On the Subject of Authority: Berlin Street Art References Golda Meir

It would be fair to say that the first decade of the the 21st Century didn’t augur jolly good times ahead of us. The nascent century brought enormous challenges worldwide:  There were numerous terrorist attacks; 9/11 in the USA was a transformative event that affected the society at large in ways that have not been previously experienced before.  Other countries such as Spain, India and England suffered their own devastating terrorist attacks during the same decade. There was the big economic crisis in 2008 spurred by the banks and the mortgage collapse in the USA and the subsequent massive layoffs from all sorts of industries and gutting of social programs. Not to mention SARS, bird flu, swine flu, earthquakes, forest  fires, hurricanes, mudslides and tsunamis.

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A wheat paste of Golda Meir in Berlin (photo © Er1cBI41r)

By the time December 2010 arrived we were feeling exhausted from the past ten years. Only two months into a new decade few people could have expected that we would be witnessing radical changes taking place in The Middle East. Who could have imagined that the ray of hope in humanity would come from Tunisia and Egypt.  As the people fill the streets to demonstrate publicly to renounce their leaders, citizens in neighboring countries likewise are openly questioning the power and authority of the leaders in their highest offices.  The urge to speak up and demand in the street – it is as if a giant is awakening. Cries for change are coming from the ordinary citizens fed up with authoritarian regimes and amazingly, we are seeing the last gasps for air from shaken dictators who refuse to give up their lucrative and powerful positions.

From Berlin we received this wheat-pasted Street Art with the hand rendered illustration of Golda Meir. Meir was one of the first female politicians to be the elected as the leader of a government in the modern age, as the fourth Prime Minister of Israel from 1969 to 1974. She understood the perils of power and authority during a tumultuous tenure that saw terrorist attacks and the assassination of 11 Israeli athletes during the 1972 Olympic Games in Munich. Interesting that various sources online have this quote attributed to both Meir and Vladimir Ilyich Lenin, two people well acquainted with the topic of authority.

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Coexisting in Copenhagen

It’s always interesting to try to unpack the cryptic meanings of Street Art pieces that suddenly appear. In the end, you have to depend on your own interpretation of pieces, because their authors are not around, and there are no helpful little placards to explain the piece to you. Over the weekend a new stencil appeared on the streets of Copenhagen and it caught our eye. It is a take on a popular emblem that promotes understanding and tolerance. According to Sandra Hoj, who runs the blog Classic Copenhagen, it’s “the best spelling of coexist I have seen to date”. In fact, if you troll around the internet you’ll find endless variations, but we wonder what this one is meant to say.

brooklyn-street-art-Sandra- Hoj-coexistCoexist stencil in Copenhagen (photo © Sandra Hoj)

Perhaps the best known version of this combination of symbols, widely used by the rock group U2 and employed to foster tolerance between different people is on this bumper sticker from Peacemonger.org.

A334

C = Islam
O = Peace symbol
E = Equality of sexes and orientations
X = Judaism
I = Pentacle of pagans/wiccans ( The five points represent earth, air, water, fire and the spirit. The circle connects them all)
S = Yin/Yang
T = Christianity

But as you might expect, there are a number of variations on the theme – like this one we found on Diary Of An Aspiring Nerd

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According to the aspiring nerd, this is the breakdown for these symbols:

c – the Apple logo
o – the Ubuntu logo
e – the Debian logo
x- the skyOS logo
i  – the ChromeOS logo as the dot
s – the Solaris logo over the “s”
t – the Windows logo

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Hail to the Street : Presidents Day Street Art

Happy Presidents Day! In the US this is a holiday, officially to celebrate the birthdays of Washington and Lincoln, whose birthdays were commemorated separately until about a decade ago when they were merged.  A lot of New Yorkers think today about skiing, since it’s really the last 3 day weekend of the winter – and it’s snowing this morning so a lot of kids will be shoved outside by their parents to go play in it. Or they may take them to the Met , Guggenheim, or MOMA, which are all open today.

brooklyn-street-art-senator-jaime-rojo-02-11-3-webGeorge Washington by the Street Artist named Senator (photo © Jaime Rojo)

But back to the gallery of the street, which is always open, we can get a little history lesson too.  Everybody knows that Shepard Fairey nailed it with his Obama posters a couple of years ago, but did you realize that Street Artists have been putting up many presidential portraits over the last decade? One artist, Senator, sometimes confused people with wheat-pasted pieces in the late 2000s because his name signed to the image lead you to think it was about the subject, like the George Washington image above. His black and white coloring-book style depicted many presidents – Lincoln, Adams, Jefferson, Kennedy, Nixon, Reagan. As you can see below, Senator is not the only Street Artists to find US presidents a worthy topic.

