Brooklyn Street Art | …loves you more every day.

Gola Hundun Goes All Natural in Kazakhstan

October 26, 2013 Artists

Street Artist and mural painter Gola Hundun sends us images from this new wall on a rooftop terrace in Kazakhstan and of himself in the nude to celebrate it. “The work represents for me the three worlds,” he says to describe the piece he completed for the Almaty festival called Artbat.

With interweaving symbols that emblematize what could be a diagram for a belief system, Gola says that within it are depicted the Earth, the Cosmos, and the human soul. According to his understanding of these matters there will be a return to nature in our future, and a new hope.

Happy Saturday.

Göla. Artbat Festival in Almaty, Kazakhstan. October, 2013. (photo © Ivan Bessedin)

BSA Film Friday 10.25.13

October 25, 2013 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Debut: Nils Westergard x Nanook in the Navaho Nation
2. MTO in Berlin
3. Vhils Talks About His Work
4. Sajjad Abbas In Iraq
5. Duality by MATEO

BSA Special Feature: DEBUT
Nils Westergard x Nanook in the Navaho Nation

The debut of a video seen here for the first time, this timelapse of the experience that two Street Artists had while in “The Painted Desert” project sponsored and cultivated in and around the Navaho Nation by Jetsonorama for the last couple of years.

Here we see Nanook and Nils Westergard create works influenced by the people they got to know while there, a cultural exchange that helps expand the knowledge of all the participants. In the video you see Nils create two portraits; one of King Fowler, “who was a Navajo Codetalker during WWII,” says Nils, and who died not too long ago. The other is a kid named Calvin, who lives on the reservation and who you can see in the red flannel shirt actually watching Nils put his face on a wall.

In a community where people know everyone else’s family and friends, Nils says it felt like a real honor to paint these people and “it was especially interesting to talk to kids around my age, and see how Navajo culture adapts to the 21st century.” Lots of conversations and even participating in a sweat lodge, Nils felt his mind being reorganized.

He smiles when he mentions the speed that paint dries in the desert, and the ingenuity he used to keep the mural going. “I didn’t have enough buckets, so almost all of my paint was held in broken 40 oz. beer bottles while I worked,” he says. “They got a kick out of that.”

MTO in Berlin

Frenchman MTO appears in this new video that is more music video and sleek hipster ode to the moment than Street Art film. Using art, artifice, nightlife and poetic romantic interludes woven with signifiers of power and light debauchery, it’s a sexy romp. We don’t know what we just said either.

“Je me suis embarqué vers les tristes rivages de cette “île” du bonheur fictif.”

Vhils Talks About His Work

A quick primer on the work of Vhils from the man himself. “I started to see stencil as not something you paint over, but as a window you see through.”

Sajjad Abbas In Iraq

We don’t often see videos of Street Art in Iraq, but this one gives some insight into how they do it – and there are similarities to everywhere else, as it turns out.

Done under cover of night the subject matter points to the topic of militarization and the stencil itself reveals an international Street Art style that has emerged since the Internet connected us all.

Duality by MATEO

And ending on a happy note this week, here’s Mateo flipping and bouncing down a wall in a balanced performance. Also, corn on the cob.

Canemorto in the Norwegian Countryside

October 24, 2013 Artists

As satisfyingly “street” as it is to dodge 18-wheelers that barrel down Flushing Avenue like they want to kill you and to wipe a quarter inch of caked cement dust and grime from your face when painting in Bushwick or to inhale the oily toxic smelling air when wheat-pasting in Newton Creek or building a sculpture on the banks of the Gowanus canal that “smells overwhelmingly like an army of demonically-possessed feet,” even graff writers and street artists occasionally long for the wide open spaces of the countryside. Sometimes a homey just wants to get out to the pasture and talk to a cow and hit up a barn.

Canemorto. Ranavik, Norway. (photo © Canemorto)

We’ve documented the increased interest in rural buildings being hit by street artists a number of times in the last few years, and while we may not have declared it to be a trend yet, be prepared to see painted more sheds and silos the next time you head out of the city to see the fall foliage.

The brutalist portraiture of Italian Street Artists Canemorto has been featured here a handful of times and today we take you to their ex-urban art explorations recently in Norway, where the trio were invited for a two week residency in Ranavik. When they weren’t conducting workshops on collective mural painting at an art school and creating a small exhibit at a local gallery, they were improvising on cylindrical shaped architecture and the occasional barnside.

