All posts tagged: Asbjorn Skou

Asbjørn Skou “Science Fiction Archaeology” SDU / Centre for Art and Science (Odense, Denmark)

”Science Fiction Archaeology”

7. feb – 2. april 2013.
Opening: Thursday february 7th. 15.00
SDU, Campusvej 55, 5230 Odense M.

”Science Fiction Archaeology” er inspireret af en forelæsning v/kemiker Kaare Lund Rasmussen. Forelæsningen omhandler forsøget på at datere et meget kraftigt meteornedslag på øen Saaremaa (tidligere Øsel) i Estland, som i lang tid har været umuligt at tidsbestemme kemisk. Projektet bringer forskeren vidt omkring: Fra kemiske målinger af strata, til lakmustest i historisk materiale, fra krateret på Saaremaa, over Tacitus Germania, Pytheas fra Massalia, Kybele – Gudernes moder, Estlands tidligere præsident Lennart Meri og den mulige oprindelse af myterne om Thule og ragnarok.

”Udstillingen er en undersøgelse af videnskabelige og mytologiske præmisser for tro, identitet og billedliggørelse, siger Asbjørn Skou”. ”Den er en form for kunstnerisk kulstof 14-prøve. Akkurat som de første kulstof 14-prøver på Saaremaa er den lige dele dokumentarisk og associativ. Den samler et sammensurium af informationer i et fluktuerende rum mellem fakta og fiktion, i et grænseland mellem kunst og videnskab.”

Udstillingen består af store collager, objekter og semifiktivt arkivmateriale. Collagerne er opbygget af udvalgt billedmateriale fra en omfattende researchproces og sammensat i overlap, udsnit og brudstykker. De enkelte collager, hvoraf den største måler 2 x 5,5 meter, er opbygget af A4-ark, der er sammensat til store vægtæpper. Objekterne tager deres udgangspunkt i det dagligdags håndgribelige. Det er materialer som flamingo, cement, isolering, træ og plastik. Objekterne er alle blevet skulpturelt modificerede, så de på en gang bekender sig til deres oprindelige materialitet, og samtidigt søger mod en anden form for stoflighed end deres oprindelse.
Arkivmaterialet består af en længere tekst, der er opsat på plancher, og som i sin form på en gang er informerende og uigennemtrængelig. De samme metoder som finder sted i opbygningen af billederne gentager sig i teksten, hvorigennem den prøver at binde det mulige og umulige sammen.”

http://www.armsrock.blogspot.com/

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Fun Friday 03.16.12

Yowsah! It’s a Triple Header for Street Artist shows in Brooklyn tonight, with Haring at the Museum, Stikman at Pandemic, and JMR/See One at Mighty Tanaka. But that’s not all that’s happening this weekend.

1. Keith Haring: 1978-1982
2. Stikman “20” at Pandemic
3. JMR and See One @ Pandemic
4. SANER @ Fifty24SF (San Francisco)
5. Chris Stain “Long Story Short” at Wooster Social Club
6. Sickboy, White Walls Gallery new show “Wonder Club”
7. Asbjorn Skou AKA Armsrock “Stedfortrædere” at  Mosh Gallery in Copenhagen
8. “My Turn” at Carmichael Gallery with Bumblebee, Hyuro, Interesni Kazki, Jaz, Klone, LineLineDot, Moneyless, Penny, Stinkfish, Zeus.
9. KEMP “Behind her Disguise” at Artsee.
10. Kid NES in Dallas. Time Lapse (VIDEO)
11. Mimi The Clown turns Superhero by OAOFB. (VIDEO)
12. Mimi The Clown turns Superhero by OAOFB. (VIDEO 2)
13. Ben Eine getting up in London by Abbie Brandon (VIDEO)

Keith Haring: 1978-1982

“This exhibition shows you how much fun New York City used to be” – Mare 139

Opening to the public today Keith Haring: 1978-1982 at the Brooklyn Museum and while Mare 139 has a point, we contend that Brooklyn is still tons of fun, if Manhattan has lost much of it’s edge. Regarding this exhibit, GO! Exquisitely curated, it welcomes the viewer to Mr. Haring’s early days in NYC when the “downtown” scene was the scene.

