Year-End Bonus to Blow? New Gaia and Imminent Disaster + “Whack a Banker”

Still snorking around looking for something nice for a Kwanzaa Gift? Here are two nice crisp prints by two of the new-gen renaissance print masters… and one is going on sale tomorrow.

Iminent Disaster has released this silkscreen called "Laura Reclining"

Iminent Disaster has released this silkscreen called "Laura Reclining"

For more information go to HERE

For that special somebunny on your list, how about this print by Gaia?

For that special somebunny on your list, how about this print by Gaia?

The print will be available on Nelly Duff tomorrow!

***********************And for those of you who don’t have the bucks for some arty-prints…

OWW! MY HEAD! Talk about your Economic Indicators*

Based on the old children’s favorite aggression release and hand-eye coordination game Whack-a-Mole

Now there is WHACK-A-BANKER (available in the U.K. only so far)

Taxpaying adults who footed the bill for the bank bailout but yet strangely cannot get a loan or a job may really enjoy taking out some of that frustration on the

“Whack-A-Banker” game.

TOO BIG TO FAIL??? NOT ANYMORE!

I got yer Year End Bonus Right Here! Ga-Zoinks!

*Thanks to Kent at the Rachel Maddow show

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Fresh Pictures of “Fresh Geezers”, Vinny Cornelli shoots the London Police, Galo

Last Thursday Factory Fresh Gallery hosted “Fresh Geezers”, a new show by The London Police and Galo. In a departure from his regular street art job, photographer Vinny Cornelli takes Brooklyn Street Art to the opening with these shots.

Detail of a London Police canvass featuring Chaz and Bobbie running for their lives! © Vincent Cornelli
Detail of a London Police canvass featuring Chaz and Bobbie running for their lives! © Vincent Cornelli
f;aksdljf © Vincent Cornelli

Fans react to the news that The London Police are not actually police. © Vincent Cornelli

A colorful Galo piece (© Vincent Cornelli)

A colorful Galo piece (© Vincent Cornelli)

A sepia toned Galo (© Vincent Cornelli)

A sepia toned Galo (© Vincent Cornelli)

The back wall at Factory Fresh by Galo (© Vincent Cornelli)

The back wall at Factory Fresh by Galo (© Vincent Cornelli)

(© Vincent Cornelli)

Smiling is contagious! (© Vincent Cornelli)

Mid-western tourists in Times Square? No, it's the London Police! (© Vincent Cornelli)

Mid-western tourists in Times Square? No, it's the London Police! (© Vincent Cornelli)

Chaz (© Vincent Cornelli)
Chaz is wildly thrilled with the turnout. (© Vincent Cornelli)

Geezers (© Vincent Cornelli)
Geezers (The London Police) (© Vincent Cornelli)

Galo (© Vincent Cornelli)

Galo (© Vincent Cornelli)

Sailor felt that the show was a high-flying success (with dad Logan Hicks) (© Vincent Cornelli)
Sailor felt that the whole show was a high-flying success (with dad Logan Hicks) (© Vincent Cornelli)
(© Vincent Cornelli)

"So I says to her, I says, 'Haven't we met someplace before?'. She says, 'Yeah I'm the receptionist at the V.D. clinic'." (© Vincent Cornelli)

Galo made a bird shelter from some old canvasses (© Vincent Cornelli)

Galo made a bird shelter from some old canvasses (© Vincent Cornelli)

ljk

"Word son, did you see when the chic unlocked their handcuffs and dragged him into another room with her?" (© Vincent Cornelli)

Time to fly home. (© Vincent Cornelli)

Time to fly home. (© Vincent Cornelli)

See More of Vinny Cornelli’s photography HERE.

text by Brooklyn Street Art

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NOHJColey Video Premiere of “Sprayed N Stone”, by Director Lou Auguste

NOHJColey Video Premiere of “Sprayed N Stone”, by Director Lou Auguste

Plus NohJ’s remarks on his
Personal Primary Flight in Miami last week.

NYC street artist NohJColey has been steadfast and focused in his determination to do his homework, refine his skills, and challenge himself artistically. In turn his art and the ideas behind them continue to surprise, perplex, and provide brain candy to the viewer. NYC video artist and director Lou Auguste started documenting art on the streets of New York in 2004, and this fall he approached NohJColey to capture the young artist’s new series, “Sprayed N Stone”, a wheat-pasted trio of graff writers who have passed.

Here’s the gorgeous and lyrical result that captures the influences and tempo of NohJ’s approach in only two minutes. The Thelonius Monk tune not only nails it, that’s exactly what you’ll hear in NohJ’s studio all day. Special Thanks to Lou for sharing it with BSA readers first.

Lou remembers the experience, “NohJ had been calling me all week, he kept reminding me we had to go film. I told him I’d be there no matter what on Friday, but it rained. So instead we met up around 6AM on Sunday morning to make this video.  The light in his apartment was quite yellow I remember.”