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Senator (photo © Jaime Rojo)

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Abraham Lincoln by Visual Resistance (photo © Jaime Rojo)

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Smoking Jack Kennedy by Dain (photo © Jaime Rojo)

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Richard Nixon by Faile (photo © Jaime Rojo)

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Senator (photo © Jaime Rojo)

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Ronnie talk to Keith; The Gipper shaking the hand of a Photoshopped Keith Hernandez from a street art viral campaign a couple of years ago. Photo © Jaime Rojo

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Sever focuses on the the Bush Cheney duo. Primary Flight Miami 2008 (photo © Jaime Rojo)

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The simple placement of a dollar sign was all this Street Artist needed to complete their portrait of George W. Bush. Photo © Jaime Rojo

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President Obama’s image next to Iraq war veteran Tammy Duckworth is appropriated by Street Artist General Howe (photo © Jaime Rojo)

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One of the many Obama street art pieces from 2008, this one is similar to the ubiquitous Shepard Fairey images around at that time. © Jaime Rojo

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Images of the Week 02.20.11

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Our weekly interview with the street; this week featuring Aarhus, Clown Soldier, Don John, El Sol 25, Gaia, Michael DeFeo, CB23, Tats Cru, and Voina.

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CB23. Recession Era Cartoons. Photo © Jaime Rojo

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If you love something, set it free. Gaia (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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El Sol 25 (photo © Jaime Rojo)

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Berlin, Germany (photo © Er1cBI41r)

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Berlin, Germany (photo © Er1cBI41r)

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Don John Stencil in Aarahus, Denmark (photo © Don John)

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Clown Soldier (photo © Jaime Rojo)

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Photo © Jaime Rojo

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Michael DeFeo (photo © Jaime Rojo)

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Blue Swan (photo © Jaime Rojo)

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Tats Cru (photo © Jaime Rojo)

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Dude Asks Girl ; Street Art Plays “Cupid”

Street Art that is Highly Personal and Public

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Video still from “Proposal” by Aaron Vanden

Graffiti and Street Artists have been employing the public space to communicate for a few generations, and every day we are seeing examples that the new generation is determined to take it in new directions. Here’s a dude who took his message to the street to win the heart of his girl. Brooklyn-Street-Art-2-Aaron-Tamara-Proposal-Feb-2011

Video still from “Proposal” by Aaron Vanden

While there are a number of interesting aspects about this approach you can observe, one is the idea taken from graffiti culture where the message is directed at a specific audience. While graff writers have used the street to speak in a coded way directly to their peers, (or like 70s train writer Lee Quinones, his mom) this Street Artist makes a succession of art pieces placed along a frigid winter path that speak to the object of his affection. Like graff writers, the pieces use symbolism specific to his personal story and of relevance to his intended audience.

With best wishes to Aaron and Tamara.

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Aaron’s thanks to: Simon Stutts (simonsayscreative.com), Nic Trent (nictrent.com), Ty Bishop, Jane Sheldon (janesheldon.net), Monica Stringer

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Fun Friday 02.18.11

Fun-Friday

Curbs and Stoops in Bushwick for “Beat Nite” Tonight

The Grand Opening of Curbs and Stoops Active Space!  A proud New York tradition for artists and collectives – the opening of a big welcoming space in which to explore and celebrate the creative spirit.  This is where you find the wild seeds of what will grow tomorrow. Big Ups to courageous peeps like Ashley Zelinskie and Jeffrey Pena and all the friends that are putting their skills into action.brooklyn-street-art-curbs-and-stoops-Sebastian-Vallejo 5 Jardiìn-Galaìctico.-web

Sebastian Vallejo Detail. Image courtesy of Curbs & Stoops

The goal is to create a progressive cultural center designed to promote community through art; a 6,000 square foot space will host new works by Angel Otero, Ashley Zelinskie, Brian Maller, Brian Matthew, Christopher Rivera, Hector Arce, Hector Hernandez, Jason Mones, Jeffrey Pena, Jonathan Chapline, Korakrit Arunanondchai, Pep Williams, Rachel LaBine, Sebastian Vallejo, Lapiztola Collective, UR New York Collective and Super Pop Collective

566 Johnson Street 2nd Floor
Friday, February 18, 6-10PM
Morgan L Stop

Opening night party with DJ Grimmace.
Sponsor: DogFish Head

For more information on this show click on Curbs & Stoops site:

http://www.curbsandstoops.com/blog/

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Downloadable Map for tonights events in Bushwick http://www.nortemaar.org/

Shout out to Andrew Hurst for the poster design.

Street Knowledge by King Adz

Fumero and Mario Pena at Art Bazaar Tonight

Check out the artists collaboration show at Art Bazaar in Chelsea to see new work by a number of artists, including some you have seen on the street like painters Mario Pena and Fumero.