Canemorto. Ranavik, Norway. (photo © Canemorto)

Gestural and in the moment, the final compositions call to mind Picasso, Francis Bacon, and the energy of newer painters like Alexandros Vasmoulakis, Anthony Lister and Simon Birch – but unpolished and proud of it. Canemorto also know how to steer clear of the painfully self-reverent style that can afflict some contemporaries as they throw in the freewheeling spirit of Dr. Seuss to keep us from taking it all too seriously.

“It was a great experience,” the guys say of their trip to this small island on the southwest coast, and of course they did some walls in Ranavik and Bergen to complete the city-country cycle. Interestingly, their style translates well to both barn and abandoned factory wall.

Canemorto. Ranavik, Norway. (photo © Canemorto)

Canemorto. Bergen, Norway. (photo © Canemorto)

Canemorto. Kaffe Gallerie. Ranavik, Norway. (photo © Canemorto)

Opiemme Writes Poetry and Letterforms Across Italy

October 23, 2013 Artists

”What do you write?”

For decades graffiti writers have been checking out one anothers’ bonafides with this question. Even as tags turned to large complex pieces, evermore stylized through means of exaggeration or obfuscation, text has always stayed as a fundamental building block for graffiti writers.

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Opiemme. Edgar A. Poe. “The Raven” Torino, Italy. (photo © Opiemme)

Italian fine artist and Street Artist Opiemme took a variety of routes to employ the text-based art of writers and poets on the street this summer with his “journey through painting and poetry.” Breaking apart, recombining, stretching and spreading the written letterform, the public poetic paintings were conceived to be site-specific and included walls and pavement installations across Italy from north to south, including Torino, Bologna, Rieti, Pizzo Calabro, Faggiano (Taranto), Ariano Irpino, Menfi, Genova, Tirano (Sondrio), and finally Rome.

“I paint using stencil and letter to create images to be read and words to be looked at,” says Opiemme, who travelled more than 5,000 kilometers by train and bus to do his various installations that included 15 murals and a 7 kilometer long “River of words” painted on the pavement in Turin.

Opiemme. Jupiter. Genova, Italy. (photo © Courtesy of Opiemme)

With the help of a webzine, a few galleries, and even the city of Turin, Opiemme found a receptive audience for his works, perhaps because he chose scribes known and admired in the locations he created works for. Among them are local writers and poets mixed with the American Jazz musician Louis Armstrong and Armenian-American rock band System of a Down. Also included are Edgar Allan Poe, Giovanni Pascoli, S. Francesco D’Assisi, Franco Arminio, Giacomo Leopardi, and Riccardo Bacchelli.

Opiemme says he likes to explore the border between poetry and image, public and private, and to use the printed word as a graphic element on which to build more meanings, even as he sometimes disconnects the letters from their original context. With work that often touches on social or environmental themes his work has evolved onto the street and into the gallery in the 10+ years he has been practicing. For the Turin born Opiemme it is about plumbing the fine lines between public art, Street Art, and the written word to bring poetry out into the open.

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Donato Aquaro)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Sara Spallarossa)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Donato Aquaro)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

Opiemme. Turin, Italy. (photo © Courtesy of Opiemme)

Opiemme. Fagginao Jaz Festival, Italy. (photo © Courtesy of Opiemme)

Opiemme. Bacchelli. Bologna, Italy. (photo © Courtesy of Opiemme)

Opiemme. Ariano, Italy. (photo © Livio Ninni)

Opiemme. Pizzo, Italy. (photo © Courtesy of Opiemme)

Opiemme. Rieti, Italy. (photo © Courtesy of Opiemme)

Opiemme. Detail. Menfi, Italy. (photo © Courtesy of Opiemme)

Opiemme. Menfi, Italy. (photo © Courtesy of Opiemme)

Opiemme. Tirano, Italy. (photo © Courtesy of Opiemme)

Opiemme. Italy. (photo © Courtesy of Opiemme)

Permission granted for photography used here by Opiemme, who wishes to thank photographers Cristina Principale (Bologna), Mario Covotta, Floriano Cappelluzzo (Ariano Irpino), Claudia Giraud, Thut Duong Nguyen (Torino), Livio Ninni, Ilaria Massaccesi (Tirano), Alessandro Orlandi (Rieti), Stencil Noire Cut (Faggiano), Giorgio De Finis (Roma), Donato Aquaro, Martina Serra, Sara Spallarossa, Francesco Mancini, Marco Pezzati (Genova), Anna Milano, Ivan Barreca (Menfi). Copyright is retained by photographer and the artist.