“I started focusing on the small things; a pack of cigarettes, discarded paper, details of the work lying there on the table waiting. All of it was telling the story of the artist and his new Sprayed N Stone without words. Hope you enjoy it.”

Auguste has been documenting with video regularly since releasing his first work Open Air in 2006, which gave viewers an inside-look at studio life and the creative spirit while profiling Brooklyn street artists Faile, Dan Witz, and Skewville, as well as Espo, Mike DeFeo and Tiki Jay One.  The artistic process is what drives the narrative for this life-long devotee of art and Lou broadened his scope to shoot his first feature length documentary, Day in the Life released two years later in November 2008.  In addition to developing an “evolving canvas” project known as Concious Cycle, Auguste currently spends his time between London and New York, where he is gearing up to produce his first feature film.

NohJColey

Mere days after the installation, the owner decided he didn’t like the new mural and it was being literally torched by a couple of guys. They paused momentarily while photographer Jaime Rojo got some shots. (photo ©Jaime Rojo)

NohJColey

That may look like a hair dryer, which could be why he aimed it at their heads first?  (NohJColey) (photo ©Jaime Rojo)

NohJColey

NohJColey (Detail) (photo ©Jaime Rojo)

 

NohJColey (detail)

Hand cut gates and chains (NohJColey) (detail) (photo ©Jaime Rojo)

Just last week NohJ reprised the Sprayed N Stone series inside a gallery setting for the BKMIA show in Miami Beach (part of Art Basel).  In the full wall installation, NohJ very nearly re-created the New York City disarray that accompanies blighted parts of the city with found wood, metal, and disgarded street signs.

A more literal example of the street coming inside than one may usually expect from an Ad Hoc curated show, and that' saying a lot! (photo ©Jim Kiernan)

A more literal example of the street coming inside than one may usually expect from an Ad Hoc curated show, and that’ saying a lot! (photo ©Jim Kiernan)

In addition to the BKMIA show indoors he managed to pull off 3 murals outside too.  In the artist’s tradition, street art veteran Logan Hicks reached out to the promising new dude and hooked him up with a very cool Primary Flight location surrounded by overgrowth and vines.  NohJ killed it with portrait of a reflective musician holding her violin.

kjhg

“Logan referred me to Slow and Slow gave me and amazing spot,” says NohJ. The piece is called “Th3 Violinist annd h3r Window of Opportunity” (NohJColey)

“Then Gaia gave me a call (with an offer) while I was working on an installation.  I really wanted to paint this picture I had read an article about, so I dropped eveything and went to paint! ”

sdfg

When you work on the street, you can expect to meet just about anybody.  This guy insisted that NohJ take his portrait. ” He was just walking around and noticed the camera and became adamant about being in the shot,” says NohJ.  This painting for the “Art Whino” show is called “3y3’ll l3ad you”, by NohJColey

Finally, a guy named Max, owner of AE District, approached NohJ to do a mural for him, so of course the hungry artist obliged by doing this piece of an older lady and a church.

fghj

The contrast between more formal subject matter and the dripping graff-inspired running of paint somehow makes my head hurt with hard thoughts.  Where are the damn academics when I need them?? This one is called “o!p!p!”, which does not help matters, in all honesty.

Finally when he got back to NYC 7 lbs. slimmer (I told you he was hungry), NohJ told Brooklyn Street Art a little more about his Miami experience;

Brooklyn Street Art: These images – are they people you have known, or just people in your imagination?
NohJColey:
These images are not of anyone I have known in this lifetime. All the murals I painted in Miami are all images that visually grab me.

Brooklyn Street Art: How many days did you spend painting these?
NohJColey:
I did a little bit of each mural over the course of three days.

Brooklyn Street Art: Did people come up and talk to you, and what did they say?
NohJColey:
For the most part everyone wanted to know where I was from. Some people actually want to know what the piece is about or who is the person that I was painting.

Brooklyn Street Art: How would you describe the vibe on the street in that part of Miami?
NohJColey:
Miami in general is a great place to work. Everyone is pretty much supportive of the whole beautifying public space idea.


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“A Cry For Help” at Thinkspace Gallery (LA)

‘A Cry For Help’
A benefit show for the endangered species of the world presented by Born Free USA & the Animal Protection Institute

Opening Reception: Fri, Jan. 8th 7-11PM

January 8th – February 5th, 2010

20% of all proceeds will be donated to Born Free USA

This special exhibit will feature an installation from Bumblebee as well as a group show featuring the works of over 100 artists (full list is below).

(Los Angeles, CA) Thinkspace is proud to present “A Cry For Help,” a benefit exhibition with the goal of raising awareness about the plight of animals in our modern world. Featuring more than 100 artists who represent every branch of the new contemporary scene, this show has been curated with an eye to representing the unique and innovative attributes of a select group of seasoned veterans and fresh-eyed newcomers from five continents. In keeping with the benefit’s mission, each artist will explore different facets of our complicated relationship with the creatures with whom we share this planet.

