Carmichael Gallery Presents: “Block Party” A Group Show And A Showcase of New Works by Sixeart (Culver City , CA)

Carmichael Gallery

brooklyn-street-art-charmichel-gallery

Sixart "Turkey in Motion" Image courtesy of the Gallery

Sixart "Turkey in Motion" Image courtesy of the Gallery

Four brand new works on paper from Sixeart will be on display in the gallery showcase room from November 13 to December 11.

Carmichael Gallery Invites You to Attend

Block Party

Boxi, Krystian Truth Czaplicki, Gregor Gaida, Simon Haas, Dan Witz

&

A Showcase of New Works by Sixeart

5795 Washington Blvd
Culver City, CA 90232

November 13 – December 11, 2010

Opening Reception: Saturday, November 13, 2010, 6-8pm

please RSVP by email rsvp at carmichaelgallery dot com

Carmichael Gallery is pleased to present Block Party, a group exhibition featuring Boxi, Krystian Truth Czaplicki, Gregor Gaida, Simon Haas and Dan Witz. Block Party aligns the disparate creative practices of five internationally-based contemporary artists. In doing so, the shared intrinsic presence of themes of isolation, beauty and reflection upon self and surroundings in their works are augmented, inviting new dialectical dialogues and considerations.

Artworks included in the exhibition range from works on canvas, wood, MDF and paper to mixed media sculpture, a large site-specific mural installation and a video presentation.

A showcase of new works on paper by Sixeart will be displayed concurrently in the gallery’s largest project room.

There will be an opening reception for the exhibition on Saturday, November 13 from 6 to 8pm with Boxi and Simon Haas in attendance. The exhibition will run through December 11, 2010.

Boxi (b. 1974 Kent, England) A dark, disillusioned romanticism pervades Boxi’s work; material boundaries are dissolved and perceptions are altered by means of hand cut, multi-layered, often life-sized stencils that offer a comforting solidity within the smoky abstraction of his grey-scale landscapes. In addition to new works on canvas and MDF, he will create an elaborate site-specific installation on the gallery’s main wall.

Recent solo and group shows include Between a Dream and an Excuse, Kunstverein Buchholz, Nordheide (2010), Remap, Ad Gallery, Athens (2009), Urban Art – Collection Reinking, Weserburg Museum for Modern Art, Bremen (2009) and Grey Area, Carmichael Gallery, Los Angeles (2009). He lives and works in Berlin.

Krystian Truth Czaplicki (b. 1984 Wroclaw, Poland) Krystian Truth Czaplicki combines found materials with existing objects large and small to create simple but effective abstract artworks that reveal an astute understanding of architectural and natural structures. He will present a series of new mixed media works on canvas and a slide compilation of the urban installations that have informed his gallery practice.

Recent solo and group shows include Young Creative Poland, London (2009), Experimenta Design, Urban Play, Amsterdam (2008), The 5th Young Triennial, Centre of Poish Sculpture, Oronsko (2008), Truth, BWA Gallery, Sanok (2007), Urban Irony, BWA Gallery, Wroclaw (2007), Transformation, CCA Ujazdowski Castle, Warsaw (2006) and Simplicity, Entropia Gallery, Wroclaw (2006). He lives and works in Wroclaw.

Gregor Gaida (b. 1976 Chorzów, Poland) Gregor Gaida merges timelessly classic ideals with an unquestionably contemporary sensitivity. Characterized by a muted palette and meticulous employment of texture, both his figurative and more abstract expressions feel all but alive. He will present sculptural works from several new series, including Fragments, Kingdom, Drummer and Pissing.

Recent solo and group shows include Summe der Geschichten, Galerie Adler, Frankfurt (2010), Gregor Gaida – Kunst im Foyer, Nolde Stiftung Seebüll Dependance, Berlin (2010), HangART-7, Edition 14 Mal was Deutsches, Hangar-7, Salzburg (2009) and Gaida-Schiela-Kim, Galerie Epikur, Wuppertal (2009). He lives and works in Bremen.

Simon Haas (b. 1984 Los Angeles, USA) Simon Haas’ elegantly executed, subtly hued portraits of himself and others transit to viewers an intensely emotive perspective of various psychological states of being. He will present new oils on canvas and works on paper.

