All posts tagged: Brooklyn Strteet Art

BSA Images Of The Week: 04.18.21

BSA Images Of The Week: 04.18.21

Welcome to BSA Images of the Week! Ramadan Kareem to Muslim brothers and sisters in New York and around the world. May you have an easy fast.

We’re bowled over by the beauty in the streets and parks and rooftops right now, with performances and painting and the blossoming of flowers underfoot and on branches overhead. Fires are alit in hearts everywhere.

“All the roofs are wet
and underneath smoke
that piles softly in
streets, tongues are
on top of each other
mulling over the night.”

from Gamin ~ Frank O’Hara

Yes, there is a sort of battered nervousness in conversations on the streets and as we go about our quotidian duties; a discerned increase in agitation due to economic instability, surges of new Covid strains in our hospitals, and ongoing examples of police brutality toward black and brown people is met with resistance and sometimes violence as well.

Still, consider the robin. In your heart, may hope spring eternal. Also, we learn today that summer may be returning at least one exceedingly creative and participatory public art event as the Gothamist reports that “Coney Island’s Mermaid Parade May Return In The Flesh This Summer.”

And yo! Don’t sleep on the street artists who are putting up new work right now. They are addressing our ills, regaling us with visual puns, poking at our foibles, recontextualizing and performing feats of wonder under cover of night, or while heads are turned in broad daylight. Entertaining, bragging, dreaming… onward they go.

So here’s our weekly interview with the street, this time featuring: Absconded Project, Atakbf, Bastard Bot, City Kitty, Clown Soldier, Degrupo, George Collagi, Lexi Bella, Manik, Marka27, Matt Siren, Peachee Blue, Royce Bannon, Sonni, Teens for Press Freedom, Vexta, and Zaver.

We welcome SONNI back to the streets of NYC. In collaboration with East Village Walls. (photo © Jaime Rojo)
Teens For Press Freedom (photo © Jaime Rojo)
Zaver (photo © Jaime Rojo)
Absconded Project (photo © Jaime Rojo)
Manik (photo © Jaime Rojo)
Clown Soldier. Bus shelter takeover. (photo © Jaime Rojo)
Lexi Bella welcomes the new rules for grass in NY. (photo © Jaime Rojo)
Matt Siren and Royce Bannon collaboration. #stopasianhate (photo © Jaime Rojo)
Matt Siren (photo © Jaime Rojo)
Matt Siren and Royce Bannon collaboration. (photo © Jaime Rojo)
We also welcome VEXTA back to NYC. (photo © Jaime Rojo)
“Bro do you even fish?” Not a direct quote from Jesus, as far as we know. George Collagi (photo © Jaime Rojo)
LEX (photo © Jaime Rojo)
Cuomo keeps workin’ it, per Degrupo (photo © Jaime Rojo)
Bowie does a hair flip while Bastard Bot gives him a mask (photo © Jaime Rojo)
Bastard Bot (photo © Jaime Rojo)
Peachee Blue (photo © Jaime Rojo)
City Kitty (photo © Jaime Rojo)
#atakbf (photo © Jaime Rojo)
Marka27 (photo © Jaime Rojo)
Untitled. Manhattan, NYC. Spring 2021 (photo © Jaime Rojo)
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StolenSpace Gallery Presents: ROA “Hypnagogia” (London, UK)




20.04.12 – 06.05.12

Private View Thursday 19th April, 6 – 9 pm

Belgium artist ROA is renowned for his unique portrayal of large scale urban wildlife, disquietly cohabiting city streets, hand painted in his distinctive black and white style. ROA has become famous

from painting animals on derelict buildings, shutters & walls literally all over the world. He has also exhibited to much acclaim all over the world and was also included in the MOCA exhibition ‘Art In The Streets’ in LA.
‘Hypnagogia’ will be a 2 space exhibition, featuring installation work & originals on found objects. As well as outdoor work across east London. To coincide with this show opening will also be the launch of ROA’s first artist book ‘Roa: An Introduction To Animal Representation’ by Mammal Press.

Etymolgically derived from the Greek words hypnos, “sleep” and agogos, “leading”, the title of the show refers to the transitional state between sleeping and awake. This grey area exists within every consciousness and is said to act as a bridge to other realities. ROA explores the ‘interstate’ with his portrayals of sleeping animals, whilst quietly around us the world awakens from a long winter, and the creatures he depicts experience a period of seasonal transition.

ROA is an artist deeply preoccupied with the significance of the creative process. Working conceptually on each project, he nurtures a dynamic energy which evolves during the restricted time-frame. His method is consistent. Arriving in a location he adapts to his habitat, allowing inspiration to flood from buildings and objects and literally ‘waking up’ to the realities surrounding him. Foraging for the recycled found-objects he seeks becomes a harder task in London, adding a new dimension and highlighting physical process and interaction in this completed body of work.