Though we live in the city, animals exist all around us – they sleep in our beds, creep past our windows at night and visit us in our dreams. Symbolizing all that is free, unspoiled and elemental in the world, they also comfort us with guileless affection, amuse us with their playful abandon, and represent us metaphorically in a million works of art and literature. In every niche of the new contemporary scene, artists have employed animals to envisage concepts ranging from the wonder of childhood to the death of nature, while exploiting an ever-widening array of aesthetics, from surreal naturalism to street fables, apocalyptic visions to modern mythology, uncanny allegories to sylvan dreamscapes.

In celebration of the magnificent creatures with whom we share the planet, Thinkspace will donate 20% of the sale price of each piece of art to Born Free USA and the Animal Protection Institute, which operate jointly as a non-profit organization that advocates worldwide for the ethical treatment and protection of animals, and also maintains a large sanctuary for rescued primates. Throughout the month, the gallery will host pet adoptions, slide shows, lectures and more. The world can indeed be changed through random individual acts of kindness, so please don’t miss this opportunity to kick off the New Year with a good deed, as well as a great piece of art.

ARTISTS TAKING PART INCLUDE:

Acorn

Allison Sommers

Amy Sol

Andrea Offermann

Andrew Hem

Angry Woebots

Anthony Clarkson

Anthony Ausgang

Apak

Ashira Siegel

Ben Strawn

Bradley Delay

Buff Monster

Bumblebee

Catherine Brooks

Charlie Immer

Chet Zar

Chris Murray

Craig ‘Skibs’ Barker

Dabs Myla

Dan May

Dan Quintana

Dan-ah Kim

David MacDowell

Dennis Hayes IV

Derek Ihnat

Dolan Geiman

Edwin Ushiro

Ekundayo

ELBOW-TOE

Elisabeth Timpone

Eric Nyquist

Erik Siador

Faith 47

Gaia

Genevive Zacconi

Germs

Ghostpatrol

Guy McKinley

Heiko Mueller

Imminent Disaster

J. Shea (#9)

Jacub Gagnon

Janet Grey

Jason Limon

Jason Thielke

Jen Lobo

Jennybird Alcantara

Jesse Hotchkiss

Jim Darling

Joao Ruas

Joseph McSween (aka 2H)

John Park

Joshua Mays

Josie Morway

Katelyn Alain

Kathleen Lolley

Kelly McKernan

Kelly Vivanco

Kevin Earl Taylor

Kevin Titzer

KMNDZ

Kris Lewis

Leontine Greenberg

Lesley Reppeteaux

Liz Brizzi

Liz McGrath

Luke Kopycinski

Mari Inukai

Martin Wittfooth

Mear One

Michael Pukac

Mike Brown

Moki

Molly Crabapple

Nathan DeYoung

Nimit Malavia

Nouar

Paul Barnes

Peter Taylor

Raquel Aparicio

Rebecca Hahn

Renee French

Rob Sato

Rory Kurtz

Sarah Joncas

Scott Belcastro

Scott G. Brooks

Scott Radke

Tadaomi Shibuya

Tessar Lo

Timothy Karpinski

Tina Darling

Tran Nguyen

Travis Louie

Van Arno

Wesley Burt

Yoskay Yamamoto

Yosuke Ueno

Born Free USA

http://www.bornfreeusa.org/

Born Free USA is a national animal advocacy nonprofit 501(c)(3) organization, contributions to which are tax-deductible.

Born Free’s mission is to end the suffering of wild animals in captivity, rescue individual animals in need, protect wildlife — including highly endangered species — in their natural habitats, and encourage compassionate conservation globally.

Every year, millions of animals suffer in fur farms and circus cages. In our campaigns against such cruelties, we use powerful tools including legislation, public education, litigation, and grassroots networking. We also work actively with media to spread the word about challenges facing animals.

The Born Free Foundation was initiated in England in 1984 by Bill Travers and Virginia McKenna, the stars of the legendary film Born Free, along with their son Will. Having been deeply influenced by their time spent in Kenya, Bill and Virginia were inspired to act after the tragic and untimely death of Pole Pole, an elephant featured in the film An Elephant Called Slowly, who was sent to the London Zoo from the Government of Kenya after the making of the film.

In the subsequent two decades, Born Free has become an international force in wildlife conservation and animal protection, campaigning to save elephants, big cats, wolves, dolphins, bears, primates, and numerous other species. Born Free upholds a dynamic presence in international animal rescues, saving animals from miserable conditions, rehabilitating them, and either providing for their lifetime care in a sanctuary or, whenever possible, rehoming them to the wild.