Recent solo and group shows include Instant LA Summer, Carmichael Gallery, Los Angeles (2010), Volume, AT1 Projects, Los Angeles (2010), Manifest Equality (2010) and Solo Show, Untitled Gallery, Los Angeles (2007). He lives and works in Los Angeles.

Dan Witz (b. 1957 Chicago, USA) Dan Witz employs light and darkness to supreme effect in his oil and mixed media works. A glowing warmth pervades each canvas, fashioning a haunting atmosphere that feels at once lonely and comforting. He will present several works from his Nightscapes and Bar Shrines series.

Recent solo shows include New Night Paintings, DFN Gallery, New York (2010), Dark Doings, Carmichael Gallery, Los Angeles (2009), New Street Works, Sid Lee Collective, Amsterdam (2009) and Night Paintings, Stolenspace, London (2008). He lives and works in Brooklyn.

Sixeart (b. 1975 Barcelona, Spain) Sixeart combines psychedelic abstraction and mysterious coded formulas with vividly rendered figuration to produce a highly personal visual language. The childlike innocence and almost hallucinogenic sense of second sight of his work has a dreamlike quality that shows an affinity with Surrealist artists such as Joan Miró, another native of Barcelona. He will present four new works on paper.

Recent solo and group shows include Mundo Animal – Transmutation Intercontinental, A.L.I.C.E. Gallery, Brussels (2010), Booked, Carmichael Gallery, Los Angeles (2010), De Chillida a Sixeart, Galeria Mayoral. Barcelona (2009), Guerreros, N2 Galeria, Barcelona (2009) and Street Art, Tate Modern, London (2008). He lives and works in Barcelona.

About Carmichael Gallery:

Founded in 2007 by husband and wife team Seth and Elisa Carmichael, Carmichael Gallery focuses on a select group of artists breaking ground in painting, mixed media, photography and sculpture. Their annual program consists of a series of solo and group exhibitions that document the progress of these artists.

For information on current, past and upcoming shows, visit www.carmichaelgallery.com. For additional information and press materials on this show, please contact the gallery by email art at carmichaelgallery dot com or call +1 323 939 0600.

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Street Art And The Day Of The Dead

“Dia de los Muertos”

Skulls are everywhere on the street today, and here is a collection to mark The Day of the Dead. The commemoration of people who have passed is observed nation-wide in Mexico every year at this time. Although it is not a national holiday, the strictly religious and cultural observance is revered and, depending on the region, it varies in the ways in which the holiday is marked.

The cultural aspect of this holiday has inspired many artists, filmmakers and poets. Here we have selected images of Street Art culled from our library to mark the Dia de Los Muertos, focusing on the most prominent symbol used to represent this holiday: “Las Calaveras” or skulls.

PeruanaAnaperu (Photo © Jaime Rojo)

PeruanaAnaperu (Photo © Jaime Rojo)

Imminent Disaster. Detail (Photo © Jaime Rojo)

Imminent Disaster. Detail (Photo © Jaime Rojo)

Mexico’s  “Dia de los Muertos” or “Day of the Dead” takes place every year on November 2 to coincide with the catholic holiday of “El Dia de los Santos” or “All Saints Day”. The Day of the Dead is not the Mexican equivalent of Halloween. The Day of the Dead in Mexico is a celebration of Death and it does not carry any of the connotations of fear, fantasy and gore that Halloween does.

El Sol 25 (Photo © Jaime Rojo)

El Sol 25 (Photo © Jaime Rojo)

This religious and cultural holiday can be traced as long ago as 3000 years. Before the conquest of what’s now modern Mexico in the pre-Hispanic era the indigenous cultures celebrated death, rebirth and their ancestors by displaying human skulls as memento mori.

Gaia Channels Mexican Artist Jose Guadalupe Posada (Photo © Jaime Rojo)

Gaia Channels Mexican Artist Jose Guadalupe Posada (Photo © Jaime Rojo)

Booker (Photo © Jaime Rojo)

Booker (Photo © Jaime Rojo)

Elbow Toe (Photo © Jaime Rojo)

Elbow Toe (Photo © Jaime Rojo)

When the Spanish missionaries arrived more than 500 years ago they tried without success to eradicate such pagan and sacrilegious celebrations that seem to mock death while converting the indigenous people to Christianity. To the Spaniards death was the end of life but to the Aztecs it was a continuation of a journey not yet completed. The Aztecs embraced death and they celebrated it for the entire month of August, the ninth month of the Aztec Calendar, and the festivities were presided by the goddess Mictecacihuatl or “Lady of the Dead” presumed to have died at birth.