This project was covered/followed in stages by ZIGULINE webzine,

Opiemme’s journey was supported by: Elastico Studio and Antonio Storelli (Bologna), 3)5 Artecontemporanea (Rieti), Bi-BOx Art Space (Biella), and Studio D’Ars (Milano).

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Please note: All content including images and text are © BrooklynStreetArt.com, unless otherwise noted. We like sharing BSA content for non-commercial purposes as long as you credit the photographer(s) and BSA, include a link to the original article URL and do not remove the photographer’s name from the .jpg file. Otherwise, please refrain from re-posting. Thanks!

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This posting is also published on The Huffington Post

Steel Gives Firepower to NEKST and Lango Sees Red in San Francisco

October 22, 2013 Artists

Here’s a quick shot from Hemlock Alley in San Francisco as Steel pays an explosive tribute to Nekst and the talented tattooist Lango lets the crimson power flow like a system of veins waving like flames across the wall. The collaboration brings to life a street that looks like it otherwise may be losing some of it’s energy.

Thanks to Brock Brake for sharing these images with BSA readers. Extra points for the red water hose lying on the sidewalk that gives Lango a third dimension.

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

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Agostino Iacurci Climbing in Rome for “Public and Confidential”

October 21, 2013 Artists

Agostino Iacurci really impressed with scale and humor in Atlanta for Living Walls this past summer and now he has taken his outsized geometric illustrated forms to Rome to participate Wunderkammern’s Public and Confidential series. Light hearted, sure-footed, and hand-controlled, his climbing figures invite you to help tell the story, to be pleased and bemused while contemplating the balanced ying/yang of their positions.

Whatever your reading of this composition is, it is precisely this kind of intimate experience one can have with public work that the series intends to highlight. With a smart palette and love for a flatly dimensional scene, Iacurci places just the right amount of exactitude in his choices to let you know that as fun as this work looks, he’s not playing.

Special thanks to photographer Giorgio Coen Cagli for sharing these exclusive shots of Agostino at work with BSA readers.

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

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BSA Images of The Week: 10.20.13

October 20, 2013 Artists

The leaves in Central Park are aflame and so are the passions of Street Art fans (and artists) this week in New York where the general public is now conditioned to be on alert for a near-daily announcement of a new Banksy installation nearly anywhere in the city. It can be a stencil, a sculpture, a performance, a rolling truck gallery, or a canvas suspended from the Highline – but don’t worry about finding it – it will be announced on the website first…

Lead image above >>Banksy (photo © Jaime Rojo)

Banksy (photo © Jaime Rojo)

We’ve tried to keep it all in perspective and not slavishly cancel life to run out and capture the latest installation, but the buzz is unavoidable and we get sucked in. It is now taking on some air of a circus, complete with barkers and clowns and otters flapping their flippers (and lips). As a branding “re-fresh”, it’s been a very successful campaign so far with news reportage, Instagramming and re-tweets, crowds assembling at a moments notice to snap images of and/or with the work, and we even found vigilante fans tackling vandals who are vandalizing the vandalism. You can’t engineer that sort of irony. Now an elected leader or two are talking about trying to capture the president of Banksy Inc. LLC – which would send a clear message to all Street Artists that this really is the best way to market your work.

Banksy. Detail. (photo © Jaime Rojo)

Meanwhile there are many other Street Artists and fine artists in general who are still at work on the streets of New York, and you may even give their content, quality and placement more praise than some from this Banksy campaign. We’ve always celebrated the creative spirit however it is expressed and invariably find some of the greatest work is done by people we’ve never heard of, or barely know much about. At a time where large media is consolidating and the individual voice is being marginalized and commodified, we find this to still be an amazingly democratic practice of joining the conversation, if imperfect and confusing. And New York doesn’t stop just because one new guy is getting a lot of attention – Hell, we barely notice when Obama or the Pope or even the Queen of England visits – she’s just one queen after all and we have the entire neighborhood of Chelsea.

So here is our weekly interview with the street, this week featuring Banksy, Bifido, Cali Killa, Dede, Don Rimx, El Kamino, El Sol 25, JC, London Kaye, Meres, Nepo, Pastey Whyte, Shin Shin, and Shiro.