A companion organization was established in the United States in 2002, Born Free USA, to carry on the work of the organization, involving the American public in our compassionate conservation campaigns. Born Free USA launched with a national office in Washington, DC.

Born Free is committed to spreading its brand of compassionate conservation across America and, indeed, across the globe. Our shared institutional mission is to alleviate animal suffering, protect threatened and endangered species in the wild, and encourage everyone to treat wildlife everywhere with respect and compassion.

Animal Protection Institute

Co-founded in 1968 by Belton Mouras and Ken Guerrero, the Animal Protection Institute (API) was one of just a handful of national humane organizations in existence. The early years were lean for API and the organization made good use of free media such as radio PSAs to get the word out about its mission to protect animals. These PSAs contributed greatly to name recognition, generated an enormous amount of requests for additional information, and aided in fundraising efforts.

By 1971, API was producing what became the annual Forum conference in cities across the country that featured keynote speakers instrumental to the growth of the animal welfare movement as well as promoting and publicizing the works of fellow animal organizations.

API was a forerunner in protesting the clubbing of the harp seals in Canada. Through constant petitions, API helped bring the Canadian government to an awareness of the tremendous international outcry against this barbarity. It was obvious that API was winning when in 1977 two staff members were briefly arrested for getting near enough to the seal hunt to photograph the skinning of live seals, a practice previously disputed.

Other well-known campaigns included our work on a federal anti-trapping bill as well as our work with Velma B. (“Wild Horse Annie”) Johnston. Velma had been championing the rights of wild horses for nearly twenty years when API named her as its Advisor for Mustangs and Burros. API gladly helped finance her fight, and the early Mainstreams (as Animal Issues was then called) are filled with inspiring stories of her ongoing struggle. Velma passed away in 1977 (just when she had accepted nomination to API’s Board of Directors). API continued to fight for the kind of cause she believed in, although its focus moved to other issues.

That front-line visibility diminished somewhat in the 1980s as the API moved more discreetly into the background, choosing to focus on educating people through campaigns and publications. API did not rest on its past victories. To paraphrase Thomas Jefferson, the price of animal freedom is eternal vigilance. Some battles have to be fought over and over again, even after they’ve been won. And so API returned to the front lines, taking a leading role in the struggle for animal rights.

On January 1, 2000, the Texas Snow Monkey Sanctuary merged into the API family, to be renamed the API Primate Sanctuary in June 2003 and now called the Born Free USA Primate Sanctuary. Located about 90 miles south of San Antonio, Texas, the Born Free USA Primate Sanctuary provides a truly free-range environment with minimal human interference for more than 500 rescued macaques, vervets, and baboons.

Forty years of fighting animal abuse and exploitation have given us tools that work. Whether we use the courts, the legislatures, the ballot box … engage our nationwide team of grassroots activists at the community level … work closely with individual advocates … form coalitions with other national or state animal advocacy groups … or use our position as a major media resource to focus national attention on the abuse of animals anywhere and everywhere … we continue to get the job done.

About Thinkspace Gallery:

Established in November of 2005, Thinkspace exists as a catalyst for the ever expanding new contemporary art movement that is exploding forth from the streets and art schools the world over. We are here to help represent this new generation of artists, to provide them that home base and to aid them in building the right awareness and collector base necessary for long-term growth.

Our aim is to help these new talents shine and to provide them a gallery setting in which to prove themselves. It is our hope and dream that through these opportunities these individuals will prosper and continue to grow to amaze us all for years to come. With the love of and for our community, and with the talents of so many incredible artists involved, we believe that this movement will provide the necessary proving ground for the ideas and dreams of today to become the foundations of a new tomorrow.

Thinkspace Gallery is located at 4210 Santa Monica Blvd (near Sunset Junction), in the Silver Lake area, Los Angeles, CA 90029. Gallery hours are Thursday thru Sunday, 1 p.m. to 6 p.m. and by appointment. For more information, please call 323.913.3375, visit www.thinkspacegallery.com, or email contact@sourharvest.com.

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New Video with David Choong Lee

Walrus TV interviews artist David Choong Lee,

who finds a lot of inspiration from people he has met on the street. He also is clearly influenced by the street art movement. “Ever since I started combining mixed media and street art…makes me more free when I’m working. No more stress, ” says Lee.

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Painting the Streets for Safety; Bike Lanes and People

This posting isn’t really about street art – except it is about painting literally on the street in Brooklyn. We just received an email from a Brooklyn club inviting us to a memorial for a friend who was killed on her bicycle.solange

In Loving Memory of Solange – DJ Reverend Soul. Yesterday, we lost one of our dearest members of the Rose family to a tragic accident. We were so lucky to have had this lovely lady spin for us every Monday night at the Soul Sessions. Her joyous spirit and soul was truly infectious and brought a smile to everyone she ever encountered” (image to the right courtesy Rose Live)

Yesterday, in a Brooklyn neighborhood named Greenpoint where she lived, Solange Raulston, an artist and musician originally from the U.K., was struck and killed by a flatbed truck while riding her bicycle.  She DJ’d regularly at Rose Live and Bembe, two clubs in Williamsburg.