Spazmat/Skullphone (Photo © Jaime Rojo)

Spazmat/Skullphone (Photo © Jaime Rojo)

The Spaniards were met with fierce resistance in their attempts to vanish the rituals so in frustration they sought and found a common ground with the natives by moving the pagan rituals to coincide with the Catholic holiday of “El Dia de los Santos” or “All Saints Day” on November 2.

Hellbent (Photo © Jaime Rojo)

Hellbent (Photo © Jaime Rojo)

Modern Mexicans remember their friends and family members that have departed from life by honoring them with extravagant festivities that, depending in the region might include lavish offerings or “ofrendas” in private altars in the cemeteries at the tombs of their loved ones and/or at home. It is a day of celebration and many people elect to stay overnight at the cemetery for prayer, and remembrance but partying, eating and drinking is encouraged and expected always following the norms of respect and decorum for the defunct.

Look at that Bunny! (Photo © Jaime Rojo)

Look at that Bunny! (Photo © Jaime Rojo)

Ludo (Photo © Jaime Rojo)

Ludo (Photo © Jaime Rojo)

These “ofrendas” or gifts include the most favored dishes, foods and beverages that their loved ones enjoyed while alive. They also include photos and other personal mementos of the deceased ones. The “ofrendas” are meant to be eaten and shared by the relatives and friends of the departed and sometimes they are very elaborate five course dinners. Other times the relatives might choose to have a daytime picnic at the cemetery and return to their homes at dusk. The “ofrendas” are believed to nurture and help the souls of the dead while in their journey to heaven.

Some people use this day to just take their customary once a year trip to the cemetery to clean and maintain the tomb of their loved ones.

Y The Fuiste (Photo © Jaime Rojo)

Y Te Fuistes  (Photo © Jaime Rojo)

Regardless of the singular cultural distinction of each region two symbols are common throughout the country: “La Calavera” or The Sugar Skull and “La Catrina” or The Skeleton Lady. The Skulls can be made of sugar and chocolate and often are inscribed with the recipient’s names and are gifts to both the living and the dead. There is also “El Pan de Muertos” or “Bread of the Dead” which Mexicans give as gifts to the visiting relatives for their journey back home.

It is said that Mexicans not only celebrate death they also eat it.

Sweet Toof (Photo © Jaime Rojo)

Sweet Toof (Photo © Jaime Rojo)

Dr. Hoffman (Photo © Jaime Rojo)

Dr. Hoffman (Photo © Jaime Rojo)

Smilee (Photo © Jaime Rojo)

Smilee (Photo © Jaime Rojo)

Faile (Photo © Jaime Rojo)

Faile (Photo © Jaime Rojo)

PMP (Photo © Jaime Rojo)

PMP (Photo © Jaime Rojo)

Matt Siren (Photo © Jaime Rojo)

Matt Siren (Photo © Jaime Rojo)

Viki (Photo © Jaime Rojo)

Viki (Photo © Jaime Rojo)

Main Banner image credit: Jose Guadalupe Posada “Gran Calavera Eléctrica” Courtesy Library of Congress.

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Vladimir Restoin Roitfeld and Andy Valmorbida in collaboration with Giorgio Armani present: “Richard Hambleton New York – The Godfather of street art” (London, UK)

Richard Hambleton

brooklyn-street-art-Richard-Hambleton-The-Dairy-Gallery

Vladimir Restoin Roitfeld and Andy Valmorbida in collaboration with Giorgio Armani present “Richard Hambleton New York –  The Godfather of street art”, an exhibition of works by Richard Hambleton

London, November 2010 – Elusive New York artist Richard Hambleton will be the subject of an exhibition at The Dairy in London, following  highly successful exhibitions in New York, Milan, and Cannes. The exhibition, opening on 18th November, will be curated by Vladimir Restoin Roitfeld and Andy Valmorbida in collaboration with Giorgio Armani.

