All posts tagged: Albert Lebron

BSA Film Friday 08.16.13 – Living Walls Atlanta Edition

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Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening: The Videos from Living Walls 2013.

BSA Special Feature: The Videos from Living Walls 2013

Part of the team at Living Walls is dedicated to documenting in video what the experience is and to finding new engaging ways of telling stories. With a nice sized media team who take their work seriously and with a healthy sense of fun, LW2013 has been talking to a number of people – the artists, the organizers, the volunteers, the neighbors. This year this crackerjack team of talents are giving you a progressive account of the behind-the-scenes events at regular intervals so you can feel like you are experiencing it with them.

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Hanging at the Goat Farm; A still from video by the Living Walls 2013 Media Team (© Living Walls)

At last nights block party in the Edgewood section the team also projected some their video pieces on a big screen during the night market to share the events with the community in a very inclusive celebratory way while bands played in front of the huge illuminated piece by Sten Lex. While ROTI completed his wall live in front of a gathered crowd in a parking lot on the main drag, other walls by artists like Gaia, Nanook, Nuezz, and JR were all receiving the star treatment up and down this developing strip for the steady stream of art fans and revelers paraded by.

At BSA Film Friday we’re happy to give a huge shout out the team who puts together this very impressive work and to salute them for their vision, creativity and collaboration. Together they are exploring and presenting new ways to capture and tell the story of Living Walls Atlanta.

The Living Walls 2013 Media Team:
Dustin Chambers
Brandon English
Wil Hughes
Albert Lebron
Mike Morgan
Justin Newton

Jason Travis

Here are the 4 sequential updates so far for Living Walls as well as a special video with Street Artist JR.

JR came in advance of this weeks events to install new pieces commemorating the 50th Anniversary of the March on Washington for Jobs and Freedom.

Part I – Living Walls Conference 2013

Part II – Living Walls Conference 2013

Part III – Living Walls Conference 2013

Part IV – Living Walls Conference 2013

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La Pandilla and Trek Matthews in Cabbagetown for Living Walls Atlanta

Let’s start off the week with our 2nd installment of Living Walls in Atlanta for 2012, a splendid overview of Cabbagetown and the installation by three of this years participants creating new murals over a nearly two week stretch, just finished and fresh for you.

La Pandilla and Trek Matthews

Text by Alexandra Parrish
Photos by Dustin Chambers
Video by Albert Lebron

Before I engage you with an individual take of La Pandilla and Trek Matthew’s twelve-day long mural production, I must foray into a brief history lesson; Cabbagetown is a tight-knit neighborhood in Atlanta that is rich with folklore and idiosyncrasies. Adjacent to the Fulton Bag and Cotton Mills, the neighborhood began as a mill town complete with shotgun-style houses built by Jacob Elsas, the factory owner. After recruiting poor whites from the Georgia Appalachian region to work in his factory, Elsas offered free housing to compromise for insignificant wages and working conditions. Legend has it that the neighborhood assumed the moniker “Cabbagetown” after a truck-load of cabbages spilled across the neighborhood; many recount a brutal smell of cabbages that could be assumed to have followed the accident or maybe it just permeated from their kitchens.

La Pandilla (photo © Dustin Chambers)

After an extensive effort towards revitalization (some would say gentrification), Cabbagetown reigns as a treasured locality in Atlanta. Although Krog Tunnel features an ever-changing display of graffiti and street art, the CSX walls that enclose the neighborhood have remained four shades of grey. Surprisingly, when Living Walls contacted the Cabbagetown Neighborhood Association to allow La Pandilla, from Puerto Rico and Trek Matthews from Atlanta to paint two murals, they more than accommodated.

La Pandilla (photo © Dustin Chambers)

As soon as La Pandilla and Trek Matthews began on their wall, joggers, walkers and rubberneckers routinely stopped to chat and observe. Throughout production, community support yielded endless tokens of gratitude – fresh baked bread, beer runs, grilled cheese sandwiches, salvaged fresh-till packaged meals, oral histories and loud music. Even the infamous rogue buffer that verbally threatened La Pandilla (yes, Cabbagetown is home to it’s very own vigilante, occasionally violent buffer) grew to appreciate the finely detailed work that replaced decades of juvenile tags.

The truth is, Alexis Diaz and Juan Fernandez of La Pandilla are insane. Their method of using Chinese ink to translate immensely detailed drawings into full-scale murals costs a lot of time. Although they’d camp out at their wall from sunrise to sunset each day, they failed to finish on time. Hardly defeated, La Pandilla opted to stay an extra day and completed their 25-foot mural in their last hours.