There have been a number of articles in the past couple of weeks regarding the mysterious disappearance of bike lanes in parts of Brooklyn and the efforts of people to restore them. The discussions taking place over the appropriate location for bicycle lanes are pretty firey.

It hasn’t been reported if there was a bike lane there yesterday, or if Solange was riding in it when she was struck and killed, but it has become more obvious that more and more intrepid and low-to-moderate income artists, professionals, musicians, dancers, photographers, pizza delivery dudes, construction workers – you name it – are using their emission-free human-powered bicycles to get around New York.  It isn’t just for David Byrne anymore!  Many people have begun riding bikes since the economy took a downward turn and they could not afford public transportation or car services, let alone a car.

The fact that bike lanes exist in the first place is the result of community-powered activists who have fought for them for years and worked with the City to get them in place.  The streets, which everyone pays for, are largely unsafe for bike riders still and riding on the sidewalk can endanger pedestrians and will get you a ticket in some areas. Luckily, newly re-elected Mayor Bloomberg celebrates the plans to “green” our city with hundreds of miles of bike lanes over the next few years. And it’s universally acknowledged that bike lanes save lives and improve safety.

Rose Live club in Williamsburg will be having a memorial for DJ “Reverend Soul” and is raising money to send to her family. You can find them through their website www.roselivemusic.com

“Soulful ‘DJ Solange’ Raulston is killed after being struck by car while riding bike in Brooklyn” – Daily News

33 year old Solange Raulston, a Brooklyn DJ who played at Rose every week, was killed on her bicycle in Greenpoint yesterday. (photo courtesy ©The Daily News)
33 year old Solange Raulston, a Brooklyn DJ who played at Rose Live and Bembe in Brooklyn regularly, was killed on her bicycle in Greenpoint yesterday. (photo courtesy ©The Daily News)

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NYC Street Artists Collaborate! Reason No. 31 to love New York

NYC Street Artists Collaborate! Reason No. 31 to love New York

According to the new issue of New York Magazine , whose cover story “Reasons to Love New York” is on newsstands today, Reason Number 31 is because our street art is collaborative.

click to enlarge and see all the names they helpfully tracked down

Street Artists have a greater spirit of collaboration than you might imagine

Billi Kid provided pictures that document the ongoing conversation of street artists in one part of the city.  And it’s pretty rare to hear about “Beef”, something that was a mainstay of graff culture back in the daze.

According to the article, “In gallery-rich Chelsea, a brick wall on West 22nd Street became, over the past year, an ephemeral showroom for international street art. The canvas changed appearance almost daily, as artists (some identified here) overlaid new pieces over the work of their predecessors.”

When reached by BSA for comment, street artist Billi Kid was big-hearted and magnanimous, full of Holiday Spirit, “It’s all about community. It’s all about collaboration. It’s all about joy. HAPPY HOLIDAYS EVERYONE!”

That just makes me want to say “Ho-Ho-Ho!” or, as we used to say at Christmas when I worked at a mega-club on West 29th Street, “Whore-Whore-Whore!”

Now it is probably inpolitik to say such a thing, but “Sex Worker-Sex Worker-Sex Worker” just doesn’t have a Christmas ring to it.

VIEW THE NEW YORK MAG Street Art Slideshow here:

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Images of Week 12.13.09

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_1009
Our weekly interview with the streets.

Faile Christmas. The Faile Collective found their stolen Prayer Wheel painted white and now re-painted for Christmas
It’s a Faile Christmas. The Faile Collective found their stolen Prayer Wheel, painted it white, and now re-painted it for Christmas (photo ©Jaime Rojo)

Faile
I’lllllllllll be Faile for Christmas, you can count on meeeeeeeeee (photo ©Jaime Rojo)

Faile
Good advice when I think about some parts of 2009 (Faile) (photo ©Jaime Rojo)

King
Stunning knife painting from King (photo ©Jaime Rojo)

Invader and Stickman.
“Yow-sah! Did you see those furry boots on her?”   “I know! …But are you sure those were boots?”   (Invader and Stikman)  (photo ©Jaime Rojo)

BSPEK. An old favorite
BSPEK shout out to the EMS volunteers saving people from high-cholesterol meals! (photo ©Jaime Rojo)

Cesc. Gats.
Cesc, Gats (photo ©Jaime Rojo)

MOMO
MOMO on the Rise (r)  (photo ©Jaime Rojo)

Red Nose
Drat!  I got a splinter in my thumb. (Red Nose) (photo ©Jaime Rojo)

Blue Nixon
Blue Nixon (photo ©Jaime Rojo)

Revs Up
Yo! Revs Up son? (photo ©Jaime Rojo)