Richard Hambleton rose to fame in the early 1980’s when like his contemporaries, Jean-Michel Basquiat and Keith Haring, he used the streets of New York, San Francisco, Berlin, Paris, London and Japan as his canvas for visually arresting public art, most notably his “Shadowman” and “Crime Scene” series. Hambleton has now been labelled ‘The Godfather of Street Art’, influencing artists such as Paris based street artist Blek le Rat and English street artist Banksy.

The last influential surviving member of the East Village Art Movement, Hambleton saw what fame and drug use did to his close friends, and for the last 20 years has led a relatively reclusive life on the Lower East Side of Manhattan. Despite a low public profile, Hambleton has continued to create and his works can be found in the permanent collections of The MoMA, the Brooklyn Museum, The Houston Museum of Fine Art, The Check Point Charlie Museum and The Zellermeyer in Berlin; the Andy Warhol Museum, the Austin Museum of Art, the Milwaukee Art Museum, the New Museum of Contemporary Art, the Queens Museum, and Harvard University. He was chosen for the Venice Biennale in 1984.

Giorgio Armani says: “I have long been a fan of Richard Hambleton. Richard’s work is of the streets, and for me stands as a reminder that art in all its forms is first and foremost driven by individual passion and creativity”

Vladimir Restoin Roitfeld and Andy Valmorbida say: “Richard Hambleton’s brush stroke as an artist is genius and is in a league of its own. Most significantly, he is the most important and influential living street artist in the world today, with a story and career that is unparalleled. It is also a privilege for us to collaborate again with Giorgio Armani and we’re pleased to present it in such a prestigious space.”

The Richard Hambleton Exhibition will be open to the public from November 19th to December 3rd. During that time the pop-up gallery at the Dairy, at 7 Wakefield St in London will be open Monday to Friday from 10am to 7pm. Of the 45 pieces, 30 works (including 25 never before seen works) will be for sale.

Moreover, eight custom made light-boxes with photography of Richard Hambleton’s original street art from the early 80’s will be presented.

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Wide Open Walls: Logan Hicks Post Game Gambia

Brooklyn-Street-Art-Gambia-Diaries-Wow-Oct22010

Logan is now back in chilly Brooklyn and looking over some of his images of beautiful weather, beautiful people, and painting in The Gambia. Now that the seven artists have returned back, the stories have returned with them. One thing for sure is that they all treasured the kids, and that the locals appreciated the art.  In addition to being a stencil artist, Logan is also a talented photographer and he shares some images here with you.

Local Kids. (Photo © Logan Hicks)

Local kids had different reactions to the appearance of the camera, and were very interested in the visiting artists. (Photo © Logan Hicks)

Eelus (Photo © Logan Hicks)

Eelus updated his hit “Raven Haired” with this version just for the WOW project. (Photo © Logan Hicks)

Mysterious Al reckons his work (Photo © Logan Hicks)

Mysterious Al reckons his work. Think he should add a little purple? (Photo © Logan Hicks)

Broken Crow at work with fans (Photo © Logan Hicks)

Broken Crow continues under close supervision. (Photo © Logan Hicks)

Lucy McLauchlan Birds (Photo © Logan Hicks)

Lucy McLauchlan painted a couple of birds on this fence. (Photo © Logan Hicks)

Broken Crow piece on a hut (Photo © Logan Hicks)
Broken Crow left one of their lions on a home (Photo © Logan Hicks)

Lucy McLauchlan collaboration with local kids. The kids did the faces. (Photo © Logan Hicks)
Lucy McLauchlan created this collaboration with local kids at their school. She did the sunshine and they did the faces. (Photo © Logan Hicks)

Xens takes a brake to chat with the locals. (Photo © Logan Hicks)
Xenz takes a break from the birds on the wire to chat with new pals. (Photo © Logan Hicks)

Xenz Trompe L'oeil (Photo © Logan Hicks)
Xenz got site-specific with this Trompe L’oeil (Photo © Logan Hicks)

Xenz and Logan Hicks collaboration (Photo © Logan Hicks)
Xenz doing his bit on a collaboration with and Logan Hicks  (Photo © Logan Hicks)

brooklyn-street-art-Logan-smile-beard-WOW-Oct2010

(all images © Logan Hicks)

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Images Of The Week 10.31.10

Brooklyn-Street-Art-IMAGES-OF-THE-WEEK_05-2010

Our Weekly Interview with the street, this week featuring Chris from Robots Will Kill, ECB , El Mac , Hellbent , JMR , LMNOP, Mumblefuck QRST , RTTP , Sten & Lex, Vivian Sisters , and Wing.