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Participating Artists:

Cargoh Artist profile by Indigo

Steve Powers AKA ESPO talks about his Urban Love Letters

Opiemme “Barbarism Kills”

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Roa Right Now In London: New Work, Old Street

New Exclusive ROA Pics Just for You

As previously reported, Belgian artist ROA is currently in London now – which is grayer and chillier than the sun roasted Mexico he just left a minute ago. The boy just can’t sit still and the idea of keeping him off of a ladder and away from a beat-up decrepit bumpy old wall would be like prying my nephew’s hands off the PlayStation. Ain’t gonna happen. Charley Uzzell Edwards, artist and accidental gallerist at Pure Evil has gallantly provided BSA readers with some live exclusive ROA in action while he’s been working on a mural in Old Street.

Brooklyn-Street-Art-ROA-Pure-Evil-2-webRoa Photo courtesy Pure Evil Gallery © Pure Evil Gallery

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Roa Photo courtesy Pure Evil Gallery © Pure Evil Gallery

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Roa Photo courtesy Pure Evil Gallery © Pure Evil Gallery

Click here for Pure Evil

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Curbs & Stoops Presents: Active Space X Beat Nite (Brooklyn, NY)

Curbs and Stoops
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Sebastian Vallejo “Jardiìn Galaìctico” Detail. Image courtesy of the Curbs & Stoops

Comin’ in hot: This Friday, February 18th, Curbs & Stoops is pleased to announce the grand opening of our space on Norte Maar’s Beat Nite. The Curbs & Stoops Active Space, is a collaboration with Welner Associates to create a progressive cultural center designed to promote community through art. This Friday we open the first 6,000 square foot of space our space. The Active Space will house artists studios, our residency program, exhibition spaces, and our art accessibility think tank that will continue to produce the Curbs & Stoops blog and curated publication. Friday’s opening will include five exhibitions, three open studios and a party all curated to highlight the scope and caliber of artists we will be collaborating with.
Participating artists include: Angel Otero, Ashley Zelinskie, Brian Maller, Brian Matthew, Christopher Rivera, Hector Arce, Hector Hernandez, Jason Mones, Jeffrey Pena, Jonathan Chapline, Korakrit Arunanondchai, Pep Williams, Rachel LaBine, Sebastian Vallejo, Lapiztola Collective, UR New York Collective and Super Pop Collective.
About Beat Nite: Norte Maar’s well loved bi-annual Bushwick block party Beat Nite: Bushwick Art Spaces Stay Open Late is part art walk, part pub crawl, Beat Nite encourages an accessible and informal introduction to the neighborhood’s vibrant art community. This month’s episode of Beat Nite is sponsered by Hyperallergic, and will feature shows at local spaces English Kills, Centotto, Fortress to Solitude, Famous Accounts, and re-installation by Austin Thomas of the apartment gallery that started it all, Norte Maar.

//Information//

566 Johnson Street 2nd Floor
Friday, February 18, 6-10PM
Morgan L Stop

Opening night party with DJ Grimmace.
Beers courtesy of DogFish Head.

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UR New York hits Woodward Project; New Video Debut at BSA

UR New York hits Woodward Project; New Video Debut at BSA

“Eye of the Beholder”, 2esae and Ski Challenge Themselves to a New Freestyle

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UR New York’s 2esae in their studio is projecting and painting by hand, a new process that made both he and Ski a little nervous, to tell the truth. (Photo courtesy of the artists © UR New York)

This week UR New York is rocking the four-panel spot across the street from Woodward Gallery in the Lower East Side of Manhattan.  The born-and-raised New York duo, who have both done graffiti in the past, have been working hard year-round on the streets of Soho selling their art for about 3 years . With their folding tables displaying original screened and sprayed urban image collage, they’ve built a serious fan base. With themselves as their own best reps, they’ve also landed their work in shows and private collections and even corporate lobbies. Always hustling and always challenging themselves to take it to the next level, they’re pretty stoked to fill this spot that has hosted a number of New York’s hometown favorite Street Artists over the last few years.

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The new four panel piece by UR New York (photo © Jaime Rojo)

To mark the new installation, 2easae and Ski wanted to do something new and creative so they painted everything by hand instead of using screens and stencils. The results are somehow more personal and inviting. Stretching beyond their comfort level, they also took on something more abstract. When an artist does something courageous like going outside what is safe for them, you gotta applaud. According to the guys, the end result was a feeling that they were more connected to this piece than others they’ve worked on. They also scored a greater appreciation for artists who work by hand.

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Two panels chillin on the street by UR New York (Photo courtesy of the artists © URNewYork)

Brooklyn Street Art: Can you talk a little about the actual shapes and symbols you used and what pushed you toward them?
UR New York:
We decided to use different symbols, and arrows in particular, to represent the different directions we may take in life. When you look at our work traditionally it’s detailed and defined with elements of graffiti. We started this project taking a completely different route. We figured we’d use simple imagery to convey an abstract feeling.