Over Under
Oh, I don’t know, Doc,  I just can’t concentrate. It’s like all my thoughts go straight and then turn at sharp angels and radiate — I don’t know, it’s hard to describe. (Over Under) (photo ©Jaime Rojo)

Santa lost Rudolph. By Boat if needed be
Santa is getting some R&R in more tropical waters (photo ©Jaime Rojo)

Red Cross Red Nose
Red Cross Red Nose (photo ©Jaime Rojo)

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NEED Holiday Shopping Money? We’re offering “Cash For Your Warhols”

Brooklyn-Street-Art-STREET-SIGNALS_1009

Dust off your old Silver Elvis,

Run a damp rag across you Mao,

Give your Mick a rubdown,

We’ll Pay Top Dollar!

(Geoff Hargadon)
Call this number today! Street Art? Maybe….. (Geoff Hargadon) (photo ©Jaime Rojo)

Sotheby’s Also May Be Able to Help You Sell Them

Their recent New York contemporary auction sold this silk screen called 200 One Dollar Bills for $43.8 million to an anonymous bidder.

You see! You CAN buy me that XBox 360 for Christmas!

warhol-100 bills

“I think Warhol’s prices have held steady because he is considered the most influential postwar artist. He forged the path of being a creative director who invented rather than expressed himself and was acutely aware of both the business and kind of media resonance of his art.” said Sarah Thornton of The Economist

Listen to an audio interview at NPR here

The Only “Eight Elvises” Breaks Warhol Record

I'll have a Blue Blue Blue Blue Blue Blue Blue Blue Christmaaaaas, without youuuuu
I’ll have a Blue Blue Blue Blue Blue Blue Blue Blue Christmaaaaas, without youuuuu – “8 Elvises” sold for 100 million dollars.  That’s like twelve and a half per

“Unlike most of Warhol’s other pieces, which are screen prints made by his assembly line of assistants in his infamous NYC Factory, this Warhol Elvis piece is unique. Warhol only made one of the work he called Eight Elvises.”

Read more at Juxtapoz

“CASH FOR YOUR WARHOL?”

Time’s a wastin’: That Jackie O in the laundry room could be worth some MU-LAH baby!!

go to Cash for Your Warhol .com today


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Fun Friday 12.11.09 – Support Your Artist Neighbors this Holiday Season

It’s a Festival of Blight!

Artists ’round Brooklyn-World are taking Christwanzaakkuheid matters into their own hands….with art fairs and screen-printing parties and good old-fashioned holiday disco-burlesque-debauchery !!!!

Here are a handful of opportunities to spend your cash and not worry that it is getting sucked through a tube to a corporate headquarters somewhere while the frightened-minimum-wage-no-health-benefits cashier who bags your item thinks about hitching a ride to her second job.

When you buy art in your community from your community your money stays in your community. Hooray!

Pandemic Printing Party 12.12

[tshirtflyer.jpg]

More info @ Pandemic Gallery

Cream Studios Holiday Sale & Party 12.12

brooklynstreetart-cream-studios

238 Melrose street
between Wilson and Central
Sat Dec 12 4:30 – 12

Andy Kessler Memorial Benefit Art Show  12.12

Honoring the Godfather of NYC skateboarding, who passed away in August

Come by the Volcom NYC store on Saturday, December 12th for the Andy Kessler Memorial Art Show. The show is from 8 pm – Midnight, there will be a silent auction featuring a ton of art, drinks and good times to raise money for a good cause!

Volcom NYC
446 Broadway (Between Grand and Howard)
Also open Sunday, December 13th – 11 am – 7 pm

Secret Project Robot Channukah Party 12.13

4pm to 10pm
For your Jewish and Gentile friends alike a Menorah lighting at sunset
(they’re throwing a christmas/holiday party with Jonathon Toubin on the 17th as well)
German Measels
Jaques Detergent
The Mad Scene

Non profit Secret Project Robot supports the local weirdo arts scene consistently through-out the year

– whether it’s art shows, fashion shows, music shows, street art, conceptual art, performance pieces, parties, fundraisers -you name it. They are totally ART + COMMUNITY and many people have come through their doors that we know, and the doors are still open to struggling new people who are trying to make a go of it.

Make a Donation directly to Secret Project Robot (a 501(c) registered non-profit) arts organization by writing to them – they’ll make it easy for you to give back to the arts  >>>secrets@secretprojectrobot.org

Check out this hilarious “My Menorrah” video, a favorite of our own Manischewitz home-gurl Lera Loeb

3rd Ward & The Danger Party throw “Sugar Rum Cherry” 12.12

Click on this to RSVP at their site and see a delicious HIGH class striptease to Eartha Kitt, may she rest in peace.
Click on this picture to RSVP and see a delicious HIGH class striptease to Eartha Kitt, may she rest in peace.

“Explore twelve thousand square feet of debauched festivities” – oh promises, promises!