______________________, The Musical! Banksy. (photo © Jaime Rojo)

The view into the back of a box truck with an installation attributed to Banksy. (photo © Jaime Rojo)

London Kaye (photo © Jaime Rojo)

A Dying Breed. 5ptz. Queens, NY. (photo © Jaime Rojo)

9 (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Shiro. 5ptz. Queens, NY. (photo © Jaime Rojo)

El Kamino. American Flag with Cardinal. Welling Court. Queens, NY. (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

Don Rimx . NEPO. 5ptz. Queens, NY. (photo © Jaime Rojo)

Don Rimx . NEPO. Detail. 5ptz. Queens, NY. (photo © Jaime Rojo)

Pastey Whyte (photo © Jaime Rojo)

Meres. 5ptz. Queens, NY. (photo © Jaime Rojo)

Shin Shin (photo © Jaime Rojo)

Artist Unknown. 5ptz. Queens, NYC. (photo © Jaime Rojo)

Cali Killa (photo © Jaime Rojo)

Dede (photo © Jaime Rojo)

JC in Barcelona, Spain. (photo © JC)

Bifido. Rome, Italy 2013. (photo © Bifido)

Untitled. Manhattan, NYC. (photo © Jaime Rojo)

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A Saturday Mural in Mexico City with Tiburon 704, Navajas, and Shente

October 19, 2013 Artists

A ROA/SEGO Colab is Defaced and Replaced (VIDEO)

“It’s not illegal graffiti, it’s a contemporary mural,” says a passerby who is watching the new collaboration by Tiburon 7ö4, Navajas, and Shente in Mexico City. The Antique Toy Museum Mexico (MUJAM) and its director Roberto Shimizu decided it was time to refresh this wall after another collaboration by ROA and SEGO was finally tagged after running for two years.

“I respect the streets language and the cycle of the ephemeral artworks,” says Shimizu as he traces the relatively long life of the Dutch/Mexican mural that began the Mural Mujam project and in his estimation was “one of the most emblematic walls in Mexico City. That’s why I wanted to make something special to cover this historic tagged mural.”

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The new collaboration is all Mexican, drawn from three far spread cities in the country (Mexico City, Puerto Vallarta, and Tijuana) and stylistically it is equally diverse. In these images and the video below you see the Tiburon using a more traditional mural technique using brushes, vinyl and spray cans, Navajas skewing toward a monochrome realism, and Shente bringing some old school influences from Tijuana´s graffitti scene.

The gathering of different kinds of people in public space may be one of the overlooked qualities invariably arises with the appearance of cans, ladders and artists on your block on a Saturday morning. Here you get to meet people, trade opinions, learn new techniques of painting, see the original sketches, and hear how the artist is thinking about their progress. “What we enjoyed the most with this mural was we really had a great time as a group of friends, painting over a normal weekend and having a good time just hanging out with our people,” says Shimizu.

Special thanks to Omar Villa and Nasser Malek for sharing photos and timelapses of the new mural with BSA readers, and thank you to Daniel Sroor for making the video capturing the sense of community that surrounded the process.

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BSA Film Friday: 10.18.13

October 18, 2013 Artists

Our weekly focus on the moving image and art in the streets. And other oddities.

Now screening:
1. Charlie Ahearn, Lee Quinones & Meres on “Wild Style” + 5 Pointz + Banksy
2. PIXOTE Outlaw
3. The Lurkers in Copenhagen
4. Anthony Lister is Never Odd or Even (Part 2)
5. Enzo & Nio Indoors in Cambridge

BSA Special Feature:
Charlie Ahearn, Lee Quinones & Meres on “Wild Style”, 5 Pointz, and Banksy

This week as Banksy continues his month-long “residency” in New York, three old-school heads from New York helped keep the current hype in perspective with this half hour interview with Ricky Camelleri at HuffPost Live right in the middle of Manhattan. Marking the 30th anniversary of the movie “Wild Style” and the current concerns around the announced razing of the graffiti/street art holy place 5 Pointz in Queens, the conversation includes 70s NYC train bomber Lee Quinones, Director Charlie Ahearn, and 5 Pointz organizer/artist Meres. It’s a good conversation.

PIXOTE Outlaw

Basically an ad for skateboards, this little video gives a look at a Pixote, a writer from Rio De Janiero whose large roller tags inspired by Brazil’s Pixação movement have been popping up on walls in New York for a year or two.

“Between adrenaline, chaos, enlightenment – its all these things together,” he says about his experiences on the street.

The Lurkers in Copenhagen

The newest travelogue video installment from The Lurkers is here featuring blonds from Copenhagen, a lot of lounging, and a reggae soundtrack. What?