Brooklyn Street Art: Can each panel stand as a piece by itself or is it meant to be as a single piece only?
UR New York:
The initial thought was for the four panels to create a narrative. Artistically each panel was structured to stand alone but when they come together you grasp the full vision of the piece.

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UR New York, detail of “Eye of the Beholder” (Photo © Jaime Rojo)

Brooklyn Street Art: Talk a little bit about how you feel about changing it up stylistically.
UR New York: Changing our style of work is refreshing. As much as we love urban landscapes and graffiti, we decided to try something different and slightly out of our element. We get a thrill out of trying new techniques and styles. Our audience and supporters are always expecting something fresh and new. It’s exciting to deliver and get positive and creative feedback.

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UR New York, detail of “Eye of the Beholder”(Photo © Jaime Rojo)

Brooklyn Street Art: Do you always bring graffiti to the game?
UR New York: Our style is as unique as a fingerprint but an element of graffiti will always play a role in our artwork. It’s part of our background and we pay homage to the roots and culture of where this all started for us.

Video Debut of “Eye of the Beholder”, starring UR New York in studio.

Visit URNewYork online here:

Now on view at Woodward Gallery Project Space:
UR New York, “Eye of the Beholder”

Previous Installations by:

Cycle, Forest Spirit
Kenji Nakayama, Brooklyn
FARO, Mood Swingz
El Celso, Sardana
Stikman, Double Vision
Michael De Feo, New Territories
Royce Bannon, Conversation with Monsters
Lady Pink, Pink Brick Woman Reclining
Sonne Hernandez, The Revolution Will Be Televised
LAII, Stop the War
Terence Netter
JM Rizzi, Chinese New Year
Matt Siren & Darkcloud

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(Photo courtesy of the artists © URNewYork)

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The Secret Language of Retna. Graffiti Going Abstract.

Looking at the cavalcade of new Retna paintings for his “Hallelujah World Tour” New York debut, currently on display at a pop up shop in West Soho, you’ll see elements of anthropology, historical academia, and the current street penchant for the remix, or mashup.

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Retna (photo © Jaime Rojo)

Retna is one of a handful of today’s Street Artists with a background in graffiti taking the art form into the abstract, making it feel genuinely fresh and forward-looking. No doubt the literal meaning on the canvas might add an extra dimension to the piece but that’s probably not what the artist had in mind when he began exploring and developing his style as a graffiti writer in Los Angeles. It’s about the jolting energy of the street. Best viewed from the distance – his kinetic letters and symbols cannot remain still. The bold handstyle is spare, elegantly unpretentious and perfectly anarchistic.

brooklyn-street-art-retna-jaime-rojo-02-11-web-10How do you spell Retna? (photo © Jaime Rojo)

The effect of this stunningly lit and somehow crowded traveling show (despite a 10,000 square foot exhibition space) is mystery, monastery, in motion. It is also very exciting to witness in person; A periodic splash of red in the monochromatic scheme of white, black, and silver.

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Retna (photo © Jaime Rojo)

Using the concept of the graffiti tag as a starting point to craft a secret language of symbols, the canvasses are messages known to him and his inner circle alone. His approach and style has been compared to hieroglyphics, the Egyptians, Incas and Eastern calligraphy but is probably more analogous to the coded graffiti of Brazilian pixação that his southern contemporaries are spraying in black throughout favela streets right now.

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Retna (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

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Retna (photo © Jaime Rojo)

RETNA “The Hallelujah World Tour”

560 Washington Street, NYC

Thursday, February 10,2011 – Monday, February 21,2011

Daily Hours: 10 AM – 6 PM

General Inquiries: 212 242 2905

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Erik Burke Captures Nick Spilling The Beans (and sweeping them up)

Brooklyn-Street-Art-Nick-the-amazing-copyright-Erik-BurkeThe vicissitudes of daily living get in the way of creating life. I just made that up. Genius, right? These days when things can seem so difficult, it’s good to remember that creative folk like you are also struggling with demons, and everybody has occasional victory.

“Follow your inner moonlight; don’t hide the madness.” ~ Alan Ginsberg

In this brand-spanking new film, “Nick The Amazing”, artist ND’A and director Erik Burke follows a Street Artist around Brooklyn, camera in hand, and catches the manic thinker and worrier as he goes about making art, frantically talking and painting and cutting and pasting and performing verbal and physical stunts. The resulting urban pastiche is a welcome poem on the inner and outer life of an artist and by extension, a filmmaker. Or, as Erik says,  “A manic portrait of Brooklyn based artist ND’A that follows him as he creates artwork in the streets and spills the beans at work, literally.”

Nick the Amazing

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and I shambled after as I’ve been doing all my life after people who interest me, because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!” ~ Jack Kerouac

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