El Mac (Photo © Jaime Rojo)

El Mac (Photo © Jaime Rojo)

JMR (Photo © Jaime Rojo)

JMR offers us another piece from his series of white men, New York gubernatorial candidate in this Tuesday election, Mr. Carl Paladino  (Photo © Jaime Rojo)

Hellbent (Photo © Jaime Rojo)

Little ankle biter. Hellbent (Photo © Jaime Rojo)

ECB and Chris from RWK (Photo © Jaime Rojo)

ECB and Chris from RWK (Photo © Jaime Rojo)

ECB and Chris from RWK. Detail (Photo © Jaime Rojo)

ECB and Chris from RWK. Detail (Photo © Jaime Rojo)

From QRST Series of fighting rats. Each one is slightly different (Photo © Jaime Rojo)

From a QRST Series of fighting rats. Each one is slightly different (Photo © Jaime Rojo)

Vivian Sisters and Surfers (Photo © Jaime Rojo)

Vivian Sisters and Surfers.  (Photo © Jaime Rojo)

RTTP and Bandit Bunny (Photo © Jaime Rojo)

Bandit Bunny and RTTP  (Photo © Jaime Rojo)

LMNOP (Photo © Jaime Rojo)

LMNOP (Photo © Jaime Rojo)

Street artist Wing placed her bouquet of glass tiles on an existing wheat paste by an unknown artist (Photo © Jaime Rojo)

Street artist Wing placed a bouquet of glass tiles on an existing wheat paste by an unknown artist (Photo © Jaime Rojo)

Wing  (Photo © Jaime Rojo)

Wing “Please Forgive Me”  (Photo © Jaime Rojo)

A photo of a young skateboarder in the subway by an unknown artist (Photo © Jaime Rojo)

A photo of a young skateboarder in the subway by Mumblefuck (Photo © Jaime Rojo)

Sten & Lex big mural. They are currently exhibiting at Brooklynite Gallery (Photo © Jaime Rojo)

Before heading home Sten & Lex left Brooklyn this big mural. They are currently exhibiting at Brooklynite Gallery (Photo © Jaime Rojo)

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Stencils of the Week 10.30.10

Stencil-Top-5

As chosen by Samantha Longhi of Stencil History X

brooklyn-street-art-Sr-X-stencil-history-x-10-10-web

Sr. X “Zombies” (Photo © Sr. X)

brooklyn-street-art-Zhe-155-stencil-history-x-10-10-web

Zhe 155 (Photo © Zhe 155)

brooklyn-street-art-ender-stencil-history-x-10-10-web

Ender “Artémis à l’arc (et à la flèche à ventouse)” (Photo © Ender)

brooklyn-street-art-Andrea-Michaelsson-Btoy-stencil-history-x-10-10-web

Andrea Michaelsson/Btoy (Photo © Andrea Michalesson)

brooklyn-street-art-Jana-Js-stencil-history-x-10-10-web

Jana & Js (Photo © Jana & Js)

BSA…………..BSA……………..BSA…………..BSA………………BSA…………..BSA………………BSA……………….

To see more  of  Sr. X work click here:

To see more of SHE 155 work click here:

To see more of Ender work click here:

To see more of Andrea Michaelsson/Btoy work click here:

To see more of Jana and Js work click here:

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Mr. Hush NYC Solo Show “Found” At The Angel Orensanz Foundation (Manhattan, NY)

HUSH

Image Courtesy of the Artist

Image Courtesy of the Artist

HUSH’ Solo Show NYC “Found”