Professional art-party ambiance makers The Danger somehow mix the best elements of all holiday traditions while respecting none.

  • Dirty Santas
  • Seductive elves
  • loud sound,
  • jump-up dancefloors,
  • cheap drinks,
  • mistletoe and
  • an abundance of whip-cream and cherries.

Finally, next week it’s Brooklyn’s Own

BLIP FEST ’09 in Gowanus at the Bell House

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“Limited Run 3” Print Show at Open Space in Beacon, NY (Brooklyn North)

Limited Run 3, a group exhibition of prints and zines at Open Space Gallery in Beacon, New York.

Limited Run 3
Open Space’s 3rd Annual Print and Zine show

December 12th – January 31st
Opening Reception: Saturday, December 12th – 6PM – 10PM
Music by Knox Robinson

Open Space
510 Main Street
Beacon, NY
845.765.0731

www.openspacebeacon.com

Hours:
Thursday – Saturday 12 – 6pm
Sunday 12 – 4pm
Second Saturday Hours – 12 – 9pm
or by appointment

Limited Run 3 features prints and zines from:

28cents
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Fresh Geezers in Brooklyn: London Police and Galo open tonight at Factory Fresh

Fresh Geezers in Brooklyn: London Police and Galo open tonight at Factory Fresh

Footage of the Police in Handcuffs!

Factory Fresh welcomes The London Police, who get themselves into the oddest situations while in pursuit of art. (video still courtesy London Police)

Factory Fresh welcomes The London Police, who get themselves into the oddest situations while in pursuit of art. (video still courtesy London Police)

The World Premiere of full-length Galo Video!

Italian street artist Galo enjoys a glass of wine while painting a canvas (video still courtesy the artist)

Italian street artist Galo enjoys a glass of wine while painting a canvas (video still courtesy the artist)

FRESH Canvasses paying tribute to NYC!

A tribute to their host borough, the London Police combine Brooklyn architecture and a central discombulated version of their "character" (photo Steven P. Harrington)

A tribute to their host borough, street artists The London Police combine Brooklyn architecture and a stylized central discombulation of their “character” (photo Steven P. Harrington)

Blowing northward along the coast from Miami’s Art Basel like warm air from a subway grate up my homegirls’ skirt, this trio of street art brothers are some really fresh geezers here to warm you at Factory Fresh.

It’s The London Police and Galo – a motley joyfest of brotherly jest in color and black and white. Their hand work is a contrast of free-form (Galo) and pre-meditated crisp line control (London Police). There are still-wet canvasses and the newly constructed Factory Fresh Screening Room to see two cinematic features. Helpfully, the entertaining videos in this show are not conceptual, so you won’t need a brochure to accompany them.

This quickly mounted show (3 days) is only possible because these guys have a bit of mileage under their belts (12 years and 50 countries, in Chaz’s case), are complete professionals, and they know how to turn out the canvasses while having fun.

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Galo was previously a graphic designer who decided to dedicate his energies to his art, which is colorful, line-based, and concentrates on what he calls his “character” – who really turns out to be more than one guy.

“This is my character. I just draw until I’m satisfied, you know? I think it has a sort of graphic balance. Normally I’m pretty flexible with myself. I like to have the faces squeezed. It doesn’t matter if they have the perfect eye. It’s pretty much informal,” says Galo.

“It is a sort of family because I first started with the one character with the round eye and slowly I started to draw the same kind of lines but with different kinds of eyes and different position of the mouth and so let’s say that they are three brothers. They are always changing”

Galo (photo Steven P. Harrington)

One of Galo’s favorites from the show. ” Normally I don’t paint big canvasses like this because it is troublesome to ship them. So I shipped the canvasses and I re-framed them here.” (photo Steven P. Harrington)

Upon his recent return to Brooklyn, Galo retrieved some old paintings stored here, which he says he wants to light on fire. “These canvasses basically disappeared for four years. They were in the storage of a friend of a friend who moved to Mexico. So I didn’t see them anymore, they just got ruined. Just to clean my hands I just want to burn them. So I nailed them together. I’m going to burn these and we’ll see what happens,” says the pyromaniacal artist.

Galo (photo Steven P. Harrington)

Galo stands with a stack of canvasses destined for destruction in the back yard of Factory Fresh, which he painted in about 3 hours with a big fat cap. (photo Steven P. Harrington)

Galo

Galo shows some technique with the can. “Miami was great, absolutely amazing. The best I’ve ever seen – so many people out there. I painted a really big wall so I was busy painting every day, but for sure in the evening it was just partying, hanging out with other artists.”

Galo peers out through his work.

Galo peers out through his work in this still from his new full length video premiering tonight at Factory Fresh.

GALO – a Brief Introduction – the full story tonight!

