Australian Street Artist Reka was in town in the wake of the hurricane named Sandy and he found his plans for painting disrupted by flooded train lines, but eventually got up in three places in Brooklyn. On tour from his native Melbourne since July, Bushwick is just one more name to be tacked onto the list of places for Reka (or Reka One or James Reka) along with Amsterdam, Berlin, Bristol, London, Milan, Paris and the countryside in France.
Here he brought his signature abstract portraits rendered in ochre, beige, moss, brown, black, white, rusted crimson and spice red. Typically illustrative of the female form, these figures are full of action with limbs and hands and elbows akimbo, gesticulating into air, flustered and animated with limbs bending from rivets at the joints. With wavelets of the darkest hair spilling and often with breasts barely pinned in or spinning free to make waves, Reka’s ladies in Brooklyn are unhinged consternation, contemplative and concerned, somehow heavy in their cubist side/front viewed expressions.
The forms photographed here by Jaime Rojo may be cognizant of the destruction that New York is still dealing with, where homes are being bulldozed, many school buildings are permanently closed, checks are lost in the mail, and many families are reliant on others for food and shelter. Rendered in colors we associate with autumn, these new Reka figures are of this moment in Brooklyn, even as the artist moves on in search of his next spot to paint.
Here are some new shots of the planes in the boneyard in Arizona and of ROA’s contribution to the project, exclusively for BSA readers. In the Tucson desert over the summer when the temperatures are at their highest, it’s really almost impossible to get work done during the daytime. Maybe that’s why ROA painting at night is what gives the video at the end of the post by Jason Wawro such an eerie clandestine quality, and makes the very act of painting seem illicit.
Also, calling it a boneyard helps.
ROA is the latest in this ever growing project by Eric Firestone and he follows some other names you will recognize like Retna, How & Nosm, and Faile. Stay tuned for more!
Parisian Street and Fine Artist LUDO shared these exclusive images of his new installations outside Paris. Says the artist, he decided to see how his stuff would look outside the typical urban settings. Also, he just wanted to get out of the city, “just the need for fresh air,” he says.
One of the best parts about a celebration of Street Art culture like Nuart in Norway is that there sometimes is an opportunity to speak with and listen to people who make it their mission to put it into context. New York art critic, curator, editor, and writer Carlo McCormick has an exhaustive knowledge and enthusiasm for the scene that evolved on Manhattan’s Lower East Side in the 1970s and 80s concurrently with the evolution of graffiti into a celebrated art form. As Street Art continues apace, having perspective on some of its precursors is imperative and McCormick knows how to bring it alive.
To hang out with Carlo on the street is a joy because he can ground your current observations with his knowledge of their antecedents and yet become as equally appreciative of the new artists on todays’ scene whom he hasn’t heard of. During this talk he gave this year at Nuart in a very conversational somewhat meandering unscripted way, Carlo reveals the mindset that is necessary to keep your eyes open and appreciative of the new stuff without feeling territorial or enslaved to the past. We appreciate him because he recognizes that the march of graffiti, street art, public art, and it’s ever splintering subsets is part of a greater evolutionary tale that began before us and will continue after us.
“As I do my best as a really bad scholar to investigate this history of graffiti and mark-making – kind of prior to the official history – the greatest evidence that I find of stuff is in the real canon of fine art photography. Just about every famous photographer turned – I mean it’s not incidental – turned their attention to this illicit anonymous practice., ” Carlo McCormick at Nuart.
1. Lister “Unsung Heroes” (LNDN/New Castle)
2. Abe Lincoln Jr., Robbie Busch “Split Seven” (BK)
3. Portraiture Group Show in Bushwick tonight (BK)
4. Silent Soho Auction For Boardwalks in Coney and Rockaways Saturday
5 Miss Van Going Wild in Rome
6. Cash4 in”Ca$h For” at Tender Trap in Williamsburg, Brooklyn.
7. Mexican Collective Sublevarte Colectivo “The Persistence of Dreams” in Gowanus BK
8. L3SUP3RD3MON and ZLY (VIDEO)
9. MadC and The Jurassic Park Wall (VIDEO)
10. OLEK: “Nobody Can Hurt Me Without My Permission” (VIDEO)
Lister “Unsung Heroes” (LNDN/New Castle)
Anthony Lister’s two shows at The Outsiders Gallery titled “Unslung Heroes” are taking place simultaneously at The Outsiders London and New Castle outlets at the same time. “I try to combine the highbrow and lowbrow,” says Lister, “creating analogies which allow the viewer to feel comfortable with subjects that maybe they’ve made snap judgements on before.”
For further information regarding these shows click here.