Reception: Friday Nov. 19 7 pm 10 pm

Gallery open Nov 20 and 21 from 12 pm to 5 pm

Presented by White Walls San Francisco

Angel Orensanz Foundation For Contemporary Art

172 Norfolk St. New York, NY 10002

For guests list please email:

info@argotandochre.com

Hush’s work has been described as a sensory assault of shape, color, and character. Inspired by the portrayal of the female form in art, the artist builds up and tears down layers of paint and images as he works, “letting the canvas and marks take their own path.” The result is an enigmatic synthesis of anime, pop-infused imagery and graffiti that exposes the conflict between power and decay, innocence and sexuality, and the fusion of Eastern and Western culture. Hush continues to evolve his style with this latest batch of pieces, which merges his early anime and pop-art influenced graffiti technique with an exploration of Romanesque iconographic imagery. The new works are bigger, deeper and richer than anything he has produced to date. About the Artist: Hush is stimulated, influenced and driven by his cross cultural experiences. Having originally trained as a graphic designer and illustrator at Newcastle School of Art and Design, his work has taken him across Asia and Europe, whilst simultaneously developing his prominence as a contemporary artist. Hush now resides in the UK painting in his studio daily. EMAIL: mail@studio-hush.com

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Vincent Michael Gallery Presents: Jordan Seiler Solo Show “Taking From The Tip Jar” (Philadelphia PA)

Jordan Seiler
brooklyn-street-art-jordan-seiler-vincent-michael-gallery

After a few years of large scale organizational projects and other collaborative efforts, I am happy to announce I will be opening up my first solo show in 5 years at the Vincent Michael Gallery on November 5th in Philadelphia. New works will include 16 multimedia drawings, a small video installation, and a few street pieces. Anyone familiar with my work knows that some sort of outdoor advertising has to be challenged with anything I do and this show is no exception. All of the drawings are framed in phonebooth advertising structures procured from the streets of NY over the past few months. While I know many of you will not be able to make it down to Philadelphia, the entire catalogue will be available online in the next few days and any inquiries can be directed to the Vincent Michael Gallery.

Thank you kindly for your support and I hope to see some of you in Philadelphia.

Event Details
What: Taking From The Tip Jar: A Solo Exhibition Featuring New Works From Jordan Seiler
Where: Vincent Michael Gallery
1050 N. Hancock St. Suite #63 Philadelphia, PA 19123
When: Exhibition runs November 5th – December 3rd
Opening Reception Friday, November 5th 7PM – 10PM
More information 215.399.1580 x. 704 / International – 1.877.291.1138 or press@vincentmichael.com

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Fun Friday 10.29.10 BSA Halloween Special

Fun-Friday

Have a great Halloween Weekend Everybody!

Our longest post ever – scarily long. First we start off with a bunch of cool Street Art that is evocative of Halloween.

Then we hear a special Halloween/Election  message from Christine O’Donnell, a look at tonights’ events including Unified Love Movement’s installation across from MOMA, Erik Burke’s Closing Party, and Crest Hardware’s Pumpkin Carving Party (tonight). Also, video of Dan Witz’s disturbing WTF Street Art, and the most popular person to dress up as.

Careful out there, ya’ll.

The ghost of Bedford Ave (Photo © Jaime Rojo)

The ghost of Bedford Ave. (Photo © Jaime Rojo)

Evils (Photo © Jaime Rojo)

Evils (Photo © Jaime Rojo)

Cake pays tribute to Nosferatu (Photo © Jaime Rojo)

Cake pays tribute to Nosferatu (Photo © Jaime Rojo)

C2 Army of One (Photo © Jaime Rojo)

JC2 Army of One (Photo © Jaime Rojo)

Dain Sidebusted (Photo © Jaime Rojo)

Dain Sidebusted (Photo © Jaime Rojo)

Faro (Photo © Jaime Rojo)

Faro (Photo © Jaime Rojo)

Ink (Photo © Jaime Rojo)

Ink (Photo © Jaime Rojo)

Dark Shadows (Photo © Jaime Rojo)

Dark Shadows (Photo © Jaime Rojo)

Matt Siren and Royce Bannon (Photo © Jaime Rojo)

Matt Siren and Royce Bannon (Photo © Jaime Rojo)

Oopsy Daisy (Photo © Jaime Rojo)

Oopsy Daisy (Photo © Jaime Rojo)

Christian Paine (Photo © Jaime Rojo)

Christian Paine (Photo © Jaime Rojo)

General Howe (Photo © Jaime Rojo)

General Howe (Photo © Jaime Rojo)

Haculla (Photo © Jaime Rojo)

Incubator Studio (Photo © Jaime Rojo)

Sweet Toof (Photo © Jaime Rojo)

Sweet Toof (Photo © Jaime Rojo)

Tats Cru How, Nosm with Aryz. Detail (Photo © Jaime Rojo)