The animals themselves are represented in their purest forms, whether they be alone or in groups, sleeping or awake, half skeleton or part organ dissection. Using placement and the enlarging of subject, ROA implies the absurdity of the human attitude toward animals, as well as toward their own roots and origin. The architecture and discarded objects act as vessels for the huge creatures’ lifetimes, the realism of the images on the man-made material emphasising the tension between culture and nature. Observing the rodents occupying the cities he works in, ROA also comments on the acclimatisation of animals to the urbanised world.

ROA is both a voyeur and a commentator of the transitions he sees around him. ‘Hypnagogia’ is the exploration of a territory we often forget to enter, and both a literal and metaphorical statement of the disparity between human and animal behaviour.

Artist Book:

Roa: An Introduction To Animal Representation by Mammal Press

This, very much hand crafted, book chronicles ROA’s art around the world by 3 recurrent themes of his murals last year; through photographs, sketches, and reference material. the book offers an insight into the creative mind of the artist. Each book is a unique edition of 500, hand bound, including two fold out screen prints of ROA, a Bird dissection and lots more…

Please Note:

This exhibition will be held in 2 spaces, our usual permanent gallery (space 1) in the Truman Brewery and The Stone Masons, 17 Osborne Street London E1 6TD (space 2).

The Old Truman Brewery 91 Brick Lane London. E1 6QL
T:020 7247 2684 Open Tuesday to Sunday 11.00am – 7.00pm


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Troy Lovegates. The King and the Artist.

Ask a room full of artists living here in New York if anyone every feels like a chump for making soul-sucking mediocre commercial work just to pay the jacked up rent. Hands will fill the air like ‘Amen’s at the Brooklyn Tabernacle at a Sunday morning sermon. Compound the cost of live/work space with the fact that, if you were lucky enough to get an education, your student loans debts are like a massive cinderblock around your neck. Many of today’s artists are expecting to labor long hours doing commercial or corporate art for years, often now without benefits or security – leaving them with ever-less time and energy to build a career, let alone a body of artistic work.

Troy Lovegates (photo © Jaime Rojo)

Street Artist Troy Lovegates is colorfully skewering the King in this County of Kings with his new surreally comedic metaphor called “The King and the Artist”, painted directly on the wall at the Kunsthalle Galapagos Gallery in DUMBO, Brooklyn.  Like days of olde when the Church and Royalty held the purse for most creative expression, the 99% is waking up these days to the unholy marriages that wield growing influence over the entire cultural and institutional landscape, including areas of creative expression. With “The King”, Lovegates depicts a well equipped megaspender imperiously dictating what will be art and claiming it as his own with his platinum sword waving wildly while the barefoot creator, a mind bubbling with a multitude of other ideas, tries to fend himself with tools laughably inadequate.

Troy Lovegates (photo © Jaime Rojo)

It’s a tug of war that is historical and contemporary of course – from faux communist capitalists to gold encrusted power families to religious gangs gilded in sanctity, artists have always procured the propaganda and painted a world view according to someone else’s vision. With signs ever more obvious around us, Mr. Lovegates informs us here that the game is still the same and some young artists are painfully aware of the rigged class system they’re working within.  Hopefully someone will buy it.

Troy Lovegates (photo © Jaime Rojo)

Troy Lovegates (photo © Jaime Rojo)

Troy Lovegates. No he doesn’t paint with his eyes closed. He closes his right eye when he paints details and when he is drunk. (photo © Jaime Rojo)

Troy Lovegates (photo © Jaime Rojo)

Troy Lovegates (photo © Jaime Rojo)

“Ocean Size”, a group show, is currently on view at the Kunsthalle Galapagos Gallery. Click here for further information.



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Unit 44 Presents: “New Arrival” by Philp Lumbang (Newcastle Upon Tyne, UK)

Philip Lumbang

Friday February 03 Advance Preview. RSVP to

Unit 44’s latest exhibit New Arrival by Philip Lumbang opening 6 February 2012 to the general public. The illustrator and street artist will be presenting a brand new body of work at the Newcastle space for his first UK solo show. Incorporating his childhood fascination with cartoons, pop art and logo designs, Lumbang will showcase an array mediums including found objects, tiled pieces, haind painted characters and limited edition screenprints. Formerly infamous street artist Shepard Fairey’s assistant, Lumbang has forged a name for himself with his involvement in LA’s premiere collective The Hundreds creating work and streetwear that has become a cult favourite among fans.

Hoults Yard, Unit 44, Walker Road, Newcastle Upon Tyne, NE6 2HL.

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