Abe Lincoln Jr., Robbie Busch “Split Seven” (BK)
Split Seven is a fictitious rock n’ roll experience with both artists producing fabricated albums from invented Punk Rock and Heavy Metal bands. Abe Lincoln Jr. and Robbie Busch show “Split Seven” opens tonight at Mighty Tanaka Gallery in Brooklyn.
For further information regarding this show click here.
Portraiture Group Show in Bushwick tonight (BK)
At the Low Brow Artique Gallery in Bushwick, Brooklyn artists Rachel Hayes, Jilly Ballistic, Vahge, and Vexta explore the discipline of portraiture with their group exhibition “Rewriting Portraiture” opening today. “Typically the subject of paintings throughout art history, Rewriting Portraiture establishes how those who are the object of desire visually depict their realities.”
For further information regarding this show click here.
Silent Soho Auction For Boardwalks in Coney and Rockaways Saturday
“Bring Back The Boardwalks” is a silent auction with 100% of the proceeds going to the reconstruction of the severely damaged communities of Coney Island and The Rockaways. Several Fine and Street Artists have donated works for this benefit including: Curtis LOVE ME, David Ellis, Dennis McNett, Distort, FAILE, Futura, Jeremy Fish, Shie Moreno, Shepard Fairey and SWOON among others. This event takes place Saturday, Trais Gallery in Soho, located at 76 Wooster Street, 2nd Floor, New York, NY.
For further information regarding this benefit click here.
Miss Van Going Wild in Rome
“Their faces concealed, these disturbing Venuses are both victims and predators, living their lives according to their instincts and feelings.” Miss Van’s new solo show “Wild at Heart” opens tomorrow at the Dorothy Circus Gallery in Rome, Italy.
For further information regarding this show click here.
Also happening this week:
Cash4 has a new show “Ca$h For” presented by The Superior Bugout at the Tender Trap in Williamsburg, Brooklyn. Click here for more details.
The Interference Archive in The Gowanus, Brooklyn is hosting the Mexican Collective Sublevarte Colectivo with a show titled “The Persistence of Dreams”. This show opens today. Click here for more details.
L3SUP3RD3MON and ZLY (VIDEO)
The two artists paint a wall in the neighborhood of Coyoacán in Mexico City. From Alejandro Schlauer.
MadC and The Jurassic Park Wall (VIDEO)
OLEK: “Nobody Can Hurt Me Without My Permission” (VIDEO)
When a museum is worried that it looks too much like a Home Depot from the outside, even though it has Jeff Koons inside, you could question how they decided on an architect. How they chose an artist to adorn the facade is another question. Street Artist’s Skewville know how to twist clichés and axioms to reveal their reverse, so it occurred to them when looking at the place in this town north of New York City that it was a problem of perception. And they know how to turn a phrase for effect. These are the guys who once fashioned a lawn clipper with foam rollers to print “Keep On Grass” with green paint across street walls, after all.
So when The Hudson Valley Center for Contemporary Art (HVCCA) got their new Skewville this summer it wasn’t a surprise that the witty sentiment expressed with the broadside signage caused some confusion – and consternation. Says the artist, local businesses thought it violated signage zoning laws. They could have been a bit miffed because, “people were slowing down in their cars in front of the museum and causing traffic,” surmises Ad Deville, one half of Skewville.
Not unlike many skewed sentiments the brothers have rolled with bucket paint across the top of an abandoned factory building, these blasting words are definitely visible from a distance – and they make you crack a smile. Skewville may have once again gotten somebody’s city officials twisted and hot under the collar, but this time it’s a twist of perception that ultimately allows this blocky text message to ride, says Ad, “The museum stated that this is not a sign – its art. And it’s going to run for a year”.
Skewville’s work is from their participation in Peekskill Project V.
From their web site: “Peekskill Project: A Citywide festival of Contemporary Art devoted to… bringing cutting edge contemporary art out of the museum and into the community. Using the city as a stage, Peekskill Project activates the urban environment and its inhabitants through site-specific art exhibitions, performances and screenings sited in multiple venues throughout Peekskill.
Peekskill Project V is a departure from previous installments of the project, which were limited to a single weekend of events and exhibitions. This year’s festival begins with an exciting opening weekend of free exhibitions and programming on September 29th & 30th, 2012, and continues in a series of monthly events through the end of July 2013. Peekskill Project V programming occurs on second & third Sundays, October 2012 – July 2013″
To learn more about Peekskill Project V and for full schedule of events click below:
Where: TENDER TRAP (245 South 1st between Roebling and Havemeyer)
How much: FREE
On Thursday November 15, 2012 please join The Superior Bugout as it hosts the opening night of CASH4’s new body of artwork entitled “CASH FOR…”. Accompanying the artwork will be new sounds from the CASH4’s Brooklyn based hip-hop group THE RAP GANG.