Tats Cru How, Nosm with Aryz. Detail (Photo © Jaime Rojo)

Elbow Toe (Photo © Jaime Rojo)

Elbow Toe (Photo © Jaime Rojo)

Chris RWK (photo © Jaime Rojo)

Chris RWK (photo © Jaime Rojo)

Brooklyn-Street-Art-Halloween-Vote-2010



Unified Love Movement – Alison and Garrison Buxton in Manhattan Tonight

Brooklyn-Street-Art-WEB-unified-love-movement

Garrison and Alison Buxton invite you to come celebrate the unveiling of their Unified Love Movement installation across from the MoMA at 20 West 53rd St. The Buxtons are honored to manifest their latest vision on Halloween weekend via chashama’s “Windows at Donnell” program. The exhibition runs October 29th – November 28th, 2010 and is viewable 24/7. This visual fruit is timely and ripe for viewing.  MORE HERE

Bring Your Carved Pumpkins To Crest Tonight

brooklyn-street-art-crest-art-show-halloween-pumpkin-contest

FOR MORE INFORMATION GO TO THE WEBSITE. FOR THE OFFICIAL RULES LOOK UNDER THE HALLOWEEN TAB ON THE MENU BAR
http://cresthardwareartshow.com

“This Land is My Land” Closing Party Tonight at 17 Frost

Brooklyn-Street-Art-Erick-Burke-WEB

More here

Dan Witz WTF??

And Finally, The Halloween Costume Report:

Lady GaGa Costumes Are All the Rage This Year. You can blow 50 bucks on one of these, or just visit your local hardware store and glue-gun stuff to your swimsuit.

Brooklyn-Street-Art-Lady-Gaga

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Street Artist TipToe : The Minotaur

Rebellious Outcast: Demystifying The Greek Mythological Monster

In an effort to understand themselves, humans have invented gods and monsters for millenia.

minotaur-theseus-2Ovid described the Minotaur as a “part man and part bull”. The Greeks thought of it as a monster best kept in a labyrinth, a wild untamed man-beast who took only his own advice.  At best, the Greeks achieved with the Minotaur a warped parabolic mirror of themselves but at worst (and in most cases), they shift the responsibility of their own actions unto creatures; divine, pop and otherwise well out of reach of their own realm.

Chicago based street artist TipToe has been inspired by the Minotaur for some of his recent creations; two versions of the mythological beast have recently pounded the pavement of Brooklyn.  He explains to BSA the psychological and societal dynamics that come into play for him when creating the pieces:

TipToe (Photo © Jaime Rojo)
Tip Toe (Photo © Jaime Rojo)

“Lets start with the original myth.  The Minotaur is the bull-headed offspring of the Queen of Crete, conceived in an adulterous affair with the Cretan Bull who was gifted to Minos, the King of Crete, from the god Poseidon.  In an effort to hide the shame brought to his kingdom, Minos commissioned the construction of the Labyrinth and condemned the Minotaur to it.

In doing so, the Minotaur was freed from the social conditioning of Parental Guidance or Societal law; making the Minotaur Pure, in that he had nothing but his own intuition for guidance. Though I don’t necessarily think that the Minotaur is violent or evil; these traits, I think, were imposed upon the Minotaur by those condemned to the darkness of the Labyrinth there after.  These shallow people, lost in the dark, would surly stumble upon the beast and be stricken with terror and violent inclination, but these traits were reflections of themselves.  They imposed their own ugliness upon the Minotaur, so the Minotaur became a mirror of their own predisposition.

Tip Toe (Photo © Jaime Rojo)
Tip Toe (Photo © Jaime Rojo)

The Labyrinth through out the years has come to represent: social imposition; boredom; the institution; the dark recesses of the mind where one hides their repressed impulses; all of which, in a way, are definitions of hell.  For me the Labyrinth is the city itself and the Minotaur, like the street artist, is its champion, to be embraced (not destroyed).

I believe it was Nietzsche who said, ‘Be careful when you cast out your demons that you don’t throw away the best part of yourself.‘ ”

BSA  >>  < < > < > <> BSA<< > < > < < << >>BSA  >>  < < > < > <> BSA>>  < < > < > <> BSA<< > < > < < << >>BSA  >>  < < > < > <> BSA

Sculpture from The Labyrinth of Crete

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