Anthony Lister is Never Odd or Even (Part 2)

On a backdrop decidedly classical, the swelling and heaving of the orchestra heft, fillagreed with flute and french horn, your man Lister delicately paints the orbit across this wall. Later, as installing his show, he re-writes the introductory text on the wall with a bit of black pastel stick. How often have you wanted to do that? Significantly he crosses out ~~street art~~ and changes ~~movement~~ to “revolution”.

Enzo & Nio Indoors in Cambridge

Here’s a quick video of New York Street Artists Enzo & Nio doing an installation at a restaurant in Cambridge, Mass for a special event. Witness their appreciation for collage of appropriated pop culture imagery and watch as they employ the commercial vernacular of hand postering- that is how you describe it if you are in a gallery.

If you are on the street looking over your shoulder, one may call it “smacking my stuff up on a wall”.

Also, dancing!

Meggs “Beauty In Tragedy” in the Tenderloin in San Francisco

October 17, 2013 Artists

Meggs was in San Francisco last month bringing his inner demons to a rolldown gait in the Haight – okay – actually it’s the Tenderloin but that didn’t rhyme.

The Australian Street Artist favors forms of duality, questioning our true nature, and sometimes arriving at a riotous indictment of it through a splashing fantasy superhero treatment in blood, sweat and myth. Saying that this one entitled “Beauty in Tragedy” is for his TL familia, Meggs lines are a bit more distinct and defined as if influenced by West Coast tattoo culture; he even chooses a few iconic motifs which are inked across thousands of bodies across this great land – the skull and the rose.

Our special thanks to Brock Brake for sharing these images of Meggs at work with la BSA familia.

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Ernest Zacharevic Plays on Walls in Singapore

October 16, 2013 Artists

A quickly rising Street Art installation artist from Lithuania is keeping his work refreshingly down-to-earth and sincerely engaging with the public. While some artists working on the street can lose sight of how to have fun, Ernest Zacharevic keeps his eye on creating installations that punch through the third dimension and pull passersby into his work, and some times on it.

It’s not surprising to find his sculpture-paintings including wheels, as in this new one he’s just finished in Singapore. “It’s a part of ‘play’, but also a wider narrative about the continuous desire by human beings to travel, push forward, explore unknown horizons,” he explains to BSA. “Cars and bicycles and tricycles were invented because just walking is too slow to most of our imaginations.”

The new work on the street is rare considering Singapore’s very severe punishment for graffiti and street art, which actually includes severe beatings that can rip skin off the backside, called caning. “We feel that it is a ground breaking project that will hopefully open Singapore up for other artists,” says his friend and photographer Gabija Grusaite, who shares these images of his new piece that uses a sawed in half shopping cart. Possibly the organizers saw the success of his piece last year in Penang, Malaysia, which became a popular tourist destination and still draws people to see it and pose with it daily.

“Most of my work is photography based and site-specific, so I photograph my subjects and later choose angles for painting. Working with children allows more anonymity, I don’t consider my artworks to be portraits of a specific person, rather a universal experience,” says the energetic and curious Zacharevic, who is still in his mid-20s and has done installations in Japan, Italy, Norway, Lithuania, and Singapore so far this year. “It is also easier to work with children – they are not self-concious and are not afraid to look stupid or ugly. So we play together and I take pictures that later translate into my artwork.”

Take a look at Ernest’s installation last year in Georgetown, Malaysia, that had hundreds of people interacting with it moments after it was finished and is a celebrated tourist destination.

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This article is also published on The Huffington Post

On the Shoulders of a Wizard : Os Gemeos and Mark Bode In SF

October 15, 2013 Artists

We continue our San Francisco street diaries with BSA contributing photographer Brock Brake and a mural from Os Gemeos and Mark Bodé, who together include a glorious technicolor tribute to Cheech Wizard and the illustration work of Mark’s dad Vaughn. First off a multi-colored hoodie popping through the trees with a can and “with a JADE throwie on his hat”, says Brake. Not shown are his Nekst belt buckle and a TIE button.

