on Wednesday and will continue until this Sunday at the MC Theater in Amsterdam. Big mural live painting with appearances from local and international artists with tons of side events. Click here for more details regarding this event.

Monsieur A the French artist is in Mexico City for his solo show “André Saraiva” at the Anonymous Gallery. This show is now open to the general public. Click here for more details about this show.

Low Brow Artique Gallery goes soft brow with Dickchicken’s solo show “The Penis Mightier Than the Sword” opening tonight in Brooklyn. Click here for more details about this show.

Mad One and Neely II are hosting “Sticker Phiends” in Tempe, Arizona opening tomorrow. This annual sticker feast attracts a huge following of national and international sticker artists and fans. Click here for more details about this event.

SANER “Catharsis” From The Cinema (VIDEO)

I Love Paris Volume 5 by kouettv (VIDEO)

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Moniker Art Fair 2012 (London, UK)

October 11, 2012 , , , , ,

Moniker Art Fair

LUDO. “Jaws”

ARTISTS: Remi Rough, Penny, Niels ‘Shoe’ Meulman, Ludo, Jorge Rodríguez-Gerada, Hush, C215, Ben Slow.

Thursday 11th -­ Sunday 14th October 2012

Village Underground, 54 Holywell Lane, Shoreditch, London, EC2A 3PQ

Press Preview:

Thursday 11 October: 3 – 5pm

Private View:

Thursday 11 October: 5 – 7pm

Open to Public:

Thursday: 7pm – 9pm: £10 including catalogue
Friday & Saturday: 11am – 7pm: free admission

Sunday: 11am – 5pm: free admission

Public transport
Major bus routes: 8, N8, 26, N26, 48, 78, 149 (24H), 242 (24H), 388, 35, N35, 47, 135 and 67
Near Shoreditch High Street Station (5 min), Old Street Station (10 min) and Liverpool Street Station (10 min).

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Shepard Fairey in Paris (VIDEO)

July 9, 2012 ,

“The way this mural came about is that I met C215 and he asked me if I would be coming to Paris and if so would I like to do a big wall,” says Shepard Fairey as he stands on a ledge overlooking Paris in this new video interview with Butterfly. As the Street Art world continues to evolve and transform into a number of directions, it’s good to check in with one of the first major names to rise from the modern movement.

Still from video interview with Shepard Fairey

Here in Paris he is more concentrated on the grand scale mural that garners thousands of eyes rather than the hand slapped sticker or quickly wheat-pasted poster. But as ever, he is enthusiastic about the basic tenets of Street art that first led him to get outside. “What I think is exciting is that there is a new wave of art affecting people. It’s not just the traditional (art) in the galleries.”

Still from video interview with Shepard Fairey

Still from video interview with Shepard Fairey

Still from video interview with Shepard Fairey

Still from video interview with Shepard Fairey

Still from video interview with Shepard Fairey

Shepard Fairey Obey – Rise Above Rebel – Paris, juin 2012 – 93 av Jeanne d’Arc 13e
Réal : Mahmoud Belakhel
Image : Mahmoud Belakhel – Matthieu Soudet – Romain Paget – Julien Hogert – Jonathan Ricquebourg – Rebecca Topakian
Photographie : Matthieu Soudet – Romain Paget
Son : Pierre Bézard
Montage – Etalonnage : Ingrid Zeller
Interview : Butterfly
Traduction : Laura Fernandes – Butterfly
Musique : Moby : “Aerial”, “All is perfect”, “Gimme some”, “Flying foxes”
Remerciement : Maïa et Marouène – Valentine Poutignat – Julien Soudet – Felipe Quintelas – Fabio Caldironi
Galerie Itinérrance
Mairie du 13eme arrondissement
Butterfly

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