Nina Chanel Abney Mulls It Over In Arkansas

“It can’t be unity unless everyone is respected equally,” says contemporary artist and occasional muralist Nina Chanel Abney as she talks about her new four panelled installation in Northwest Arkansas.

Nina Chanel Abney. “Mull It Over”. In collaboration with Justkids / ARkanvas by OZ Art. Bentonville, Arkansas. December 2020. (photo courtesy of Just Kids)

In bold graphic style and unshaded color shapes Abney has to state the obvious – “Don’t Kill”, because, well, because you have to start somewhere. The peeling back of the initial layers of American racist history began in earnest in 2020 across the country and in the streets. Ground rules for meaningful exchange are slowly, intermittently, painfully, taking form.

Also, love.

Nina Chanel Abney. “Mull It Over”. In collaboration with Justkids / ARkanvas by OZ Art. Bentonville, Arkansas. December 2020. (photo courtesy of Just Kids)

“Mull it Over”.  That’s the title she has given to the piece that she finished last month along the Bentonville Razorback greenway trail, opposite the recently inaugurated art space The Momentary. It’s a great way to end the year, this year, as the artist continues to find ways to present thorny topics ranging from race, politics, religion, sex, identity, justice, and history using a modern language – complete with its non-sequiturs and jump-cut story-telling.

Organizers include the women-led curator group Justkids with Charlotte Dutoit and the Bentonville art organization OZ Art.

Nina Chanel Abney. “Mull It Over”. In collaboration with Justkids / ARkanvas by OZ Art. Bentonville, Arkansas. December 2020. (photo courtesy of Just Kids)
Nina Chanel Abney. “Mull It Over”. In collaboration with Justkids / ARkanvas by OZ Art. Bentonville, Arkansas. December 2020. (photo courtesy of Just Kids)
238
138
45