The London Police are Chaz and Bob – Bob does the crisp linear cityscapes and architectural detailing, and Chaz draws the “LAD” character (who is based loosely on the man himself), now happily morphing and shape-shifting into blobs and motifs that echo the original little happy fella they are known for.

On the topic of the endless interpretations and generally ripping apart of the original theme, Chaz explains that he felt their fans might have gotten a bit bored with just the one character, “Once you’ve done one head and then two heads and then three or four heads…after going out and doing the same thing it got to the point where I wanted to go out and do ten heads, fifteen heads.”

This year they limited themselves to strictly black and white, but do not rule out using color in the future.

The City according to the London Police (photo Steven P. Harrington)

The City according to the London Police; “”We’re really proud and pleased with the work we are doing this year. We enjoy it, and I don’t think you can really ask for more than that. We work a lot on these paintings. It takes a long time. Everything you see here is doubled, because we use the ink pens. The first layer leaves it a little bit shallow so it needs to be doubled up,” says Chaz (photo Steven P. Harrington)

A student of architecture, Bob worked for an architectural firm a few years ago, which sharpened his acuity, “I’m crazy about architecture but as a living it’s a little bit stale. But it was really good because it was so in-depth that your drawing gets better. Your understanding of architecture gets better and your world grows. Now I can pretty much close my eyes, remember an image and then draw it from my brain,” he says.

And about incorporating the architecture of his host city into TLP’s work, ” I did quite a lot of actual research, visually, and reading up on Brooklyn. The contrast between Manhattan and Brooklyn, obviously is huge. But I like the rawness of Brooklyn. I always have. I’ve been here a few times and I like that you have the low-level housing, three or four stories high, and then you’ve got this huge factory next to it. It’s really bold. That’s what is iconic about Brooklyn.”

In this still from the "Brothers in Arms" documentary to be screened this evening, Chaz takes a little catnap as his hand-cuffed mate labors on their deadline. (image courtesy the artists)

In this still from the “Brothers in Arms” documentary to be screened this evening, Chaz takes a little catnap as his hand-cuffed art-mate labors on their deadline. (image courtesy the artists)

“In this show we are showing a documentary film we made in L.A. which was basically us handcuffed together twenty-four hours a day. We lasted five days. It was pretty intense. We didn’t break. I thought there would be a breaking point where I would just need personal space, especially at the obvious times”

The flyer is posted in the gallery

The “Brothers in Arms” flyer is posted in the gallery just outside the cinema. Check your local listings for times.

Produced by Ashton Kutcher and Jason Goldberg, the brief documentary shows the “brothers” in a variety of natural and staged situations that come off as endearing, entertaining, and a bit goofy.

“It produced a funny, nice documentary so when people come to the show tonight there will be a bit of cinema about every 20 minutes and you can watch the film about Galo, and the film about us handcuffed together, which is stupid, corny, and funny,” says Chaz.

Chaz chats while doing some finer line-work (photo Steven P. Harrington)

Chaz chats while doing some finer line-work in prep for tonight’s show at Factory Fresh (photo Steven P. Harrington)

Two new smaller canvasses feature scenes inspired by New York disaster movies that have proliferated in the last 25 years. The London Police (photo Steven P. Harrington)

Two new smaller canvasses feature scenes inspired by New York disaster movies that have proliferated in the last 25 years. Both Chaz and Bobbie site the movie “Ghost Busters” as a formative influence in their artistic careers. (The London Police) (photo Steven P. Harrington)

"It's really simple, it's just my girlfriend and my son's name in script. She was was really gobsmacked. She really loved it. I was really fearing showing her, and she was really touched."

Chaz works on a canvas patiently while handcuffed to Bobbie, who is getting a tatoo. “It’s really simple, it’s just my girlfriend and my son’s name in script. She was really gobsmacked. She really loved it. I was really fearing showing her, and she was really touched,” says Bob. (still from “Brothers in Arms” courtesy the artists)

About the movie, we discovered that really the idea was Chaz’s and Bobbie just went along. Was there a point when Bobbie regretted the decision?

Says Bobbie, “Yeah, about after five minutes. I was having a terrible time”

“I just couldn’t, – Bear in mind you’re setting up for a very important show – you just couldn’t get anything done. The whole thing – it was okay hanging out with Chaz, you know we had a good laugh. But you couldn’t get anything done. You just can’t physically do anything, it get’s really frustrating.”

But don’t mind this brother, because later in the conversation, he reverses himself and says it would have been great to do it for 2 or 3 weeks. “We wanted to do more than five days but the problem was that show was to open so that was the maximum that we could do but if had had more time that’s when you would have gotten some really good material.  It was all novelty, it was all fun. If you went to a party people were really interested – but it would have been great if you could have gone on for two or three weeks.”

Were people waiting for one or both of them to have a meltdown? Says Bob, “Yeah, that’s what they were hoping! But it was five days and because we’re best friends it was never going to happen”.

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Factory Fresh is HERE

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