Keith Haring. Pia Zadora subway installation. Courtesy of Mugrabi Collection. © Mugrabi Collection. The Brooklyn Museum (photo © Jaime Rojo)

The curators have included pieces rarely or never before viewed including an amazing slide show of images taken by Kwong Chi showing the artist illegally putting work in the subways. Combined with some of Harings journals, his Cipher chart, videos and 155 works mostly on paper, it is informative, accessible and fun to see.

Keith Haring. A photo taken from the Slide show at the exhibition of images taken by Kwong Chi. Courtesy of and © The Keith Haring Foundation. The Brooklyn Museum (photo © Jaime Rojo)

For more information regarding this exhibition click here.

To read our article on the Huffington Post of this exhibition with a complete photo essay and and written overview click here.

Stikman “20” at Pandemic

One of the most prolific and hermetic Street Artists working today on the streets of New York, sometimes literally melted into the street, Stikman has a gentle legend to his name. His solo show “20” opens today at Pandemic Gallery today, offering a rare glimpse into his world of secrecy and continuous invention. The little stick character he’s been leaving for two decades is synonymous with the symbol-based tagging of graff writers and the re-inventive practice of a fine artist continuously exploring new techniques of expression.

Stikman (photo © Jaime Rojo)

For further information regarding this show click here.

JMR and See One @ Pandemic

Fresh off their showing at Fountain last weekend, Mighty Tanaka is not skipping a beat by unveiling a brand new dual show in Dumbo tonight. If you thrill to “Color and Motion” then check out new works by JMR and See One tonight.

JMR (photo © Jaime Rojo)

For further information regarding this show click here.

SANER @ Fifty24SF (San Francisco)

Mexican Street Artist SANER has been impressing Street Art and graff fans in the last couple of years with his near magic interpretations, incredibly rendered. A down to earth fellow who often teams up with SEGO for collaborations, the artist makes his debut solo show in San Francisco tonight at the Fifty24SF Gallery.

Saner with Sego in Miami (photo © Jaime Rojo)

For further information regarding this show click here.

Chris Stain “Long Story Short” at Wooster Social Club

At the crowded opening for Chris Stain’s new show and book launch Wednesday, the vibe was a testament to his working class roots and real people charm, with Billy Mode on the turntables and Ray Cross from Bushwick Print Lab screen-printing some fresh Occupy Wall Street posters for people to take to the streets. It’s the the kind of kindred community that fostered “Long Story Short”, his new monogram on Drago, and the kind of environment that makes Stains work resonant in these times where the working person feels like they have a boot to his/her neck. Stop by The Wooster Social Club anytime to see Mr. Stain’s new body of work and catch an intimate look into his influences both as an artist and as a person.

Chris Stain (photo © Jaime Rojo)

For further information regarding this show click here.

Also happening this weekend:

  • San Francisco’s White Walls Gallery new show “Wonder Club” opens tomorrow. This is Sickboy‘s first US major solo show. Click here for more information about this show.
  • Asbjorn Skou AKA Armsrock new show “Stedfortrædere ” at the Mosh Gallery in Copenhagen, Denmark opens today. Click here for more information about this show.
  • Bumblebee curates the new show “My Turn” at the Carmichael Gallery in Culver City, CA opening this Saturday with artists including: Bumblebee, Hyuro, Interesni Kazki, Jaz, Klone, LineLineDot, Moneyless, Penny, Stinkfish, Zeus. Click here for more information about this show.
  • KEMP solo show “Behind her Disguise” is marks his New York debut at Artsee. This show is now open to the general public. Click here for more information about this show.

 

Kid NES in Dallas. Time Lapse (VIDEO)

Mimi The Clown turns Superhero by OAOFB. (VIDEO)

Mimi The Clown turns Superhero by OAOFB. (VIDEO 2)

Ben Eine getting up in London by Abbie Brandon (VIDEO)

 

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MOSH Gallery Presents: Asbjørn Skou (Armsrock) & Sif Iton a Westerberg “Stedfortrædere” (Copenhagen, Denmark)

“Stedfortrædere”

Stedfortrædere

MOHS Exhibit.

16.03.12 – 21.04.12

Opening march 16th. 16 – 21

Sønder boulevard 98
1720 Copenhagen V

The exhibition investigates how social realities are mediated though things. How objects turn into vessels for ideas and meanings. Through installations, drawings and photographs, we investigate how our collections and use of objects, serve as the foundation of social and historical constructions of power, and how these can be negotiated.

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