La Pandilla (photo © Dustin Chambers)

Three blocks down, Trek Matthews, an emerging artist from Atlanta, began on his first public wall. His work incorporates a mash of Aztec patterns and Native American designs, which turns out nicely on the grey concrete. Despite the daunting height of his wall, Trek toughed it out on a scrappy extension ladder.

In a perfect world Living Walls would serve as proverbial residents of Cabbagetown forever. I could tell Juan felt the same way as he waved saying “bye y’all.

La Pandilla (photo © Dustin Chambers)

La Pandilla (photo © Dustin Chambers)

La Pandilla (photo © Dustin Chambers)

La Pandilla (photo © Dustin Chambers)

La Pandilla (photo © Dustin Chambers)

Trek Matthews (photo © Dustin Chambers)

Trek Matthews (photo © Dustin Chambers)

Trek Matthews (photo © Dustin Chambers)

Trek Matthews (photo © Dustin Chambers)

Trek Matthews (photo © Dustin Chambers)

Trek Matthews (photo © Dustin Chambers)

La Pandilla and Trek Matthews by Albert Lebron (VIDEO)

 

 

To learn more about Living Walls Altanta: The City Speaks and to make a donation to help this year’s conference click here. BSA thanks you for supporting this good work.

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“The Sunrise of Edgewood”, GAIA & Nanook open Living Walls Atlanta 2012

“The Sunrise of Edgewood”, GAIA & Nanook open Living Walls Atlanta 2012

The 3rd Edition of Living Walls begins this spring and BSA is pleased to again partner with Monica Compana and her team to bring you the action in Atlanta for 2012. Supporting the ATL efforts since they popped in ’10, we’ll again bring you updates from the field as the artists converge in Atlanta to bring color, vibrancy and a dialogue with Street Art in the city.

Officially the 2012 conference begins in August but we’ll be bringing you a series of installations leading up to it. This years quality lineup will be a bit more international and focused with skillz on display from Gaia, Nanook, La Pandilla, Trek Matthews, Interesni Kazki, Everman, Neuzz, Pablo Gnecco, and Liqen.

So right now we want to give a huge shout out to our partners in non-crime, writer Alexandra Parrish, who is also Director of Communications for Living Walls, Charles Flemming, Living Walls Media team photographer and Albert Lebron, videographer who will all be BSA contributors to bring to you dispatches from the field. Thank you and welcome.

Gaia and Nanook

Text by Alexandra Parrish
Photos by Charles Flemming
Video by Albert Lebron

Gaia and Nanook (photo © Charles Flemming)

In terms of mural making, Gaia and Nanook believe public art has the ability to designate place. They are hardly strangers to the rich history layered in the gridded streets of Atlanta. Last weekend, Gaia and Nanook returned to the heart of the south to participate in Living Walls Concepts, a year-round conduit to the conference, which aims to create a more intimate relationship between the artist and the community.

The sketch came naturally – the wall, located on Edgewood Avenue in the heart of Old Fourth Ward sits firmly in the neighborhood Martin Luther King Jr. called home. Gaia and Nanook opted for an equivocal face to represent the street itself – and the passerby’s whom they interacted with regularly; Which is something I’m sure they revel, as Gaia took the time to explain what he was doing to anyone who cared to ask.

After three days and a stunted thunderstorm, Gaia and Nanook named their finished wall “The Sunrise of Edgewood.”

Gaia and Nanook (photo © Charles Flemming)

Gaia also sent us a description of the project:

“The collaboration that Nanook and I produced on Edgewood avenue is an observation on the neighborhood’s changing complexion. Historically, the Fourth Ward is considered in many regards as the epicenter of the Civil Rights movement so naturally creating Martin Luther King Jr’s face just down the block from the King Home seemed logical.

But rather we created a portrait that was more ambiguous, an everyman face that faded into a rising sun. This vibrant visage is surrounded by a turmoil of rope and vine forms that nanook created which is derived from one of his early street pieces. Now the mural is surrounded by a contentious area whose gentrification is imminent like the endless cycle of the sun.”

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

Gaia and Nanook (photo © Charles Flemming)

“The Sunrise of Edgewood” by Albert Lebron (VIDEO)

 

 

To learn more about Living Walls Altanta: The City Speaks and to make a donation to help this year’s conference click here. BSA thanks you for supporting this good work.

Please follow and like us:
Read more