The show will be on display at the TENDER TRAP through December 6, 2012 during hours of operation (4pm-4am).
CASH4 is a painter, illustrator, and architect based in New York City. CASH4’s fine art documents the American urban experience using simple iconography and colloquialisms (those often based on the New York Metropolitan area). CASH4 likes to see his work as bridging the gap between the naive disenfranchised hooligan street kid and the pretentious overzealous contemporary gallery artist.
The Superior Bugout (a Brooklyn based party aesthetic) has been curating art for TENDER TRAP since the Fall of 2012. The Superior Bugout seeks to bring a synergy of sight and sound, combining elements of the streets with contemporary sound visionaries.
Low Brow Artique presents Rewriting Portraiture, featuring the work of Rachel Hayes, Jilly Ballistic, Vahge, and Vexta. This body of work will be on display to the public from November 16th – December 7th with an opening to the public November 16th from 7-10pm.
Working in diverse mediums, Rachel Hays, Jilly Ballistic, Vahge, and Vexta explore portraiture through their bodies of work. Typically the subject of paintings throughout art history, Rewriting Portraiture establishes how those who are the object of desire visually depict their realities. For Jilly Ballistic and Vahge, composites of photography and other mediums make up how they envision the human form. From the gas masked vintage photography and MTA posters of Jilly Ballistic to the paper dolls and Victorian inspired collages of Vahge, these artists choose to illustrate women in a way that is both bizarre and visually entrancing. While these artists use realistic imagery, Rachel Hays and Vexta pair humanity with animals to create intricate metaphors. For Vexta, the bird plays an integral role as a transformative element in her florescent prints. While this work is tied to symbolic metaphors, the juxtaposition of text and imagery in Rachel Hays’ gouache and embroidery is tied to physical relationships. In these pieces, her connections with close friends are rendered with a hand-made care that demonstrates her connectedness with these individuals. Through exploring both metaphor and medium, these artists chose to represent their surroundings in ways that are both deeply personal and diverse.
Recent individual and collaborative work by Augustine Kofie & Jaybo Monk of Agents of Change
+ the release of 2 zines in a limited edition of 30, ”When The Seas Catch Fire’ by JAYBO and ‘OBSERvations’ by KOFIE
“Augustine Kofie and Jaybo Monk have been secretly working on new work for a one day show at Soze Gallery’s new Location in Los Angeles. The show titled “Conversations” focuses on recent studio sessions involving both artists. … Unconventional in approach, Soze Galley allows the artists to freely create and curate their collaboration. It is great to see a gallery allow true creative process take place. In a time when social media hype, PR and numerous outlets pushing a show and its agenda take precedence, it is nice to see the art take first priority. What is left is a one day show that culminates in new work from the artists in a conversational style. It was the artist intention to also have media silence during the creative process to allow a true conversation take place. A pure collaboration and jazz like session of making art, “conversations” seems to be a success in that it allowed for the work to flow. For one day only the show will open tomorrow, make sure you don’t miss this outstanding body of work.”
Mighty Tanaka presents: Split Seven Abe Lincoln Jr. vs. Robbie Busch
After the music dies down and the lights come up, an energy and excitement lingers in the air. With a ringing in the ears and a vibration throughout the body, an awesome gig has come to an end. As the bouncers try to corral the audience from the venue floor and out into the night, it’s imperative to stop and check out all the treasures to be found at the band merchandise table. From the tour dates t-shirt to the rare vinyl pressings, the experience of seeing an extraordinary concert can be relived for years to come through the iconic wares. Mighty Tanaka is pleased to bring you our next show, Split Seven, featuring the artistic pile driving power chords of Abe Lincoln Jr. and the wall to wall, mosh pit madness of Robbie Busch. Together, these two artists have created a cacophony of faux musical mayhem through the unique recreation of a band merch table.
Split Seven is a fictitious rock n’ roll experience with both Abe Lincoln Jr. & Robbie Busch producing fabricated albums from invented Punk Rock and Heavy Metal bands. This dual creative interpretation brings together various artistic elements of two opposing types of iconoclast music while juxtaposing their individual styles and influences. Together, they build a virtual band experience, highlighting the various artistic qualities of both genres, without ever producing a single note of music.
Abe Lincoln Jr. & Robbie Busch explore a number of techniques in order to create an epic rendition of their chosen music style, which includes elements of stickers, stencils, paintings and laser cuts. Split Seven invites the viewer to engage in this mock battle of the bands while choosing once and for all: Punk Rock or Heavy Metal.
Reprinted from the original review. Spanning twelve years of studio and mural work, public interventions, installations, and collaborations, Los cimientos …Read More »
Street art welcomes all manner of materials and methods, typically deployed without permission and without apology. This hand-formed wire piece …Read More »
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