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Göla. Artbat Festival in Almaty, Kazakhstan. October, 2013. (photo © Ivan Bessedin)

Göla. Artbat Festival in Almaty, Kazakhstan. October, 2013. (photo © Ivan Bessedin)

Göla. Artbat Festival in Almaty, Kazakhstan. October, 2013. (photo © Ivan Bessedin)

Göla. Artbat Festival in Almaty, Kazakhstan. October, 2013. (photo © Ivan Bessedin)

BSA Special Feature: DEBUT Nils Westergard x Nanook in the Navaho Nation

MTO in Berlin

Vhils Talks About His Work

Sajjad Abbas In Iraq

Duality by MATEO

Canemorto. Ranavik, Norway. (photo © Canemorto)

Canemorto. Ranavik, Norway. (photo © Canemorto)

Canemorto. Ranavik, Norway. (photo © Canemorto)

Canemorto. Ranavik, Norway. (photo © Canemorto)

Canemorto. Ranavik, Norway. (photo © Canemorto)

Canemorto. Ranavik, Norway. (photo © Canemorto)

Canemorto. Ranavik, Norway. (photo © Canemorto)

Canemorto. Bergen, Norway. (photo © Canemorto)

Canemorto. Bergen, Norway. (photo © Canemorto)

Canemorto. Bergen, Norway. (photo © Canemorto)

Canemorto. Bergen, Norway. (photo © Canemorto)

Canemorto. Kaffe Gallerie. Ranavik, Norway. (photo © Canemorto)

Canemorto. Kaffe Gallerie. Ranavik, Norway. (photo © Canemorto)

Canemorto. Kaffe Gallerie. Ranavik, Norway. (photo © Canemorto)

Opiemme. Edgar A. Poe. “The Raven” Torino, Italy. (photo © Opiemme)

Opiemme. Jupiter. Genova, Italy. (photo © Courtesy of Opiemme)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Donato Aquaro)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Sara Spallarossa)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Donato Aquaro)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

Opiemme. Jupiter. Performance by O. Giovannini. Genova, Italy. (photo © Courtesy of Opiemme)

Opiemme. Turin, Italy. (photo © Courtesy of Opiemme)

Opiemme. Fagginao Jaz Festival, Italy. (photo © Courtesy of Opiemme)

Opiemme. Bacchelli. Bologna, Italy. (photo © Courtesy of Opiemme)

Opiemme. Ariano, Italy. (photo © Livio Ninni)

Opiemme. Pizzo, Italy. (photo © Courtesy of Opiemme)

Opiemme. Rieti, Italy. (photo © Courtesy of Opiemme)

Opiemme. Detail. Menfi, Italy. (photo © Courtesy of Opiemme)

Opiemme. Menfi, Italy. (photo © Courtesy of Opiemme)

Opiemme. Menfi, Italy. (photo © Courtesy of Opiemme)

Opiemme. Tirano, Italy. (photo © Courtesy of Opiemme)

Opiemme. Italy. (photo © Courtesy of Opiemme)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Steel and Lango. Detail. San Francisco, CA. (photo © Brock Brake)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Agostin0 Iacurci for Wunderkammern’s Public and Confidential project in Rome. (photo © Giorgio Coen Cagli)

Lead image above >>Banksy (photo © Jaime Rojo)

Banksy (photo © Jaime Rojo)

Banksy. Detail. (photo © Jaime Rojo)

______________________, The Musical! Banksy. (photo © Jaime Rojo)

The view into the back of a box truck with an installation attributed to Banksy. (photo © Jaime Rojo)

London Kaye (photo © Jaime Rojo)

A Dying Breed. 5ptz. Queens, NY. (photo © Jaime Rojo)

9 (photo © Jaime Rojo)

Artist Unknown (photo © Jaime Rojo)

Shiro. 5ptz. Queens, NY. (photo © Jaime Rojo)

El Kamino. American Flag with Cardinal. Welling Court. Queens, NY. (photo © Jaime Rojo)

El Sol 25 (photo © Jaime Rojo)

Don Rimx . NEPO. 5ptz. Queens, NY. (photo © Jaime Rojo)

Don Rimx . NEPO. Detail. 5ptz. Queens, NY. (photo © Jaime Rojo)

Pastey Whyte (photo © Jaime Rojo)

Meres. 5ptz. Queens, NY. (photo © Jaime Rojo)

Shin Shin (photo © Jaime Rojo)

Artist Unknown. 5ptz. Queens, NYC. (photo © Jaime Rojo)

Cali Killa (photo © Jaime Rojo)

Dede (photo © Jaime Rojo)

JC in Barcelona, Spain. (photo © JC)

BSA Special Feature: DEBUT
Nils Westergard x Nanook in the Navaho Nation

BSA Special Feature:
Charlie Ahearn, Lee Quinones & Meres on “Wild Style”, 5 Pointz, and Banksy